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	<title>Movmnt Magazine &#187; Choreographer</title>
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		<link>http://www.movmnt.com/yumiko_007306.html</link>
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		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
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		<category><![CDATA[portrait]]></category>
		<category><![CDATA[ballerina]]></category>
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		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[Raphael Coumes-Marquet]]></category>
		<category><![CDATA[Takeshima]]></category>
		<category><![CDATA[yumiko]]></category>
		<category><![CDATA[Yumiko Takeshima]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=7306</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Between a career as prima ballerina and one as fashion designer, Yumiko has embarked on an unusual journey where she manages to bring both worlds together.]]></description>
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<p style="text-align: justify;"> <b>Buy cheap Modalert online</b>, In the piece, choreographed by Dresden SemperOper Ballet’s resident choreographer, David Dawson, principal dancers Yumiko Takeshima and Raphael Coumes-Marquet made a memorable impression, not just because of flawless pirouettes, arabesques, and grand jeté’s, but because of Yumiko’s design of sleek fitting costumes that made every muscle stand out.</p><br />
<p style="text-align: justify;">The Japanese native began her design career with the determination to construct an outfit a dancer wouldn’t have to pull, tug, or adjust during a rehearsal or performance. She traded a toaster for a sewing machine and started sketching different designs of leotards in her spare time, <b>order Modalert online without prescription</b>, <b>Colorado CO Colo. </b>, experimenting with a variety of stretchy fabrics for all shapes and sizes. Her vision and patience for perfection paid off when she finally created a leotard she could wear to class, <b>buy Modalert online</b>.  <b>Cheap Modalert overnight delivery</b>, Her fellow dancers envied Yumiko’s style and began begging for their own; this marked the beginning of a second career.</p><br />
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<p style="text-align: right;"><strong>Kendra Ratliff</strong></p><br />
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<p style="text-align: center;">First published in Issue 9 - Spring/Summer 09 - Arti$tic Reinvention, Poster Issue</p><br />
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		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
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		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[MUSIC]]></category>
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		<category><![CDATA[interview]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[David Benaym]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[Featured]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=7325</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>Teddy Forance has has been a successful dancer working with Janet Jackson as well as for various productions like Shrek Goes 4th.]]></description>
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<p>We first encountered Teddy Forance when Mia Michaels selected him to act as her muse for Movmnt’s “In Bed with Mia” Feature, photographed by Koury Angelo.  Ever since, <b>ordering Modalert online without prescription</b>, <b>Billig kaufen Modalert</b>, Teddy has spread his wings and continues to perform with outstanding artists like Janet Jackson as one of her lead dancers on tour, and has been a successful dancer working for various productions like Shrek Goes 4th, <b>California CA Calif. </b>.  <b>Buy Modalert online legally</b>, His roster is ever expanding.  Movmnt had the opportunity to snag a conversation with this talented young dancer and discovered some of his true ambitions.</p><br />
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<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
<p><strong>Teddy Forance</strong>: I’m really focused on performing while I am young to get as much experience as possible. My ultimate goal would be to travel around the world exploring every style of dance, <b>Rabatt kaufen Modalert</b>. Whether it’s a tribe in Africa or in class in New York or L.A, <b>order Modalert online cheap</b>.  <b>Cheap Modalert</b>, I want to investigate all inspirations that this artform has to provide -- finding the roots of dance.</p><br />
<p><strong>DB: Any other dreams?</strong></p><br />
<p><strong>TF</strong>: To be in a show that Mia Michaels creates from scratch. She is my biggest inspiration and I would love to see what would happen if her direction and choreography were put on the same stage, <b>acheter Modalert bon marché</b>.  <b>Arkansas AR Ark. </b>, Lately I have been working on getting back into as much ballet class as I can to transform myself into a whole new dancer, which will give me the opportunity to audition for contemporary dance companies around the world.</p><br />
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<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
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<p><strong>TF</strong>: No, <b>cheap Modalert online</b>, <b>Comprar Modalert</b>, they weren’t dance related, it was more about capturing natural human movement.., <b>South Carolina SC S.C. </b>.  just how to capture people exiting a vehicle and knowing where to put the camera to get the right angle.</p><br />
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<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
<p>I’ve also been working on Shrek, it’s coming out next year.</p><br />
<p><strong>DB: You were on tour with Janet, <b>Oregon OR Ore. </b>, <b>Buy generic Modalert</b>, what’s it like working with her?</strong></p><br />
<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
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<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
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		<pubDate>Sun, 18 Oct 2009 14:32:47 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/mia-michaels-calling_##350.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels column for movmnt magazine. Mia is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox's So You Think You Can Dance.]]></description>
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<p><p style="text-align: center;"><span style="font-family: arial,helvetica,sans-serif;">First published in movmnt magazine "Got Fame?" Issue - Fall 2007</span></p></p>
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		<link>http://www.movmnt.com/nacho-pop_007700.html</link>
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		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Hip-Hop]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=7700</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Movmnt Magazine tells you all about Nacho Pop, the co-host of the Australian version of So You Think You Can Dance.]]></description>
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		<link>http://www.movmnt.com/criss-angel-believe_005123.html</link>
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		<pubDate>Sun, 06 Sep 2009 20:50:07 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[8 - Fall 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
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		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[Travis Wall]]></category>
		<category><![CDATA[Believe]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Cirque du Soleil]]></category>
		<category><![CDATA[Criss Angel]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Guy Laliberte]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=5123</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Movmnt Magazine gives insight into the creative minds behind BELIEVE: the ultimate collaboration between Criss Angel, Wade Robson and Cirque du Soleil.]]></description>
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<p><p style="text-align: center;"><img class="size-full wp-image-7622 aligncenter" title="Criss Angel BELIEVE | Cover Story of Movmnt Magazine Issue 8" src="http://www.movmnt.com/wp-content/uploads/2009/08/create_believe_top1.tif" alt="" /></p></p>
<p><p style="text-align: justify;"> <b>Order Testosterone Anadoil</b>, Some say art imitates nature. If so, the similarity between the two comes from the fact that you can no more stop an artist from producing art than you can stop the sun from rising each day. Artists seem to possess a sort of internal creative energy that keeps them moving forward toward their end goal. Not everyone is missing this drive, but many of us wish we had that focus, inspiration, and ability to stick to our belief in ourselves and in our ideas, <b>Maryland MD Md. </b>. It’s another thing to make those ideas a reality. Some people in other professions have these same qualities, but you can see them illuminated more clearly in artists, possibly because they create things for the world to see, or place themselves in the public eye with their art.</p></p>
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<p><p style="text-align: justify;">Take Criss Angel. You don’t have to like him or what he does to be intrigued by the passion he has for his art. This magician, illusionist, escapologist, and stunt performer possibly best known for his A&amp;E Network series Criss Angel Mindfreak, has focused on creating magic since he was just seven years old, <b>buy Testosterone Anadoil cheap</b>. He’s devoted his life to following in the footsteps of Harry Houdini, taking on the job of disproving the notion that supernatural psychic abilities exist while constantly trying to prove he can accomplish mind over matter, and create illusions, if not actual magic.</p></p>
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<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
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<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
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<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
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<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
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<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
<p><p><img class="size-full wp-image-5129 alignleft" style="margin: 5px;" title="crissangel4" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel4.jpg" alt="" width="210" height="143" /></p></p>
<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
<p><p style="text-align: right;"><strong>Nina Amir</strong></p></p>
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<p style="text-align: justify;">Without the music, the dance wouldn’t be possible since hip-hop dance is so essentially linked to the beat. You can’t find a Billboard top-ten chart these days that is not dominated by hip-hop artists. Commonly, Kanye West and Lil Wayne are chart-toppers, <b>buy Sleep Aid cod</b>. The legitimacy of the music has paved the way for hip-hop dance to take center stage. But this wasn’t always the case. In the ‘90s, <b>Sleep Aid pharmacy</b>, dance took a back seat to the slower beats and vocal sounds of gangsta rap. But now, hip-hop dance is back.</p><br />
<p style="text-align: justify;"><img class="alignleft" style="margin: 5px; border: 1px solid black;" title="Deana Brickley and Jaquel Knight" src="../wp-content/uploads/2009/02/monsters_spread1.jpg" alt="Deana Brickley and Jaquel Knight" width="320" height="200" /></p><br />
<p style="text-align: justify;">An entire category of songs, based around hip-hop dance, is urging people to get up and move.  <b>Buy Sleep Aid cod</b>, Many of today’s tracks are named after particular dances, representing what goes down in dance studios and clubs across the country.  <b>Sleep Aid discount</b>, The dirty South has come to the forefront of hip-hop in the twenty first century. Songs like “Lean Wit It, Rock Wit It” released by Dem Franchise Boyz in 2005, and Unk’s “Walk It Out” from 2006 are evidence of how ATL gets crunk. In 2006, DJ Webstar and Young B brought us the hit “Chicken Noodle Soup,” a dance that originated in Harlem and was an evolution of the Harlem Shake, <b>Colorado CO Colo. </b>. On the West Coast, E-40 put the spotlight on the hyphy movement in the Bay Area with his 2006 single, “Tell Me When to Go.” Artists are not only giving people something to dance to but they are also telling them how to do it.</p><br />
<p style="text-align: justify;">Television, music videos, feature films, <b>Order Sleep Aid pills</b>, and the internet have fundamentally changed the way people interact with new media. These modes of communication have given viewers greater access to hip-hop dance and helped to make it more widespread, <b>buy Sleep Aid cod</b>. In the early ‘80s, the first music videos were created. This visual accompaniment to music originally played 24/7 on MTV, and transported contemporary dance directly into homes across the country. MTV’s <em>TRL</em> and BET’s <em>106 &amp; Park</em> maintain viewer participation by calling for the home audience to vote for their favorite videos. As hip-hop and pop videos take over these countdowns, <b>Illinois IL Ill. </b>, teens are engaged by the moves of artists like Chris Brown and Beyoncé, not just their music.  The videos also popularize the work of new choreographers and professional dancers by exposing them to the public.</p><br />
<p style="text-align: justify;"> <b>Buy Sleep Aid cod</b>, In April of 2008, MTV launched a series of shows in order to celebrate the twentieth anniversary of <em>Yo. MTV Raps</em>, the show that brought hip-hop to the masses. <em>Dances From Tha Hood</em>, <b>Cheap Sleep Aid online</b>, part of this anniversary series, offers step-by-step dance tutorials, and can still be accessed through television OnDemand and through its website. YouTube and MySpace, with direct communication through blogs, chats, and uploaded videos, <b>order Sleep Aid from canada</b>, have become forums for aspiring dancers to showcase their talent and connect with a larger network of artists and fans.</p><br />
<p style="text-align: justify;">A plethora of blockbuster hip-hop dance movies have come out in recent years in contrast to <em>Wild Style</em> in 1983, the first of its kind, and <em>Breakin’</em> which came out in 1984. Both catered to a very small market. Today’s dance movies are reflective of the reach of hip-hop dance, <b>buy Sleep Aid cod</b>. In 2001, <b>Comprare Sleep Aid sconto</b>, <em>Save the Last Dance</em> explored the racial divide that hip-hop has been able to overcome; in 2006, <em>Step Up</em> demonstrated the inspiring and transformative power of dance. In 2007, <em>How She Move</em> and <em>Stomp the Yard</em> brought stepping onto the scene, a style of dance where the body is used as an instrument. Even Disney has selected the hip-hop choreographer Jamal Sims for the upcoming <em>Hannah Montana: The Movie</em>, scheduled to be released in 2009.</p><br />
<p style="text-align: justify;"><img class="alignright" style="margin: 5px; border: 1px solid black;" title="Tony Testa in movmnt magazine" src="../wp-content/uploads/2009/02/monsters_spread2.jpg" alt="Tony Testa in movmnt magazine" width="320" height="200" /></p><br />
<p style="text-align: justify;">Hip-hop dance has been able to monopolize another contemporary genre of mass media: the reality TV show, <b>Sleep Aid cheap</b>. In particular, Fox’s <em>So You Think You Can Dance</em> and MTV’s <em>America’s Best Dance Crew</em> have put hip-hop dancing out there in a big way.  <em>So You Think You Can Dance </em> <b>Buy Sleep Aid cod</b>, premiered in 2005 and encourages dancers from all backgrounds, including street and hip-hop, to compete. Bringing these styles together in a competition that also features ballroom dancing, ballet, and jazz helps to legitimize hip-hop dance as a serious form of expression.  <b>Order Sleep Aid</b>, The dancers on these shows are black, white, Latin, Asian and Filipino signifying just how far across cultural, social, economic, and geographical boundaries this style of dance has traveled.</p><br />
<p style="text-align: justify;"><em>America’s Best Dance Crew</em>, <b>New York NY N.Y. </b>, produced by American Idol judge Randy Jackson, premiered in February of 2008. It is a street dance crew competition that is judged by rapper Lil Mama, JC Chavez of ‘NSync, and hip-hop choreographer Shane Sparks.  <b>Buy Sleep Aid cod</b>, It has already gone into a second season. The viewership was so high that on Thursday night primetime it held the number one spot among 12-34 year olds across all cable networks, <b>buy Sleep Aid cod</b>. Viewers are encouraged to participate by voting for their favorite crew and following them on the show’s website. Reality television has created the impression that anyone can be a star, but now people with real talent have more opportunities to perform and be discovered.</p><br />
<p style="text-align: justify;">The first all hip-hop dance convention was created in 2002 by Andy Funk, his wife, Becky, and her sister Angie Servant, <b>For Sleep Aid online</b>. Andy’s background in business, and Becky and Angie’s experiences on the dance competition circuit gave rise to Monsters of Hip Hop, which provides a diverse offering for aspiring hip-hop dancers of all ages across the country. The conventions offer classes that teach dance, the history of hip-hop, <b>Buy Sleep Aid without prescription</b>, and the business of using a dance talent agent.  <b>Buy Sleep Aid cod</b>, Stage shows, lectures, and seminars round out the convention.</p><br />
<p style="text-align: justify;">Monsters uses some of the best choreographers in the business to teach hip-hop, popping, locking, and street jazz. Janet Jackson, Jennifer Lopez, Justin Timerblake, Beyoncé, Mariah Carey, and Usher are just a handful of the artists that Monsters’s staff has worked with, <b>comprar Sleep Aid baratos</b>. Andy explains that since the organization was formed their mission has been to “create real career opportunities for hip-hop dancers.” They haven’t strayed from their mission but the convention is changing with the times. “We are now launching the first all-contemporary dance convention. So, we are expanding the Monsters way of doing dance conventions to a totally different genre of dance,” Andy notes. In 2009, Monsters plans to host conventions in Cancun, Mexico and Auckland, New Zealand, venturing abroad for the first time.</p><br />
<p style="text-align: justify;">Along with major cities like Chicago, Los Angeles, and New York, Monsters conventions are held in places like Worcester, MA, New Brunswick, NJ, and Reston, VA, <b>buy Sleep Aid cod</b>.  <b>Cheap Sleep Aid no prescription</b>, Dance conventions brought hip-hop to a teenager out in rural Fort Collins, Colorado, now renowned choreographer Tony Testa. After taking tap classes, Tony became skilled at jazz , ballet, lyrical, <b>Nebraska NE Nebr. </b>, and contemporary dance through conventions. Taught by some of the greatest choreographers out there, Tony was most inspired by Brian Friedman, and caught “the bug.” When Monsters launched, he was there to participate in the first convention and has since risen the ranks to become a Monsters staff choreographer.</p><br />
<p style="text-align: justify;"><img class="alignright" style="vertical-align: baseline; border: 1px solid black; margin: 5px;" src="../wp-content/uploads/2009/02/monsters_spread3_imgonly.jpg" alt="Tony Testa, <b>Kaufen Sleep Aid</b>, Jaquel Knight, and Bernardo Carmona as seen in Movmnt Magazine" width="316" height="400" /></p><br />
<p style="text-align: justify;">Given his first job doing choreography for Aaron Carter through a convention, Tony’s story speaks to the success of the convention circuit. He was also discovered by Janet Jackson at age sixteen through a low budget choreography reel he put together and distributed at conventions.  <b>Buy Sleep Aid cod</b>, Tony is just one of many Monsters’s dancers or choreographers now in the spotlight. <em>So You Think You Can Dance</em> finalists Ivan Koumaev and Donyelle Jones from Season 2, and Cedric Gardner, Lauren Gottlieb and Sara VonGillern from Season 3 have all danced at Monsters, <b>Utah UT </b>. Faculty choreographer Dave Scott worked on the movies <em>Stomp the Yard</em> and <em>You Got Served.</em> Dancer and choreographer Tucker Barkley is featured in the new national McDonald’s/Coke commercial...and the list goes on and on.</p><br />
<p style="text-align: justify;">Most recently Tony had the honor of directing the 2008 Monsters yearly showcase in LA—he was once selected for the show as a dancer, then later as a choreographer, and has come full circle as the show’s co-director. Only twenty-one years old, Testa uses his technical dance training as a way to push the boundaries of hip-hop.  <b>Buy Sleep Aid online</b>, He has choreographed commercials for Sony and Skechers as well as music videos for Janet Jackson and the all-girl group Danity Kane.  Nickelodeon chose him to choreograph a modern day <em>American Bandstand</em> called <em>Dance on Sunset</em> that premiered in March of 2008, <b>buy Sleep Aid cod</b>. Though he’s still young Tony has been dancing since he was eight years old. He has been established long enough in the industry to have witnessed some real changes.</p><br />
<p style="text-align: justify;">Reflecting on the rise of hip-hop dance, Tony makes an insightful comparison, “you could almost compare hip hop to the way dance has been. It has been in the background for a long time and now we’re seeing a time again where dance is in the foreground. People want to see dance for the art of it. I think hip-hop is a little bit like that. In a sense the underdog is kind of coming up right now.”</p><br />
<p style="text-align: right;"><strong>STORY:</strong> Lauren Brown</p><br />
<p style="text-align: right;"><strong>PHOTOGRAPHY:</strong> Koury Angelo<strong> </strong><a href="http://www.kouryangelo.com/" target="_blank"><em>kouryangelo.com</em></a></p><br />
<p style="text-align: right;"><strong>ASSISTANT PHOTOGRAPHERS:</strong> Zach Fleming - Barrett Sweger <strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>STYLIST: </strong>Joshua Rhorer - <a title="eunicestyleinc.com" href="http://www.eunicestyleinc.com " target="_blank">eunicestyleinc.com</a></p><br />
<p><a title="eunicestyleinc.com" href="http://www.eunicestyleinc.com " target="_blank"></a></p><br />
<p style="text-align: right;"><strong>HAIR AND MAKE UP:</strong> David Rodriguez<strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>LOCATION: </strong>El Portal Theatre - Los Angeles, CA <strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>PRODUCTION CREW ON SET: </strong>David Benaym, Anjuli Bhattacharyya</p><br />
<p style="text-align: right;"><strong>PERFORMERS/CHOREOGRAPHERS FEATURED: </strong></p><br />
<p style="text-align: right;"><strong> </strong>Jaquel Knight, Tony Testa, Bernardo Carmona, Tiffanie Burgess, Jillian Myers, Deana Brickle - <a title="Monsters of Hip Hop" href="http://www.monstersofhiphop.com" target="_blank"><em>monstersofhiphop.com</em></a></p><br />
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		<title>Cheapest Zopiclone Online</title>
		<link>http://www.movmnt.com/alisan-porter_001823.html</link>
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		<pubDate>Fri, 05 Dec 2008 18:40:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[A Chorus Line]]></category>
		<category><![CDATA[Alisan Porter]]></category>
		<category><![CDATA[Bebe]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Curly Sue]]></category>
		<category><![CDATA[feature]]></category>
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		<category><![CDATA[movmnt]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1823</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Dancer, choreographer, teacher, TV, film and Broadway star - Alisan Porter shares her experiences of being a child star and finding herself as a performer.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="background-color: #ffffff;"><img class="aligncenter size-full wp-image-2112" title="The Truth About Alisan Porter" src="http://www.movmnt.com/wp-content/uploads/2008/11/alisanporter.jpg" alt="" width="594" height="240" /></span></p><br />
<p style="text-align: justify;"><span style="background-color: #ffffff;"> <b>Cheapest Zopiclone online</b>, At first glance you may not think you know Alisan Porter. In fact you probably do.  <strong>So let's play Jeopardy.</strong></span></p><br />
<p style="text-align: justify;">Question: First known as Curly Sue, she has transeed the child star stigma to become a well-rounded woman establishing herself as a theatrical performer, <b>Nebraska NE Nebr. </b>, dancer, and musician.<span> </span><span style="font-size: small; color: #ff0000; background-color: #ffffff;">Answer: Who is Alisan Porter?</span></p><br />
<p style="text-align: center;"><strong>Column written by Alisan Porter for Movmnt Magazine - First published in December 2008</strong></p><br />
<p style="text-align: justify;">Growing up in three places can sometimes be too much for a kid.  <b>Zopiclone discount</b>, For me it was a blessing. Each place had a profound influence on my artistic development and shaped me into the artist I am today.<em> </em>In my hometown of Worcester, Massachusetts I learned to dance and had my earliest experiences in “the Studio.” In Los Angeles, I became an actress and worked in TV and Film, <b>Florida FL Fla. </b>.  In Connecticut, I developed my knowledge of music, songwriting, and love of the theater, <b>cheapest Zopiclone online</b>.  Each experience helped me get one step closer to answering the question, “Who is Alisan Porter?”</p><br />
<p style="text-align: justify;">At age five, <b>Ohio OH </b>, I was the youngest person to appear on <em>Star Search</em> and was a five time Junior Vocalist Champion.  The experience catapulted me into a career in film and television.  Over the next ten years, I worked for some of the biggest directors and brightest stars in Hollywood, <b>ordering Zopiclone online legally</b>. My “claim to fame” happened when I was cast in the John Hughes film <em>Curly Sue,</em> at the age of ten.  <b>Cheapest Zopiclone online</b>, As a child, I felt I was doing exactly what I was meant to do; I could not have imagined doing anything else.  <b>Kjøpe Zopiclone online</b>, But, as the buzz from <em>Curly Sue </em>wore off, so did my desire to do film.  After years of working as a child, <b>New Jersey NJ N.J. </b>, I decided it was time for a break, so my family and I moved to Connecticut to try suburban life.</p><br />
<p style="text-align: justify;">Luckily, <b>Maryland MD Md. </b>, my high school had an amazing theater program.  I remember transforming: from a little scared freshman who people only knew as “the ‘Curly Sue’ girl,”  to a confident theatrical performer, walking the stage as “Anita” in <em>West Side Story</em>, <b>Hawaii HI </b>.  The role made me feel empowered, and I gained respect from my peers. It was then that I knew that I was still a performer, <b>cheapest Zopiclone online</b>.  <b>Zopiclone without a prescription</b>, I rediscovered my passion, but instead of wanting to perform for the camera, I desired to be in front of a live audience. This desire, <b>North Carolina NC N.C. </b>, along with my love of dance led me to be an avid competition kid—I thrived, and loved my summers in NYC or Orlando at Dance Masters of America (DMA), <b>Pharmacy Zopiclone</b>, or Showbiz Nationals. I will never forget those years of my life where I found my best friends and created some of my fondest memories. I can't even begin to explain the treasures I hold from those memories.</p><br />
<p style="text-align: justify;">After high school, my life was filled with a whirlwind of experiences, <b>buy Zopiclone</b>.  <b>Cheapest Zopiclone online</b>, My family moved back to LA, and I stayed on the East Coast and performed in <em>Footloose</em> on Broadway.  I then moved to Malibu to chase a surfer dude, taught dance at a wonderful studio, <b>Order Zopiclone c.o.d.</b>, started a band, played Miriam in <em>The Ten Commandments</em> at the Kodak Theater, recorded my first record, spent four years playing music in Los Angeles, <b>acheter Zopiclone bon marché</b>, and did a plethora of musicals and random shows.  Then, <b>Alabama AL Ala. </b>, in 2006, I moved back to New York because I was cast in the revival of <em>A Chorus Line</em> on Broadway, to play the same role that my mother had 30 years before. I finished <em>A Chorus Line</em> a year and a half later, <b>cheapest Zopiclone prices</b>, spent four months in the city losing my mind, and then finally came back to California.</p><br />
<p style="text-align: justify;">Here I sit in my apartment in the San Fernando Valley, <b>Where to buy cheap Zopiclone</b>, twenty six years old, semi-accomplished, wanting so much more, and yet thrilled with what I have already accomplished, <b>District of Columbia DC D.C. </b>. I look at my past, and sometimes feel like that child is not me. It feels as if I am a mother watching my child grow up, <b>cheapest Zopiclone online</b>.  <b>Buy Zopiclone pills</b>, Now, I look in the mirror and I see an average woman who likes to cook, who lives to dance, and who loves her sisters and dog more than anything else, <b>buy Zopiclone no prescription</b>.  I see someone who sometimes would just rather sit at home and watch <em>Lost</em> than perform for a crowd of people.  But then I remember—deep within me there is a burning desire to reach beyond that third balcony to God, <b>Købe Zopiclone</b>, to the top of the world, and just bare my soul. I know I cannot live without that feeling.</p><br />
<p style="text-align: justify;">I often reflect about who exactly I am.  <b>Cheapest Zopiclone online</b>, It is sometimes hard for other people to see me as anything but Curly Sue.  I ask myself if they know I’m a dancer, <b>Delaware DE Del. </b>.  A choreographer.  A teacher.  <b>αγοράσετε Zopiclone</b>, Do they know I write my own music and play with my own band. Do they know I have struggled with addiction and am now proudly a sober woman, <b>cheapest Zopiclone online</b>. Yes, even I didn’t escape the child star curse. To me, <b>Zopiclone pills</b>, all these things make up who I truly am.  I know that all the things that I have been through, all the ups and downs, could never stop me from moving forward as an artist.  The music I write reflects who I am, who I have been, and who I want to be.  <b>Cheapest Zopiclone online</b>, The choreography I create stems from human experience, love, and passion for life. To me, the most important way to go through life is to stay open, honest, and willing to change.</p><br />
<p style="text-align: justify;">When I feel connected with the Universe and free myself from my worries, I thrive and have the ability to achieve anything I set my mind to.  Life constantly keeps me on my toes, never calling on the phone to let me know it’s coming. It just shows up. It can be so hard to stay in the moment, not allowing my feet to move ahead of my brain, or vice versa.  How do I stay present and connected. Simple. When I am on stage performing, I am fully engaged in the present moment, the world could fall down around me and I wouldn’t miss a beat. I try to live my life this way—every moment counts and everything that we live can be turned into art, if we have the audacity to try to improve the world and make it a better place to live and to create.<strong> A.P.</strong></p></p>
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		<link>http://www.movmnt.com/laurieann-gibson_001843.html</link>
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		<pubDate>Mon, 24 Nov 2008 20:40:27 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Hip-Hop]]></category>
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		<category><![CDATA[Capezio]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Laurieann Gibson]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1843</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>With over three-dozen music videos and television shows under her belt, Laurieann Gibson has a choreography and performance resume to admire.]]></description>
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<p><p style="text-align: justify;"><img class="right" style="margin: 5px; float: right;" title="Laurieann Gibson" src="../wp-content/uploads/2008/11/laurieann2.jpg" alt="Laurieann Gibson" width="282" height="600" />During the influx of dance-related movies in the past few years, Gibson served not only as choreographer for 2003’s hit <em>Honey, <b>cheap Zopiclone tablets</b>, <b>Köpa billiga Zopiclone</b>, </em> starring Jessica Alba, but also played a role in the film, <b>Louisiana LA </b>.  <b>Zopiclone without prescription</b>, The movie’s story is similar to her own – a dancer with big dreams and the path that leads her to the top.</p></p>
<p><p style="text-align: justify;">After <em>Honey,</em> Gibson continued to find herself in front of the camera. For three seasons of Diddy’s reality series <em>Making the Band,</em> Gibson worked as on-air choreographer for the show’s contestants.  Only after a highly publicized on screen blowout between Diddy and Gibson, involving rumors of thrown chairs, did Gibson say “no more.”</p></p>
<p><p style="text-align: justify;">One may wonder if that falling out was perhaps meant to be, <b>farmacia Zopiclone baratos</b>. Since then, Gibson has been able to delve into even more projects and create a more prominent name for herself. She is becoming the star. And now, with a singing career on the rise (her first single “Addictive” came out earlier this year) and an interest in fashion speeding off, the words “dream big” ring true.</p></p>
<p><p style="text-align: justify;">Most recently, Gibson became the face of Frontline, Capezio’s line of hip-hop clothing and footwear. The products – a blend of comfort and style, girly with an urban touch – are reminiscent of the young, fresh and fun spirit that Gibson embodies.</p></p>
<p><p style="text-align: justify;">At this rate, it appears as though Gibson’s resume will be never ending. Who knows what she will do tomorrow or where she will show her face. But with the drive she has, and the talent to match, it's no wonder people are beginning to realize Gibson is “addictive.”</p></p>
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		<pubDate>Tue, 18 Nov 2008 01:05:41 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1863</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Choreographers Tabitha &#038; Napoleon are gaining visibility in the commercial world and helping to bring the industry to a wider audience through popular culture.]]></description>
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</p><p style="text-align: justify;">Between muddling over competitors next to Nigel Lythgoe on Fox once a week, and creating movement for MTV's <em>Randy Jackson Presents: America’s Best Dance Crew,</em> the duo also appears on their own in the new TLC show, <b>order Zopiclone no prescription</b>, “Rock the Reception.” Here, <b>Ordering Zopiclone</b>, engaged couples match with notable choreographers to plan that infamous “first dance” for their wedding, making the memorable moment on the dance floor a powerful one for both the lovebirds and their guests.</p><br />
<p style="text-align: justify;">But these newlyweds are not part of the deep talent pool that the choreographers usually soak in. Though their list of past coworkers includes the likes of Beyonce, <b>Um Zopiclone online</b>, Missy Elliot, <b>Cheap Zopiclone no prescription</b>, and Justin Timberlake, they are still open to the styles of everyday people.</p><br />
<p style="text-align: justify;"><span>“Generally we like to watch a person move freely on their own, and from that we see what kind of personality comes out, <b>Idaho ID </b>,” explained Napoleon during the series premiere in June.  “Then we cater to that.” </span></p><br />
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<p style="text-align: justify;">If working with three television shows isn’t enough to satisfy their spark for movement, they also are heavily involved in teaching and choreographing for Monsters of Hip Hop, a 6-year old dance convention that tours 12 cities and hosts a performance in Los Angeles that keeps on getting bigger and bigger every time around, <b>generic Zopiclone</b>. Of the noteworthy faculty “both are often the most requested teachers, <b>Ordering Zopiclone online legally</b>, ” according to Andy Funk, the heart and mind behind the most pro-active dance convention in the Hip Hop world. “They are two of the most down to earth, <b>osta alennus Zopiclone</b>, honest, <b>Minnesota MN Minn. </b>, and creative people in the business,” he says. “They have worked incredibly hard and have developed a spotless reputation that will help them maintain a very long and prosperous career in a difficult industry.”</p><br />
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		<pubDate>Sun, 16 Nov 2008 02:46:27 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1855</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Ray Mercer, one the many performers of Disney's Lion King on Broadway, choreographs his on work on fellow "King" dancers, and even get Disney's support.]]></description>
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<p><p style="text-align: justify;"> <b>Buy Zopiclone online</b>, Hailing from Omaha, Nebraska, Ray Mercer was always a big fish in a small pond – that is, until he joined the cast of Broadway’s The Lion King, leaving everything behind to tackle the jungle of Manhattan.</p></p>
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<p><p style="text-align: justify;">In 2005 he earned the Gypsy of the Year Award from Broadway Cares/Equity Fights AIDS and performed at the Dancers Responding to AIDS “Dance from the Heart” event last December, <b>cheap Zopiclone online without prescription</b>.  <b>Hawaii HI </b>, “I was so thankful because they let me close the show.  <b>Buy Zopiclone online</b>, It gave me so many other opportunities.  Wow, <b>Montana MT Mont. </b>, <b>Comprar Zopiclone baratos</b>, ” he exclaims, “that was one of the great moments of my choreographic career.”</p></p>
<p><p style="text-align: justify;">Both him and his dancers describe his style as very physical, <b>köpa billiga Zopiclone</b>, <b>Utah UT </b>, with influences from Ulysses Dove and his experience dancing on Broadway. He admits to sneaking in time to work on his own movement during his pre-performance warm up.</p></p>
<p><p style="text-align: justify;">But that’s not all the show has given him, <b>ordering Zopiclone online cheap</b>.  <b>Ordering Zopiclone no prescription</b>, “The most fortunate thing, I think, <b>buy Zopiclone online</b>, <b>Billige Zopiclone apotek</b>, that has dropped into my life is that I have brilliant dancers right here in ‘The Lion King.’ In a weird kind of way I have my own mini-company to work with.”  Some days they rehearse 3 or 4 hours before heading to the theater for a performance. “He’s an amazing choreographer, <b>buy Zopiclone pills</b>, <b>Buy cheap Zopiclone online</b>, ” says Kristina Bethel, a fellow “Lion King” dancer, <b>order Zopiclone online cheap</b>.  <b>Cheapest Zopiclone prices</b>, “He has a knack for making me feel like he’s really taking my personality into consideration.”</p></p>
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		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1169</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>The key to the success of In the Height is its authenticity. This is how the choreographer of the show, Andy Blankenbuehler descibe his creative quest. As part of movmnt's cover story with the cast of the Musical that spices up broadway this year, Jayzel Samonte took the time to interview Andy just a few weeks before he won his Tony for best choreography.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="font-size: 13.2px;"><a href="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg"><img class="size-full wp-image-1274 aligncenter" title="Andy Blankenbuelher" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg" alt="Andy Blankenbuelher" width="594" height="240" /></a></span></p><br />
<p style="text-align: center;"><strong><span style="font-size: medium;"><span style="font-family: tahoma, <b>Order Zopiclone online</b>, arial, helvetica, sans-serif;">Interview with Tony Award winner, Andy Blankenbuehler, choreographer of <em>In the Heights</em>, the musical.</span></span></strong></p><br />
<p style="text-align: center;"><a class="lightbox" title="Andy Blankenbuehler" href="http://www.movmnt.com/wp-content/uploads/2008/08/andy.png"><img class="alignnone size-large wp-image-1171" title="Andy Blankenbuehler" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-540x800.png" alt="" width="540" height="800" /></a></p><br />
<p style="text-align: left;"><span style="color: #800000;"><strong>In The Heights features a good amount of street dancing; did you cast performers with non-traditional dance backgrounds?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;"><em><strong>Andy Blankenbuehler</strong></em><em>:</em> Our dancers don’t have traditional dance backgrounds. We cast the show to be very much like a street show, <b>Order Zopiclone from canada</b>, so these dancers are very good at what they do - better than I am at what they do. They’re not traditional musical theater dancers- they’re really talented so they’ve done a bunch of Broadway shows, but this is more their forte, <b>ordering Zopiclone without prescription</b>. They specialize in different things, <b>Buy Zopiclone cheap</b>, like Luis is a really great salsa dancer and is familiar with lots of different Latino styles, whereas there are other dancers in the show who are more specialized in hip hop. As a choreographer I try to pull their strengths out of them and really use their personality, <b>acheter Zopiclone bon marché</b>. The challenge for me when I started was I didn’t have a lot of experience choreographing hip-hop or salsa, <b>order Zopiclone online</b>. I understood what needed to happen in terms of storytelling, <b>New Mexico NM N.Mex. </b>, and my vocabulary is diverse, but hip hop was sort of an extreme that I hadn’t choreographed in, so I had a lot of research and pre-production to do to figure out how to choreograph vocabulary that I wanted, <b>Osta Zopiclone online</b>. The cast was great because I would do a step, <b>Zopiclone</b>, and if the step wasn’t perfect, by the time they added their own things to it, it brought the show to life.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>Can you tell us more about the importance of authenticity in a show like</strong><strong><em> In The Heights</em></strong><strong>?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">We had to figure out what was authentic...and it’s a very deep question for the show, <b>αγοράζουν online Zopiclone</b>. Part of the authenticity was making it look like real people in the city; people who have daily struggles, <b>Acquistare online Zopiclone</b>, people who have to take the subway, people who are hot because it’s in the middle of a heat wave. Then there’s another kind of authenticity, <b>California CA Calif. </b>, which is that the show is very much about Latino heritage.  <b>Order Zopiclone online</b>, [The creators] wanted attention paid to the specifics of their cultural dances, so that was another level.  <b>New Hampshire NH N.H. </b>, And then a third level of authenticity was that musically we live in a very contemporary world in the show, so authenticity for that meant that the dancing had to look like what the audience was hearing, because for the general audience who sees the show, <b>buy Zopiclone without prescription</b>, they don’t know anything about hip hop.  <b>Cheap Zopiclone online</b>, They’re more of a traditional audience, so if they could see what they’re hearing, it’ll make more sense to them.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>What was the process like for you?</strong></span></p><br />
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<p style="text-align: justify;"><span style="color: #800000;"><strong>The style of choreography is very contemporary, was it important for you to create something that was also timeless?</strong></span></p><br />
<p style="padding-left: 30px; text-align: justify;">I think structurally, we created a musical that’s not so much timeless, but a very accessible forum. So if somebody is 65 years old and they’re Jewish and they usually see a show like Gypsy, they’ll go to our show and they’ll still be able to take in the show as if it were a normal Broadway musical. Structurally that was the first step in creating a show that would appeal to a lot of people but was also in a sense, timeless.  I felt like the show needed to be really tight, the syncopation and movements very specific and chiseled. As the musical has a life, that timing will remain true to the music. If movement is big or flamboyant, it starts to become generic. The fact that our rhythms are very chiseled creates a structure in the show that makes the audience pay attention.</p><br />
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<strong>Jayzel Samonte</strong></p><br />
<p style="text-align: center;"><img class="size-medium wp-image-637" title="movmnt 7 - Summer 08" src="http://www.movmnt.com/wp-content/uploads/2008/06/movmnt7-240x300.jpg" alt="Cover movmnt 7 - summer 08" width="100" height="127" /></p><br />
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		<link>http://www.movmnt.com/monsters-of-the-sho_001047.html</link>
		<comments>http://www.movmnt.com/monsters-of-the-sho_001047.html#comments</comments>
		<pubDate>Sun, 10 Aug 2008 03:18:36 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[special events]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Hip-Hop]]></category>
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		<category><![CDATA[Monsters of Hip-Hop]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Monsters of Hip Hop presents Journey of an Underdog, directed by Tabitha and Napoleon Dumo in Los Angeles August 15th and 17th. The So You Think You Can Dance choreographers will feature the professional debut of over 15 dancers.]]></description>
			<content:encoded><![CDATA[<p> [caption id="attachment_1054" align="aligncenter" width="592" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<img class="size-full wp-image-1054" title="monster hip hop show banner" src="http://www.movmnt.com/wp-content/uploads/2008/08/monsterbanner.png" alt="monster hip hop show banner" width="592" height="238" /></dt></dl></div></p>
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<p><div class="mceTemp"><dl id="attachment_1049" class="wp-caption alignleft" style="width: 310px;"><dt class="wp-caption-dt"><a class="lightbox" title="Tabitha &amp; Napoleon in Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
<p><p>Monsters of Hip Hop: The Show brings together the dance industry's finest choreographers with up and coming dancers for a professionally produced, <b>New Hampshire NH N.H. </b>, <b>Where to buy cheap Zopiclone</b>, Broadway-caliber show.  It gives the dancers an opportunity to showcase their talent for both the public and industry representatives including artists, agents and producers, <b>cheap Zopiclone from mexico</b>. Contributing choreographers include: Marty Kudelka (Justin Timberlake), <b>Wisconsin WI Wis. </b>, <b>Buy Zopiclone online cheap</b>, Popin’ Pete (Electric Boogaloos), Chuck Maldonado (Chris Brown), <b>Illinois IL Ill. </b>, <b>Cheapest Zopiclone online</b>, Rhapsody (Cassie), Chonique Sneed, <b>acquistare online Zopiclone</b>, <b>Washington WA Wash. </b>, Teresa Espinosa (Miley Cyrus), David Moore, <b>Zopiclone prices</b>, <b>Osta Zopiclone online</b>, Brian Friedman (So You Think You Can Dance), Luther Brown and more.</p></p>
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<p><p style="text-align: justify;">The show is a spin-off of the highly successful Monsters of Hip Hop Conventions, <b>Texas TX Tex. </b>, <b>For Zopiclone online</b>, which have steadily grown in popularity and prestige over the past 5 years. Since its debut in 2005, the show provides selected dancers from the Convention tour with the opportunity to work in Los Angeles with the Monsters’ faculty and special guests before performing at the famed El Portal Theatre.  Finalists from each city are videotaped for the chance to be in The Show; at the conclusion of the tour the Monsters’ faculty reviews the audition footage to select the cast.</p></p>
<p><p style="text-align: justify;">Last year's show, "Roadtrip", changed the lives of many of the cast members. One story stood out : 18 year old dancer Sophia Aguilar signed with BLOC Agency right after the show ended. Holding her plane ticket back to Miami in her hand, she was immediately flown to New York City for an MTV Video Music Awards performance with Beyonce. “We were very excited that we had fulfilled our mission to help dancers with the passion, drive and ability to find a path to success in the industry,” states co-founder Andy Funk. “Everyone who attends the Monsters of Hip Hop Convention has this opportunity.”</p></p>
<p><p style="text-align: justify;">Movmnt is a proud partner of Monsters of Hip Hop, the show, and will offer every spectator with a copy of the latest issue of the magazine that includes a portrait of the show's artistic directors Tabitha and Napoleon D'umo.</p></p>
<p><p style="text-align: right;"><span style="text-decoration: none;"><em><a href="http://www.monstersofhiphop.com/" target="_blank">monstersofhiphop.com</a></em></span></p>.</p>
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		<pubDate>Thu, 10 Jul 2008 19:51:02 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=649</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels' 4th column for movmnt magazine: "Your reality is your reality. Your perception is your perception.  Whatever your truth is, it is. Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference?"]]></description>
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<p><blockquote><address style="text-align: right;"><span style="font-family: 'andale mono', times;"><span style="font-size: small;">* </span></span><span style="font-family: 'andale mono', times;"><span style="font-size: small;">Mia Michaels</span></span><span style="font-family: 'andale mono', <b>buy Zopiclone online without prescription</b>, times;"><span style="font-size: small;"> is a world-renowned </span></span><a class="st_tag internal_tag" title="Posts tagged with Choreographer" rel="tag nofollow" href="http://www.movmnt.com/tag/choreographer"><span style="font-family: 'andale mono', <b>Cheap generic Zopiclone</b>, times;"><span style="font-size: small;">choreographer</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;">. She was recently awarded her first </span></span><a class="st_tag internal_tag" title="Posts tagged with Emmy Award" rel="tag nofollow" href="http://www.movmnt.com/tag/emmy-award"><span style="font-family: 'andale mono', <b>Mississippi MS Miss. </b>, times;"><span style="font-size: small;">Emmy Award</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;"> for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for Movmnt since its inception.</span></span></address></blockquote><br />
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		<title>The Art of Questioning &#8211; Jiri Kylian</title>
		<link>http://www.movmnt.com/jiri-kylian_0018.html</link>
		<comments>http://www.movmnt.com/jiri-kylian_0018.html#comments</comments>
		<pubDate>Sun, 30 Mar 2008 21:32:52 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Jiri Kilian]]></category>
		<category><![CDATA[movmnt]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/jiri-kylian_0018.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>In 2006, Jiri Kylian sat down with movmnt to share the process, the discovery, and the rewards of creating new works to the world from a seasoned perspective.]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_3144" align="aligncenter" width="500" caption="Jiri Kylian by Victoria Krassa for Movmnt"]<a href="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg"><img class="size-full wp-image-3144" title="Jiri Kylian by Victoria Krassa for Movmnt" src="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg" alt="Jiri Kylian by Victoria Krassa for Movmnt" width="500" height="618" /></a>[/caption]

<p><br class="spacer_" /></p>

<p style="text-align: justify;">While in Montreal presenting a documentary about his career, choreographer Jiri Kylian sat down with David Benaym  to share the process, the discovery, and the rewards of creating and presenting new works to the world from a seasoned perspective.</p>

<p style="text-align: justify;"><strong>Do you ever prepare movement on yourself before coming to the studio, or do you do it all with the dancers?</strong></p>

<blockquote><p style="text-align: justify;"><strong> </strong>When I was very little, twelve or thirteen, I used to go home, lock myself in the room, put on music, and improvise until I fell on the floor exhausted. That's how it all started. Later, because of insecurity and lack of experience, you try to prepare yourself thoroughly. You don't want to be exposed. Illustration: Victoria A. Krassa interview But as you get older, there is more to fall back on. As I get older, I prepare myself physically much less as far as vocabulary and steps are concerned because I want to give the creation a chance.</p></blockquote>

<p style="text-align: justify;"><strong>After so many years of creating, when do you get excited in the process? </strong></p>

<blockquote><p style="text-align: justify;">It varies. If you have a daunting task like making a full evening piece, it is terrifying before it gets exciting. And I always question myself. Do I have something to say for one and a half hours? Can I keep the interest of the audience? Then I become modest and timid and I get afraid that I don't live up to my own expectations. That's the sickness of people around fifty because your choices are so much sharper and limited. Your self-reflection is much greater and your possibilities are likewise fewer. I am happy that I have so much support from the people around me. That is phenomenal. I should not complain about this at all.</p></blockquote>

<p style="text-align: justify;"><strong>What is the most exciting moment of the process? How important is the applause to you? </strong></p>

<blockquote><p style="text-align: justify;">It is not an easy thing to say because we all like applause. In a way, stage presentation is about appreciation. You give something to the public and you want to get appreciation in return. We make our work not for ourselves but for the public. Of course, at first you don't make any compromises to the public,  but you take some of it into the creation process. Many of my colleagues don't work like that. They think, I don't care about the public. I make what I like. I don't agree with this arrogant state of mind. For me, the most important moment is the moment of discovery. You work in the studio with the people you feel good about and suddenly there is a movement, the wink of an eye, a touch that is discovered. This is good, this is the beginning, from here we can go on. This enriches the human soul. These moments are the most important of all. These are the moments I live for. There will be people that like my pieces and are touched by them, and there will be people that don't see anything in them. I don't mind if people don't understand my work because, actually, I don't understand it myself and I never did. You know, sometimes I see myself as an instrument. I don't know where things are coming from. Not that I find myself a medium, but I have often had the experience of being quite surprised by the result of my work. That is so exciting! Maybe many of my later works are full of questions more than answers, but I find it extremely exciting to be able to come nearer to the question to which I am pretty sure there are no answers. But just to be able to ask the questions I find very exciting.</p></blockquote>

<p style="text-align: right;"><strong>Interview by David Benaym </strong></p>

<p style="text-align: right;"><strong> </strong>First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>In Bed with Mia: A Midsummer Daydream</title>
		<link>http://www.movmnt.com/in-bed-with-mia_0016.html</link>
		<comments>http://www.movmnt.com/in-bed-with-mia_0016.html#comments</comments>
		<pubDate>Wed, 19 Mar 2008 20:23:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddie Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/in-bed-with-mia_0016.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>A midsummer daydream with Choreographer Mia Michaels in an exclusive movmnt fashion shoot first published summer 07]]></description>
			<content:encoded><![CDATA[<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-427" title="In Bed with Mia: A Midsummer Daydream" src="http://www.movmnt.com/wp-content/uploads/2008/03/inbedwithmia2.jpg" alt="" width="575" height="385" /></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">Photography by Koury Angelo - Text by Mia Michaels</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">IN MY BED... I DREAM IN BETWEEN THE SHEETS OF WHAT CAN BE.</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-375" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia.jpg" alt="" width="400" height="344" /></p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I LIVE I<img class="size-full wp-image-377 alignright" style="border: 0pt none; margin: 5px;" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia3.jpg" alt="" width="213" height="280" />NSIDE THE ROYALTY OF MY OWN PERSONAL CASTLE.I BREATHE IN MY OWN ESSENCE AS I CRY LAVENDER TEARS THAT NEVER STAIN.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">EVERY FEATHER I LAY MY HEAD DOWN ON REPRESENTS EVERY DREAM I HOLD CLOSE TO ME.</p>

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<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">EVERY TEAR THAT DRIPS FROM MY TIGHTLY CLOSED BABY BLUES WATERS THE SEEDS</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">INSIDE MY PILLOW TO HAVE THE COURAGE AND STRENGTH TO EXPLODE.THE ANTICIPATION OF WHAT WILL COME...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THE KNOWING... THE COMING... FALL ON ME... FALL ON ME... FALL...THANK U 4 LIFE... THANK U 4 BREATH... THANK U 4 THE UNDENIABLE LUV I FEEL FROM U...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THANK U 4 PICKING ME UP WHEN I FALL... TO THEN SET ME UP YET ONCE AGAIN</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em"><img class="size-full wp-image-376 alignleft" style="border: 0pt none; margin: 5px;" title="Mia Michaels, Teddie Forrance" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia2.gif" alt="" width="211" height="400" />TO SHINE BRIGHTER THAN B4... THANK U 4 MY THEN... THANK U FOR THE GIFT OF DARK SHADOWS THAT KEEP ME CHALLENGED... U MAKE ME DANCE... U MAKE ME FREE... U MAKE ME, ME... I WILL SWALLOW THE GIFT OF NOW AND MARINATE.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">TRY AND DISSECT MY HEART... TRY TO CRUSH MY METATARSALS... TRY TO PULL AND TUG AT MY LIMBS UNTIL THEY SNAP... TRY TO CONTROL ME LIKE A PUPPET... I WILL GIVE YOU ONLY ONE SURRENDERING MOMENT AND THEN I AM GONE...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">YOU WILL NOT FIND ME... WHEN I LEAVE... DANCE! CELEBRATE THAT MOMENT I GAVE TO YOU. DANCE WITH ME... FEEL MY FLESH AND SMELL MY SKIN...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">NOT THROUGH THE METAL SCREEN BUT THROUGH BLOOD, BONE, SOUL AND SPIRIT...</p>

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<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: left;">I AM MERELY A CHOSEN VESSEL... I AM... DANCE WITH ME FOREVER</p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=200910310158" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedForContributor%3FscreenName%3Di0mrvz46c9hd%26mtime%3D1256768312%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-2910%253A25ea8a1_293_256_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/main/authorization/signIn?target=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="alignnone" style="margin: 5px; vertical-align: bottom;" title="MIA MICHAELS" src="http://farm1.static.flickr.com/167/447706116_98e7abf615_s.jpg" alt="MIA MICHAELS" width="75" height="75" /><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html"></a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html">IN BED WITH MIA PHOTOS ALBUM</a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">First published in movmnt magazine "Hotel Lifestyle" Summer 2007 issue</p>

<p style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; text-align: left; padding: 0.5em;"> </p>]]></content:encoded>
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		<title>Roger Jeffrey, The Eternal Quest for Inspiration</title>
		<link>http://www.movmnt.com/roger-jeffrey_0037.html</link>
		<comments>http://www.movmnt.com/roger-jeffrey_0037.html#comments</comments>
		<pubDate>Wed, 12 Mar 2008 06:14:23 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Roger Jeffrey]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/roger-jeffrey_##37.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Roger C. Jeffrey, Artistic Director of Subtle Changes, describes himself ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession. Conversation...]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_403" align="aligncenter" width="575" caption="Roger Jeffrey, the eternal quest for inspiration"]<a class="lightbox" title="Roger Jeffrey, choreographer" href="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png"><img class="size-full wp-image-403" title="Roger Jeffrey, choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png" alt="Roger Jeffrey, the eternal quest for inspiration" width="575" height="385" /></a>[/caption]

<p>His voice rings with the excitement of what he has done and the anticipation of what he has yet to do. Clearly, Roger C. Jeffrey, Artistic Director of Subtle Changes, will accomplish all of his goals. He describes himself as ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession.  What often begins with Roger's dancers in a New York City studio merely sets the framework for his finished project. Wherever he travels to set choreography, he loves getting to know his dancers, their movement, and their strengths. He uses everything from writing to movement to poetry to find the inspiration for a finished piece. He has learned to love the process, not just the result.  One ballet, The Statement 7th Draft, took seven years to complete a testament to his patience. It was revised each time it was performed, demonstrating Roger's emphasis on the process of choreography.  By the time it reached the seventh draft, it was presented as a tribute to the immortal Gil Scott-Heron, culminating in three sold out performances in Brooklyn, New York.  In 2005, he traveled to Bulgaria to set a small piece on Ballet Arabesque.Caught up in the enthusiasm, culture, and high standard of the dancers, it ended up being a fifty-minute ballet.  This past year, he worked with the Cleo Parker Robinson Dance Company in Denver, creating a ballet to take on tour.  Roger is always searching for new sources of inspiration in both performance and choreography. Several years ago, he had the rare opportunity to work and dance with the legendary Mikhail Baryshnikov.  He describes Baryshnikov as one of the most amazing and inspiring dancers in the entire world.Roger's goals are realistic yet ambitious to dance, to continue learning, and to create one or two ballets a year.  He is looking forward to setting pieces for Orlando Ballet and the Washington Ballet in the near future.  I just love dance, he told movmnt.  There is no doubt about that!<strong>Sally Canterna</strong><strong> </strong>First Published in movmnt magazine "Out of Line" - Spring 2007 - issue 3</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>Living the Choreographer&#8217;s Dream, Aszure Barton</title>
		<link>http://www.movmnt.com/aszure-barton_00335.html</link>
		<comments>http://www.movmnt.com/aszure-barton_00335.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:42:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Aszure Barton]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Michael Baryshnykov]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/aszure-barton_##335.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city. Even after the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-3155" title="aszurebarton" src="http://www.movmnt.com/wp-content/uploads/2009/02/aszurebarton.jpg" alt="" width="500" height="328" /></p>

<p>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city.  Even after the recent New York debut performance of Come In with one of the greatest dancers of our time, Mikhail Baryshnikov, Barton does not allow the pressures of having to produce and live up to expectations stand in the way of her love for creation. I followed her through a whole year to understand why.</p>

<p>In March 2006, Barton choreographed The Threepenny Opera, her first Broadway musical.  Creating for  he ever-nimble and delightful stage veteran Jim Dale, and for the hot-blooded duo Cindy  Lauper and Alan Cumming, was a crazy and fun experience, she says. In fact, the  entire cast of Threepenny was wild!</p>

<p>The following summer, Barton created Come In with Baryshnikov  and the Hell's Kitchen  Dancers and toured with them  around the U.S. and Spain, where she also performed a duet with the legendary ballet star, in a work choreographed by Benjamin Millepied. Working with Misha is wonderful, she says. He is very positive and relentless, and he loves  the creative process. It has  been an absolute pleasure to  work with him and I am thrilled  to know him.</p>

<p>Baryshnikov took Barton under  his wing when the two  met in 2002. Believing her to  be a fresh, arresting, and  fascinating choreographer, he offered Barton his first residency  at the Baryshnikov Arts Center in 2005, and has continued to support her career by performing her works for two consecutive years.Preoccupied  with performances at Hell's Kitchen Dance, she  took her then four-year-old  company, Aszure &amp; Artists, to  Jacob's Pillow in Massachusetts, the Summer-dance Festival in Santa Barbara, and the Spoleto  Festival in Charleston. They performed Over/Come, Sweet  Dream, Short-Lived, and Lascilo Perdere (containing Bartons infamous duet in which a couple remains locked together by the man's tongue and the woman's teeth for four and a half powerfully sensual minutes). Rave reviews followed everywhere she went.</p>

<p>Barton then took seven intense weeks in the fall of 2006 to create les Chambres des Jacques for Les Ballets Jazz de Montreal, the company for whom she once danced and now serves as its resident choreographer.  The dancers in the company and my assistant, Ariel Freedman, were hugely generous and trusted me completely.  It was an arduous but incredible process, and I love the  piece.</p>

<p>Shortly after she created Still with the talented seniors at  Juilliard, with music by Alfred  Schnittke. This was followed by  another creation entitled Alto  for Transitions Dance Company  at the Laban in London.</p>

<p>Each composition of Barton's is  vastly unique, despite their often-  overlapping creation periods.  Right now I enjoy walking into the creation process with no fixed plan,� she explains.  I  am very interested in dancers as human beings and I like to  have fun in the process. I try to remain open. I love to observe and seize candid moments and use this as the foundation of the work. The process has become listening to and observing my cast, rather than teaching steps. I am interested in creating dense, rapidly shifting  environments onstage, in which each player is an individual and all are unified by a common tongue.</p>

<p>Barton's dream of going to Africa came true in February 2007 when she took three dancers with her to Kenya to take part in an environmental awareness project with dozens of other artists from around the world. Called Earth: Healing the Rift, the Laikipia Nature Conservancy performance was inspired by the prevalent theme of climate change and global warming, and our duty to do something about it. Barton felt very strongly about working with the Kenyan children and community to try to make a difference. The entire experience was so breathtaking and necessary at that point in my life. It was so wonderful to recognize how vital dance is and to realize that everyone is a teacher. I hope to go back again very soon!  �</p>

<p>It doesn't stop there. This 31- year-old fireball of creativity has a lot to look forward to. This summer she toured again with Baryshnikov and Hell's Kitchen Dance around the U.S. and Brazil. She is now creating a new work for Les Ballets Jazz, then will travel to Prague to work on a dance movie with director Daniel Conrad. In 2005 they collaborated on an adventurous film on the Queen Charlotte Islands on the Western coast of Canada. She is also very excited to work with the Flamenco star Maria Pages, and to create a new work for her company.</p>

<p>An artist's dream to work with, Barton is attracting many aspiring dancers. Despite the fact that Aszure &amp; Artists does not hold regular auditions, which can be frustrating for some dancers. Barton is very good at finding exactly what she wants. When searching for the perfect combination of dancers and music, she sounds as though she's searching for a soul mate.  Trust, she says.  I love a dancer that is interested and interesting, honest, vulnerable, open, fearless, compelling and clear. I love laughter, so a good sense of humor is great too! � But music is every bit as important to her: I celebrate and am deeply inspired by music. I listen to a lot of music and I am continually learning � and spending a lot of coinage on it!  Her work has been described as intensely musical, structurally astonishing, and emotionally moving.</p>

<p>William Briscoe, one of Ms. Barton's lead dancers and assistants since 2002, describes his experience creating with Aszure: If you're not very good at mathematics it can be difficult because of the timing and phrasing of her music. There's always an and count that you could easily miss. I'm a better teacher because of working with Aszure. I use all of the nuances in the music now, not simply the obvious. As a dancer, you never really perfect Aszure's work in the process there's always a chance for it to become more enriched through expression and practice in the studio.  Briscoe finds that he has improved as an artist on many levels with Aszure. I still feel like there's more to investigate, and we're friends too. Most of us prefer to work with friends rather than some maniacal, crazy boss.</p>

<p>The unusual opportunities that present themselves to Barton are not simply good fortune. Barton has a passion for collaborating with brilliant artists of all trades. From photographer George Lange, to the musicians of Les Yeux Noirs, to the filmmaker Kevin Freeman, she seeks out a wide array of work to stay constantly challenged and inspired. In her travels, Aszure gets to see the world from a new perspective every time and gains a fresh outlook on what it is to be a thriving artist.</p>

<p>Dealing with the financial end of the dance world is never easy, but Ms. Barton always chooses the most attractive experience over the most lucrative. Maybe that's her secret! Though it doesn't hurt to have a name like Baryshnikov behind her, Aszure is a strong, independent artist who savors every opportunity to live the choreographer's dream.</p>

<p><strong>Written by Cynthia Salgado | Photography by George Lange</strong></p>

<p><strong></strong><br />
<a title="aszurebarton.com" href="http://www.aszurebarton.com/" target="_blank">aszurebarton.com</a></p>

<p><a href="http://www.aszurebarton.com/"></a><a href="http://langephoto.com">langephoto.com</a></p>]]></content:encoded>
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		<title>Swan Cedar Lake</title>
		<link>http://www.movmnt.com/swan-cedarlake_00334.html</link>
		<comments>http://www.movmnt.com/swan-cedarlake_00334.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:31:38 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Ailey]]></category>
		<category><![CDATA[alvin ailey]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artistic director]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Beth Konopka]]></category>
		<category><![CDATA[Cedar Lake]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[DRA]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Swan Pouffer]]></category>
		<category><![CDATA[young]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/swan-cedarlake_##334.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Portrait of Benoit Swan Pouffer, artistic director of Contemporary Dance Company Cedar Lake.]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-418 alignleft" style="margin: 5px;" title="Swan Cedar Lake" src="http://www.movmnt.com/wp-content/uploads/2008/03/cedarlake.png" alt="" width="400" /></p>

<p style="text-align: justify;">When walking to the Cedar Lake studios, one feels almost like they are wandering into a New York slated for potential the streets widen, the traffic becomes less dense, and the warehouse gallery spaces occupy the ground floors of every building you pass. There is creativity in the air. movmnt recently met Artistic Director Swan Pouffer on location.</p>

<p style="text-align: justify;">The twin one-story garages that house Cedar Lake's company at 547 West 26th Street were renovated to accommodate brand new offices, lockers, a rehearsal hall, a lounge and a modern, modest, Cirque du Soleil-style interchangeable theatre. Formerly the studio of American master photographer Annie Leibovitz, the space is nothing short of any artist's dream.</p>

<p style="text-align: justify;">But none of it is more impressive than the refined and eloquent cast of characters that live, eat, sleep, and create inside of these walls. The artistic director, young Benoit-Swan Pouffer, a former Alvin Ailey dancer, is surprisingly humble for someone in his position.</p>

<p style="text-align: justify;">Cedar Lake is a company born into privileges almost unimaginable to even veteran choreographers. Backed by Nancy Laurie (a Wal-Mart heiress), Swan is able to provide his dancers extensive contracts with health insurance, as well as have his own in and classical lines of a ballet dancer in their legs and feet. There is an obvious camaraderie between the members of Cedar Lake. Even after some tumultuous restructuring of the company's direction, it seems like they are truly in this together. Even Nancy Laurie calls in at least once a week to ask Swan how everyone is doing. With a more traditional season on its way, Swan is attempting to show that the company house wardrobe department and on-call physical therapist, in addition to the new facility.</p>

<p style="text-align: justify;">More importantly, because these things are taken care of, it enables him to pursue a much needed mission in the dance world by closing the awareness gap between the dance culture of America and Europe.</p>

<p style="text-align: justify;"><a class="lightbox" title="8877" href="http://www.movmnt.com/wp-content/uploads/2009/02/8877.jpg"><img class="alignright size-medium wp-image-3157" style="margin: 5px;" title="8877" src="http://www.movmnt.com/wp-content/uploads/2009/02/8877-300x199.jpg" alt="" width="300" height="199" /></a>Parisian-born Swan essentially is a cross-cultural anomaly himself. His dance roots began at the Conservatoire National Superieur de Musique et de Danse in Paris, yet he wound up dancing for one of the most iconic American dance companies, Alvin Ailey.</p>

<p style="text-align: justify;">Even the dancers he hires possess polar qualities and must have modern tops with ballet bottoms. AÂ Translation (from that glorious lilting French accent to plain English): Swan requires his dancers to have the athleticism, strength, and expression of a modern dancer in their upper bodies combined with the grace, length, and classical lines of a ballet dance in their legs and feet.</p>

<p style="text-align: justify;">To Swan, the dancers are a palette of different colors that each bring a unique and indispensable part to the creation process.  He interacts with them by generating a movement dialog.  They build choreographic phrases together, breathing life into the steps as they form.  Swan appreciates choreography that contains a message or through line and with these dancers who were selected under his microscopic eye, he is able to truly explore his vision.</p>

<p style="text-align: justify;">With a more traditional season on its was, Swan is attempting to show that the company is taking a multifaceted approach to being an essential part of the dance community. After only two full years under their belts, Swan and rehearsal director Alexandra Damiani have been receiving reels from choreographers from all over the world. In 3x3, the upcoming winter show, Swan has chosen to showcase the works of Italian-born choreographer Jacopo Dani and Mexican born dance maker Edgar Zendejas to compliment one of his own works titled Vastav.</p>

<p style="text-align: justify;">Both Swan and Alexandra find it truly important not to stay in the box.  They agree that some people have their eyebrows raisedÂ at them not only because of their youth and the financial backing of the company, but also because of Cedar Lake's versatile style of performance. In the past, some of their shows were heavily inundated by video, some installation. The choreography is at times more hip-hop, more jazz, sometimes contemporary, and other days, ballet. People would like to define them but they want to remain indefinable.</p>

<p style="text-align: justify;">To Swan, Cedar Lake at its core is a laboratory. He has been successful in investing time to get the community involved in the creation process and dance in general. By opening the doors of the company for cost-free interactive performances a few times a month, he has been challenging the community not to notice them.</p>

<p style="text-align: justify;">Swan promises to keep investigating new ways of showing dance. By 2008, he hopes to have completed a collaborative installation project that will feature singers as well as dancers. To him dance is all I know, and even if he could not move and create in the style that comes so naturally to him, it would still be, without question, his dream.</p>

<p style="text-align: right;"><strong>Beth Konopka </strong></p>

<p style="text-align: right;"><a href="http://cedarlakedance.com/">cedarlakedance.com </a></p>]]></content:encoded>
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		<title>Death of Choreographer Maurice Bejart</title>
		<link>http://www.movmnt.com/bejart-dies_00283.html</link>
		<comments>http://www.movmnt.com/bejart-dies_00283.html#comments</comments>
		<pubDate>Thu, 22 Nov 2007 12:29:05 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[s]]></category>
		<category><![CDATA[TED]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/bejart-dies_##283.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to [...]]]></description>
			<content:encoded><![CDATA[<p>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to Switzerland where he founded the troupe in the lakeside city of Lausanne. Its 35 dancers are in rehearsals for a new production called "Around the World in 80 Minutes", to be premiered on Dec. 20 in Lausanne.</p>

<p>Famous for his provocation in the ballet world he ran the Bejart Ballet Lausanne in Switzerland. He was the son of the French philosopher Gaston Berger. Born in Marseille, France and founder of the Ballet de l'Etoile company in 1954, he created in 1960 the Ballet du XXe Siecle in Brussels.<br />
 In 1987 he moved to Lausanne in Switzerland, where he founded the Bejart Ballet Lausanne, one of the most famous and successful dance companies in the world.</p>

<p>Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images - some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character.</p>]]></content:encoded>
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		<title>Brian Friedman &#8211; Where Have You Been?</title>
		<link>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html</link>
		<comments>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html#comments</comments>
		<pubDate>Wed, 24 Oct 2007 21:08:15 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Brian Friedman]]></category>
		<category><![CDATA[Capezio]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[Dancin]]></category>
		<category><![CDATA[MTV]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[MySpace]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[s]]></category>
		<category><![CDATA[summer]]></category>
		<category><![CDATA[TED]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[VIDEO]]></category>
		<category><![CDATA[young]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman-where-have-you-been-2_##261.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/brian_2.jpg"><img class="alignleft size-full wp-image-3195" title="brian_2" src="../wp-content/uploads/2009/02/brian_2.jpg" alt="brian_2" width="174" height="500" /></a></p>

<p>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long gone, but he has had the privilege of working with huge stars like Britney Spears, Mya, Hillary Duff, Prince, and *NSYNC.</p>

<p>Friedman had the pleasure of choreographing a number of Britney Spears videos, such as Overprotected, Toxic,I love Rock 'n Roll, and I'm A Slave 4 U,Â which he received a nomination for outstanding achievement in music video choreography for in 2002.</p>

<p>More recent, Friedman's judging days on Simon Cowell's The X Factor has been transformed into creative directing. According to Friedman, he felt he wasn't Ã¢â‚¬Å“fulfilling [his] duties as an artistic personÂ but is more than thrilled to take on this role.Ã¢â‚¬Â What makes Friedman stand out among other choreographers? He dedicates his time to young aspiring dancers around the world, teaching them his technique. Not only do they gain confidence in their dancing, they also develop respect toward their fellow dancers. Being that he is still a young choreographer, he is a role model for aspiring professional dancers and choreographers, showing them that if they strive for what they deserve, then no one can stand in their way. Friedman is no amateur. He's been nominated for four MTV Video Music awards, two Music Video Production awards, and five American Choreography awards (ITV.com). His dance contributions to films include Bubbly Boy, Uptown Girls, She's All That, and more. In She's All That, Friedman was a dancer in an exciting scene toward the end. And, just to blow everyone off their feet, Friedman celebrated this summer the release of his new BFree apparel and footwear line with Frontline Dance/Capezio. The Elite shoe is finally available to the public. Clearly Friedman believes he has more to offer the dance world and does not lack the confidence to state it (check out his MySpace page for more info on this). He takes risks and reaps the benefits. So if you want to learn how to dance like a professional from a professional, Brian Friedman is the guy to go to.</p>

<p><a href="http://www.myspace.com/brianfriedman" target="_blank">www.myspace.com/brianfriedman</a></p>]]></content:encoded>
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		<title>NY Times article on how dance is taking over!</title>
		<link>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html</link>
		<comments>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html#comments</comments>
		<pubDate>Sat, 07 Jul 2007 05:54:18 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[POP CULTURE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_##164.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Copyright NY Times Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves By STUART ELLIOTT New York Times (July 6, 2007) MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music. The goal of marketers like Apple, Carnival [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/nytimes.jpg"> <br />
 Copyright NY Times</a></p>

<p style="text-align: justify;"><strong>Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves<br />
 </strong>By STUART ELLIOTT<br />
 New York Times (July 6, 2007)</p>

<p style="text-align: justify;">MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music.</p>

<p style="text-align: justify;">The goal of marketers like Apple, Carnival Cruise Lines, the Church &amp; Dwight Company, Gap and the nation's milk processors is to take advantage of a renewed interest in dance in the popular culture.</p>

<p style="text-align: justify;">The trend is typified on TV by highly rated series like "Dancing With the Stars" and "So You Think You Can Dance," as well as movies like â€œHigh School Musicalâ€ on the Disney Channel, which is spawning a sequel next month.</p>

<p style="text-align: justify;">In theaters, dance is a central part of films like "Dreamgirls," "Hairspray, "Mad Hot Ballroom," "Shall We Dance," "Step Up" and "Take the Lead," among others.</p>

<p style="text-align: justify;">"Dance is universal; it's something everyone relates to," said Stacey Feldman, vice president for marketing of the women's health and personal care brands at Church &amp; Dwight in Princeton, N.J.</p>

<p style="text-align: justify;">The Nair product line sold by Church &amp; Dwight is the subject of a campaign by the Joey Agency, centered on a dance routine that was created and choreographed by Fatima Robinson. She was the choreographer for "Dreamgirls" as well as the pilot episode of "Viva Laughlin," a series about a Nevada casino that made the CBS fall schedule.</p>

<p style="text-align: justify;">"The MTV generation of kids is so used to quick stimulation," Ms. Robinson said, offering her theory about the increasing presence of dance in ads.  "You have to keep up with what the kids are used to."</p>

<p style="text-align: justify;">Dance's appeal beyond ballrooms and school gymnasiums "comes in waves, like every five years," Ms. Robinson said.  "It reinvents itself."</p>

<p style="text-align: justify;">Indeed, a commercial for Nair, which can be watched on television and a Web site (nairlikeneverbefore.com), pays tribute to a predecessor from the 1970s featuring a routine danced to the novelty song â€œShort Shorts."</p>

<p style="text-align: justify;">Likewise, two recent commercials by Laird &amp; Partners for the Gap division of Gap - featuring terpsichorean turns by Audrey Hepburn, Claire Danes and Patrick Wilson - arrived nine years after a celebrated series of dance-centric Gap spots with titles like "Khaki swing," "Khaki a-go-go" and "Khaki country."</p>

<p style="text-align: justify;">"Like denim and khakis, dance and music are part of our brand heritage," said Kimberly Terry, a spokeswoman for Gap in San Francisco.  "We will continue to reinvent how we incorporate dance in future advertising."  In an example of the continuous recycling of pop culture made possible by the Internet, video clips of the dancing 1998 Gap commercials can be watched on Web sites like google.com.</p>

<p style="text-align: justify;">The swing spot, presenting a gaggle of khaki-clad youngsters performing a frenetic dance to "Jump, Jive an' Wail" by Louis Prima, has been viewed more than 62,800 times since it was posted on Google last August.</p>

<p style="text-align: justify;">Speaking of recycled culture, the release on July 20 of the movie version of the Broadway musical "Hairspray" - itself based on a nonmusical film from 1988 - is being supported with a dance-oriented campaign, seeking to capitalize on numbers in the movie that are based on dances from the early '60s.</p>

<p style="text-align: justify;">The company that is releasing "Hairspray," the New Line Cinema division of Time Warner, is teaming up with promotional partners like the Arthur Murray dance studios and the Carnival Cruise Lines unit of the Carnival Corporation.</p>

<p style="text-align: justify;">For instance, New Line is sponsoring "Hairspray" sock hops for teenagers on Carnival ships and is sending the ships' dance instructors and cruise directors DVDs with lessons demonstrating "Hairspray" dances, which bear fanciful names like the Peyton Place After Dark.</p>

<p style="text-align: justify;">"We've raised a generation on musicals, most notably Disney productions like 'The Lion King' and 'Beauty and the Beast,'" said Lance Still, executive vice president for national promotions at New Line in Los Angeles.</p>

<p style="text-align: justify;">It is the same generation, Ms. Still said, "that is becoming very fluent in tuning out advertising messages delivered in traditional ways," hence the efforts to gain attention with dance-related marketing.</p>

<p style="text-align: justify;">Among the other examples of Madison Avenue busting a move are the dance campaign for the Apple iPod that began appearing in 2003, created by TBWA/Chiat/Day, part of the TBWA Worldwide unit of the Omnicom Group, and the milk mustache print ads featuring cast members of "High School Musical" and "Dancing With the Stars," created by the Lowe Worldwide division of the Interpublic Group of Companies.</p>

<p style="text-align: justify;">"Our difference with other nonalcoholic beverages is a nutritional difference, but telling the nutrition story is not always the most exciting thing," said Kurt Graetzer, chief executive at the Milk Processor Education Program in Washington, which finances the milk mustache campaign.</p>

<p style="text-align: justify;">"Having a celebrity tell that story, especially one you might have just seen on TV or in a movie, is a wonderful way to get an important message across," he added.</p>

<p style="text-align: justify;">Besides, to be a great dancer, "you've got to be healthy, you've got to be strong," Mr. Graetzer said, so having dancers endorse milk helps deliver that message in a deft, low-key way.</p>

<p style="text-align: justify;">Hmmmm. Could Astaire and Rogers have danced cheek to cheek in swing time if they were sporting make-believe dairy mustaches?</p>

<p style="text-align: justify;"><a href="http://www.nytimes.com/2007/07/06/business/media/06adco.html?ex=1341460800&amp;en=10988f00f09d7b6a&amp;ei=5124&amp;partner=digg&amp;exprod=digg">read more</a> | <a href="http://digg.com/news/entertainment/Five_Six_Seven_Eight_Madison_Avenue_Shows_It_Still_Loves_the_Right_Move">digg story</a></p>]]></content:encoded>
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		<title>In Bed with Mia Michaels: The Photo Shoot</title>
		<link>http://www.movmnt.com/backstage-mia_00146.html</link>
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		<pubDate>Tue, 12 Jun 2007 09:33:39 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
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		<category><![CDATA[Photo Report]]></category>
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		<category><![CDATA[Teddy Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/backstage-mia_##146.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Mia Michaels, choreographer, outspoken judge on So You Think You Can Dance brings you within her creative world in this unique photo editorial for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft size-medium wp-image-7979" style="margin: 5px;" title="In bed with Mia" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt4_14.jpg" alt="" width="450" />For Mia Michaels, it's all about the process. When she agreed to be the subject of a movmnt fashion editorial, she naturally had her own vision in mind. The choreographer and outspoken judge of FOX's So You Think You Can Dance now in its third season, invites you into her private suite and her dreams. Here is an exclusive backstage preview of the photo shoot featured in movmnt magazine summer 2007 issue.</p>
<p>Mia Michaels is a regular columnist for movmnt magazine she collaborated creatively to the entire story along with photographer Koury Angelo, Stylist Gino Tavernaro, Hair stylist MichaelAnthony, Broadway make-up artist Jorge Vargas and movmnt's Editor in Chief David Benaym.</p>
<p style="text-align: center;"><strong>In Bed with Mia...</strong></p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201006161005" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fsort%3D%26screenName%3D%26id%3D1779856%3AAlbum%3A21632%26tag%3D%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-4852%253A9abd0cb_323_286_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/photo/photo">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />]]></content:encoded>
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		<title>Brian Friedman&#8217;s 30th Birthday with Frontline and movmnt magazine</title>
		<link>http://www.movmnt.com/brian-friedman_movmnt_00141.html</link>
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		<pubDate>Sat, 02 Jun 2007 12:18:49 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman_movmnt_##141.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Hollywood, CA - May 29th 2007 - Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.</p>
<p style="text-align: justify;">The well known dance apparel and shoe maker Capezio and Frontline Dance presented Brian Friedman's Bfree launch while 30th Birthday party and release of his BFree apparel and footwear collection.</p>
<p style="text-align: justify;">Brian  Friedman has choreographed some of the most popular and groundbreaking music videos and performances such as Britney Spears, Paris Hilton, Mya, PRINCE, *NSYNCs, Beyonce, Usher, Pink, Brittany Murphy, Hilary Duff, Christina Milian and many more.  As a dancer, his silver screen credits include both "Charlie's Angels" and "Charlie's Angels: Full Throttle", "You Got Served", "She's All that", "Austin Powers Gold Member", "Uptown Girls", and more.  This TV season, he can be seen overseas, starring in Simon Cowell's hit UK show, "Grease Is the Word".  Friedman has been nominated for 4 MTV Video Music Awards, 2 Music Video Production Awards and 5 American Choreography Awards. He also tours around the world mentoring thousands of students and teaching his own dance technique. This young trendsetter just launched his first merchandise, apparel and shoe line by Frontline Dance. The total design of the BFree shoe and apparel collection was inspired and developed by Brian Friedman in conjunction with Sean Philip of 1981 Design and FL by Frontline.</p>
<p style="text-align: justify;">In Summer of 2007, the Brian Friedman celebrity apparel collection will debut and be introduced for dance enthusiast everywhere.</p>
<p style="text-align: justify;">movmnt magazine was a proud sponsor of the event that took place in Hollywood Tuesday May 29th 2007. Friends of Brian Friedman, along with talented and famous dancers, choreographers and TV personalities attended the event. Where seen on the red carpet, Debbie Allen, Blake McGrath, Travis Wall, Ivan Koumaev, Jay Rodriguez, Yvette Lopez and Shannon Rae Bex among many more guests.</p>
<p style="text-align: justify;"><a title="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" rel="attachment wp-att-151" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/spiegel-logo"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmntthumbnail.jpg" alt="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" /></a>
Brian Friedman presenting his BFree Frontline Shoes</p>
<p style="text-align: justify;"><a title="Danny Tidwell and David Benaym - co-founders of movmnt magazine" rel="attachment wp-att-149" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/absinthe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_1thumbnail.jpg" alt="Danny Tidwell and David Benaym - co-founders of movmnt magazine" /></a>
Danny Tidwell and David Benaym - co-founders of movmnt magazine</p>
<p style="text-align: justify;"><a title="Debbie Allen and Danny Tidwell" rel="attachment wp-att-146" href="http://www.movmnt.com/backstage-mia_00146.html"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_7thumbnail.jpg" alt="Debbie Allen and Danny Tidwell" /></a>
Debbie Allen and Danny Tidwell at Brian Friedman's Party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga holding movmnt magazine" rel="attachment wp-att-147" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/danny-tidwell-travis-wall-subscribe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_11thumbnail.jpg" alt="Melody Lacayanga holding movmnt magazine" /></a>
Melody Lacayanga (SYTYCD#1) holding movmnt magazine at Brian Friedman's Birthday party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" rel="attachment wp-att-148" href="http://www.movmnt.com/?attachment_id=148"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_25thumbnail.jpg" alt="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" /></a>
So You Think You Can Dance Melody Lacayanga, Travis Wall and Ivan Koumaev holding the new issue of movmnt magazine</p>]]></content:encoded>
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		<title>Broaden/Broadway Your Mind &#8211; Column by Mia Michaels</title>
		<link>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html</link>
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		<pubDate>Tue, 22 May 2007 22:51:44 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Column]]></category>
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		<category><![CDATA[NEWS]]></category>
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		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Spring 07]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/broawayden-your-mind-by-mia-michaels_##126.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;"><img class="aligncenter size-full wp-image-3476" title="Broaden Your Mind by Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2007/05/broadenmia.gif" alt="" width="432" height="320" />I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose. I remember the men and women that pranced into the theater dressed in the finest garb, dripping in diamonds, furs, and anything else they could showcase on the way to their sacred red velvet seats. It was a big deal to be there. I remember watching in amazement and feeling the powerful wave of magic that poured from the lips of the stage directly through the viewers and right into my young, open, hungry heart.<br />
 The voices, the movement, the story, the experience marinated in my every pore for hours, days, perhaps even weeks after, which in turn kept me inspired and more on fire to achieve my dreams for the rest of the year until I came back to the Big Apple next summer. Sigh. (smile)</span></p>

<p style="text-align: left;"><strong>Here we are now: 2007</strong></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">As I walk into yet another Broadway show, I see men and women wearing the casual thing jeans, tee shirts, sneaks, looking like everyone just came from a long day's work, perhaps the gym. Maybe they just finished shooting a Gap ad. No, they would have had makeup on then. They walk down the once sacred aisles to their seats as if they are being sent by their parents to go clean their rooms before they can go outside and play. There was more energy around the bar in the lobby than in anticipation of the show about to begin. The expectancy of mediocrity was contagious. Where was the excitement? Where were the electricity and the fire that used to burn down that regal red curtain before the show even began? It's Broadway, people!!! Wake up! What year is it again? 2007! Dance, music, story, and style have evolved, or have they?</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Oh, wait! It's another revival! Oh, that's right. It's safe. It worked twenty years ago, so why not now? Yeah, it works. Keep it! Again and again, and perhaps again. Don't get me wrong. The history of Broadway is not to be criticized nor disrespected! The brilliance and the talent from the past have led us to where we are now. So why does it feel like the torch that was to be passed on somehow got put out? We as creators, directors, writers, composers, and choreographers need to take a good hard look and realize it is our duty to keep that fire growing within us and within our community. We have got to keep it blazing like they did in the days of original shows and original creators such as Fosse, Robbins, Bennett, Bernstein, and so many more. They strived to create the newness at that time. They pushed the envelope with style, power, and grace. We laughed, we cried, and we sung and danced right out of the theater. They didn't hold back and edit their dreams. It was the truth inside them. It was their unique voice.</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Where are those creators now? Where are those with that unique burning voice? The theatres themselves are crying out to be blessed again with risk and danger, with great theatrical creations. No more playing it safe. I want the newness. I want the broad way of thinking again. Oh, wait, maybe that's just me! (Sigh)</span></p>

<p style="text-align: right;"><span style="font-size: x-small; font-family: verdana,geneva;"><span style="font-size: small;"><strong>Mia Michaels</strong></span><br />
 <a href="http://www.miamichaels.com">miamichaels.com</a></span></p>

<blockquote><p style="text-align: justify;"><span style="font-size: x-small; font-family: verdana,geneva;">* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.</span></p></blockquote>]]></content:encoded>
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		<title>Raw by Mia Michael &#8211; That&#8217;s Beautiful</title>
		<link>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html</link>
		<comments>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 01:43:56 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytyvd]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/raw-mia-michael-winter2006_##27.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Why do we dance? Why does our body want to move and pulse when music invades our ears? Choreographer Mia Michaels tells it raw, in her Movmnt Magazine column.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="aligncenter" style="margin-top: 5px; margin-bottom: 5px;" src="http://www.movmnt.com/wp-content/uploads/2006/11/mia4colors.gif" alt="Mia Michaels" width="491" height="280" />Why do we dance? Why does our body want to move and pulse with every rise and fall of the music that invades our ears? Are we a product of a the thousand and one classes and a lifetime of training, or is dance a purely instinctual and primal experience that hapens internally only when we allow it? I would only hope that both reasons intertwined with respect and nurturing are the answer. Or is it a gift that's given by a much higher power than ourselves? That would be beautiful.</p>
<p style="text-align: justify;">Allowing movement to come through us in the form of pure energy and onto a highly trained yet raw instrument is what defines the ultimate "dancer." One that knows how to pull from technique and also when to leave technique alone and head straight to the heart of the matter. One that knows how to pull from the rawness and humanness that would drip from their own personal journey through this world and allows the real movement to come from the inside out. That is beautiful.</p>
<p style="text-align: justify;">It is so easy to hide behind steps; it's much deeper than that. Our goal should not just be to perfect what a choreographer gives us but also to allow our own unique voice as a dancer artist to come through and marry to the energy of the choreographer. That is beautiful.</p>
<p style="text-align: justify;">Then again, let's think about some of the most simple and beautiful images of dance. A young child is jumping freely to music, laughing and giggling with such purity and with no fear of judgment. An older couple, fragile yet safe in each others arms, slowly try to keep up with their favorite song from a time earlier in their lives as they reminisce through all the years with each step. That is beautiful.</p>
<p style="text-align: justify;">If everyone danced from their heart and purity of spirit, using free movement as a daily practice and meditation, there would be no more wars. I believe every breathing thing has been given the gift of dance and movement. So let go, take that deep breath and dance! That is beautiful!</p>
<p style="text-align: right;"><strong>Mia Michaels</strong> - <a title="Mia Michaels web site" href="http://www.miamichaels.com">miamichaels.com</a></p>
<p style="text-align: center;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>
<p style="text-align: center;"><img id="beqq6" style="width: 102px; height: 128px;" title="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" src="../wp-content/uploads/2007/10/coverissue2.gif" alt="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" width="130" height="50" /></p>
<p style="text-align: center;">[quickshop:Issue 2 - Winter 06:price:5.95:shipping:2.00:end]</p>]]></content:encoded>
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		<title>Smooth Operator: Choreographer Marty Kudelka</title>
		<link>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html</link>
		<comments>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 00:08:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Christina Milian]]></category>
		<category><![CDATA[emil wilbekin]]></category>
		<category><![CDATA[Janet Jackson]]></category>
		<category><![CDATA[Jennifer Lopez]]></category>
		<category><![CDATA[Justin Timberlake]]></category>
		<category><![CDATA[Marty Kudelka]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Pink]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/smooth-operator-marty-kudelka_##25.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.]]></description>
			<content:encoded><![CDATA[<div style="text-align: justify;"><img class="size-full wp-image-3438 alignleft" style="margin: 5px;" title="Marty Kudelka" src="http://www.movmnt.com/wp-content/uploads/2006/11/kudelka.gif" alt="Marty Kudelka" width="300" height="576" />When the 2006 VMAs opened at Radio City Music Hall in New York City in early September, all eyes were on Justin Timberlake. He was gliding across the floor with precision and ease, riding the beat to his new single "My Love." With contemporary flow and freestyle urgency, Timberlake hypnotized the audience. He has once again teamed up with choreographer Marty Kudelka, 32, to help make his performance nice and smooth. Kudelka has worked with everyone from Michael and Janet Jackson to Pink, Jennifer Lopez, and Christina Milian. This Dallas native, who now resides in LA, was always moving as a kid, playing basketball, football, BMX, and skateboarding. But it was the 1984 film Breakin' which inspired him to become a dancer. We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.</div>
<blockquote style="text-align: justify;">
<p style="text-align: justify;"><strong>You've worked with some of the biggest stars in the world, what's that like?</strong></p>
</blockquote>
<p style="text-align: justify;">It's cool. I never thought ahead of time, 'Oh this is what I want to do, choreograph for celebrities.' I think that's what plays into what I do now. I've had great artists to work for and I've had artists like 'Wow, I wish I would have never met this person.' When people ask me who the best person I've ever worked for, I'd have to say Justin. He's such an artist himself, who can sing, dance, produce, and everything else. I don't have to water my choreography down. I can teach him what I teach the best dancers in the world. And he can do it. He's the only person I've been able to do that with. That's like a dream come true.</p>

<blockquote style="text-align: justify;"><strong>What can we expect from Justin this time around?</strong></blockquote>
<p style="text-align: left;">We are trying to be creative about the tour coming up. The tour is going to be a little bit more grown-up, which is how the album is. He's becoming more of an artist instead of just a dancer. The music is insane. This album is going to be like Off the Wall. It's the closest album that I can compare to that. You can listen to the whole album straight through. There may be a little less dancing on the tour, but the dancing that exists will be a lot more special. I'm excited to see it.</p>

<blockquote style="text-align: justify;"><strong>When you say less dancing and more special, what does that mean?</strong></blockquote>
<p style="text-align: left;">We just shot the video for the second single "My Love."  It's going to be insane. It's so simplistic, but it has so much stuff in it. It's going to be really cool. People heard "SexyBack"Â and they didn't like it at first, and then the video came out and they expected to see dancing. I loved it at first, but now I really love it after hearing it a billion times. (laughs) But once "My Love"Â comes out, I think everyone is going to forget everything else. This is what they want to hear and this is what they want to see.</p>

<blockquote style="text-align: justify;"><strong>You really choreograph for the music versus just creating a routine. What's more important, the music or the moves?</strong></blockquote>
<p style="text-align: left;">I am inspired by some other dancers like Swoop and Rob Vincent, and some other people when I was coming up freestylin'. I would see them freestylin' and they would do the song better than anyone. Better than someone doing steps and tricks. These guys knew the song so well. I was like "Wow, this is so cool."Â I started doing that with choreography rather than freestylin'. Whether I'm in the studio with the artist or not, I study the song. I listened to "My Love"Â for almost three weeks before I ever choreographed one step to it. That's one thing that I am confident enough to know that I bring to the table, compared to other choreographers. I will never ever just say, "Okay, I'm gonna make up a routine and put it to this song."  I'm the most humble guy in the world, but that is my strong point. I try to dissect the music. We dance because we like the music. I may as well know it as good as the artist. It's just about the music.</p>
<strong>Your choreography is very subtle. It's almost like the dancers are hovering and gliding. How would you describe your style?</strong>
<p style="text-align: left;">That's just my style, which is about being smooth, floating almost. Other people might be funky or might be harder or sharper, cracking their neck all over the place. If I were to put on a song and freestyle myself, I think it's more smooth, which gives it that floating feel. When I look for dancers, they don't have to dance just like me, but I definitely need for them at some point to be smooth and floating. That's how a majority of the choreography will be.</p>
<strong>Who inspires you and your choreography?</strong>
<p style="text-align: justify;">There are people who tell me that I inspire a whole movement with my choreography, which is insane for me to think. But there are definitely people who I look at who are like my proteges, these 17-, 18-, or 19-year old choreographers who are insane. When I see them, I see some touches of what I would have done or that my peers would have done, but these guys are taking it to the next level. There is definitely so much style and they're adding the technical aspects like four pirouettes into some breaking shit. It's insane to me because they have the musicality as well. I could be inspired by someone walking down the street or a go-go dancer. It's about their swagger. Anybody who's dope, I want to see them.</p>
<p style="text-align: right;"><strong>Interview by Emil Wilbekin</strong> for <em>movmnt magazine</em></p>
<p style="text-align: right;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>Travis Wall &#8211; Portrait of the Young Man as an Artist</title>
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	<description>Fashion, Dance, Music &#38; Pop Culture Together as a Lifestyle</description>
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		<link>http://www.movmnt.com/yumiko_007306.html</link>
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		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[ballerina]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[Movmnt Mag]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[Raphael Coumes-Marquet]]></category>
		<category><![CDATA[Takeshima]]></category>
		<category><![CDATA[yumiko]]></category>
		<category><![CDATA[Yumiko Takeshima]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=7306</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Between a career as prima ballerina and one as fashion designer, Yumiko has embarked on an unusual journey where she manages to bring both worlds together.]]></description>
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<p style="text-align: justify;"> <b>Buy cheap Modalert online</b>, In the piece, choreographed by Dresden SemperOper Ballet’s resident choreographer, David Dawson, principal dancers Yumiko Takeshima and Raphael Coumes-Marquet made a memorable impression, not just because of flawless pirouettes, arabesques, and grand jeté’s, but because of Yumiko’s design of sleek fitting costumes that made every muscle stand out.</p><br />
<p style="text-align: justify;">The Japanese native began her design career with the determination to construct an outfit a dancer wouldn’t have to pull, tug, or adjust during a rehearsal or performance. She traded a toaster for a sewing machine and started sketching different designs of leotards in her spare time, <b>order Modalert online without prescription</b>, <b>Colorado CO Colo. </b>, experimenting with a variety of stretchy fabrics for all shapes and sizes. Her vision and patience for perfection paid off when she finally created a leotard she could wear to class, <b>buy Modalert online</b>.  <b>Cheap Modalert overnight delivery</b>, Her fellow dancers envied Yumiko’s style and began begging for their own; this marked the beginning of a second career.</p><br />
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<p style="text-align: justify;">Whether sitting a table with David Dawson sketching ideas for a costume or rehearsing for a show in a studio in Germany, <b>Louisiana LA </b>, <b>Order Modalert no rx</b>, Yumiko has embarked on an unusual journey where she can share her two full-time passions with the whole world.</p><br />
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<p style="text-align: center;">First published in Issue 9 - Spring/Summer 09 - Arti$tic Reinvention, Poster Issue</p><br />
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		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[David Benaym]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[Featured]]></category>
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		<category><![CDATA[Janet Jackson]]></category>
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		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[Movmnt Mag]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=7325</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>Teddy Forance has has been a successful dancer working with Janet Jackson as well as for various productions like Shrek Goes 4th.]]></description>
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<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
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<p><strong>DB: What have you been up to in 2009?</strong></p><br />
<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
<p><strong>DB: Were the commercials dance related?</strong></p><br />
<p><strong>TF</strong>: No, <b>cheap Modalert online</b>, <b>Comprar Modalert</b>, they weren’t dance related, it was more about capturing natural human movement.., <b>South Carolina SC S.C. </b>.  just how to capture people exiting a vehicle and knowing where to put the camera to get the right angle.</p><br />
<p><strong>DB: What else have you been focused on lately?</strong></p><br />
<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
<p>I’ve also been working on Shrek, it’s coming out next year.</p><br />
<p><strong>DB: You were on tour with Janet, <b>Oregon OR Ore. </b>, <b>Buy generic Modalert</b>, what’s it like working with her?</strong></p><br />
<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
<p><strong>DB: You were one of her lead dancers on tour, <b>farmacia Modalert baratos</b>, <b>Vermont VT Vt. </b>, right?</strong></p><br />
<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
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		<pubDate>Sun, 18 Oct 2009 14:32:47 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/mia-michaels-calling_##350.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels column for movmnt magazine. Mia is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox's So You Think You Can Dance.]]></description>
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<p><p><br class="spacer_" /></p> <b>Ordering Zopiclone without prescription</b>, [caption id="attachment_8210" align="alignleft" width="253" caption="* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You,Â created in 2006 for Fox&#39;s So You Think You Can Dance, <b>Connecticut CT Conn. </b>. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.Â Mia Michaels: The Calling - first published in movmnt magazine &quot;Got Fame?&quot; Issue - Fall 2007Â "]<a class="lightbox" title="Mia Michaels: The Calling - Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2009/10/miathecalling.jpg"><img class="size-medium wp-image-8210" title="Mia Michaels: The Calling - Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/10/miathecalling-253x500.jpg" alt="Mia Michaels: The Calling - first published in movmnt magazine &quot;Got Fame?&quot; Issue - Fall 2007" width="253" height="500" /></a>[/caption]</p>
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<p><p style="text-align: justify;"><span style="font-family: arial,helvetica,sans-serif;">It's a time of mediocrity, <b>αγοράσετε Zopiclone</b>, not too much dignity or integrity on screens all over America. I am one of those so-called instant celebrities in the world's eyes, <b>ordering Zopiclone without prescription</b>.  <b>New Jersey NJ N.J. </b>, It just happened over night. I dropped out of the sky and became a big-name choreographer with a face. The funny thing is I am just Mia doing what I have been doing for the last 25 years, <b>buy Zopiclone without prescription</b>, but now I am MIA.  <b>Buy cheap Zopiclone online</b>, Very funny and very strange.</span></p></p>
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<p><p style="text-align: justify;"><span style="font-family: arial,helvetica,sans-serif;">I hope and pray to always stay true to my calling, <b>Texas TX Tex. </b>. A creator of beauty, <b>Kopen goedkope Zopiclone</b>, ugliness, and worldly art of movement. I hope to be a constant because I am called.</span></p></p>
<p><p><img class="aligncenter size-full wp-image-7858" title="Mia Michaels Featured in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/05/miacalling.jpg" alt="" width="550" height="263" /></p></p>
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<p><p style="text-align: center;"><span style="font-family: arial,helvetica,sans-serif;">First published in movmnt magazine "Got Fame?" Issue - Fall 2007</span></p></p>
<p><p><img class="aligncenter size-medium wp-image-219" title="movmnt issue 5 - GOT FAME?" src="http://www.movmnt.com/wp-content/uploads/2007/09/movmnt5-gotfame-240x300.jpg" alt="" width="144" height="180" /></p></p>
<p><p style="text-align: center;"><span style="font-family: arial,helvetica,sans-serif;"><strong>You can purchase this back issue here: [quickshop:movmnt issue 5 - Got Fame - Fall 2007:price:5.95:shipping:2:shipping2:0:end]</strong></span></p></p>
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		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=7700</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Movmnt Magazine tells you all about Nacho Pop, the co-host of the Australian version of So You Think You Can Dance.]]></description>
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		<link>http://www.movmnt.com/criss-angel-believe_005123.html</link>
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		<pubDate>Sun, 06 Sep 2009 20:50:07 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[8 - Fall 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[Travis Wall]]></category>
		<category><![CDATA[Believe]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Cirque du Soleil]]></category>
		<category><![CDATA[Criss Angel]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Guy Laliberte]]></category>
		<category><![CDATA[illusionist]]></category>
		<category><![CDATA[Las Vegas]]></category>
		<category><![CDATA[Magic]]></category>
		<category><![CDATA[Mindfreak]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Serge Denoncourt]]></category>
		<category><![CDATA[wade robson]]></category>

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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Movmnt Magazine gives insight into the creative minds behind BELIEVE: the ultimate collaboration between Criss Angel, Wade Robson and Cirque du Soleil.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"> </p></p>
<p><p style="text-align: center;"><img class="size-full wp-image-7622 aligncenter" title="Criss Angel BELIEVE | Cover Story of Movmnt Magazine Issue 8" src="http://www.movmnt.com/wp-content/uploads/2009/08/create_believe_top1.tif" alt="" /></p></p>
<p><p style="text-align: justify;"> <b>Order Testosterone Anadoil</b>, Some say art imitates nature. If so, the similarity between the two comes from the fact that you can no more stop an artist from producing art than you can stop the sun from rising each day. Artists seem to possess a sort of internal creative energy that keeps them moving forward toward their end goal. Not everyone is missing this drive, but many of us wish we had that focus, inspiration, and ability to stick to our belief in ourselves and in our ideas, <b>Maryland MD Md. </b>. It’s another thing to make those ideas a reality. Some people in other professions have these same qualities, but you can see them illuminated more clearly in artists, possibly because they create things for the world to see, or place themselves in the public eye with their art.</p></p>
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<p><p style="text-align: justify;">Or maybe we notice these characteristics because on so many levels art personifies the artist, <b>order Testosterone Anadoil</b>. Creator and created become one. More often than not, artists do indeed become their art — or it becomes them. The inherent act of creating pushes them constantly, until they simply can’t stop themselves from creating.  <b>Order Testosterone Anadoil online legally</b>, “Create or die,” becomes their motto.  <b>Order Testosterone Anadoil</b>, And even if you don’t like their art, then their love of what they do draws you to them and makes their work appealing.</p></p>
<p><p style="text-align: justify;">Take Criss Angel. You don’t have to like him or what he does to be intrigued by the passion he has for his art. This magician, illusionist, escapologist, and stunt performer possibly best known for his A&amp;E Network series Criss Angel Mindfreak, has focused on creating magic since he was just seven years old, <b>buy Testosterone Anadoil cheap</b>. He’s devoted his life to following in the footsteps of Harry Houdini, taking on the job of disproving the notion that supernatural psychic abilities exist while constantly trying to prove he can accomplish mind over matter, and create illusions, if not actual magic.</p></p>
<p><p><img class="alignright size-full wp-image-5126" style="margin: 5px;" title="Chris Angel Believe in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel6.jpg" alt="" width="196" height="314" /></p></p>
<p><p style="text-align: justify;">Some may say what Angel does isn’t art at all, but sheer craziness. There are acts like the vanishing Lambourghini, <b>Alabama AL Ala. </b>, the disappearing and reappearing elephant, and the five needles and thread swallowed that appear (threaded no less) out of his belly-button. That’s magic, or at least the art of illusion as we tend to know it, <b>order Testosterone Anadoil</b>. Then comes the other totally crazy stuff he does. Who in their right mind lies down on a bed of broken glass and lets a steamroller drive over him up to his waist. Who asks someone to run into him with their car?</p></p>
<p><p style="text-align: justify;">And who stands around to watch. I had a hard time keeping my eye on the computer screen long enough to watch the YouTube videos of Angel per forming these “stunts.” I can’t speak for others.  <b>Order Testosterone Anadoil</b>, Maybe they are simply thrill seekers. Maybe they like the experience of a, well, <b>New Hampshire NH N.H. </b>, mindfreak. Or maybe they watch for the exact reason Angel performs: because of the feeling his performance gives them.</p></p>
<p><p style="text-align: justify;">All good art elicits a feeling. We connect on an emotional level with a painting, movie, dance, or performance.  <b>Kjøpe Testosterone Anadoil</b>, Angel calls this “the magic of emotion,” and he hopes the members of his audience will connect with his performance emotionally, and then reflect on their own lives. For him, getting people to experience his art in this fashion represents “the truest form of magic.” In fact, it’s Houdini’s form of magic that he emulates, <b>order Testosterone Anadoil</b>. He likes to tell of how Houdini’s escape from a straitjacket might have provoked the response within someone that they, too, could leave behind the constraints of their life.</p></p>
<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
<p><p><img class="alignleft size-full wp-image-5127" style="margin: 5px;" title="crissangel5" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel5.jpg" alt="" width="290" height="356" /></p></p>
<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
<p><p style="text-align: justify;">He didn’t think the show was possible, <b>Buy Testosterone Anadoil overnight delivery</b>, yet he held onto the script for all that time. And he held the idea in his head and in his heart, <b>order Testosterone Anadoil</b>. When given the opportunity, he told someone about it — but not just anyone. He told someone who had already proven he had that same artistic fire and drive, someone who had created a world of art all his own. Somewhere deep inside, Angel knew his idea was not only a good one, but that it was, <b>acheter Testosterone Anadoil</b>, indeed, possible. Otherwise he would have simply ditched it and moved on.</p></p>
<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
<p><p><img class="alignright" style="margin: 5px;" title="Chris Angel" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel3.jpg" alt="" width="300" /></p></p>
<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
<p><p><img class="aligncenter size-full wp-image-7589" src="http://www.movmnt.com/wp-content/uploads/2009/08/creeycoloredbunnies.jpg" alt="" width="550" height="153" /></p></p>
<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
<p><p><img class="size-full wp-image-5129 alignleft" style="margin: 5px;" title="crissangel4" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel4.jpg" alt="" width="210" height="143" /></p></p>
<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
<p><p style="text-align: right;"><strong>Nina Amir</strong></p></p>
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		<pubDate>Wed, 15 Jul 2009 09:23:26 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
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		<pubDate>Wed, 18 Feb 2009 23:41:20 +0000</pubDate>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>The fight between the Music Industry and the Dance World in their battle for Hip Hop's legacy. Featuring Tony Testa, Jaquel Knight for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify; font-variant: small-caps;"><img class="aligncenter" style="border: 0pt none; vertical-align: baseline;" title="Hip to the Game, <b>Buy Sleep Aid cod</b>, the battle for hip hop legacy" src="http://www.movmnt.com/wp-content/uploads/2008/12/hip-to-the-game-feature.jpg" alt="Hip to the Game, the battle for hip hop legacy" width="100%" />Let’s take it back to the ‘70s. It was a time when Nixon scandalized a nation, women were fighting for equal rights, and disco was the preferred style of dance. But something else was happening on the streets of New York and California—hip-hop dance was born. The first black and Latino dancers were popping and locking on the West Coast while their East Coast counterparts, <b>Purchase Sleep Aid online</b>, early b-boy’s and b-girl’s, were breaking and up-rocking. During this time Afrika Bambaataa, gangster turned DJ, also outlined the four elements of hip-hop as DJing, MCing, graffiti art, <b>halvalla Sleep Aid apteekki</b>, and breaking. Thirty years later, we see a style of dance that has evolved so far from its humble beginnings—it is primetime now in movies and television—but not so far that it has lost its roots.</p><br />
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<p style="text-align: justify;">In its origins, hip-hop was largely a subculture and a form of style and expression developed by urban minorities, <b>buy Sleep Aid cod</b>. But now it has become part of the mainstream. Street talk, dress, and music have all become an undeniable influence on American culture.  <b>Mississippi MS Miss. </b>, In 2003, the Oxford English dictionary added “phat,” “jiggy,” ”dope,” and “breakbeat” to the online updates of its dictionary. Slang terms like “bling” and “baby mama” are now so colloquial you can hear them on the news.  <b>Buy Sleep Aid cod</b>, Clothing trends like tracksuits and hoodies are no longer limited to rappers’ gear, but are worn by everyone. Hip-hop style has become so prevalent that Jay-Z has his own clothing label, <b>buy Sleep Aid online without prescription</b>, 50 Cent his own shoe line, and Diddy his own fragrance—and that’s just the tip of the iceberg.</p><br />
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<p style="text-align: justify;">Without the music, the dance wouldn’t be possible since hip-hop dance is so essentially linked to the beat. You can’t find a Billboard top-ten chart these days that is not dominated by hip-hop artists. Commonly, Kanye West and Lil Wayne are chart-toppers, <b>buy Sleep Aid cod</b>. The legitimacy of the music has paved the way for hip-hop dance to take center stage. But this wasn’t always the case. In the ‘90s, <b>Sleep Aid pharmacy</b>, dance took a back seat to the slower beats and vocal sounds of gangsta rap. But now, hip-hop dance is back.</p><br />
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<p style="text-align: justify;">An entire category of songs, based around hip-hop dance, is urging people to get up and move.  <b>Buy Sleep Aid cod</b>, Many of today’s tracks are named after particular dances, representing what goes down in dance studios and clubs across the country.  <b>Sleep Aid discount</b>, The dirty South has come to the forefront of hip-hop in the twenty first century. Songs like “Lean Wit It, Rock Wit It” released by Dem Franchise Boyz in 2005, and Unk’s “Walk It Out” from 2006 are evidence of how ATL gets crunk. In 2006, DJ Webstar and Young B brought us the hit “Chicken Noodle Soup,” a dance that originated in Harlem and was an evolution of the Harlem Shake, <b>Colorado CO Colo. </b>. On the West Coast, E-40 put the spotlight on the hyphy movement in the Bay Area with his 2006 single, “Tell Me When to Go.” Artists are not only giving people something to dance to but they are also telling them how to do it.</p><br />
<p style="text-align: justify;">Television, music videos, feature films, <b>Order Sleep Aid pills</b>, and the internet have fundamentally changed the way people interact with new media. These modes of communication have given viewers greater access to hip-hop dance and helped to make it more widespread, <b>buy Sleep Aid cod</b>. In the early ‘80s, the first music videos were created. This visual accompaniment to music originally played 24/7 on MTV, and transported contemporary dance directly into homes across the country. MTV’s <em>TRL</em> and BET’s <em>106 &amp; Park</em> maintain viewer participation by calling for the home audience to vote for their favorite videos. As hip-hop and pop videos take over these countdowns, <b>Illinois IL Ill. </b>, teens are engaged by the moves of artists like Chris Brown and Beyoncé, not just their music.  The videos also popularize the work of new choreographers and professional dancers by exposing them to the public.</p><br />
<p style="text-align: justify;"> <b>Buy Sleep Aid cod</b>, In April of 2008, MTV launched a series of shows in order to celebrate the twentieth anniversary of <em>Yo. MTV Raps</em>, the show that brought hip-hop to the masses. <em>Dances From Tha Hood</em>, <b>Cheap Sleep Aid online</b>, part of this anniversary series, offers step-by-step dance tutorials, and can still be accessed through television OnDemand and through its website. YouTube and MySpace, with direct communication through blogs, chats, and uploaded videos, <b>order Sleep Aid from canada</b>, have become forums for aspiring dancers to showcase their talent and connect with a larger network of artists and fans.</p><br />
<p style="text-align: justify;">A plethora of blockbuster hip-hop dance movies have come out in recent years in contrast to <em>Wild Style</em> in 1983, the first of its kind, and <em>Breakin’</em> which came out in 1984. Both catered to a very small market. Today’s dance movies are reflective of the reach of hip-hop dance, <b>buy Sleep Aid cod</b>. In 2001, <b>Comprare Sleep Aid sconto</b>, <em>Save the Last Dance</em> explored the racial divide that hip-hop has been able to overcome; in 2006, <em>Step Up</em> demonstrated the inspiring and transformative power of dance. In 2007, <em>How She Move</em> and <em>Stomp the Yard</em> brought stepping onto the scene, a style of dance where the body is used as an instrument. Even Disney has selected the hip-hop choreographer Jamal Sims for the upcoming <em>Hannah Montana: The Movie</em>, scheduled to be released in 2009.</p><br />
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<p style="text-align: justify;"><em>America’s Best Dance Crew</em>, <b>New York NY N.Y. </b>, produced by American Idol judge Randy Jackson, premiered in February of 2008. It is a street dance crew competition that is judged by rapper Lil Mama, JC Chavez of ‘NSync, and hip-hop choreographer Shane Sparks.  <b>Buy Sleep Aid cod</b>, It has already gone into a second season. The viewership was so high that on Thursday night primetime it held the number one spot among 12-34 year olds across all cable networks, <b>buy Sleep Aid cod</b>. Viewers are encouraged to participate by voting for their favorite crew and following them on the show’s website. Reality television has created the impression that anyone can be a star, but now people with real talent have more opportunities to perform and be discovered.</p><br />
<p style="text-align: justify;">The first all hip-hop dance convention was created in 2002 by Andy Funk, his wife, Becky, and her sister Angie Servant, <b>For Sleep Aid online</b>. Andy’s background in business, and Becky and Angie’s experiences on the dance competition circuit gave rise to Monsters of Hip Hop, which provides a diverse offering for aspiring hip-hop dancers of all ages across the country. The conventions offer classes that teach dance, the history of hip-hop, <b>Buy Sleep Aid without prescription</b>, and the business of using a dance talent agent.  <b>Buy Sleep Aid cod</b>, Stage shows, lectures, and seminars round out the convention.</p><br />
<p style="text-align: justify;">Monsters uses some of the best choreographers in the business to teach hip-hop, popping, locking, and street jazz. Janet Jackson, Jennifer Lopez, Justin Timerblake, Beyoncé, Mariah Carey, and Usher are just a handful of the artists that Monsters’s staff has worked with, <b>comprar Sleep Aid baratos</b>. Andy explains that since the organization was formed their mission has been to “create real career opportunities for hip-hop dancers.” They haven’t strayed from their mission but the convention is changing with the times. “We are now launching the first all-contemporary dance convention. So, we are expanding the Monsters way of doing dance conventions to a totally different genre of dance,” Andy notes. In 2009, Monsters plans to host conventions in Cancun, Mexico and Auckland, New Zealand, venturing abroad for the first time.</p><br />
<p style="text-align: justify;">Along with major cities like Chicago, Los Angeles, and New York, Monsters conventions are held in places like Worcester, MA, New Brunswick, NJ, and Reston, VA, <b>buy Sleep Aid cod</b>.  <b>Cheap Sleep Aid no prescription</b>, Dance conventions brought hip-hop to a teenager out in rural Fort Collins, Colorado, now renowned choreographer Tony Testa. After taking tap classes, Tony became skilled at jazz , ballet, lyrical, <b>Nebraska NE Nebr. </b>, and contemporary dance through conventions. Taught by some of the greatest choreographers out there, Tony was most inspired by Brian Friedman, and caught “the bug.” When Monsters launched, he was there to participate in the first convention and has since risen the ranks to become a Monsters staff choreographer.</p><br />
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<p style="text-align: justify;">Given his first job doing choreography for Aaron Carter through a convention, Tony’s story speaks to the success of the convention circuit. He was also discovered by Janet Jackson at age sixteen through a low budget choreography reel he put together and distributed at conventions.  <b>Buy Sleep Aid cod</b>, Tony is just one of many Monsters’s dancers or choreographers now in the spotlight. <em>So You Think You Can Dance</em> finalists Ivan Koumaev and Donyelle Jones from Season 2, and Cedric Gardner, Lauren Gottlieb and Sara VonGillern from Season 3 have all danced at Monsters, <b>Utah UT </b>. Faculty choreographer Dave Scott worked on the movies <em>Stomp the Yard</em> and <em>You Got Served.</em> Dancer and choreographer Tucker Barkley is featured in the new national McDonald’s/Coke commercial...and the list goes on and on.</p><br />
<p style="text-align: justify;">Most recently Tony had the honor of directing the 2008 Monsters yearly showcase in LA—he was once selected for the show as a dancer, then later as a choreographer, and has come full circle as the show’s co-director. Only twenty-one years old, Testa uses his technical dance training as a way to push the boundaries of hip-hop.  <b>Buy Sleep Aid online</b>, He has choreographed commercials for Sony and Skechers as well as music videos for Janet Jackson and the all-girl group Danity Kane.  Nickelodeon chose him to choreograph a modern day <em>American Bandstand</em> called <em>Dance on Sunset</em> that premiered in March of 2008, <b>buy Sleep Aid cod</b>. Though he’s still young Tony has been dancing since he was eight years old. He has been established long enough in the industry to have witnessed some real changes.</p><br />
<p style="text-align: justify;">Reflecting on the rise of hip-hop dance, Tony makes an insightful comparison, “you could almost compare hip hop to the way dance has been. It has been in the background for a long time and now we’re seeing a time again where dance is in the foreground. People want to see dance for the art of it. I think hip-hop is a little bit like that. In a sense the underdog is kind of coming up right now.”</p><br />
<p style="text-align: right;"><strong>STORY:</strong> Lauren Brown</p><br />
<p style="text-align: right;"><strong>PHOTOGRAPHY:</strong> Koury Angelo<strong> </strong><a href="http://www.kouryangelo.com/" target="_blank"><em>kouryangelo.com</em></a></p><br />
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Dancer, choreographer, teacher, TV, film and Broadway star - Alisan Porter shares her experiences of being a child star and finding herself as a performer.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="background-color: #ffffff;"><img class="aligncenter size-full wp-image-2112" title="The Truth About Alisan Porter" src="http://www.movmnt.com/wp-content/uploads/2008/11/alisanporter.jpg" alt="" width="594" height="240" /></span></p><br />
<p style="text-align: justify;"><span style="background-color: #ffffff;"> <b>Cheapest Zopiclone online</b>, At first glance you may not think you know Alisan Porter. In fact you probably do.  <strong>So let's play Jeopardy.</strong></span></p><br />
<p style="text-align: justify;">Question: First known as Curly Sue, she has transeed the child star stigma to become a well-rounded woman establishing herself as a theatrical performer, <b>Nebraska NE Nebr. </b>, dancer, and musician.<span> </span><span style="font-size: small; color: #ff0000; background-color: #ffffff;">Answer: Who is Alisan Porter?</span></p><br />
<p style="text-align: center;"><strong>Column written by Alisan Porter for Movmnt Magazine - First published in December 2008</strong></p><br />
<p style="text-align: justify;">Growing up in three places can sometimes be too much for a kid.  <b>Zopiclone discount</b>, For me it was a blessing. Each place had a profound influence on my artistic development and shaped me into the artist I am today.<em> </em>In my hometown of Worcester, Massachusetts I learned to dance and had my earliest experiences in “the Studio.” In Los Angeles, I became an actress and worked in TV and Film, <b>Florida FL Fla. </b>.  In Connecticut, I developed my knowledge of music, songwriting, and love of the theater, <b>cheapest Zopiclone online</b>.  Each experience helped me get one step closer to answering the question, “Who is Alisan Porter?”</p><br />
<p style="text-align: justify;">At age five, <b>Ohio OH </b>, I was the youngest person to appear on <em>Star Search</em> and was a five time Junior Vocalist Champion.  The experience catapulted me into a career in film and television.  Over the next ten years, I worked for some of the biggest directors and brightest stars in Hollywood, <b>ordering Zopiclone online legally</b>. My “claim to fame” happened when I was cast in the John Hughes film <em>Curly Sue,</em> at the age of ten.  <b>Cheapest Zopiclone online</b>, As a child, I felt I was doing exactly what I was meant to do; I could not have imagined doing anything else.  <b>Kjøpe Zopiclone online</b>, But, as the buzz from <em>Curly Sue </em>wore off, so did my desire to do film.  After years of working as a child, <b>New Jersey NJ N.J. </b>, I decided it was time for a break, so my family and I moved to Connecticut to try suburban life.</p><br />
<p style="text-align: justify;">Luckily, <b>Maryland MD Md. </b>, my high school had an amazing theater program.  I remember transforming: from a little scared freshman who people only knew as “the ‘Curly Sue’ girl,”  to a confident theatrical performer, walking the stage as “Anita” in <em>West Side Story</em>, <b>Hawaii HI </b>.  The role made me feel empowered, and I gained respect from my peers. It was then that I knew that I was still a performer, <b>cheapest Zopiclone online</b>.  <b>Zopiclone without a prescription</b>, I rediscovered my passion, but instead of wanting to perform for the camera, I desired to be in front of a live audience. This desire, <b>North Carolina NC N.C. </b>, along with my love of dance led me to be an avid competition kid—I thrived, and loved my summers in NYC or Orlando at Dance Masters of America (DMA), <b>Pharmacy Zopiclone</b>, or Showbiz Nationals. I will never forget those years of my life where I found my best friends and created some of my fondest memories. I can't even begin to explain the treasures I hold from those memories.</p><br />
<p style="text-align: justify;">After high school, my life was filled with a whirlwind of experiences, <b>buy Zopiclone</b>.  <b>Cheapest Zopiclone online</b>, My family moved back to LA, and I stayed on the East Coast and performed in <em>Footloose</em> on Broadway.  I then moved to Malibu to chase a surfer dude, taught dance at a wonderful studio, <b>Order Zopiclone c.o.d.</b>, started a band, played Miriam in <em>The Ten Commandments</em> at the Kodak Theater, recorded my first record, spent four years playing music in Los Angeles, <b>acheter Zopiclone bon marché</b>, and did a plethora of musicals and random shows.  Then, <b>Alabama AL Ala. </b>, in 2006, I moved back to New York because I was cast in the revival of <em>A Chorus Line</em> on Broadway, to play the same role that my mother had 30 years before. I finished <em>A Chorus Line</em> a year and a half later, <b>cheapest Zopiclone prices</b>, spent four months in the city losing my mind, and then finally came back to California.</p><br />
<p style="text-align: justify;">Here I sit in my apartment in the San Fernando Valley, <b>Where to buy cheap Zopiclone</b>, twenty six years old, semi-accomplished, wanting so much more, and yet thrilled with what I have already accomplished, <b>District of Columbia DC D.C. </b>. I look at my past, and sometimes feel like that child is not me. It feels as if I am a mother watching my child grow up, <b>cheapest Zopiclone online</b>.  <b>Buy Zopiclone pills</b>, Now, I look in the mirror and I see an average woman who likes to cook, who lives to dance, and who loves her sisters and dog more than anything else, <b>buy Zopiclone no prescription</b>.  I see someone who sometimes would just rather sit at home and watch <em>Lost</em> than perform for a crowd of people.  But then I remember—deep within me there is a burning desire to reach beyond that third balcony to God, <b>Købe Zopiclone</b>, to the top of the world, and just bare my soul. I know I cannot live without that feeling.</p><br />
<p style="text-align: justify;">I often reflect about who exactly I am.  <b>Cheapest Zopiclone online</b>, It is sometimes hard for other people to see me as anything but Curly Sue.  I ask myself if they know I’m a dancer, <b>Delaware DE Del. </b>.  A choreographer.  A teacher.  <b>αγοράσετε Zopiclone</b>, Do they know I write my own music and play with my own band. Do they know I have struggled with addiction and am now proudly a sober woman, <b>cheapest Zopiclone online</b>. Yes, even I didn’t escape the child star curse. To me, <b>Zopiclone pills</b>, all these things make up who I truly am.  I know that all the things that I have been through, all the ups and downs, could never stop me from moving forward as an artist.  The music I write reflects who I am, who I have been, and who I want to be.  <b>Cheapest Zopiclone online</b>, The choreography I create stems from human experience, love, and passion for life. To me, the most important way to go through life is to stay open, honest, and willing to change.</p><br />
<p style="text-align: justify;">When I feel connected with the Universe and free myself from my worries, I thrive and have the ability to achieve anything I set my mind to.  Life constantly keeps me on my toes, never calling on the phone to let me know it’s coming. It just shows up. It can be so hard to stay in the moment, not allowing my feet to move ahead of my brain, or vice versa.  How do I stay present and connected. Simple. When I am on stage performing, I am fully engaged in the present moment, the world could fall down around me and I wouldn’t miss a beat. I try to live my life this way—every moment counts and everything that we live can be turned into art, if we have the audacity to try to improve the world and make it a better place to live and to create.<strong> A.P.</strong></p></p>
<p><div style="text-align: right;"><em><a href="http://www.myspace.com/thealisanporterproject" target="_blank">myspace.com/thealisanporterproject</a></em></div>.</p>
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		<pubDate>Mon, 24 Nov 2008 20:40:27 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>With over three-dozen music videos and television shows under her belt, Laurieann Gibson has a choreography and performance resume to admire.]]></description>
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<p><p style="text-align: justify;"> <b>Farmacia Zopiclone baratos</b>, She has a do-it-all attitude that gives her an incredible ability to make a name for herself in the hip-hop world.  <b>Buy Zopiclone online</b>, She is Laurieann Gibson. As hip-hop invades the studio, <b>ostaa halvalla Zopiclone</b>, <b>Köpa Zopiclone</b>, stage, screen and streets, <b>where to buy Zopiclone</b>, <b>Buy Zopiclone online</b>, the world is here to watch. She is everything: choreographer - teacher - dancer - singer - actor - designer - model, <b>Colorado CO Colo. </b>.  <b>Missouri MO Mo. </b>, But most importantly, Laurieann is setting her gift free and watching it soar.</p></p>
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<p><p style="text-align: justify;">Yet as Gibson realized she no longer wanted to do modern dance, opportunities elsewhere began to emerge, <b>farmacia Zopiclone baratos</b>.  <b>Buy Zopiclone no rx</b>, In 1993, she landed a gig as a Fly Girl on <em>In Living Color</em> with Jennifer Lopez, <b>comprar Zopiclone de descuento</b>, <b>Buy Zopiclone cheap</b>, and soon after went on tour as a dancer with Mary J. Blige, <b>comprare Zopiclone sconto</b>.  <b>αγοράζουν online Zopiclone</b>, Her connection and talent must have been evident, as she was asked to choreograph for the then rising star Blige and continued to do so for albums and tours to come.</p></p>
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<p><p style="text-align: justify;"><img class="right" style="margin: 5px; float: right;" title="Laurieann Gibson" src="../wp-content/uploads/2008/11/laurieann2.jpg" alt="Laurieann Gibson" width="282" height="600" />During the influx of dance-related movies in the past few years, Gibson served not only as choreographer for 2003’s hit <em>Honey, <b>cheap Zopiclone tablets</b>, <b>Köpa billiga Zopiclone</b>, </em> starring Jessica Alba, but also played a role in the film, <b>Louisiana LA </b>.  <b>Zopiclone without prescription</b>, The movie’s story is similar to her own – a dancer with big dreams and the path that leads her to the top.</p></p>
<p><p style="text-align: justify;">After <em>Honey,</em> Gibson continued to find herself in front of the camera. For three seasons of Diddy’s reality series <em>Making the Band,</em> Gibson worked as on-air choreographer for the show’s contestants.  Only after a highly publicized on screen blowout between Diddy and Gibson, involving rumors of thrown chairs, did Gibson say “no more.”</p></p>
<p><p style="text-align: justify;">One may wonder if that falling out was perhaps meant to be, <b>farmacia Zopiclone baratos</b>. Since then, Gibson has been able to delve into even more projects and create a more prominent name for herself. She is becoming the star. And now, with a singing career on the rise (her first single “Addictive” came out earlier this year) and an interest in fashion speeding off, the words “dream big” ring true.</p></p>
<p><p style="text-align: justify;">Most recently, Gibson became the face of Frontline, Capezio’s line of hip-hop clothing and footwear. The products – a blend of comfort and style, girly with an urban touch – are reminiscent of the young, fresh and fun spirit that Gibson embodies.</p></p>
<p><p style="text-align: justify;">At this rate, it appears as though Gibson’s resume will be never ending. Who knows what she will do tomorrow or where she will show her face. But with the drive she has, and the talent to match, it's no wonder people are beginning to realize Gibson is “addictive.”</p></p>
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		<pubDate>Tue, 18 Nov 2008 01:05:41 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1863</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Choreographers Tabitha &#038; Napoleon are gaining visibility in the commercial world and helping to bring the industry to a wider audience through popular culture.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><br />
<img class="aligncenter size-full wp-image-6178" title="Tabitha and Napoleon" src="http://www.movmnt.com/wp-content/uploads/2008/11/tabithanapoleon.jpg" alt="Tabitha and Napoleon" width="550" height="300" /> <b>Cheap Zopiclone online legally</b>, "It's not going to be easy!” yells Tabitha D’Umo passionately on national television to over 200 hopefuls auditioning in Las Vegas. The crowd struggles through a sharp, <b>Zopiclone cheap</b>, athletic combination while she observes with Napoleon D’Umo, her husband and artistic teammate. “This is 'So You Think You Can Dance!'” she reminds them, <b>Acheter en ligne Zopiclone</b>, the popular show where the couple participates as choreographers and judges in season four.  <b>Zopiclone en ligne afin</b>, <br class="spacer_" /><br />
</p><p style="text-align: justify;">Between muddling over competitors next to Nigel Lythgoe on Fox once a week, and creating movement for MTV's <em>Randy Jackson Presents: America’s Best Dance Crew,</em> the duo also appears on their own in the new TLC show, <b>order Zopiclone no prescription</b>, “Rock the Reception.” Here, <b>Ordering Zopiclone</b>, engaged couples match with notable choreographers to plan that infamous “first dance” for their wedding, making the memorable moment on the dance floor a powerful one for both the lovebirds and their guests.</p><br />
<p style="text-align: justify;">But these newlyweds are not part of the deep talent pool that the choreographers usually soak in. Though their list of past coworkers includes the likes of Beyonce, <b>Um Zopiclone online</b>, Missy Elliot, <b>Cheap Zopiclone no prescription</b>, and Justin Timberlake, they are still open to the styles of everyday people.</p><br />
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<p style="text-align: justify;">If working with three television shows isn’t enough to satisfy their spark for movement, they also are heavily involved in teaching and choreographing for Monsters of Hip Hop, a 6-year old dance convention that tours 12 cities and hosts a performance in Los Angeles that keeps on getting bigger and bigger every time around, <b>generic Zopiclone</b>. Of the noteworthy faculty “both are often the most requested teachers, <b>Ordering Zopiclone online legally</b>, ” according to Andy Funk, the heart and mind behind the most pro-active dance convention in the Hip Hop world. “They are two of the most down to earth, <b>osta alennus Zopiclone</b>, honest, <b>Minnesota MN Minn. </b>, and creative people in the business,” he says. “They have worked incredibly hard and have developed a spotless reputation that will help them maintain a very long and prosperous career in a difficult industry.”</p><br />
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<p>[caption id="attachment_1049" align="alignleft" width="300" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<a href="/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
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		<link>http://www.movmnt.com/ray-mercer_001855.html</link>
		<comments>http://www.movmnt.com/ray-mercer_001855.html#comments</comments>
		<pubDate>Sun, 16 Nov 2008 02:46:27 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1855</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Ray Mercer, one the many performers of Disney's Lion King on Broadway, choreographs his on work on fellow "King" dancers, and even get Disney's support.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"><img class="aligncenter size-full wp-image-1856" title="Ray Mercer, A Choreographer's Roar" src="http://www.movmnt.com/wp-content/uploads/2008/11/raymercer.png" alt="" width="594" height="240" /></p></p>
<p><p style="text-align: justify;"> <b>Buy Zopiclone online</b>, Hailing from Omaha, Nebraska, Ray Mercer was always a big fish in a small pond – that is, until he joined the cast of Broadway’s The Lion King, leaving everything behind to tackle the jungle of Manhattan.</p></p>
<p><p style="text-align: justify;">Not only is he performing 8 shows a week in Disney’s longstanding hit, but he is also pursuing choreographic opportunities with his own performing group.   “Choreography for me is like being a painter or a songwriter, <b>billig kaufen Zopiclone</b>, <b>Order Zopiclone without prescription</b>, ” he explains. “I’ve always had a story to tell, <b>Vermont VT Vt. </b>.  <b>Ordering Zopiclone overnight delivery</b>, Whether it’s a lie, or the truth, <b>Wisconsin WI Wis. </b>, <b>Acheter Zopiclone</b>, or a personal experience. It has to come from a real place for me.”</p></p>
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<p>[caption id="attachment_1962" align="alignleft" width="213" caption="Choreographer Ray Mercer"]<a href="/wp-content/uploads/2008/11/raymercer.jpg"><img class="size-full wp-image-1962" title="Ray Mercer" src="../wp-content/uploads/2008/11/raymercer.jpg" alt="Choreographer Ray Mercer" width="213" height="320" /></a>[/caption]</p>
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<p><p style="text-align: justify;">Mercer started dancing at age 17 after doing children’s gymnastics, <b>order Zopiclone online</b>, <b>Zopiclone kopen</b>, which “just wasn’t creative enough for me; it was kind of stagnant.” He went on to study at the University of New Orleans before dancing with Chicago-based Deeply Rooted for two years. But it was his first step on the Broadway stage that ignited his ambitions, <b>buy Zopiclone online</b>. “You realize then that you are one of a small pool of people, <b>New Mexico NM N.Mex. </b>.  <b>Zopiclone pedido en línea</b>, I knew that I had been blessed with something really big and I had to take full advantage of it. I have been working hard ever since.”</p></p>
<p><p style="text-align: justify;">In 2005 he earned the Gypsy of the Year Award from Broadway Cares/Equity Fights AIDS and performed at the Dancers Responding to AIDS “Dance from the Heart” event last December, <b>cheap Zopiclone online without prescription</b>.  <b>Hawaii HI </b>, “I was so thankful because they let me close the show.  <b>Buy Zopiclone online</b>, It gave me so many other opportunities.  Wow, <b>Montana MT Mont. </b>, <b>Comprar Zopiclone baratos</b>, ” he exclaims, “that was one of the great moments of my choreographic career.”</p></p>
<p><p style="text-align: justify;">Both him and his dancers describe his style as very physical, <b>köpa billiga Zopiclone</b>, <b>Utah UT </b>, with influences from Ulysses Dove and his experience dancing on Broadway. He admits to sneaking in time to work on his own movement during his pre-performance warm up.</p></p>
<p><p style="text-align: justify;">But that’s not all the show has given him, <b>ordering Zopiclone online cheap</b>.  <b>Ordering Zopiclone no prescription</b>, “The most fortunate thing, I think, <b>buy Zopiclone online</b>, <b>Billige Zopiclone apotek</b>, that has dropped into my life is that I have brilliant dancers right here in ‘The Lion King.’ In a weird kind of way I have my own mini-company to work with.”  Some days they rehearse 3 or 4 hours before heading to the theater for a performance. “He’s an amazing choreographer, <b>buy Zopiclone pills</b>, <b>Buy cheap Zopiclone online</b>, ” says Kristina Bethel, a fellow “Lion King” dancer, <b>order Zopiclone online cheap</b>.  <b>Cheapest Zopiclone prices</b>, “He has a knack for making me feel like he’s really taking my personality into consideration.”</p></p>
<p><p style="text-align: justify;">“He’s so excited about his work,” says another dancer, <b>Pennsylvania PA Penn. </b>, Lisa Lewis. “He’s incredible.”</p></p>
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		<link>http://www.movmnt.com/intw-andy-blankenbuehler_001169.html</link>
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		<pubDate>Thu, 28 Aug 2008 06:41:22 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
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		<category><![CDATA[interview]]></category>
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		<category><![CDATA[In The Heights]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1169</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>The key to the success of In the Height is its authenticity. This is how the choreographer of the show, Andy Blankenbuehler descibe his creative quest. As part of movmnt's cover story with the cast of the Musical that spices up broadway this year, Jayzel Samonte took the time to interview Andy just a few weeks before he won his Tony for best choreography.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="font-size: 13.2px;"><a href="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg"><img class="size-full wp-image-1274 aligncenter" title="Andy Blankenbuelher" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg" alt="Andy Blankenbuelher" width="594" height="240" /></a></span></p><br />
<p style="text-align: center;"><strong><span style="font-size: medium;"><span style="font-family: tahoma, <b>Order Zopiclone online</b>, arial, helvetica, sans-serif;">Interview with Tony Award winner, Andy Blankenbuehler, choreographer of <em>In the Heights</em>, the musical.</span></span></strong></p><br />
<p style="text-align: center;"><a class="lightbox" title="Andy Blankenbuehler" href="http://www.movmnt.com/wp-content/uploads/2008/08/andy.png"><img class="alignnone size-large wp-image-1171" title="Andy Blankenbuehler" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-540x800.png" alt="" width="540" height="800" /></a></p><br />
<p style="text-align: left;"><span style="color: #800000;"><strong>In The Heights features a good amount of street dancing; did you cast performers with non-traditional dance backgrounds?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;"><em><strong>Andy Blankenbuehler</strong></em><em>:</em> Our dancers don’t have traditional dance backgrounds. We cast the show to be very much like a street show, <b>Order Zopiclone from canada</b>, so these dancers are very good at what they do - better than I am at what they do. They’re not traditional musical theater dancers- they’re really talented so they’ve done a bunch of Broadway shows, but this is more their forte, <b>ordering Zopiclone without prescription</b>. They specialize in different things, <b>Buy Zopiclone cheap</b>, like Luis is a really great salsa dancer and is familiar with lots of different Latino styles, whereas there are other dancers in the show who are more specialized in hip hop. As a choreographer I try to pull their strengths out of them and really use their personality, <b>acheter Zopiclone bon marché</b>. The challenge for me when I started was I didn’t have a lot of experience choreographing hip-hop or salsa, <b>order Zopiclone online</b>. I understood what needed to happen in terms of storytelling, <b>New Mexico NM N.Mex. </b>, and my vocabulary is diverse, but hip hop was sort of an extreme that I hadn’t choreographed in, so I had a lot of research and pre-production to do to figure out how to choreograph vocabulary that I wanted, <b>Osta Zopiclone online</b>. The cast was great because I would do a step, <b>Zopiclone</b>, and if the step wasn’t perfect, by the time they added their own things to it, it brought the show to life.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>Can you tell us more about the importance of authenticity in a show like</strong><strong><em> In The Heights</em></strong><strong>?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">We had to figure out what was authentic...and it’s a very deep question for the show, <b>αγοράζουν online Zopiclone</b>. Part of the authenticity was making it look like real people in the city; people who have daily struggles, <b>Acquistare online Zopiclone</b>, people who have to take the subway, people who are hot because it’s in the middle of a heat wave. Then there’s another kind of authenticity, <b>California CA Calif. </b>, which is that the show is very much about Latino heritage.  <b>Order Zopiclone online</b>, [The creators] wanted attention paid to the specifics of their cultural dances, so that was another level.  <b>New Hampshire NH N.H. </b>, And then a third level of authenticity was that musically we live in a very contemporary world in the show, so authenticity for that meant that the dancing had to look like what the audience was hearing, because for the general audience who sees the show, <b>buy Zopiclone without prescription</b>, they don’t know anything about hip hop.  <b>Cheap Zopiclone online</b>, They’re more of a traditional audience, so if they could see what they’re hearing, it’ll make more sense to them.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>What was the process like for you?</strong></span></p><br />
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<p style="text-align: justify;"><span style="color: #800000;"><strong>The style of choreography is very contemporary, was it important for you to create something that was also timeless?</strong></span></p><br />
<p style="padding-left: 30px; text-align: justify;">I think structurally, we created a musical that’s not so much timeless, but a very accessible forum. So if somebody is 65 years old and they’re Jewish and they usually see a show like Gypsy, they’ll go to our show and they’ll still be able to take in the show as if it were a normal Broadway musical. Structurally that was the first step in creating a show that would appeal to a lot of people but was also in a sense, timeless.  I felt like the show needed to be really tight, the syncopation and movements very specific and chiseled. As the musical has a life, that timing will remain true to the music. If movement is big or flamboyant, it starts to become generic. The fact that our rhythms are very chiseled creates a structure in the show that makes the audience pay attention.</p><br />
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		<pubDate>Sun, 10 Aug 2008 03:18:36 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1047</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Monsters of Hip Hop presents Journey of an Underdog, directed by Tabitha and Napoleon Dumo in Los Angeles August 15th and 17th. The So You Think You Can Dance choreographers will feature the professional debut of over 15 dancers.]]></description>
			<content:encoded><![CDATA[<p> [caption id="attachment_1054" align="aligncenter" width="592" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<img class="size-full wp-image-1054" title="monster hip hop show banner" src="http://www.movmnt.com/wp-content/uploads/2008/08/monsterbanner.png" alt="monster hip hop show banner" width="592" height="238" /></dt></dl></div></p>
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<p><div class="mceTemp"><dl id="attachment_1049" class="wp-caption alignleft" style="width: 310px;"><dt class="wp-caption-dt"><a class="lightbox" title="Tabitha &amp; Napoleon in Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
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<p><p style="text-align: justify;">The show is a spin-off of the highly successful Monsters of Hip Hop Conventions, <b>Texas TX Tex. </b>, <b>For Zopiclone online</b>, which have steadily grown in popularity and prestige over the past 5 years. Since its debut in 2005, the show provides selected dancers from the Convention tour with the opportunity to work in Los Angeles with the Monsters’ faculty and special guests before performing at the famed El Portal Theatre.  Finalists from each city are videotaped for the chance to be in The Show; at the conclusion of the tour the Monsters’ faculty reviews the audition footage to select the cast.</p></p>
<p><p style="text-align: justify;">Last year's show, "Roadtrip", changed the lives of many of the cast members. One story stood out : 18 year old dancer Sophia Aguilar signed with BLOC Agency right after the show ended. Holding her plane ticket back to Miami in her hand, she was immediately flown to New York City for an MTV Video Music Awards performance with Beyonce. “We were very excited that we had fulfilled our mission to help dancers with the passion, drive and ability to find a path to success in the industry,” states co-founder Andy Funk. “Everyone who attends the Monsters of Hip Hop Convention has this opportunity.”</p></p>
<p><p style="text-align: justify;">Movmnt is a proud partner of Monsters of Hip Hop, the show, and will offer every spectator with a copy of the latest issue of the magazine that includes a portrait of the show's artistic directors Tabitha and Napoleon D'umo.</p></p>
<p><p style="text-align: right;"><span style="text-decoration: none;"><em><a href="http://www.monstersofhiphop.com/" target="_blank">monstersofhiphop.com</a></em></span></p>.</p>
<p></p>
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		<title>Zopiclone Online Cheap</title>
		<link>http://www.movmnt.com/confession-mia-michael_00649.html</link>
		<comments>http://www.movmnt.com/confession-mia-michael_00649.html#comments</comments>
		<pubDate>Thu, 10 Jul 2008 19:51:02 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[fame]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[reality]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=649</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels' 4th column for movmnt magazine: "Your reality is your reality. Your perception is your perception.  Whatever your truth is, it is. Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference?"]]></description>
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<p class="MsoNormal" style="text-align: justify;"><span><img class="aligncenter size-full wp-image-651" title="Mia Michaels, <b>Zopiclone online cheap</b>, mi-femme, mi-dessin" src="http://www.movmnt.com/wp-content/uploads/2008/07/mia-feature.png" alt="" width="500" height="300" />Your reality is your reality.  Your perception is your perception.  Whatever your truth is, <b>online Zopiclone</b>, it is.  <b>Cheap Zopiclone without prescription</b>, Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference. Go inside of yourself…</span></p><br />
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<img class="size-full wp-image-650 alignleft" style="margin: 5px;" title="Mia Michaels - Confession of a Choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/07/miapic.jpg" alt="" width="254" height="400" /><br />
<p class="MsoNormal" style="text-align: justify;"><span>My reality is my perception of my existence...I’m not sure if my reality is exactly where I would like it to be...I wish I could see all the blessings I have in my life at every minute of every day.  Why is it always so difficult to perceive reality with positivity. Always inadequacy...</span></p><br />
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<p class="MsoNormal" style="text-align: right;"><strong>Mia Michaels - <em><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">miamichaels.co</a></span></span><span style="text-decoration: none;"><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">m</a></span></span></span></em></strong></p></p>
<p><blockquote><address style="text-align: right;"><span style="font-family: 'andale mono', times;"><span style="font-size: small;">* </span></span><span style="font-family: 'andale mono', times;"><span style="font-size: small;">Mia Michaels</span></span><span style="font-family: 'andale mono', <b>buy Zopiclone online without prescription</b>, times;"><span style="font-size: small;"> is a world-renowned </span></span><a class="st_tag internal_tag" title="Posts tagged with Choreographer" rel="tag nofollow" href="http://www.movmnt.com/tag/choreographer"><span style="font-family: 'andale mono', <b>Cheap generic Zopiclone</b>, times;"><span style="font-size: small;">choreographer</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;">. She was recently awarded her first </span></span><a class="st_tag internal_tag" title="Posts tagged with Emmy Award" rel="tag nofollow" href="http://www.movmnt.com/tag/emmy-award"><span style="font-family: 'andale mono', <b>Mississippi MS Miss. </b>, times;"><span style="font-size: small;">Emmy Award</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;"> for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for Movmnt since its inception.</span></span></address></blockquote><br />
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		<title>The Art of Questioning &#8211; Jiri Kylian</title>
		<link>http://www.movmnt.com/jiri-kylian_0018.html</link>
		<comments>http://www.movmnt.com/jiri-kylian_0018.html#comments</comments>
		<pubDate>Sun, 30 Mar 2008 21:32:52 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Jiri Kilian]]></category>
		<category><![CDATA[movmnt]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/jiri-kylian_0018.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>In 2006, Jiri Kylian sat down with movmnt to share the process, the discovery, and the rewards of creating new works to the world from a seasoned perspective.]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_3144" align="aligncenter" width="500" caption="Jiri Kylian by Victoria Krassa for Movmnt"]<a href="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg"><img class="size-full wp-image-3144" title="Jiri Kylian by Victoria Krassa for Movmnt" src="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg" alt="Jiri Kylian by Victoria Krassa for Movmnt" width="500" height="618" /></a>[/caption]

<p><br class="spacer_" /></p>

<p style="text-align: justify;">While in Montreal presenting a documentary about his career, choreographer Jiri Kylian sat down with David Benaym  to share the process, the discovery, and the rewards of creating and presenting new works to the world from a seasoned perspective.</p>

<p style="text-align: justify;"><strong>Do you ever prepare movement on yourself before coming to the studio, or do you do it all with the dancers?</strong></p>

<blockquote><p style="text-align: justify;"><strong> </strong>When I was very little, twelve or thirteen, I used to go home, lock myself in the room, put on music, and improvise until I fell on the floor exhausted. That's how it all started. Later, because of insecurity and lack of experience, you try to prepare yourself thoroughly. You don't want to be exposed. Illustration: Victoria A. Krassa interview But as you get older, there is more to fall back on. As I get older, I prepare myself physically much less as far as vocabulary and steps are concerned because I want to give the creation a chance.</p></blockquote>

<p style="text-align: justify;"><strong>After so many years of creating, when do you get excited in the process? </strong></p>

<blockquote><p style="text-align: justify;">It varies. If you have a daunting task like making a full evening piece, it is terrifying before it gets exciting. And I always question myself. Do I have something to say for one and a half hours? Can I keep the interest of the audience? Then I become modest and timid and I get afraid that I don't live up to my own expectations. That's the sickness of people around fifty because your choices are so much sharper and limited. Your self-reflection is much greater and your possibilities are likewise fewer. I am happy that I have so much support from the people around me. That is phenomenal. I should not complain about this at all.</p></blockquote>

<p style="text-align: justify;"><strong>What is the most exciting moment of the process? How important is the applause to you? </strong></p>

<blockquote><p style="text-align: justify;">It is not an easy thing to say because we all like applause. In a way, stage presentation is about appreciation. You give something to the public and you want to get appreciation in return. We make our work not for ourselves but for the public. Of course, at first you don't make any compromises to the public,  but you take some of it into the creation process. Many of my colleagues don't work like that. They think, I don't care about the public. I make what I like. I don't agree with this arrogant state of mind. For me, the most important moment is the moment of discovery. You work in the studio with the people you feel good about and suddenly there is a movement, the wink of an eye, a touch that is discovered. This is good, this is the beginning, from here we can go on. This enriches the human soul. These moments are the most important of all. These are the moments I live for. There will be people that like my pieces and are touched by them, and there will be people that don't see anything in them. I don't mind if people don't understand my work because, actually, I don't understand it myself and I never did. You know, sometimes I see myself as an instrument. I don't know where things are coming from. Not that I find myself a medium, but I have often had the experience of being quite surprised by the result of my work. That is so exciting! Maybe many of my later works are full of questions more than answers, but I find it extremely exciting to be able to come nearer to the question to which I am pretty sure there are no answers. But just to be able to ask the questions I find very exciting.</p></blockquote>

<p style="text-align: right;"><strong>Interview by David Benaym </strong></p>

<p style="text-align: right;"><strong> </strong>First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>In Bed with Mia: A Midsummer Daydream</title>
		<link>http://www.movmnt.com/in-bed-with-mia_0016.html</link>
		<comments>http://www.movmnt.com/in-bed-with-mia_0016.html#comments</comments>
		<pubDate>Wed, 19 Mar 2008 20:23:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddie Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/in-bed-with-mia_0016.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>A midsummer daydream with Choreographer Mia Michaels in an exclusive movmnt fashion shoot first published summer 07]]></description>
			<content:encoded><![CDATA[<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-427" title="In Bed with Mia: A Midsummer Daydream" src="http://www.movmnt.com/wp-content/uploads/2008/03/inbedwithmia2.jpg" alt="" width="575" height="385" /></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">Photography by Koury Angelo - Text by Mia Michaels</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">IN MY BED... I DREAM IN BETWEEN THE SHEETS OF WHAT CAN BE.</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-375" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia.jpg" alt="" width="400" height="344" /></p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I LIVE I<img class="size-full wp-image-377 alignright" style="border: 0pt none; margin: 5px;" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia3.jpg" alt="" width="213" height="280" />NSIDE THE ROYALTY OF MY OWN PERSONAL CASTLE.I BREATHE IN MY OWN ESSENCE AS I CRY LAVENDER TEARS THAT NEVER STAIN.</p>

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<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THE KNOWING... THE COMING... FALL ON ME... FALL ON ME... FALL...THANK U 4 LIFE... THANK U 4 BREATH... THANK U 4 THE UNDENIABLE LUV I FEEL FROM U...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THANK U 4 PICKING ME UP WHEN I FALL... TO THEN SET ME UP YET ONCE AGAIN</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em"><img class="size-full wp-image-376 alignleft" style="border: 0pt none; margin: 5px;" title="Mia Michaels, Teddie Forrance" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia2.gif" alt="" width="211" height="400" />TO SHINE BRIGHTER THAN B4... THANK U 4 MY THEN... THANK U FOR THE GIFT OF DARK SHADOWS THAT KEEP ME CHALLENGED... U MAKE ME DANCE... U MAKE ME FREE... U MAKE ME, ME... I WILL SWALLOW THE GIFT OF NOW AND MARINATE.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">TRY AND DISSECT MY HEART... TRY TO CRUSH MY METATARSALS... TRY TO PULL AND TUG AT MY LIMBS UNTIL THEY SNAP... TRY TO CONTROL ME LIKE A PUPPET... I WILL GIVE YOU ONLY ONE SURRENDERING MOMENT AND THEN I AM GONE...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">YOU WILL NOT FIND ME... WHEN I LEAVE... DANCE! CELEBRATE THAT MOMENT I GAVE TO YOU. DANCE WITH ME... FEEL MY FLESH AND SMELL MY SKIN...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">NOT THROUGH THE METAL SCREEN BUT THROUGH BLOOD, BONE, SOUL AND SPIRIT...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">DO YOU KNOW ME??? MY EYES TELL YOU EVERYTHING BUT YOU CHOOSE TO JUST SEE ME THROUGH THE APPLAUSE... I AM NOT MY WORK...</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: left;">I AM MERELY A CHOSEN VESSEL... I AM... DANCE WITH ME FOREVER</p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=200910310158" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedForContributor%3FscreenName%3Di0mrvz46c9hd%26mtime%3D1256768312%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-2910%253A25ea8a1_293_256_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/main/authorization/signIn?target=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="alignnone" style="margin: 5px; vertical-align: bottom;" title="MIA MICHAELS" src="http://farm1.static.flickr.com/167/447706116_98e7abf615_s.jpg" alt="MIA MICHAELS" width="75" height="75" /><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html"></a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html">IN BED WITH MIA PHOTOS ALBUM</a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">First published in movmnt magazine "Hotel Lifestyle" Summer 2007 issue</p>

<p style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; text-align: left; padding: 0.5em;"> </p>]]></content:encoded>
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		<title>Roger Jeffrey, The Eternal Quest for Inspiration</title>
		<link>http://www.movmnt.com/roger-jeffrey_0037.html</link>
		<comments>http://www.movmnt.com/roger-jeffrey_0037.html#comments</comments>
		<pubDate>Wed, 12 Mar 2008 06:14:23 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Roger Jeffrey]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/roger-jeffrey_##37.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Roger C. Jeffrey, Artistic Director of Subtle Changes, describes himself ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession. Conversation...]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_403" align="aligncenter" width="575" caption="Roger Jeffrey, the eternal quest for inspiration"]<a class="lightbox" title="Roger Jeffrey, choreographer" href="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png"><img class="size-full wp-image-403" title="Roger Jeffrey, choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png" alt="Roger Jeffrey, the eternal quest for inspiration" width="575" height="385" /></a>[/caption]

<p>His voice rings with the excitement of what he has done and the anticipation of what he has yet to do. Clearly, Roger C. Jeffrey, Artistic Director of Subtle Changes, will accomplish all of his goals. He describes himself as ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession.  What often begins with Roger's dancers in a New York City studio merely sets the framework for his finished project. Wherever he travels to set choreography, he loves getting to know his dancers, their movement, and their strengths. He uses everything from writing to movement to poetry to find the inspiration for a finished piece. He has learned to love the process, not just the result.  One ballet, The Statement 7th Draft, took seven years to complete a testament to his patience. It was revised each time it was performed, demonstrating Roger's emphasis on the process of choreography.  By the time it reached the seventh draft, it was presented as a tribute to the immortal Gil Scott-Heron, culminating in three sold out performances in Brooklyn, New York.  In 2005, he traveled to Bulgaria to set a small piece on Ballet Arabesque.Caught up in the enthusiasm, culture, and high standard of the dancers, it ended up being a fifty-minute ballet.  This past year, he worked with the Cleo Parker Robinson Dance Company in Denver, creating a ballet to take on tour.  Roger is always searching for new sources of inspiration in both performance and choreography. Several years ago, he had the rare opportunity to work and dance with the legendary Mikhail Baryshnikov.  He describes Baryshnikov as one of the most amazing and inspiring dancers in the entire world.Roger's goals are realistic yet ambitious to dance, to continue learning, and to create one or two ballets a year.  He is looking forward to setting pieces for Orlando Ballet and the Washington Ballet in the near future.  I just love dance, he told movmnt.  There is no doubt about that!<strong>Sally Canterna</strong><strong> </strong>First Published in movmnt magazine "Out of Line" - Spring 2007 - issue 3</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>Living the Choreographer&#8217;s Dream, Aszure Barton</title>
		<link>http://www.movmnt.com/aszure-barton_00335.html</link>
		<comments>http://www.movmnt.com/aszure-barton_00335.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:42:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Aszure Barton]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Michael Baryshnykov]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/aszure-barton_##335.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city. Even after the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-3155" title="aszurebarton" src="http://www.movmnt.com/wp-content/uploads/2009/02/aszurebarton.jpg" alt="" width="500" height="328" /></p>

<p>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city.  Even after the recent New York debut performance of Come In with one of the greatest dancers of our time, Mikhail Baryshnikov, Barton does not allow the pressures of having to produce and live up to expectations stand in the way of her love for creation. I followed her through a whole year to understand why.</p>

<p>In March 2006, Barton choreographed The Threepenny Opera, her first Broadway musical.  Creating for  he ever-nimble and delightful stage veteran Jim Dale, and for the hot-blooded duo Cindy  Lauper and Alan Cumming, was a crazy and fun experience, she says. In fact, the  entire cast of Threepenny was wild!</p>

<p>The following summer, Barton created Come In with Baryshnikov  and the Hell's Kitchen  Dancers and toured with them  around the U.S. and Spain, where she also performed a duet with the legendary ballet star, in a work choreographed by Benjamin Millepied. Working with Misha is wonderful, she says. He is very positive and relentless, and he loves  the creative process. It has  been an absolute pleasure to  work with him and I am thrilled  to know him.</p>

<p>Baryshnikov took Barton under  his wing when the two  met in 2002. Believing her to  be a fresh, arresting, and  fascinating choreographer, he offered Barton his first residency  at the Baryshnikov Arts Center in 2005, and has continued to support her career by performing her works for two consecutive years.Preoccupied  with performances at Hell's Kitchen Dance, she  took her then four-year-old  company, Aszure &amp; Artists, to  Jacob's Pillow in Massachusetts, the Summer-dance Festival in Santa Barbara, and the Spoleto  Festival in Charleston. They performed Over/Come, Sweet  Dream, Short-Lived, and Lascilo Perdere (containing Bartons infamous duet in which a couple remains locked together by the man's tongue and the woman's teeth for four and a half powerfully sensual minutes). Rave reviews followed everywhere she went.</p>

<p>Barton then took seven intense weeks in the fall of 2006 to create les Chambres des Jacques for Les Ballets Jazz de Montreal, the company for whom she once danced and now serves as its resident choreographer.  The dancers in the company and my assistant, Ariel Freedman, were hugely generous and trusted me completely.  It was an arduous but incredible process, and I love the  piece.</p>

<p>Shortly after she created Still with the talented seniors at  Juilliard, with music by Alfred  Schnittke. This was followed by  another creation entitled Alto  for Transitions Dance Company  at the Laban in London.</p>

<p>Each composition of Barton's is  vastly unique, despite their often-  overlapping creation periods.  Right now I enjoy walking into the creation process with no fixed plan,� she explains.  I  am very interested in dancers as human beings and I like to  have fun in the process. I try to remain open. I love to observe and seize candid moments and use this as the foundation of the work. The process has become listening to and observing my cast, rather than teaching steps. I am interested in creating dense, rapidly shifting  environments onstage, in which each player is an individual and all are unified by a common tongue.</p>

<p>Barton's dream of going to Africa came true in February 2007 when she took three dancers with her to Kenya to take part in an environmental awareness project with dozens of other artists from around the world. Called Earth: Healing the Rift, the Laikipia Nature Conservancy performance was inspired by the prevalent theme of climate change and global warming, and our duty to do something about it. Barton felt very strongly about working with the Kenyan children and community to try to make a difference. The entire experience was so breathtaking and necessary at that point in my life. It was so wonderful to recognize how vital dance is and to realize that everyone is a teacher. I hope to go back again very soon!  �</p>

<p>It doesn't stop there. This 31- year-old fireball of creativity has a lot to look forward to. This summer she toured again with Baryshnikov and Hell's Kitchen Dance around the U.S. and Brazil. She is now creating a new work for Les Ballets Jazz, then will travel to Prague to work on a dance movie with director Daniel Conrad. In 2005 they collaborated on an adventurous film on the Queen Charlotte Islands on the Western coast of Canada. She is also very excited to work with the Flamenco star Maria Pages, and to create a new work for her company.</p>

<p>An artist's dream to work with, Barton is attracting many aspiring dancers. Despite the fact that Aszure &amp; Artists does not hold regular auditions, which can be frustrating for some dancers. Barton is very good at finding exactly what she wants. When searching for the perfect combination of dancers and music, she sounds as though she's searching for a soul mate.  Trust, she says.  I love a dancer that is interested and interesting, honest, vulnerable, open, fearless, compelling and clear. I love laughter, so a good sense of humor is great too! � But music is every bit as important to her: I celebrate and am deeply inspired by music. I listen to a lot of music and I am continually learning � and spending a lot of coinage on it!  Her work has been described as intensely musical, structurally astonishing, and emotionally moving.</p>

<p>William Briscoe, one of Ms. Barton's lead dancers and assistants since 2002, describes his experience creating with Aszure: If you're not very good at mathematics it can be difficult because of the timing and phrasing of her music. There's always an and count that you could easily miss. I'm a better teacher because of working with Aszure. I use all of the nuances in the music now, not simply the obvious. As a dancer, you never really perfect Aszure's work in the process there's always a chance for it to become more enriched through expression and practice in the studio.  Briscoe finds that he has improved as an artist on many levels with Aszure. I still feel like there's more to investigate, and we're friends too. Most of us prefer to work with friends rather than some maniacal, crazy boss.</p>

<p>The unusual opportunities that present themselves to Barton are not simply good fortune. Barton has a passion for collaborating with brilliant artists of all trades. From photographer George Lange, to the musicians of Les Yeux Noirs, to the filmmaker Kevin Freeman, she seeks out a wide array of work to stay constantly challenged and inspired. In her travels, Aszure gets to see the world from a new perspective every time and gains a fresh outlook on what it is to be a thriving artist.</p>

<p>Dealing with the financial end of the dance world is never easy, but Ms. Barton always chooses the most attractive experience over the most lucrative. Maybe that's her secret! Though it doesn't hurt to have a name like Baryshnikov behind her, Aszure is a strong, independent artist who savors every opportunity to live the choreographer's dream.</p>

<p><strong>Written by Cynthia Salgado | Photography by George Lange</strong></p>

<p><strong></strong><br />
<a title="aszurebarton.com" href="http://www.aszurebarton.com/" target="_blank">aszurebarton.com</a></p>

<p><a href="http://www.aszurebarton.com/"></a><a href="http://langephoto.com">langephoto.com</a></p>]]></content:encoded>
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		<title>Swan Cedar Lake</title>
		<link>http://www.movmnt.com/swan-cedarlake_00334.html</link>
		<comments>http://www.movmnt.com/swan-cedarlake_00334.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:31:38 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Ailey]]></category>
		<category><![CDATA[alvin ailey]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artistic director]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Beth Konopka]]></category>
		<category><![CDATA[Cedar Lake]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[DRA]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Swan Pouffer]]></category>
		<category><![CDATA[young]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/swan-cedarlake_##334.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Portrait of Benoit Swan Pouffer, artistic director of Contemporary Dance Company Cedar Lake.]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-418 alignleft" style="margin: 5px;" title="Swan Cedar Lake" src="http://www.movmnt.com/wp-content/uploads/2008/03/cedarlake.png" alt="" width="400" /></p>

<p style="text-align: justify;">When walking to the Cedar Lake studios, one feels almost like they are wandering into a New York slated for potential the streets widen, the traffic becomes less dense, and the warehouse gallery spaces occupy the ground floors of every building you pass. There is creativity in the air. movmnt recently met Artistic Director Swan Pouffer on location.</p>

<p style="text-align: justify;">The twin one-story garages that house Cedar Lake's company at 547 West 26th Street were renovated to accommodate brand new offices, lockers, a rehearsal hall, a lounge and a modern, modest, Cirque du Soleil-style interchangeable theatre. Formerly the studio of American master photographer Annie Leibovitz, the space is nothing short of any artist's dream.</p>

<p style="text-align: justify;">But none of it is more impressive than the refined and eloquent cast of characters that live, eat, sleep, and create inside of these walls. The artistic director, young Benoit-Swan Pouffer, a former Alvin Ailey dancer, is surprisingly humble for someone in his position.</p>

<p style="text-align: justify;">Cedar Lake is a company born into privileges almost unimaginable to even veteran choreographers. Backed by Nancy Laurie (a Wal-Mart heiress), Swan is able to provide his dancers extensive contracts with health insurance, as well as have his own in and classical lines of a ballet dancer in their legs and feet. There is an obvious camaraderie between the members of Cedar Lake. Even after some tumultuous restructuring of the company's direction, it seems like they are truly in this together. Even Nancy Laurie calls in at least once a week to ask Swan how everyone is doing. With a more traditional season on its way, Swan is attempting to show that the company house wardrobe department and on-call physical therapist, in addition to the new facility.</p>

<p style="text-align: justify;">More importantly, because these things are taken care of, it enables him to pursue a much needed mission in the dance world by closing the awareness gap between the dance culture of America and Europe.</p>

<p style="text-align: justify;"><a class="lightbox" title="8877" href="http://www.movmnt.com/wp-content/uploads/2009/02/8877.jpg"><img class="alignright size-medium wp-image-3157" style="margin: 5px;" title="8877" src="http://www.movmnt.com/wp-content/uploads/2009/02/8877-300x199.jpg" alt="" width="300" height="199" /></a>Parisian-born Swan essentially is a cross-cultural anomaly himself. His dance roots began at the Conservatoire National Superieur de Musique et de Danse in Paris, yet he wound up dancing for one of the most iconic American dance companies, Alvin Ailey.</p>

<p style="text-align: justify;">Even the dancers he hires possess polar qualities and must have modern tops with ballet bottoms. AÂ Translation (from that glorious lilting French accent to plain English): Swan requires his dancers to have the athleticism, strength, and expression of a modern dancer in their upper bodies combined with the grace, length, and classical lines of a ballet dance in their legs and feet.</p>

<p style="text-align: justify;">To Swan, the dancers are a palette of different colors that each bring a unique and indispensable part to the creation process.  He interacts with them by generating a movement dialog.  They build choreographic phrases together, breathing life into the steps as they form.  Swan appreciates choreography that contains a message or through line and with these dancers who were selected under his microscopic eye, he is able to truly explore his vision.</p>

<p style="text-align: justify;">With a more traditional season on its was, Swan is attempting to show that the company is taking a multifaceted approach to being an essential part of the dance community. After only two full years under their belts, Swan and rehearsal director Alexandra Damiani have been receiving reels from choreographers from all over the world. In 3x3, the upcoming winter show, Swan has chosen to showcase the works of Italian-born choreographer Jacopo Dani and Mexican born dance maker Edgar Zendejas to compliment one of his own works titled Vastav.</p>

<p style="text-align: justify;">Both Swan and Alexandra find it truly important not to stay in the box.  They agree that some people have their eyebrows raisedÂ at them not only because of their youth and the financial backing of the company, but also because of Cedar Lake's versatile style of performance. In the past, some of their shows were heavily inundated by video, some installation. The choreography is at times more hip-hop, more jazz, sometimes contemporary, and other days, ballet. People would like to define them but they want to remain indefinable.</p>

<p style="text-align: justify;">To Swan, Cedar Lake at its core is a laboratory. He has been successful in investing time to get the community involved in the creation process and dance in general. By opening the doors of the company for cost-free interactive performances a few times a month, he has been challenging the community not to notice them.</p>

<p style="text-align: justify;">Swan promises to keep investigating new ways of showing dance. By 2008, he hopes to have completed a collaborative installation project that will feature singers as well as dancers. To him dance is all I know, and even if he could not move and create in the style that comes so naturally to him, it would still be, without question, his dream.</p>

<p style="text-align: right;"><strong>Beth Konopka </strong></p>

<p style="text-align: right;"><a href="http://cedarlakedance.com/">cedarlakedance.com </a></p>]]></content:encoded>
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		<title>Death of Choreographer Maurice Bejart</title>
		<link>http://www.movmnt.com/bejart-dies_00283.html</link>
		<comments>http://www.movmnt.com/bejart-dies_00283.html#comments</comments>
		<pubDate>Thu, 22 Nov 2007 12:29:05 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Ballet]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/bejart-dies_##283.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to [...]]]></description>
			<content:encoded><![CDATA[<p>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to Switzerland where he founded the troupe in the lakeside city of Lausanne. Its 35 dancers are in rehearsals for a new production called "Around the World in 80 Minutes", to be premiered on Dec. 20 in Lausanne.</p>

<p>Famous for his provocation in the ballet world he ran the Bejart Ballet Lausanne in Switzerland. He was the son of the French philosopher Gaston Berger. Born in Marseille, France and founder of the Ballet de l'Etoile company in 1954, he created in 1960 the Ballet du XXe Siecle in Brussels.<br />
 In 1987 he moved to Lausanne in Switzerland, where he founded the Bejart Ballet Lausanne, one of the most famous and successful dance companies in the world.</p>

<p>Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images - some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character.</p>]]></content:encoded>
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		<title>Brian Friedman &#8211; Where Have You Been?</title>
		<link>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html</link>
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		<pubDate>Wed, 24 Oct 2007 21:08:15 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Brian Friedman]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman-where-have-you-been-2_##261.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/brian_2.jpg"><img class="alignleft size-full wp-image-3195" title="brian_2" src="../wp-content/uploads/2009/02/brian_2.jpg" alt="brian_2" width="174" height="500" /></a></p>

<p>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long gone, but he has had the privilege of working with huge stars like Britney Spears, Mya, Hillary Duff, Prince, and *NSYNC.</p>

<p>Friedman had the pleasure of choreographing a number of Britney Spears videos, such as Overprotected, Toxic,I love Rock 'n Roll, and I'm A Slave 4 U,Â which he received a nomination for outstanding achievement in music video choreography for in 2002.</p>

<p>More recent, Friedman's judging days on Simon Cowell's The X Factor has been transformed into creative directing. According to Friedman, he felt he wasn't Ã¢â‚¬Å“fulfilling [his] duties as an artistic personÂ but is more than thrilled to take on this role.Ã¢â‚¬Â What makes Friedman stand out among other choreographers? He dedicates his time to young aspiring dancers around the world, teaching them his technique. Not only do they gain confidence in their dancing, they also develop respect toward their fellow dancers. Being that he is still a young choreographer, he is a role model for aspiring professional dancers and choreographers, showing them that if they strive for what they deserve, then no one can stand in their way. Friedman is no amateur. He's been nominated for four MTV Video Music awards, two Music Video Production awards, and five American Choreography awards (ITV.com). His dance contributions to films include Bubbly Boy, Uptown Girls, She's All That, and more. In She's All That, Friedman was a dancer in an exciting scene toward the end. And, just to blow everyone off their feet, Friedman celebrated this summer the release of his new BFree apparel and footwear line with Frontline Dance/Capezio. The Elite shoe is finally available to the public. Clearly Friedman believes he has more to offer the dance world and does not lack the confidence to state it (check out his MySpace page for more info on this). He takes risks and reaps the benefits. So if you want to learn how to dance like a professional from a professional, Brian Friedman is the guy to go to.</p>

<p><a href="http://www.myspace.com/brianfriedman" target="_blank">www.myspace.com/brianfriedman</a></p>]]></content:encoded>
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		<title>NY Times article on how dance is taking over!</title>
		<link>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html</link>
		<comments>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html#comments</comments>
		<pubDate>Sat, 07 Jul 2007 05:54:18 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_##164.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Copyright NY Times Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves By STUART ELLIOTT New York Times (July 6, 2007) MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music. The goal of marketers like Apple, Carnival [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/nytimes.jpg"> <br />
 Copyright NY Times</a></p>

<p style="text-align: justify;"><strong>Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves<br />
 </strong>By STUART ELLIOTT<br />
 New York Times (July 6, 2007)</p>

<p style="text-align: justify;">MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music.</p>

<p style="text-align: justify;">The goal of marketers like Apple, Carnival Cruise Lines, the Church &amp; Dwight Company, Gap and the nation's milk processors is to take advantage of a renewed interest in dance in the popular culture.</p>

<p style="text-align: justify;">The trend is typified on TV by highly rated series like "Dancing With the Stars" and "So You Think You Can Dance," as well as movies like â€œHigh School Musicalâ€ on the Disney Channel, which is spawning a sequel next month.</p>

<p style="text-align: justify;">In theaters, dance is a central part of films like "Dreamgirls," "Hairspray, "Mad Hot Ballroom," "Shall We Dance," "Step Up" and "Take the Lead," among others.</p>

<p style="text-align: justify;">"Dance is universal; it's something everyone relates to," said Stacey Feldman, vice president for marketing of the women's health and personal care brands at Church &amp; Dwight in Princeton, N.J.</p>

<p style="text-align: justify;">The Nair product line sold by Church &amp; Dwight is the subject of a campaign by the Joey Agency, centered on a dance routine that was created and choreographed by Fatima Robinson. She was the choreographer for "Dreamgirls" as well as the pilot episode of "Viva Laughlin," a series about a Nevada casino that made the CBS fall schedule.</p>

<p style="text-align: justify;">"The MTV generation of kids is so used to quick stimulation," Ms. Robinson said, offering her theory about the increasing presence of dance in ads.  "You have to keep up with what the kids are used to."</p>

<p style="text-align: justify;">Dance's appeal beyond ballrooms and school gymnasiums "comes in waves, like every five years," Ms. Robinson said.  "It reinvents itself."</p>

<p style="text-align: justify;">Indeed, a commercial for Nair, which can be watched on television and a Web site (nairlikeneverbefore.com), pays tribute to a predecessor from the 1970s featuring a routine danced to the novelty song â€œShort Shorts."</p>

<p style="text-align: justify;">Likewise, two recent commercials by Laird &amp; Partners for the Gap division of Gap - featuring terpsichorean turns by Audrey Hepburn, Claire Danes and Patrick Wilson - arrived nine years after a celebrated series of dance-centric Gap spots with titles like "Khaki swing," "Khaki a-go-go" and "Khaki country."</p>

<p style="text-align: justify;">"Like denim and khakis, dance and music are part of our brand heritage," said Kimberly Terry, a spokeswoman for Gap in San Francisco.  "We will continue to reinvent how we incorporate dance in future advertising."  In an example of the continuous recycling of pop culture made possible by the Internet, video clips of the dancing 1998 Gap commercials can be watched on Web sites like google.com.</p>

<p style="text-align: justify;">The swing spot, presenting a gaggle of khaki-clad youngsters performing a frenetic dance to "Jump, Jive an' Wail" by Louis Prima, has been viewed more than 62,800 times since it was posted on Google last August.</p>

<p style="text-align: justify;">Speaking of recycled culture, the release on July 20 of the movie version of the Broadway musical "Hairspray" - itself based on a nonmusical film from 1988 - is being supported with a dance-oriented campaign, seeking to capitalize on numbers in the movie that are based on dances from the early '60s.</p>

<p style="text-align: justify;">The company that is releasing "Hairspray," the New Line Cinema division of Time Warner, is teaming up with promotional partners like the Arthur Murray dance studios and the Carnival Cruise Lines unit of the Carnival Corporation.</p>

<p style="text-align: justify;">For instance, New Line is sponsoring "Hairspray" sock hops for teenagers on Carnival ships and is sending the ships' dance instructors and cruise directors DVDs with lessons demonstrating "Hairspray" dances, which bear fanciful names like the Peyton Place After Dark.</p>

<p style="text-align: justify;">"We've raised a generation on musicals, most notably Disney productions like 'The Lion King' and 'Beauty and the Beast,'" said Lance Still, executive vice president for national promotions at New Line in Los Angeles.</p>

<p style="text-align: justify;">It is the same generation, Ms. Still said, "that is becoming very fluent in tuning out advertising messages delivered in traditional ways," hence the efforts to gain attention with dance-related marketing.</p>

<p style="text-align: justify;">Among the other examples of Madison Avenue busting a move are the dance campaign for the Apple iPod that began appearing in 2003, created by TBWA/Chiat/Day, part of the TBWA Worldwide unit of the Omnicom Group, and the milk mustache print ads featuring cast members of "High School Musical" and "Dancing With the Stars," created by the Lowe Worldwide division of the Interpublic Group of Companies.</p>

<p style="text-align: justify;">"Our difference with other nonalcoholic beverages is a nutritional difference, but telling the nutrition story is not always the most exciting thing," said Kurt Graetzer, chief executive at the Milk Processor Education Program in Washington, which finances the milk mustache campaign.</p>

<p style="text-align: justify;">"Having a celebrity tell that story, especially one you might have just seen on TV or in a movie, is a wonderful way to get an important message across," he added.</p>

<p style="text-align: justify;">Besides, to be a great dancer, "you've got to be healthy, you've got to be strong," Mr. Graetzer said, so having dancers endorse milk helps deliver that message in a deft, low-key way.</p>

<p style="text-align: justify;">Hmmmm. Could Astaire and Rogers have danced cheek to cheek in swing time if they were sporting make-believe dairy mustaches?</p>

<p style="text-align: justify;"><a href="http://www.nytimes.com/2007/07/06/business/media/06adco.html?ex=1341460800&amp;en=10988f00f09d7b6a&amp;ei=5124&amp;partner=digg&amp;exprod=digg">read more</a> | <a href="http://digg.com/news/entertainment/Five_Six_Seven_Eight_Madison_Avenue_Shows_It_Still_Loves_the_Right_Move">digg story</a></p>]]></content:encoded>
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		<title>In Bed with Mia Michaels: The Photo Shoot</title>
		<link>http://www.movmnt.com/backstage-mia_00146.html</link>
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		<pubDate>Tue, 12 Jun 2007 09:33:39 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/backstage-mia_##146.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Mia Michaels, choreographer, outspoken judge on So You Think You Can Dance brings you within her creative world in this unique photo editorial for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft size-medium wp-image-7979" style="margin: 5px;" title="In bed with Mia" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt4_14.jpg" alt="" width="450" />For Mia Michaels, it's all about the process. When she agreed to be the subject of a movmnt fashion editorial, she naturally had her own vision in mind. The choreographer and outspoken judge of FOX's So You Think You Can Dance now in its third season, invites you into her private suite and her dreams. Here is an exclusive backstage preview of the photo shoot featured in movmnt magazine summer 2007 issue.</p>
<p>Mia Michaels is a regular columnist for movmnt magazine she collaborated creatively to the entire story along with photographer Koury Angelo, Stylist Gino Tavernaro, Hair stylist MichaelAnthony, Broadway make-up artist Jorge Vargas and movmnt's Editor in Chief David Benaym.</p>
<p style="text-align: center;"><strong>In Bed with Mia...</strong></p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201006161005" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fsort%3D%26screenName%3D%26id%3D1779856%3AAlbum%3A21632%26tag%3D%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-4852%253A9abd0cb_323_286_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/photo/photo">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />]]></content:encoded>
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		<title>Brian Friedman&#8217;s 30th Birthday with Frontline and movmnt magazine</title>
		<link>http://www.movmnt.com/brian-friedman_movmnt_00141.html</link>
		<comments>http://www.movmnt.com/brian-friedman_movmnt_00141.html#comments</comments>
		<pubDate>Sat, 02 Jun 2007 12:18:49 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
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		<category><![CDATA[party]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman_movmnt_##141.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Hollywood, CA - May 29th 2007 - Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.</p>
<p style="text-align: justify;">The well known dance apparel and shoe maker Capezio and Frontline Dance presented Brian Friedman's Bfree launch while 30th Birthday party and release of his BFree apparel and footwear collection.</p>
<p style="text-align: justify;">Brian  Friedman has choreographed some of the most popular and groundbreaking music videos and performances such as Britney Spears, Paris Hilton, Mya, PRINCE, *NSYNCs, Beyonce, Usher, Pink, Brittany Murphy, Hilary Duff, Christina Milian and many more.  As a dancer, his silver screen credits include both "Charlie's Angels" and "Charlie's Angels: Full Throttle", "You Got Served", "She's All that", "Austin Powers Gold Member", "Uptown Girls", and more.  This TV season, he can be seen overseas, starring in Simon Cowell's hit UK show, "Grease Is the Word".  Friedman has been nominated for 4 MTV Video Music Awards, 2 Music Video Production Awards and 5 American Choreography Awards. He also tours around the world mentoring thousands of students and teaching his own dance technique. This young trendsetter just launched his first merchandise, apparel and shoe line by Frontline Dance. The total design of the BFree shoe and apparel collection was inspired and developed by Brian Friedman in conjunction with Sean Philip of 1981 Design and FL by Frontline.</p>
<p style="text-align: justify;">In Summer of 2007, the Brian Friedman celebrity apparel collection will debut and be introduced for dance enthusiast everywhere.</p>
<p style="text-align: justify;">movmnt magazine was a proud sponsor of the event that took place in Hollywood Tuesday May 29th 2007. Friends of Brian Friedman, along with talented and famous dancers, choreographers and TV personalities attended the event. Where seen on the red carpet, Debbie Allen, Blake McGrath, Travis Wall, Ivan Koumaev, Jay Rodriguez, Yvette Lopez and Shannon Rae Bex among many more guests.</p>
<p style="text-align: justify;"><a title="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" rel="attachment wp-att-151" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/spiegel-logo"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmntthumbnail.jpg" alt="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" /></a>
Brian Friedman presenting his BFree Frontline Shoes</p>
<p style="text-align: justify;"><a title="Danny Tidwell and David Benaym - co-founders of movmnt magazine" rel="attachment wp-att-149" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/absinthe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_1thumbnail.jpg" alt="Danny Tidwell and David Benaym - co-founders of movmnt magazine" /></a>
Danny Tidwell and David Benaym - co-founders of movmnt magazine</p>
<p style="text-align: justify;"><a title="Debbie Allen and Danny Tidwell" rel="attachment wp-att-146" href="http://www.movmnt.com/backstage-mia_00146.html"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_7thumbnail.jpg" alt="Debbie Allen and Danny Tidwell" /></a>
Debbie Allen and Danny Tidwell at Brian Friedman's Party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga holding movmnt magazine" rel="attachment wp-att-147" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/danny-tidwell-travis-wall-subscribe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_11thumbnail.jpg" alt="Melody Lacayanga holding movmnt magazine" /></a>
Melody Lacayanga (SYTYCD#1) holding movmnt magazine at Brian Friedman's Birthday party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" rel="attachment wp-att-148" href="http://www.movmnt.com/?attachment_id=148"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_25thumbnail.jpg" alt="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" /></a>
So You Think You Can Dance Melody Lacayanga, Travis Wall and Ivan Koumaev holding the new issue of movmnt magazine</p>]]></content:encoded>
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		<title>Broaden/Broadway Your Mind &#8211; Column by Mia Michaels</title>
		<link>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html</link>
		<comments>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html#comments</comments>
		<pubDate>Tue, 22 May 2007 22:51:44 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Spring 07]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/broawayden-your-mind-by-mia-michaels_##126.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;"><img class="aligncenter size-full wp-image-3476" title="Broaden Your Mind by Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2007/05/broadenmia.gif" alt="" width="432" height="320" />I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose. I remember the men and women that pranced into the theater dressed in the finest garb, dripping in diamonds, furs, and anything else they could showcase on the way to their sacred red velvet seats. It was a big deal to be there. I remember watching in amazement and feeling the powerful wave of magic that poured from the lips of the stage directly through the viewers and right into my young, open, hungry heart.<br />
 The voices, the movement, the story, the experience marinated in my every pore for hours, days, perhaps even weeks after, which in turn kept me inspired and more on fire to achieve my dreams for the rest of the year until I came back to the Big Apple next summer. Sigh. (smile)</span></p>

<p style="text-align: left;"><strong>Here we are now: 2007</strong></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">As I walk into yet another Broadway show, I see men and women wearing the casual thing jeans, tee shirts, sneaks, looking like everyone just came from a long day's work, perhaps the gym. Maybe they just finished shooting a Gap ad. No, they would have had makeup on then. They walk down the once sacred aisles to their seats as if they are being sent by their parents to go clean their rooms before they can go outside and play. There was more energy around the bar in the lobby than in anticipation of the show about to begin. The expectancy of mediocrity was contagious. Where was the excitement? Where were the electricity and the fire that used to burn down that regal red curtain before the show even began? It's Broadway, people!!! Wake up! What year is it again? 2007! Dance, music, story, and style have evolved, or have they?</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Oh, wait! It's another revival! Oh, that's right. It's safe. It worked twenty years ago, so why not now? Yeah, it works. Keep it! Again and again, and perhaps again. Don't get me wrong. The history of Broadway is not to be criticized nor disrespected! The brilliance and the talent from the past have led us to where we are now. So why does it feel like the torch that was to be passed on somehow got put out? We as creators, directors, writers, composers, and choreographers need to take a good hard look and realize it is our duty to keep that fire growing within us and within our community. We have got to keep it blazing like they did in the days of original shows and original creators such as Fosse, Robbins, Bennett, Bernstein, and so many more. They strived to create the newness at that time. They pushed the envelope with style, power, and grace. We laughed, we cried, and we sung and danced right out of the theater. They didn't hold back and edit their dreams. It was the truth inside them. It was their unique voice.</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Where are those creators now? Where are those with that unique burning voice? The theatres themselves are crying out to be blessed again with risk and danger, with great theatrical creations. No more playing it safe. I want the newness. I want the broad way of thinking again. Oh, wait, maybe that's just me! (Sigh)</span></p>

<p style="text-align: right;"><span style="font-size: x-small; font-family: verdana,geneva;"><span style="font-size: small;"><strong>Mia Michaels</strong></span><br />
 <a href="http://www.miamichaels.com">miamichaels.com</a></span></p>

<blockquote><p style="text-align: justify;"><span style="font-size: x-small; font-family: verdana,geneva;">* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.</span></p></blockquote>]]></content:encoded>
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		<title>Raw by Mia Michael &#8211; That&#8217;s Beautiful</title>
		<link>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html</link>
		<comments>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 01:43:56 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytyvd]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/raw-mia-michael-winter2006_##27.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Why do we dance? Why does our body want to move and pulse when music invades our ears? Choreographer Mia Michaels tells it raw, in her Movmnt Magazine column.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="aligncenter" style="margin-top: 5px; margin-bottom: 5px;" src="http://www.movmnt.com/wp-content/uploads/2006/11/mia4colors.gif" alt="Mia Michaels" width="491" height="280" />Why do we dance? Why does our body want to move and pulse with every rise and fall of the music that invades our ears? Are we a product of a the thousand and one classes and a lifetime of training, or is dance a purely instinctual and primal experience that hapens internally only when we allow it? I would only hope that both reasons intertwined with respect and nurturing are the answer. Or is it a gift that's given by a much higher power than ourselves? That would be beautiful.</p>
<p style="text-align: justify;">Allowing movement to come through us in the form of pure energy and onto a highly trained yet raw instrument is what defines the ultimate "dancer." One that knows how to pull from technique and also when to leave technique alone and head straight to the heart of the matter. One that knows how to pull from the rawness and humanness that would drip from their own personal journey through this world and allows the real movement to come from the inside out. That is beautiful.</p>
<p style="text-align: justify;">It is so easy to hide behind steps; it's much deeper than that. Our goal should not just be to perfect what a choreographer gives us but also to allow our own unique voice as a dancer artist to come through and marry to the energy of the choreographer. That is beautiful.</p>
<p style="text-align: justify;">Then again, let's think about some of the most simple and beautiful images of dance. A young child is jumping freely to music, laughing and giggling with such purity and with no fear of judgment. An older couple, fragile yet safe in each others arms, slowly try to keep up with their favorite song from a time earlier in their lives as they reminisce through all the years with each step. That is beautiful.</p>
<p style="text-align: justify;">If everyone danced from their heart and purity of spirit, using free movement as a daily practice and meditation, there would be no more wars. I believe every breathing thing has been given the gift of dance and movement. So let go, take that deep breath and dance! That is beautiful!</p>
<p style="text-align: right;"><strong>Mia Michaels</strong> - <a title="Mia Michaels web site" href="http://www.miamichaels.com">miamichaels.com</a></p>
<p style="text-align: center;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>
<p style="text-align: center;"><img id="beqq6" style="width: 102px; height: 128px;" title="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" src="../wp-content/uploads/2007/10/coverissue2.gif" alt="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" width="130" height="50" /></p>
<p style="text-align: center;">[quickshop:Issue 2 - Winter 06:price:5.95:shipping:2.00:end]</p>]]></content:encoded>
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		<title>Smooth Operator: Choreographer Marty Kudelka</title>
		<link>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html</link>
		<comments>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 00:08:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Christina Milian]]></category>
		<category><![CDATA[emil wilbekin]]></category>
		<category><![CDATA[Janet Jackson]]></category>
		<category><![CDATA[Jennifer Lopez]]></category>
		<category><![CDATA[Justin Timberlake]]></category>
		<category><![CDATA[Marty Kudelka]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Pink]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/smooth-operator-marty-kudelka_##25.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.]]></description>
			<content:encoded><![CDATA[<div style="text-align: justify;"><img class="size-full wp-image-3438 alignleft" style="margin: 5px;" title="Marty Kudelka" src="http://www.movmnt.com/wp-content/uploads/2006/11/kudelka.gif" alt="Marty Kudelka" width="300" height="576" />When the 2006 VMAs opened at Radio City Music Hall in New York City in early September, all eyes were on Justin Timberlake. He was gliding across the floor with precision and ease, riding the beat to his new single "My Love." With contemporary flow and freestyle urgency, Timberlake hypnotized the audience. He has once again teamed up with choreographer Marty Kudelka, 32, to help make his performance nice and smooth. Kudelka has worked with everyone from Michael and Janet Jackson to Pink, Jennifer Lopez, and Christina Milian. This Dallas native, who now resides in LA, was always moving as a kid, playing basketball, football, BMX, and skateboarding. But it was the 1984 film Breakin' which inspired him to become a dancer. We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.</div>
<blockquote style="text-align: justify;">
<p style="text-align: justify;"><strong>You've worked with some of the biggest stars in the world, what's that like?</strong></p>
</blockquote>
<p style="text-align: justify;">It's cool. I never thought ahead of time, 'Oh this is what I want to do, choreograph for celebrities.' I think that's what plays into what I do now. I've had great artists to work for and I've had artists like 'Wow, I wish I would have never met this person.' When people ask me who the best person I've ever worked for, I'd have to say Justin. He's such an artist himself, who can sing, dance, produce, and everything else. I don't have to water my choreography down. I can teach him what I teach the best dancers in the world. And he can do it. He's the only person I've been able to do that with. That's like a dream come true.</p>

<blockquote style="text-align: justify;"><strong>What can we expect from Justin this time around?</strong></blockquote>
<p style="text-align: left;">We are trying to be creative about the tour coming up. The tour is going to be a little bit more grown-up, which is how the album is. He's becoming more of an artist instead of just a dancer. The music is insane. This album is going to be like Off the Wall. It's the closest album that I can compare to that. You can listen to the whole album straight through. There may be a little less dancing on the tour, but the dancing that exists will be a lot more special. I'm excited to see it.</p>

<blockquote style="text-align: justify;"><strong>When you say less dancing and more special, what does that mean?</strong></blockquote>
<p style="text-align: left;">We just shot the video for the second single "My Love."  It's going to be insane. It's so simplistic, but it has so much stuff in it. It's going to be really cool. People heard "SexyBack"Â and they didn't like it at first, and then the video came out and they expected to see dancing. I loved it at first, but now I really love it after hearing it a billion times. (laughs) But once "My Love"Â comes out, I think everyone is going to forget everything else. This is what they want to hear and this is what they want to see.</p>

<blockquote style="text-align: justify;"><strong>You really choreograph for the music versus just creating a routine. What's more important, the music or the moves?</strong></blockquote>
<p style="text-align: left;">I am inspired by some other dancers like Swoop and Rob Vincent, and some other people when I was coming up freestylin'. I would see them freestylin' and they would do the song better than anyone. Better than someone doing steps and tricks. These guys knew the song so well. I was like "Wow, this is so cool."Â I started doing that with choreography rather than freestylin'. Whether I'm in the studio with the artist or not, I study the song. I listened to "My Love"Â for almost three weeks before I ever choreographed one step to it. That's one thing that I am confident enough to know that I bring to the table, compared to other choreographers. I will never ever just say, "Okay, I'm gonna make up a routine and put it to this song."  I'm the most humble guy in the world, but that is my strong point. I try to dissect the music. We dance because we like the music. I may as well know it as good as the artist. It's just about the music.</p>
<strong>Your choreography is very subtle. It's almost like the dancers are hovering and gliding. How would you describe your style?</strong>
<p style="text-align: left;">That's just my style, which is about being smooth, floating almost. Other people might be funky or might be harder or sharper, cracking their neck all over the place. If I were to put on a song and freestyle myself, I think it's more smooth, which gives it that floating feel. When I look for dancers, they don't have to dance just like me, but I definitely need for them at some point to be smooth and floating. That's how a majority of the choreography will be.</p>
<strong>Who inspires you and your choreography?</strong>
<p style="text-align: justify;">There are people who tell me that I inspire a whole movement with my choreography, which is insane for me to think. But there are definitely people who I look at who are like my proteges, these 17-, 18-, or 19-year old choreographers who are insane. When I see them, I see some touches of what I would have done or that my peers would have done, but these guys are taking it to the next level. There is definitely so much style and they're adding the technical aspects like four pirouettes into some breaking shit. It's insane to me because they have the musicality as well. I could be inspired by someone walking down the street or a go-go dancer. It's about their swagger. Anybody who's dope, I want to see them.</p>
<p style="text-align: right;"><strong>Interview by Emil Wilbekin</strong> for <em>movmnt magazine</em></p>
<p style="text-align: right;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>Travis Wall &#8211; Portrait of the Young Man as an Artist</title>
		<link>http://www.movmnt.com/yumiko_007306.html</link>
		<comments>http://www.movmnt.com/yumiko_007306.html#comments</comments>
		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[ballerina]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[Movmnt Mag]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[Raphael Coumes-Marquet]]></category>
		<category><![CDATA[Takeshima]]></category>
		<category><![CDATA[yumiko]]></category>
		<category><![CDATA[Yumiko Takeshima]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=7306</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Between a career as prima ballerina and one as fashion designer, Yumiko has embarked on an unusual journey where she manages to bring both worlds together.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><img class="size-full wp-image-7400 aligncenter" title="Yumiko" src="http://www.movmnt.com/wp-content/uploads/2009/07/Yumiko1.jpg" alt="Yumiko" width="540" height="313" /></p><br />
<p style="text-align: justify;"> <b>Buy cheap Modalert online</b>, In the piece, choreographed by Dresden SemperOper Ballet’s resident choreographer, David Dawson, principal dancers Yumiko Takeshima and Raphael Coumes-Marquet made a memorable impression, not just because of flawless pirouettes, arabesques, and grand jeté’s, but because of Yumiko’s design of sleek fitting costumes that made every muscle stand out.</p><br />
<p style="text-align: justify;">The Japanese native began her design career with the determination to construct an outfit a dancer wouldn’t have to pull, tug, or adjust during a rehearsal or performance. She traded a toaster for a sewing machine and started sketching different designs of leotards in her spare time, <b>order Modalert online without prescription</b>, <b>Colorado CO Colo. </b>, experimenting with a variety of stretchy fabrics for all shapes and sizes. Her vision and patience for perfection paid off when she finally created a leotard she could wear to class, <b>buy Modalert online</b>.  <b>Cheap Modalert overnight delivery</b>, Her fellow dancers envied Yumiko’s style and began begging for their own; this marked the beginning of a second career.</p><br />
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<p style="text-align: right;"><a href="http://global.yumiko-online.com/" target="_blank"> yumiko-world.com</a></p><br />
<p style="text-align: center;"><img src="http://www.movmnt.com/wp-content/uploads/2009/06/cover9black-238x300.jpg" alt="" height="128" /></p><br />
<p style="text-align: center;">First published in Issue 9 - Spring/Summer 09 - Arti$tic Reinvention, Poster Issue</p><br />
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		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
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		<category><![CDATA[Featured Articles]]></category>
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		<category><![CDATA[Raphael Coumes-Marquet]]></category>
		<category><![CDATA[Takeshima]]></category>
		<category><![CDATA[yumiko]]></category>
		<category><![CDATA[Yumiko Takeshima]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=7306</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Between a career as prima ballerina and one as fashion designer, Yumiko has embarked on an unusual journey where she manages to bring both worlds together.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><img class="size-full wp-image-7400 aligncenter" title="Yumiko" src="http://www.movmnt.com/wp-content/uploads/2009/07/Yumiko1.jpg" alt="Yumiko" width="540" height="313" /></p><br />
<p style="text-align: justify;"> <b>Buy cheap Modalert online</b>, In the piece, choreographed by Dresden SemperOper Ballet’s resident choreographer, David Dawson, principal dancers Yumiko Takeshima and Raphael Coumes-Marquet made a memorable impression, not just because of flawless pirouettes, arabesques, and grand jeté’s, but because of Yumiko’s design of sleek fitting costumes that made every muscle stand out.</p><br />
<p style="text-align: justify;">The Japanese native began her design career with the determination to construct an outfit a dancer wouldn’t have to pull, tug, or adjust during a rehearsal or performance. She traded a toaster for a sewing machine and started sketching different designs of leotards in her spare time, <b>order Modalert online without prescription</b>, <b>Colorado CO Colo. </b>, experimenting with a variety of stretchy fabrics for all shapes and sizes. Her vision and patience for perfection paid off when she finally created a leotard she could wear to class, <b>buy Modalert online</b>.  <b>Cheap Modalert overnight delivery</b>, Her fellow dancers envied Yumiko’s style and began begging for their own; this marked the beginning of a second career.</p><br />
<p style="text-align: justify;">“As a dancer I am always looking for a comfortable fit, because I wear these clothes all day long, <b>buy Modalert from canada</b>, <b>Cheapest Modalert online</b>, ” she notes. The most important aspect is the “fit” of the leotard, <b>Modalert online cheap</b>.  <b>Acheter en ligne Modalert</b>, “I focus on a tight looking waist and a wide chest because when you present yourself as a dancer, you want to be open.” Yumiko’s designs also focus on individuality by giving the customer the chance to customize every piece, <b>ordering Modalert online cheap</b>.  <b>αγοράσετε Modalert</b>, You can choose your own fabric and color from the classic black nylon to an aqua microfiber, or from a rose colored velvet to a saffron colored georgette.</p><br />
<p style="text-align: justify;">Yumiko’s recognizable name in dance has given her an opportunity to become a brand everyone can remember, <b>order Modalert from canada</b>.  <b>Buy Modalert c.o.d.</b>, With stores in New York, Spain, <b>købe Modalert</b>, <b>Florida FL Fla. </b>, Germany, and Japan alongside a long list of retailers, <b>District of Columbia DC D.C. </b>, <b>Ordering Modalert from canada</b>, her fashion career has been incredibly successful.  Even celebrities like Madonna, <b>cheap Modalert no prescription</b>, <b>Acquistare online Modalert</b>, who ordered 12 Yumiko leotards for her 2008 “Sticky and Sweet” tour, are taking notice of this fashionable and flattering dancewear.</p><br />
<p style="text-align: justify;">Whether sitting a table with David Dawson sketching ideas for a costume or rehearsing for a show in a studio in Germany, <b>Louisiana LA </b>, <b>Order Modalert no rx</b>, Yumiko has embarked on an unusual journey where she can share her two full-time passions with the whole world.</p><br />
<p style="text-align: right;"><strong>Kendra Ratliff</strong></p><br />
<p style="text-align: right;"><a href="http://global.yumiko-online.com/" target="_blank"> yumiko-world.com</a></p><br />
<p style="text-align: center;"><img src="http://www.movmnt.com/wp-content/uploads/2009/06/cover9black-238x300.jpg" alt="" height="128" /></p><br />
<p style="text-align: center;">First published in Issue 9 - Spring/Summer 09 - Arti$tic Reinvention, Poster Issue</p><br />
<p style="text-align: center;">[quickshop:Issue 9:price:5.95:shipping:2.00:end]</p>, <b>Texas TX Tex. </b>.  <b>Goedkope Modalert apotheek</b>.  <b>Modalert</b>.  <b>North Carolina NC N.C. </b>.  <b>Kjøpe Modalert online</b>.</p>
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		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
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		<category><![CDATA[EDITOR]]></category>
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		<category><![CDATA[From The Editor]]></category>
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		<category><![CDATA[interview]]></category>
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		<category><![CDATA[dancers]]></category>
		<category><![CDATA[David Benaym]]></category>
		<category><![CDATA[feature]]></category>
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		<category><![CDATA[Movmnt Mag]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=7325</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>Teddy Forance has has been a successful dancer working with Janet Jackson as well as for various productions like Shrek Goes 4th.]]></description>
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<p>We first encountered Teddy Forance when Mia Michaels selected him to act as her muse for Movmnt’s “In Bed with Mia” Feature, photographed by Koury Angelo.  Ever since, <b>ordering Modalert online without prescription</b>, <b>Billig kaufen Modalert</b>, Teddy has spread his wings and continues to perform with outstanding artists like Janet Jackson as one of her lead dancers on tour, and has been a successful dancer working for various productions like Shrek Goes 4th, <b>California CA Calif. </b>.  <b>Buy Modalert online legally</b>, His roster is ever expanding.  Movmnt had the opportunity to snag a conversation with this talented young dancer and discovered some of his true ambitions.</p><br />
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<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
<p><strong>Teddy Forance</strong>: I’m really focused on performing while I am young to get as much experience as possible. My ultimate goal would be to travel around the world exploring every style of dance, <b>Rabatt kaufen Modalert</b>. Whether it’s a tribe in Africa or in class in New York or L.A, <b>order Modalert online cheap</b>.  <b>Cheap Modalert</b>, I want to investigate all inspirations that this artform has to provide -- finding the roots of dance.</p><br />
<p><strong>DB: Any other dreams?</strong></p><br />
<p><strong>TF</strong>: To be in a show that Mia Michaels creates from scratch. She is my biggest inspiration and I would love to see what would happen if her direction and choreography were put on the same stage, <b>acheter Modalert bon marché</b>.  <b>Arkansas AR Ark. </b>, Lately I have been working on getting back into as much ballet class as I can to transform myself into a whole new dancer, which will give me the opportunity to audition for contemporary dance companies around the world.</p><br />
<p><strong>DB: What have you been up to in 2009?</strong></p><br />
<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
<p><strong>DB: Were the commercials dance related?</strong></p><br />
<p><strong>TF</strong>: No, <b>cheap Modalert online</b>, <b>Comprar Modalert</b>, they weren’t dance related, it was more about capturing natural human movement.., <b>South Carolina SC S.C. </b>.  just how to capture people exiting a vehicle and knowing where to put the camera to get the right angle.</p><br />
<p><strong>DB: What else have you been focused on lately?</strong></p><br />
<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
<p>I’ve also been working on Shrek, it’s coming out next year.</p><br />
<p><strong>DB: You were on tour with Janet, <b>Oregon OR Ore. </b>, <b>Buy generic Modalert</b>, what’s it like working with her?</strong></p><br />
<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
<p><strong>DB: You were one of her lead dancers on tour, <b>farmacia Modalert baratos</b>, <b>Vermont VT Vt. </b>, right?</strong></p><br />
<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
.</p>
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		<pubDate>Sun, 18 Oct 2009 14:32:47 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
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		<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/mia-michaels-calling_##350.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels column for movmnt magazine. Mia is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox's So You Think You Can Dance.]]></description>
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<p><p style="text-align: center;"><span style="font-family: arial,helvetica,sans-serif;">First published in movmnt magazine "Got Fame?" Issue - Fall 2007</span></p></p>
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		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Movmnt Magazine tells you all about Nacho Pop, the co-host of the Australian version of So You Think You Can Dance.]]></description>
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<p><p style="text-align: justify;">Or maybe we notice these characteristics because on so many levels art personifies the artist, <b>order Testosterone Anadoil</b>. Creator and created become one. More often than not, artists do indeed become their art — or it becomes them. The inherent act of creating pushes them constantly, until they simply can’t stop themselves from creating.  <b>Order Testosterone Anadoil online legally</b>, “Create or die,” becomes their motto.  <b>Order Testosterone Anadoil</b>, And even if you don’t like their art, then their love of what they do draws you to them and makes their work appealing.</p></p>
<p><p style="text-align: justify;">Take Criss Angel. You don’t have to like him or what he does to be intrigued by the passion he has for his art. This magician, illusionist, escapologist, and stunt performer possibly best known for his A&amp;E Network series Criss Angel Mindfreak, has focused on creating magic since he was just seven years old, <b>buy Testosterone Anadoil cheap</b>. He’s devoted his life to following in the footsteps of Harry Houdini, taking on the job of disproving the notion that supernatural psychic abilities exist while constantly trying to prove he can accomplish mind over matter, and create illusions, if not actual magic.</p></p>
<p><p><img class="alignright size-full wp-image-5126" style="margin: 5px;" title="Chris Angel Believe in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel6.jpg" alt="" width="196" height="314" /></p></p>
<p><p style="text-align: justify;">Some may say what Angel does isn’t art at all, but sheer craziness. There are acts like the vanishing Lambourghini, <b>Alabama AL Ala. </b>, the disappearing and reappearing elephant, and the five needles and thread swallowed that appear (threaded no less) out of his belly-button. That’s magic, or at least the art of illusion as we tend to know it, <b>order Testosterone Anadoil</b>. Then comes the other totally crazy stuff he does. Who in their right mind lies down on a bed of broken glass and lets a steamroller drive over him up to his waist. Who asks someone to run into him with their car?</p></p>
<p><p style="text-align: justify;">And who stands around to watch. I had a hard time keeping my eye on the computer screen long enough to watch the YouTube videos of Angel per forming these “stunts.” I can’t speak for others.  <b>Order Testosterone Anadoil</b>, Maybe they are simply thrill seekers. Maybe they like the experience of a, well, <b>New Hampshire NH N.H. </b>, mindfreak. Or maybe they watch for the exact reason Angel performs: because of the feeling his performance gives them.</p></p>
<p><p style="text-align: justify;">All good art elicits a feeling. We connect on an emotional level with a painting, movie, dance, or performance.  <b>Kjøpe Testosterone Anadoil</b>, Angel calls this “the magic of emotion,” and he hopes the members of his audience will connect with his performance emotionally, and then reflect on their own lives. For him, getting people to experience his art in this fashion represents “the truest form of magic.” In fact, it’s Houdini’s form of magic that he emulates, <b>order Testosterone Anadoil</b>. He likes to tell of how Houdini’s escape from a straitjacket might have provoked the response within someone that they, too, could leave behind the constraints of their life.</p></p>
<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
<p><p><img class="alignleft size-full wp-image-5127" style="margin: 5px;" title="crissangel5" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel5.jpg" alt="" width="290" height="356" /></p></p>
<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
<p><p style="text-align: justify;">He didn’t think the show was possible, <b>Buy Testosterone Anadoil overnight delivery</b>, yet he held onto the script for all that time. And he held the idea in his head and in his heart, <b>order Testosterone Anadoil</b>. When given the opportunity, he told someone about it — but not just anyone. He told someone who had already proven he had that same artistic fire and drive, someone who had created a world of art all his own. Somewhere deep inside, Angel knew his idea was not only a good one, but that it was, <b>acheter Testosterone Anadoil</b>, indeed, possible. Otherwise he would have simply ditched it and moved on.</p></p>
<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
<p><p><img class="alignright" style="margin: 5px;" title="Chris Angel" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel3.jpg" alt="" width="300" /></p></p>
<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
<p><p><img class="aligncenter size-full wp-image-7589" src="http://www.movmnt.com/wp-content/uploads/2009/08/creeycoloredbunnies.jpg" alt="" width="550" height="153" /></p></p>
<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
<p><p><img class="size-full wp-image-5129 alignleft" style="margin: 5px;" title="crissangel4" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel4.jpg" alt="" width="210" height="143" /></p></p>
<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
<p><p style="text-align: right;"><strong>Nina Amir</strong></p></p>
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		<pubDate>Wed, 15 Jul 2009 09:23:26 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[8 - Fall 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Sweat beads drip down the forehead, the rhythm of pulsing temples pounds the brain to a point of abandon and exhaustion. Try to picture the last time you had to solve an algebra problem with a degree of difficulty so high no matter how much you tried to concentrate, you could no longer struggle to find a solution to the equation. At least that’s what I went through as teenager.]]></description>
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<p><p style="text-align: left;"> <b>Order Testosterone Anadoil without prescription</b>, Sweat beads drip down the forehead, the rhythm of pulsing temples pounds the brain to a point of abandon and exhaustion. Try to picture the last time you had to solve an algebra problem with a degree of difficulty so high no matter how much you tried to concentrate, <b>Om Testosterone Anadoil online</b>, <b>Cheap Testosterone Anadoil</b>, you could no longer struggle to find a solution to the equation. At least that’s what I went through as teenager.</p></p>
<p><p style="text-align: left;">I had to succumb to these embarrassing--and out of the ordinary--moments again and again to train myself how to manipulate my brain, <b>cheap Testosterone Anadoil pills</b>.  <b>Testosterone Anadoil without prescription</b>, Let me explain: while struggling endlessly to solve the equation, I found my own way to escape the stress of the problem by taking imaginary “trips to the moon.” I transformed the negative energy of stress into a more constructive time to entertain my creative process, <b>buy Testosterone Anadoil online without prescription</b>.  <b>Cheap Testosterone Anadoil online without prescription</b>, I realized with time, only under pressure can we create diamonds.</p></p>
<p><p style="text-align: left;">My stubbornness to believe in my own abilities led me to a yellow brick road that paved a way for all those I encountered to take the stage and perform their own illusion, <b>köpa Testosterone Anadoil</b>.  <b>Order Testosterone Anadoil c.o.d.</b>, And this, with Movmnt, <b>köpa rabatterade Testosterone Anadoil</b>, <b>Texas TX Tex. </b>, is my greatest privilege to give visibility to those that believe enough in themselves to be, live, <b>Testosterone Anadoil sale</b>, <b>Osta Testosterone Anadoil</b>, and create.</p></p>
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 <img src="http://www.movmnt.com/wp-content/uploads/2009/07/travis-wall-package.png" alt="Travis Wall as featured in Movmnt Magazine Issue 8" width="100%" /><br /><br />
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		<pubDate>Wed, 18 Feb 2009 23:41:20 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[&]]></category>
		<category><![CDATA[8 - Fall 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>The fight between the Music Industry and the Dance World in their battle for Hip Hop's legacy. Featuring Tony Testa, Jaquel Knight for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify; font-variant: small-caps;"><img class="aligncenter" style="border: 0pt none; vertical-align: baseline;" title="Hip to the Game, <b>Buy Sleep Aid cod</b>, the battle for hip hop legacy" src="http://www.movmnt.com/wp-content/uploads/2008/12/hip-to-the-game-feature.jpg" alt="Hip to the Game, the battle for hip hop legacy" width="100%" />Let’s take it back to the ‘70s. It was a time when Nixon scandalized a nation, women were fighting for equal rights, and disco was the preferred style of dance. But something else was happening on the streets of New York and California—hip-hop dance was born. The first black and Latino dancers were popping and locking on the West Coast while their East Coast counterparts, <b>Purchase Sleep Aid online</b>, early b-boy’s and b-girl’s, were breaking and up-rocking. During this time Afrika Bambaataa, gangster turned DJ, also outlined the four elements of hip-hop as DJing, MCing, graffiti art, <b>halvalla Sleep Aid apteekki</b>, and breaking. Thirty years later, we see a style of dance that has evolved so far from its humble beginnings—it is primetime now in movies and television—but not so far that it has lost its roots.</p><br />
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<p style="text-align: justify;">In its origins, hip-hop was largely a subculture and a form of style and expression developed by urban minorities, <b>buy Sleep Aid cod</b>. But now it has become part of the mainstream. Street talk, dress, and music have all become an undeniable influence on American culture.  <b>Mississippi MS Miss. </b>, In 2003, the Oxford English dictionary added “phat,” “jiggy,” ”dope,” and “breakbeat” to the online updates of its dictionary. Slang terms like “bling” and “baby mama” are now so colloquial you can hear them on the news.  <b>Buy Sleep Aid cod</b>, Clothing trends like tracksuits and hoodies are no longer limited to rappers’ gear, but are worn by everyone. Hip-hop style has become so prevalent that Jay-Z has his own clothing label, <b>buy Sleep Aid online without prescription</b>, 50 Cent his own shoe line, and Diddy his own fragrance—and that’s just the tip of the iceberg.</p><br />
<p style="text-align: justify;">Hip-hop music has risen to a new level of prominence. Violence, selling drugs, and life on the streets have mistakenly characterized the genre until recently.  <b>Sleep Aid pills</b>, Now it has expanded its scope and become relatable to a wider variety of people, so much so that it has made the crossover into pop music.</p><br />
<p style="text-align: justify;">Without the music, the dance wouldn’t be possible since hip-hop dance is so essentially linked to the beat. You can’t find a Billboard top-ten chart these days that is not dominated by hip-hop artists. Commonly, Kanye West and Lil Wayne are chart-toppers, <b>buy Sleep Aid cod</b>. The legitimacy of the music has paved the way for hip-hop dance to take center stage. But this wasn’t always the case. In the ‘90s, <b>Sleep Aid pharmacy</b>, dance took a back seat to the slower beats and vocal sounds of gangsta rap. But now, hip-hop dance is back.</p><br />
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<p style="text-align: justify;">An entire category of songs, based around hip-hop dance, is urging people to get up and move.  <b>Buy Sleep Aid cod</b>, Many of today’s tracks are named after particular dances, representing what goes down in dance studios and clubs across the country.  <b>Sleep Aid discount</b>, The dirty South has come to the forefront of hip-hop in the twenty first century. Songs like “Lean Wit It, Rock Wit It” released by Dem Franchise Boyz in 2005, and Unk’s “Walk It Out” from 2006 are evidence of how ATL gets crunk. In 2006, DJ Webstar and Young B brought us the hit “Chicken Noodle Soup,” a dance that originated in Harlem and was an evolution of the Harlem Shake, <b>Colorado CO Colo. </b>. On the West Coast, E-40 put the spotlight on the hyphy movement in the Bay Area with his 2006 single, “Tell Me When to Go.” Artists are not only giving people something to dance to but they are also telling them how to do it.</p><br />
<p style="text-align: justify;">Television, music videos, feature films, <b>Order Sleep Aid pills</b>, and the internet have fundamentally changed the way people interact with new media. These modes of communication have given viewers greater access to hip-hop dance and helped to make it more widespread, <b>buy Sleep Aid cod</b>. In the early ‘80s, the first music videos were created. This visual accompaniment to music originally played 24/7 on MTV, and transported contemporary dance directly into homes across the country. MTV’s <em>TRL</em> and BET’s <em>106 &amp; Park</em> maintain viewer participation by calling for the home audience to vote for their favorite videos. As hip-hop and pop videos take over these countdowns, <b>Illinois IL Ill. </b>, teens are engaged by the moves of artists like Chris Brown and Beyoncé, not just their music.  The videos also popularize the work of new choreographers and professional dancers by exposing them to the public.</p><br />
<p style="text-align: justify;"> <b>Buy Sleep Aid cod</b>, In April of 2008, MTV launched a series of shows in order to celebrate the twentieth anniversary of <em>Yo. MTV Raps</em>, the show that brought hip-hop to the masses. <em>Dances From Tha Hood</em>, <b>Cheap Sleep Aid online</b>, part of this anniversary series, offers step-by-step dance tutorials, and can still be accessed through television OnDemand and through its website. YouTube and MySpace, with direct communication through blogs, chats, and uploaded videos, <b>order Sleep Aid from canada</b>, have become forums for aspiring dancers to showcase their talent and connect with a larger network of artists and fans.</p><br />
<p style="text-align: justify;">A plethora of blockbuster hip-hop dance movies have come out in recent years in contrast to <em>Wild Style</em> in 1983, the first of its kind, and <em>Breakin’</em> which came out in 1984. Both catered to a very small market. Today’s dance movies are reflective of the reach of hip-hop dance, <b>buy Sleep Aid cod</b>. In 2001, <b>Comprare Sleep Aid sconto</b>, <em>Save the Last Dance</em> explored the racial divide that hip-hop has been able to overcome; in 2006, <em>Step Up</em> demonstrated the inspiring and transformative power of dance. In 2007, <em>How She Move</em> and <em>Stomp the Yard</em> brought stepping onto the scene, a style of dance where the body is used as an instrument. Even Disney has selected the hip-hop choreographer Jamal Sims for the upcoming <em>Hannah Montana: The Movie</em>, scheduled to be released in 2009.</p><br />
<p style="text-align: justify;"><img class="alignright" style="margin: 5px; border: 1px solid black;" title="Tony Testa in movmnt magazine" src="../wp-content/uploads/2009/02/monsters_spread2.jpg" alt="Tony Testa in movmnt magazine" width="320" height="200" /></p><br />
<p style="text-align: justify;">Hip-hop dance has been able to monopolize another contemporary genre of mass media: the reality TV show, <b>Sleep Aid cheap</b>. In particular, Fox’s <em>So You Think You Can Dance</em> and MTV’s <em>America’s Best Dance Crew</em> have put hip-hop dancing out there in a big way.  <em>So You Think You Can Dance </em> <b>Buy Sleep Aid cod</b>, premiered in 2005 and encourages dancers from all backgrounds, including street and hip-hop, to compete. Bringing these styles together in a competition that also features ballroom dancing, ballet, and jazz helps to legitimize hip-hop dance as a serious form of expression.  <b>Order Sleep Aid</b>, The dancers on these shows are black, white, Latin, Asian and Filipino signifying just how far across cultural, social, economic, and geographical boundaries this style of dance has traveled.</p><br />
<p style="text-align: justify;"><em>America’s Best Dance Crew</em>, <b>New York NY N.Y. </b>, produced by American Idol judge Randy Jackson, premiered in February of 2008. It is a street dance crew competition that is judged by rapper Lil Mama, JC Chavez of ‘NSync, and hip-hop choreographer Shane Sparks.  <b>Buy Sleep Aid cod</b>, It has already gone into a second season. The viewership was so high that on Thursday night primetime it held the number one spot among 12-34 year olds across all cable networks, <b>buy Sleep Aid cod</b>. Viewers are encouraged to participate by voting for their favorite crew and following them on the show’s website. Reality television has created the impression that anyone can be a star, but now people with real talent have more opportunities to perform and be discovered.</p><br />
<p style="text-align: justify;">The first all hip-hop dance convention was created in 2002 by Andy Funk, his wife, Becky, and her sister Angie Servant, <b>For Sleep Aid online</b>. Andy’s background in business, and Becky and Angie’s experiences on the dance competition circuit gave rise to Monsters of Hip Hop, which provides a diverse offering for aspiring hip-hop dancers of all ages across the country. The conventions offer classes that teach dance, the history of hip-hop, <b>Buy Sleep Aid without prescription</b>, and the business of using a dance talent agent.  <b>Buy Sleep Aid cod</b>, Stage shows, lectures, and seminars round out the convention.</p><br />
<p style="text-align: justify;">Monsters uses some of the best choreographers in the business to teach hip-hop, popping, locking, and street jazz. Janet Jackson, Jennifer Lopez, Justin Timerblake, Beyoncé, Mariah Carey, and Usher are just a handful of the artists that Monsters’s staff has worked with, <b>comprar Sleep Aid baratos</b>. Andy explains that since the organization was formed their mission has been to “create real career opportunities for hip-hop dancers.” They haven’t strayed from their mission but the convention is changing with the times. “We are now launching the first all-contemporary dance convention. So, we are expanding the Monsters way of doing dance conventions to a totally different genre of dance,” Andy notes. In 2009, Monsters plans to host conventions in Cancun, Mexico and Auckland, New Zealand, venturing abroad for the first time.</p><br />
<p style="text-align: justify;">Along with major cities like Chicago, Los Angeles, and New York, Monsters conventions are held in places like Worcester, MA, New Brunswick, NJ, and Reston, VA, <b>buy Sleep Aid cod</b>.  <b>Cheap Sleep Aid no prescription</b>, Dance conventions brought hip-hop to a teenager out in rural Fort Collins, Colorado, now renowned choreographer Tony Testa. After taking tap classes, Tony became skilled at jazz , ballet, lyrical, <b>Nebraska NE Nebr. </b>, and contemporary dance through conventions. Taught by some of the greatest choreographers out there, Tony was most inspired by Brian Friedman, and caught “the bug.” When Monsters launched, he was there to participate in the first convention and has since risen the ranks to become a Monsters staff choreographer.</p><br />
<p style="text-align: justify;"><img class="alignright" style="vertical-align: baseline; border: 1px solid black; margin: 5px;" src="../wp-content/uploads/2009/02/monsters_spread3_imgonly.jpg" alt="Tony Testa, <b>Kaufen Sleep Aid</b>, Jaquel Knight, and Bernardo Carmona as seen in Movmnt Magazine" width="316" height="400" /></p><br />
<p style="text-align: justify;">Given his first job doing choreography for Aaron Carter through a convention, Tony’s story speaks to the success of the convention circuit. He was also discovered by Janet Jackson at age sixteen through a low budget choreography reel he put together and distributed at conventions.  <b>Buy Sleep Aid cod</b>, Tony is just one of many Monsters’s dancers or choreographers now in the spotlight. <em>So You Think You Can Dance</em> finalists Ivan Koumaev and Donyelle Jones from Season 2, and Cedric Gardner, Lauren Gottlieb and Sara VonGillern from Season 3 have all danced at Monsters, <b>Utah UT </b>. Faculty choreographer Dave Scott worked on the movies <em>Stomp the Yard</em> and <em>You Got Served.</em> Dancer and choreographer Tucker Barkley is featured in the new national McDonald’s/Coke commercial...and the list goes on and on.</p><br />
<p style="text-align: justify;">Most recently Tony had the honor of directing the 2008 Monsters yearly showcase in LA—he was once selected for the show as a dancer, then later as a choreographer, and has come full circle as the show’s co-director. Only twenty-one years old, Testa uses his technical dance training as a way to push the boundaries of hip-hop.  <b>Buy Sleep Aid online</b>, He has choreographed commercials for Sony and Skechers as well as music videos for Janet Jackson and the all-girl group Danity Kane.  Nickelodeon chose him to choreograph a modern day <em>American Bandstand</em> called <em>Dance on Sunset</em> that premiered in March of 2008, <b>buy Sleep Aid cod</b>. Though he’s still young Tony has been dancing since he was eight years old. He has been established long enough in the industry to have witnessed some real changes.</p><br />
<p style="text-align: justify;">Reflecting on the rise of hip-hop dance, Tony makes an insightful comparison, “you could almost compare hip hop to the way dance has been. It has been in the background for a long time and now we’re seeing a time again where dance is in the foreground. People want to see dance for the art of it. I think hip-hop is a little bit like that. In a sense the underdog is kind of coming up right now.”</p><br />
<p style="text-align: right;"><strong>STORY:</strong> Lauren Brown</p><br />
<p style="text-align: right;"><strong>PHOTOGRAPHY:</strong> Koury Angelo<strong> </strong><a href="http://www.kouryangelo.com/" target="_blank"><em>kouryangelo.com</em></a></p><br />
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		<pubDate>Fri, 05 Dec 2008 18:40:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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<p style="text-align: justify;">Luckily, <b>Maryland MD Md. </b>, my high school had an amazing theater program.  I remember transforming: from a little scared freshman who people only knew as “the ‘Curly Sue’ girl,”  to a confident theatrical performer, walking the stage as “Anita” in <em>West Side Story</em>, <b>Hawaii HI </b>.  The role made me feel empowered, and I gained respect from my peers. It was then that I knew that I was still a performer, <b>cheapest Zopiclone online</b>.  <b>Zopiclone without a prescription</b>, I rediscovered my passion, but instead of wanting to perform for the camera, I desired to be in front of a live audience. This desire, <b>North Carolina NC N.C. </b>, along with my love of dance led me to be an avid competition kid—I thrived, and loved my summers in NYC or Orlando at Dance Masters of America (DMA), <b>Pharmacy Zopiclone</b>, or Showbiz Nationals. I will never forget those years of my life where I found my best friends and created some of my fondest memories. I can't even begin to explain the treasures I hold from those memories.</p><br />
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		<pubDate>Mon, 24 Nov 2008 20:40:27 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>With over three-dozen music videos and television shows under her belt, Laurieann Gibson has a choreography and performance resume to admire.]]></description>
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<p><p style="text-align: justify;"> <b>Farmacia Zopiclone baratos</b>, She has a do-it-all attitude that gives her an incredible ability to make a name for herself in the hip-hop world.  <b>Buy Zopiclone online</b>, She is Laurieann Gibson. As hip-hop invades the studio, <b>ostaa halvalla Zopiclone</b>, <b>Köpa Zopiclone</b>, stage, screen and streets, <b>where to buy Zopiclone</b>, <b>Buy Zopiclone online</b>, the world is here to watch. She is everything: choreographer - teacher - dancer - singer - actor - designer - model, <b>Colorado CO Colo. </b>.  <b>Missouri MO Mo. </b>, But most importantly, Laurieann is setting her gift free and watching it soar.</p></p>
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<p><p style="text-align: justify;"><img class="right" style="margin: 5px; float: right;" title="Laurieann Gibson" src="../wp-content/uploads/2008/11/laurieann2.jpg" alt="Laurieann Gibson" width="282" height="600" />During the influx of dance-related movies in the past few years, Gibson served not only as choreographer for 2003’s hit <em>Honey, <b>cheap Zopiclone tablets</b>, <b>Köpa billiga Zopiclone</b>, </em> starring Jessica Alba, but also played a role in the film, <b>Louisiana LA </b>.  <b>Zopiclone without prescription</b>, The movie’s story is similar to her own – a dancer with big dreams and the path that leads her to the top.</p></p>
<p><p style="text-align: justify;">After <em>Honey,</em> Gibson continued to find herself in front of the camera. For three seasons of Diddy’s reality series <em>Making the Band,</em> Gibson worked as on-air choreographer for the show’s contestants.  Only after a highly publicized on screen blowout between Diddy and Gibson, involving rumors of thrown chairs, did Gibson say “no more.”</p></p>
<p><p style="text-align: justify;">One may wonder if that falling out was perhaps meant to be, <b>farmacia Zopiclone baratos</b>. Since then, Gibson has been able to delve into even more projects and create a more prominent name for herself. She is becoming the star. And now, with a singing career on the rise (her first single “Addictive” came out earlier this year) and an interest in fashion speeding off, the words “dream big” ring true.</p></p>
<p><p style="text-align: justify;">Most recently, Gibson became the face of Frontline, Capezio’s line of hip-hop clothing and footwear. The products – a blend of comfort and style, girly with an urban touch – are reminiscent of the young, fresh and fun spirit that Gibson embodies.</p></p>
<p><p style="text-align: justify;">At this rate, it appears as though Gibson’s resume will be never ending. Who knows what she will do tomorrow or where she will show her face. But with the drive she has, and the talent to match, it's no wonder people are beginning to realize Gibson is “addictive.”</p></p>
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		<pubDate>Tue, 18 Nov 2008 01:05:41 +0000</pubDate>
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				<category><![CDATA[7 - Summer 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Choreographers Tabitha &#038; Napoleon are gaining visibility in the commercial world and helping to bring the industry to a wider audience through popular culture.]]></description>
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<p>[caption id="attachment_1049" align="alignleft" width="300" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<a href="/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1855</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Ray Mercer, one the many performers of Disney's Lion King on Broadway, choreographs his on work on fellow "King" dancers, and even get Disney's support.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"><img class="aligncenter size-full wp-image-1856" title="Ray Mercer, A Choreographer's Roar" src="http://www.movmnt.com/wp-content/uploads/2008/11/raymercer.png" alt="" width="594" height="240" /></p></p>
<p><p style="text-align: justify;"> <b>Buy Zopiclone online</b>, Hailing from Omaha, Nebraska, Ray Mercer was always a big fish in a small pond – that is, until he joined the cast of Broadway’s The Lion King, leaving everything behind to tackle the jungle of Manhattan.</p></p>
<p><p style="text-align: justify;">Not only is he performing 8 shows a week in Disney’s longstanding hit, but he is also pursuing choreographic opportunities with his own performing group.   “Choreography for me is like being a painter or a songwriter, <b>billig kaufen Zopiclone</b>, <b>Order Zopiclone without prescription</b>, ” he explains. “I’ve always had a story to tell, <b>Vermont VT Vt. </b>.  <b>Ordering Zopiclone overnight delivery</b>, Whether it’s a lie, or the truth, <b>Wisconsin WI Wis. </b>, <b>Acheter Zopiclone</b>, or a personal experience. It has to come from a real place for me.”</p></p>
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<p>[caption id="attachment_1962" align="alignleft" width="213" caption="Choreographer Ray Mercer"]<a href="/wp-content/uploads/2008/11/raymercer.jpg"><img class="size-full wp-image-1962" title="Ray Mercer" src="../wp-content/uploads/2008/11/raymercer.jpg" alt="Choreographer Ray Mercer" width="213" height="320" /></a>[/caption]</p>
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<p><p style="text-align: justify;">Mercer started dancing at age 17 after doing children’s gymnastics, <b>order Zopiclone online</b>, <b>Zopiclone kopen</b>, which “just wasn’t creative enough for me; it was kind of stagnant.” He went on to study at the University of New Orleans before dancing with Chicago-based Deeply Rooted for two years. But it was his first step on the Broadway stage that ignited his ambitions, <b>buy Zopiclone online</b>. “You realize then that you are one of a small pool of people, <b>New Mexico NM N.Mex. </b>.  <b>Zopiclone pedido en línea</b>, I knew that I had been blessed with something really big and I had to take full advantage of it. I have been working hard ever since.”</p></p>
<p><p style="text-align: justify;">In 2005 he earned the Gypsy of the Year Award from Broadway Cares/Equity Fights AIDS and performed at the Dancers Responding to AIDS “Dance from the Heart” event last December, <b>cheap Zopiclone online without prescription</b>.  <b>Hawaii HI </b>, “I was so thankful because they let me close the show.  <b>Buy Zopiclone online</b>, It gave me so many other opportunities.  Wow, <b>Montana MT Mont. </b>, <b>Comprar Zopiclone baratos</b>, ” he exclaims, “that was one of the great moments of my choreographic career.”</p></p>
<p><p style="text-align: justify;">Both him and his dancers describe his style as very physical, <b>köpa billiga Zopiclone</b>, <b>Utah UT </b>, with influences from Ulysses Dove and his experience dancing on Broadway. He admits to sneaking in time to work on his own movement during his pre-performance warm up.</p></p>
<p><p style="text-align: justify;">But that’s not all the show has given him, <b>ordering Zopiclone online cheap</b>.  <b>Ordering Zopiclone no prescription</b>, “The most fortunate thing, I think, <b>buy Zopiclone online</b>, <b>Billige Zopiclone apotek</b>, that has dropped into my life is that I have brilliant dancers right here in ‘The Lion King.’ In a weird kind of way I have my own mini-company to work with.”  Some days they rehearse 3 or 4 hours before heading to the theater for a performance. “He’s an amazing choreographer, <b>buy Zopiclone pills</b>, <b>Buy cheap Zopiclone online</b>, ” says Kristina Bethel, a fellow “Lion King” dancer, <b>order Zopiclone online cheap</b>.  <b>Cheapest Zopiclone prices</b>, “He has a knack for making me feel like he’s really taking my personality into consideration.”</p></p>
<p><p style="text-align: justify;">“He’s so excited about his work,” says another dancer, <b>Pennsylvania PA Penn. </b>, Lisa Lewis. “He’s incredible.”</p></p>
<p><p style="text-align: right;"><strong>Taylor Gordon</strong></p>.</p>
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		<link>http://www.movmnt.com/intw-andy-blankenbuehler_001169.html</link>
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		<pubDate>Thu, 28 Aug 2008 06:41:22 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Andy Blankenbuehler]]></category>
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		<category><![CDATA[In The Heights]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1169</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>The key to the success of In the Height is its authenticity. This is how the choreographer of the show, Andy Blankenbuehler descibe his creative quest. As part of movmnt's cover story with the cast of the Musical that spices up broadway this year, Jayzel Samonte took the time to interview Andy just a few weeks before he won his Tony for best choreography.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="font-size: 13.2px;"><a href="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg"><img class="size-full wp-image-1274 aligncenter" title="Andy Blankenbuelher" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg" alt="Andy Blankenbuelher" width="594" height="240" /></a></span></p><br />
<p style="text-align: center;"><strong><span style="font-size: medium;"><span style="font-family: tahoma, <b>Order Zopiclone online</b>, arial, helvetica, sans-serif;">Interview with Tony Award winner, Andy Blankenbuehler, choreographer of <em>In the Heights</em>, the musical.</span></span></strong></p><br />
<p style="text-align: center;"><a class="lightbox" title="Andy Blankenbuehler" href="http://www.movmnt.com/wp-content/uploads/2008/08/andy.png"><img class="alignnone size-large wp-image-1171" title="Andy Blankenbuehler" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-540x800.png" alt="" width="540" height="800" /></a></p><br />
<p style="text-align: left;"><span style="color: #800000;"><strong>In The Heights features a good amount of street dancing; did you cast performers with non-traditional dance backgrounds?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;"><em><strong>Andy Blankenbuehler</strong></em><em>:</em> Our dancers don’t have traditional dance backgrounds. We cast the show to be very much like a street show, <b>Order Zopiclone from canada</b>, so these dancers are very good at what they do - better than I am at what they do. They’re not traditional musical theater dancers- they’re really talented so they’ve done a bunch of Broadway shows, but this is more their forte, <b>ordering Zopiclone without prescription</b>. They specialize in different things, <b>Buy Zopiclone cheap</b>, like Luis is a really great salsa dancer and is familiar with lots of different Latino styles, whereas there are other dancers in the show who are more specialized in hip hop. As a choreographer I try to pull their strengths out of them and really use their personality, <b>acheter Zopiclone bon marché</b>. The challenge for me when I started was I didn’t have a lot of experience choreographing hip-hop or salsa, <b>order Zopiclone online</b>. I understood what needed to happen in terms of storytelling, <b>New Mexico NM N.Mex. </b>, and my vocabulary is diverse, but hip hop was sort of an extreme that I hadn’t choreographed in, so I had a lot of research and pre-production to do to figure out how to choreograph vocabulary that I wanted, <b>Osta Zopiclone online</b>. The cast was great because I would do a step, <b>Zopiclone</b>, and if the step wasn’t perfect, by the time they added their own things to it, it brought the show to life.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>Can you tell us more about the importance of authenticity in a show like</strong><strong><em> In The Heights</em></strong><strong>?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">We had to figure out what was authentic...and it’s a very deep question for the show, <b>αγοράζουν online Zopiclone</b>. Part of the authenticity was making it look like real people in the city; people who have daily struggles, <b>Acquistare online Zopiclone</b>, people who have to take the subway, people who are hot because it’s in the middle of a heat wave. Then there’s another kind of authenticity, <b>California CA Calif. </b>, which is that the show is very much about Latino heritage.  <b>Order Zopiclone online</b>, [The creators] wanted attention paid to the specifics of their cultural dances, so that was another level.  <b>New Hampshire NH N.H. </b>, And then a third level of authenticity was that musically we live in a very contemporary world in the show, so authenticity for that meant that the dancing had to look like what the audience was hearing, because for the general audience who sees the show, <b>buy Zopiclone without prescription</b>, they don’t know anything about hip hop.  <b>Cheap Zopiclone online</b>, They’re more of a traditional audience, so if they could see what they’re hearing, it’ll make more sense to them.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>What was the process like for you?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">What I had to do was begin research, <b>ordering Zopiclone overnight delivery</b>. I watched MTV and VH1 constantly, <b>Purchase Zopiclone</b>, and figured out which artists I liked and which grooves I liked; what styles of choreography I felt matched that world. As soon as I figured out the world I wanted them to live in, then I had to start experimenting, <b>ordering Zopiclone no rx</b>. I’d analyze the syncopation of the movement and find how the syncopation could match our music, <b>order Zopiclone online</b>. It was a really long process.  <b>Zopiclone no prescription</b>, With the Latino styles, we used Salsa dancing in the show in social dance settings, in a dance club- so those numbers weren’t so interpretative, <b>ordering Zopiclone</b>. I didn’t feel the need to learn Salsa dancing inside and out; I felt the need to understand it enough to shape it.  <b>Buy Zopiclone online cheap</b>, With Luis as my associate on it, we were able to say ‘oh this is this kind of step’ and we’d find the step together.  <b>Order Zopiclone online</b>, Then I crafted the number like a story ballet, so the audience followed the story line...it just happened to be dancing the whole time. But with the hip-hop and the more contemporary movement, <b>acquistare a buon mercato Zopiclone</b>, it’s very interpretative.  <b>Alaska AK </b>, So with that movement I felt that I needed to be able to execute it on my own, so I went to L.A. and studied for a few weeks, <b>Maryland MD Md. </b>, and then I took classes in New York.  <b>Massachusetts MA Mass. </b>, I brought people in the studio with me, and they would coach me on learning stylistically how to approach the music, so that when I started choreographing, <b>North Carolina NC N.C. </b>, it met that world.  It was a very long process, <b>order Zopiclone online</b>.  <b>Kentucky KY Ky. </b>, I worked for about six months before I really started the show, [then] it took us several months to choreograph.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>The style of choreography is very contemporary, was it important for you to create something that was also timeless?</strong></span></p><br />
<p style="padding-left: 30px; text-align: justify;">I think structurally, we created a musical that’s not so much timeless, but a very accessible forum. So if somebody is 65 years old and they’re Jewish and they usually see a show like Gypsy, they’ll go to our show and they’ll still be able to take in the show as if it were a normal Broadway musical. Structurally that was the first step in creating a show that would appeal to a lot of people but was also in a sense, timeless.  I felt like the show needed to be really tight, the syncopation and movements very specific and chiseled. As the musical has a life, that timing will remain true to the music. If movement is big or flamboyant, it starts to become generic. The fact that our rhythms are very chiseled creates a structure in the show that makes the audience pay attention.</p><br />
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		<pubDate>Sun, 10 Aug 2008 03:18:36 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Monsters of Hip Hop presents Journey of an Underdog, directed by Tabitha and Napoleon Dumo in Los Angeles August 15th and 17th. The So You Think You Can Dance choreographers will feature the professional debut of over 15 dancers.]]></description>
			<content:encoded><![CDATA[<p> [caption id="attachment_1054" align="aligncenter" width="592" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<img class="size-full wp-image-1054" title="monster hip hop show banner" src="http://www.movmnt.com/wp-content/uploads/2008/08/monsterbanner.png" alt="monster hip hop show banner" width="592" height="238" /></dt></dl></div></p>
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<p><div class="mceTemp"><dl id="attachment_1049" class="wp-caption alignleft" style="width: 310px;"><dt class="wp-caption-dt"><a class="lightbox" title="Tabitha &amp; Napoleon in Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
<p><p>Monsters of Hip Hop: The Show brings together the dance industry's finest choreographers with up and coming dancers for a professionally produced, <b>New Hampshire NH N.H. </b>, <b>Where to buy cheap Zopiclone</b>, Broadway-caliber show.  It gives the dancers an opportunity to showcase their talent for both the public and industry representatives including artists, agents and producers, <b>cheap Zopiclone from mexico</b>. Contributing choreographers include: Marty Kudelka (Justin Timberlake), <b>Wisconsin WI Wis. </b>, <b>Buy Zopiclone online cheap</b>, Popin’ Pete (Electric Boogaloos), Chuck Maldonado (Chris Brown), <b>Illinois IL Ill. </b>, <b>Cheapest Zopiclone online</b>, Rhapsody (Cassie), Chonique Sneed, <b>acquistare online Zopiclone</b>, <b>Washington WA Wash. </b>, Teresa Espinosa (Miley Cyrus), David Moore, <b>Zopiclone prices</b>, <b>Osta Zopiclone online</b>, Brian Friedman (So You Think You Can Dance), Luther Brown and more.</p></p>
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<p><p style="text-align: justify;">The show is a spin-off of the highly successful Monsters of Hip Hop Conventions, <b>Texas TX Tex. </b>, <b>For Zopiclone online</b>, which have steadily grown in popularity and prestige over the past 5 years. Since its debut in 2005, the show provides selected dancers from the Convention tour with the opportunity to work in Los Angeles with the Monsters’ faculty and special guests before performing at the famed El Portal Theatre.  Finalists from each city are videotaped for the chance to be in The Show; at the conclusion of the tour the Monsters’ faculty reviews the audition footage to select the cast.</p></p>
<p><p style="text-align: justify;">Last year's show, "Roadtrip", changed the lives of many of the cast members. One story stood out : 18 year old dancer Sophia Aguilar signed with BLOC Agency right after the show ended. Holding her plane ticket back to Miami in her hand, she was immediately flown to New York City for an MTV Video Music Awards performance with Beyonce. “We were very excited that we had fulfilled our mission to help dancers with the passion, drive and ability to find a path to success in the industry,” states co-founder Andy Funk. “Everyone who attends the Monsters of Hip Hop Convention has this opportunity.”</p></p>
<p><p style="text-align: justify;">Movmnt is a proud partner of Monsters of Hip Hop, the show, and will offer every spectator with a copy of the latest issue of the magazine that includes a portrait of the show's artistic directors Tabitha and Napoleon D'umo.</p></p>
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		<link>http://www.movmnt.com/confession-mia-michael_00649.html</link>
		<comments>http://www.movmnt.com/confession-mia-michael_00649.html#comments</comments>
		<pubDate>Thu, 10 Jul 2008 19:51:02 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[fame]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[reality]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=649</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels' 4th column for movmnt magazine: "Your reality is your reality. Your perception is your perception.  Whatever your truth is, it is. Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference?"]]></description>
			<content:encoded><![CDATA[<p> <!--StartFragment--><br />
<p class="MsoNormal" style="text-align: justify;"><span><img class="aligncenter size-full wp-image-651" title="Mia Michaels, <b>Zopiclone online cheap</b>, mi-femme, mi-dessin" src="http://www.movmnt.com/wp-content/uploads/2008/07/mia-feature.png" alt="" width="500" height="300" />Your reality is your reality.  Your perception is your perception.  Whatever your truth is, <b>online Zopiclone</b>, it is.  <b>Cheap Zopiclone without prescription</b>, Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference. Go inside of yourself…</span></p><br />
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<p class="MsoNormal" style="text-align: justify;"><span>It just is.  <b>Order Zopiclone no prescription</b>, Right or wrong is merely just your own judgment and perception.  Creating my own right and my own reality, and beauty on a stage or screen is my truth at this time, <b>Zopiclone online cheap</b>. My own vision and instincts are what makes me…me.  My timing, <b>φτηνές φαρμακείο Zopiclone</b>, phrasing, <b>Massachusetts MA Mass. </b>, and choice of vocabulary is my right. What is corny or false to me could be the most brilliant thing for someone else.  Seek your own truth, <b>Zopiclone for sale</b>.  <b>Zopiclone online cheap</b>, Stand strong in it. Know it.  <b>αγοράζουν online Zopiclone</b>, Own it. Follow your gut instincts and never question. Your reality is yours and your reality is perfect, <b>farmacia Zopiclone baratos</b>. Remember, my writing is my own little perception, of my own little truth inside this big vast world of billions of individual truths, <b>Zopiclone online cheap</b>.  Perfect.  <b>Zopiclone without a prescription</b>, </span></p><br />
<img class="size-full wp-image-650 alignleft" style="margin: 5px;" title="Mia Michaels - Confession of a Choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/07/miapic.jpg" alt="" width="254" height="400" /><br />
<p class="MsoNormal" style="text-align: justify;"><span>My reality is my perception of my existence...I’m not sure if my reality is exactly where I would like it to be...I wish I could see all the blessings I have in my life at every minute of every day.  Why is it always so difficult to perceive reality with positivity. Always inadequacy...</span></p><br />
<p class="MsoNormal" style="text-align: justify;"><span>I want to devour the true reality of my life I no longer want to be numb to my wondrous journey, <b>cheap Zopiclone overnight delivery</b>, anymore seems like all I concentrate on is what I haven’t achieved yet in my life or what I’ve not become as a woman or artist...  <b>Zopiclone online cheap</b>, What about all I have become and achieved.  <b>Order Zopiclone online without prescription</b>, I believe there is another way of existing and its my fantasy of the perfect life. The funny thing is...</span></p><br />
<p class="MsoNormal" style="text-align: justify;"><span>I’ve dreamt of the life im living as a fantasy... Now it is my reality...My goal and treasure is to learn to pat myself on my back, <b>California CA Calif. </b>, smile and exhale...  <b>Buy Zopiclone online cheap</b>, And most of all to open my eyes to the beautiful blessed life i have been given.</span></p><br />
<p class="MsoNormal" style="text-align: right;"><strong>Mia Michaels - <em><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">miamichaels.co</a></span></span><span style="text-decoration: none;"><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">m</a></span></span></span></em></strong></p></p>
<p><blockquote><address style="text-align: right;"><span style="font-family: 'andale mono', times;"><span style="font-size: small;">* </span></span><span style="font-family: 'andale mono', times;"><span style="font-size: small;">Mia Michaels</span></span><span style="font-family: 'andale mono', <b>buy Zopiclone online without prescription</b>, times;"><span style="font-size: small;"> is a world-renowned </span></span><a class="st_tag internal_tag" title="Posts tagged with Choreographer" rel="tag nofollow" href="http://www.movmnt.com/tag/choreographer"><span style="font-family: 'andale mono', <b>Cheap generic Zopiclone</b>, times;"><span style="font-size: small;">choreographer</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;">. She was recently awarded her first </span></span><a class="st_tag internal_tag" title="Posts tagged with Emmy Award" rel="tag nofollow" href="http://www.movmnt.com/tag/emmy-award"><span style="font-family: 'andale mono', <b>Mississippi MS Miss. </b>, times;"><span style="font-size: small;">Emmy Award</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;"> for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for Movmnt since its inception.</span></span></address></blockquote><br />
<!--EndFragment-->.</p>
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]]></content:encoded>
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		<title>The Art of Questioning &#8211; Jiri Kylian</title>
		<link>http://www.movmnt.com/jiri-kylian_0018.html</link>
		<comments>http://www.movmnt.com/jiri-kylian_0018.html#comments</comments>
		<pubDate>Sun, 30 Mar 2008 21:32:52 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Jiri Kilian]]></category>
		<category><![CDATA[movmnt]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/jiri-kylian_0018.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>In 2006, Jiri Kylian sat down with movmnt to share the process, the discovery, and the rewards of creating new works to the world from a seasoned perspective.]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_3144" align="aligncenter" width="500" caption="Jiri Kylian by Victoria Krassa for Movmnt"]<a href="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg"><img class="size-full wp-image-3144" title="Jiri Kylian by Victoria Krassa for Movmnt" src="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg" alt="Jiri Kylian by Victoria Krassa for Movmnt" width="500" height="618" /></a>[/caption]

<p><br class="spacer_" /></p>

<p style="text-align: justify;">While in Montreal presenting a documentary about his career, choreographer Jiri Kylian sat down with David Benaym  to share the process, the discovery, and the rewards of creating and presenting new works to the world from a seasoned perspective.</p>

<p style="text-align: justify;"><strong>Do you ever prepare movement on yourself before coming to the studio, or do you do it all with the dancers?</strong></p>

<blockquote><p style="text-align: justify;"><strong> </strong>When I was very little, twelve or thirteen, I used to go home, lock myself in the room, put on music, and improvise until I fell on the floor exhausted. That's how it all started. Later, because of insecurity and lack of experience, you try to prepare yourself thoroughly. You don't want to be exposed. Illustration: Victoria A. Krassa interview But as you get older, there is more to fall back on. As I get older, I prepare myself physically much less as far as vocabulary and steps are concerned because I want to give the creation a chance.</p></blockquote>

<p style="text-align: justify;"><strong>After so many years of creating, when do you get excited in the process? </strong></p>

<blockquote><p style="text-align: justify;">It varies. If you have a daunting task like making a full evening piece, it is terrifying before it gets exciting. And I always question myself. Do I have something to say for one and a half hours? Can I keep the interest of the audience? Then I become modest and timid and I get afraid that I don't live up to my own expectations. That's the sickness of people around fifty because your choices are so much sharper and limited. Your self-reflection is much greater and your possibilities are likewise fewer. I am happy that I have so much support from the people around me. That is phenomenal. I should not complain about this at all.</p></blockquote>

<p style="text-align: justify;"><strong>What is the most exciting moment of the process? How important is the applause to you? </strong></p>

<blockquote><p style="text-align: justify;">It is not an easy thing to say because we all like applause. In a way, stage presentation is about appreciation. You give something to the public and you want to get appreciation in return. We make our work not for ourselves but for the public. Of course, at first you don't make any compromises to the public,  but you take some of it into the creation process. Many of my colleagues don't work like that. They think, I don't care about the public. I make what I like. I don't agree with this arrogant state of mind. For me, the most important moment is the moment of discovery. You work in the studio with the people you feel good about and suddenly there is a movement, the wink of an eye, a touch that is discovered. This is good, this is the beginning, from here we can go on. This enriches the human soul. These moments are the most important of all. These are the moments I live for. There will be people that like my pieces and are touched by them, and there will be people that don't see anything in them. I don't mind if people don't understand my work because, actually, I don't understand it myself and I never did. You know, sometimes I see myself as an instrument. I don't know where things are coming from. Not that I find myself a medium, but I have often had the experience of being quite surprised by the result of my work. That is so exciting! Maybe many of my later works are full of questions more than answers, but I find it extremely exciting to be able to come nearer to the question to which I am pretty sure there are no answers. But just to be able to ask the questions I find very exciting.</p></blockquote>

<p style="text-align: right;"><strong>Interview by David Benaym </strong></p>

<p style="text-align: right;"><strong> </strong>First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>In Bed with Mia: A Midsummer Daydream</title>
		<link>http://www.movmnt.com/in-bed-with-mia_0016.html</link>
		<comments>http://www.movmnt.com/in-bed-with-mia_0016.html#comments</comments>
		<pubDate>Wed, 19 Mar 2008 20:23:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddie Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/in-bed-with-mia_0016.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>A midsummer daydream with Choreographer Mia Michaels in an exclusive movmnt fashion shoot first published summer 07]]></description>
			<content:encoded><![CDATA[<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-427" title="In Bed with Mia: A Midsummer Daydream" src="http://www.movmnt.com/wp-content/uploads/2008/03/inbedwithmia2.jpg" alt="" width="575" height="385" /></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">Photography by Koury Angelo - Text by Mia Michaels</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">IN MY BED... I DREAM IN BETWEEN THE SHEETS OF WHAT CAN BE.</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-375" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia.jpg" alt="" width="400" height="344" /></p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I LIVE I<img class="size-full wp-image-377 alignright" style="border: 0pt none; margin: 5px;" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia3.jpg" alt="" width="213" height="280" />NSIDE THE ROYALTY OF MY OWN PERSONAL CASTLE.I BREATHE IN MY OWN ESSENCE AS I CRY LAVENDER TEARS THAT NEVER STAIN.</p>

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<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THANK U 4 PICKING ME UP WHEN I FALL... TO THEN SET ME UP YET ONCE AGAIN</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em"><img class="size-full wp-image-376 alignleft" style="border: 0pt none; margin: 5px;" title="Mia Michaels, Teddie Forrance" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia2.gif" alt="" width="211" height="400" />TO SHINE BRIGHTER THAN B4... THANK U 4 MY THEN... THANK U FOR THE GIFT OF DARK SHADOWS THAT KEEP ME CHALLENGED... U MAKE ME DANCE... U MAKE ME FREE... U MAKE ME, ME... I WILL SWALLOW THE GIFT OF NOW AND MARINATE.</p>

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<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">NOT THROUGH THE METAL SCREEN BUT THROUGH BLOOD, BONE, SOUL AND SPIRIT...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">DO YOU KNOW ME??? MY EYES TELL YOU EVERYTHING BUT YOU CHOOSE TO JUST SEE ME THROUGH THE APPLAUSE... I AM NOT MY WORK...</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: left;">I AM MERELY A CHOSEN VESSEL... I AM... DANCE WITH ME FOREVER</p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=200910310158" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedForContributor%3FscreenName%3Di0mrvz46c9hd%26mtime%3D1256768312%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-2910%253A25ea8a1_293_256_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/main/authorization/signIn?target=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="alignnone" style="margin: 5px; vertical-align: bottom;" title="MIA MICHAELS" src="http://farm1.static.flickr.com/167/447706116_98e7abf615_s.jpg" alt="MIA MICHAELS" width="75" height="75" /><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html"></a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html">IN BED WITH MIA PHOTOS ALBUM</a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">First published in movmnt magazine "Hotel Lifestyle" Summer 2007 issue</p>

<p style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; text-align: left; padding: 0.5em;"> </p>]]></content:encoded>
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		<title>Roger Jeffrey, The Eternal Quest for Inspiration</title>
		<link>http://www.movmnt.com/roger-jeffrey_0037.html</link>
		<comments>http://www.movmnt.com/roger-jeffrey_0037.html#comments</comments>
		<pubDate>Wed, 12 Mar 2008 06:14:23 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Roger Jeffrey]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/roger-jeffrey_##37.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Roger C. Jeffrey, Artistic Director of Subtle Changes, describes himself ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession. Conversation...]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_403" align="aligncenter" width="575" caption="Roger Jeffrey, the eternal quest for inspiration"]<a class="lightbox" title="Roger Jeffrey, choreographer" href="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png"><img class="size-full wp-image-403" title="Roger Jeffrey, choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png" alt="Roger Jeffrey, the eternal quest for inspiration" width="575" height="385" /></a>[/caption]

<p>His voice rings with the excitement of what he has done and the anticipation of what he has yet to do. Clearly, Roger C. Jeffrey, Artistic Director of Subtle Changes, will accomplish all of his goals. He describes himself as ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession.  What often begins with Roger's dancers in a New York City studio merely sets the framework for his finished project. Wherever he travels to set choreography, he loves getting to know his dancers, their movement, and their strengths. He uses everything from writing to movement to poetry to find the inspiration for a finished piece. He has learned to love the process, not just the result.  One ballet, The Statement 7th Draft, took seven years to complete a testament to his patience. It was revised each time it was performed, demonstrating Roger's emphasis on the process of choreography.  By the time it reached the seventh draft, it was presented as a tribute to the immortal Gil Scott-Heron, culminating in three sold out performances in Brooklyn, New York.  In 2005, he traveled to Bulgaria to set a small piece on Ballet Arabesque.Caught up in the enthusiasm, culture, and high standard of the dancers, it ended up being a fifty-minute ballet.  This past year, he worked with the Cleo Parker Robinson Dance Company in Denver, creating a ballet to take on tour.  Roger is always searching for new sources of inspiration in both performance and choreography. Several years ago, he had the rare opportunity to work and dance with the legendary Mikhail Baryshnikov.  He describes Baryshnikov as one of the most amazing and inspiring dancers in the entire world.Roger's goals are realistic yet ambitious to dance, to continue learning, and to create one or two ballets a year.  He is looking forward to setting pieces for Orlando Ballet and the Washington Ballet in the near future.  I just love dance, he told movmnt.  There is no doubt about that!<strong>Sally Canterna</strong><strong> </strong>First Published in movmnt magazine "Out of Line" - Spring 2007 - issue 3</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>Living the Choreographer&#8217;s Dream, Aszure Barton</title>
		<link>http://www.movmnt.com/aszure-barton_00335.html</link>
		<comments>http://www.movmnt.com/aszure-barton_00335.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:42:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Aszure Barton]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Michael Baryshnykov]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/aszure-barton_##335.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city. Even after the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-3155" title="aszurebarton" src="http://www.movmnt.com/wp-content/uploads/2009/02/aszurebarton.jpg" alt="" width="500" height="328" /></p>

<p>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city.  Even after the recent New York debut performance of Come In with one of the greatest dancers of our time, Mikhail Baryshnikov, Barton does not allow the pressures of having to produce and live up to expectations stand in the way of her love for creation. I followed her through a whole year to understand why.</p>

<p>In March 2006, Barton choreographed The Threepenny Opera, her first Broadway musical.  Creating for  he ever-nimble and delightful stage veteran Jim Dale, and for the hot-blooded duo Cindy  Lauper and Alan Cumming, was a crazy and fun experience, she says. In fact, the  entire cast of Threepenny was wild!</p>

<p>The following summer, Barton created Come In with Baryshnikov  and the Hell's Kitchen  Dancers and toured with them  around the U.S. and Spain, where she also performed a duet with the legendary ballet star, in a work choreographed by Benjamin Millepied. Working with Misha is wonderful, she says. He is very positive and relentless, and he loves  the creative process. It has  been an absolute pleasure to  work with him and I am thrilled  to know him.</p>

<p>Baryshnikov took Barton under  his wing when the two  met in 2002. Believing her to  be a fresh, arresting, and  fascinating choreographer, he offered Barton his first residency  at the Baryshnikov Arts Center in 2005, and has continued to support her career by performing her works for two consecutive years.Preoccupied  with performances at Hell's Kitchen Dance, she  took her then four-year-old  company, Aszure &amp; Artists, to  Jacob's Pillow in Massachusetts, the Summer-dance Festival in Santa Barbara, and the Spoleto  Festival in Charleston. They performed Over/Come, Sweet  Dream, Short-Lived, and Lascilo Perdere (containing Bartons infamous duet in which a couple remains locked together by the man's tongue and the woman's teeth for four and a half powerfully sensual minutes). Rave reviews followed everywhere she went.</p>

<p>Barton then took seven intense weeks in the fall of 2006 to create les Chambres des Jacques for Les Ballets Jazz de Montreal, the company for whom she once danced and now serves as its resident choreographer.  The dancers in the company and my assistant, Ariel Freedman, were hugely generous and trusted me completely.  It was an arduous but incredible process, and I love the  piece.</p>

<p>Shortly after she created Still with the talented seniors at  Juilliard, with music by Alfred  Schnittke. This was followed by  another creation entitled Alto  for Transitions Dance Company  at the Laban in London.</p>

<p>Each composition of Barton's is  vastly unique, despite their often-  overlapping creation periods.  Right now I enjoy walking into the creation process with no fixed plan,� she explains.  I  am very interested in dancers as human beings and I like to  have fun in the process. I try to remain open. I love to observe and seize candid moments and use this as the foundation of the work. The process has become listening to and observing my cast, rather than teaching steps. I am interested in creating dense, rapidly shifting  environments onstage, in which each player is an individual and all are unified by a common tongue.</p>

<p>Barton's dream of going to Africa came true in February 2007 when she took three dancers with her to Kenya to take part in an environmental awareness project with dozens of other artists from around the world. Called Earth: Healing the Rift, the Laikipia Nature Conservancy performance was inspired by the prevalent theme of climate change and global warming, and our duty to do something about it. Barton felt very strongly about working with the Kenyan children and community to try to make a difference. The entire experience was so breathtaking and necessary at that point in my life. It was so wonderful to recognize how vital dance is and to realize that everyone is a teacher. I hope to go back again very soon!  �</p>

<p>It doesn't stop there. This 31- year-old fireball of creativity has a lot to look forward to. This summer she toured again with Baryshnikov and Hell's Kitchen Dance around the U.S. and Brazil. She is now creating a new work for Les Ballets Jazz, then will travel to Prague to work on a dance movie with director Daniel Conrad. In 2005 they collaborated on an adventurous film on the Queen Charlotte Islands on the Western coast of Canada. She is also very excited to work with the Flamenco star Maria Pages, and to create a new work for her company.</p>

<p>An artist's dream to work with, Barton is attracting many aspiring dancers. Despite the fact that Aszure &amp; Artists does not hold regular auditions, which can be frustrating for some dancers. Barton is very good at finding exactly what she wants. When searching for the perfect combination of dancers and music, she sounds as though she's searching for a soul mate.  Trust, she says.  I love a dancer that is interested and interesting, honest, vulnerable, open, fearless, compelling and clear. I love laughter, so a good sense of humor is great too! � But music is every bit as important to her: I celebrate and am deeply inspired by music. I listen to a lot of music and I am continually learning � and spending a lot of coinage on it!  Her work has been described as intensely musical, structurally astonishing, and emotionally moving.</p>

<p>William Briscoe, one of Ms. Barton's lead dancers and assistants since 2002, describes his experience creating with Aszure: If you're not very good at mathematics it can be difficult because of the timing and phrasing of her music. There's always an and count that you could easily miss. I'm a better teacher because of working with Aszure. I use all of the nuances in the music now, not simply the obvious. As a dancer, you never really perfect Aszure's work in the process there's always a chance for it to become more enriched through expression and practice in the studio.  Briscoe finds that he has improved as an artist on many levels with Aszure. I still feel like there's more to investigate, and we're friends too. Most of us prefer to work with friends rather than some maniacal, crazy boss.</p>

<p>The unusual opportunities that present themselves to Barton are not simply good fortune. Barton has a passion for collaborating with brilliant artists of all trades. From photographer George Lange, to the musicians of Les Yeux Noirs, to the filmmaker Kevin Freeman, she seeks out a wide array of work to stay constantly challenged and inspired. In her travels, Aszure gets to see the world from a new perspective every time and gains a fresh outlook on what it is to be a thriving artist.</p>

<p>Dealing with the financial end of the dance world is never easy, but Ms. Barton always chooses the most attractive experience over the most lucrative. Maybe that's her secret! Though it doesn't hurt to have a name like Baryshnikov behind her, Aszure is a strong, independent artist who savors every opportunity to live the choreographer's dream.</p>

<p><strong>Written by Cynthia Salgado | Photography by George Lange</strong></p>

<p><strong></strong><br />
<a title="aszurebarton.com" href="http://www.aszurebarton.com/" target="_blank">aszurebarton.com</a></p>

<p><a href="http://www.aszurebarton.com/"></a><a href="http://langephoto.com">langephoto.com</a></p>]]></content:encoded>
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		<title>Swan Cedar Lake</title>
		<link>http://www.movmnt.com/swan-cedarlake_00334.html</link>
		<comments>http://www.movmnt.com/swan-cedarlake_00334.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:31:38 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Ailey]]></category>
		<category><![CDATA[alvin ailey]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artistic director]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Beth Konopka]]></category>
		<category><![CDATA[Cedar Lake]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[DRA]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Swan Pouffer]]></category>
		<category><![CDATA[young]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/swan-cedarlake_##334.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Portrait of Benoit Swan Pouffer, artistic director of Contemporary Dance Company Cedar Lake.]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-418 alignleft" style="margin: 5px;" title="Swan Cedar Lake" src="http://www.movmnt.com/wp-content/uploads/2008/03/cedarlake.png" alt="" width="400" /></p>

<p style="text-align: justify;">When walking to the Cedar Lake studios, one feels almost like they are wandering into a New York slated for potential the streets widen, the traffic becomes less dense, and the warehouse gallery spaces occupy the ground floors of every building you pass. There is creativity in the air. movmnt recently met Artistic Director Swan Pouffer on location.</p>

<p style="text-align: justify;">The twin one-story garages that house Cedar Lake's company at 547 West 26th Street were renovated to accommodate brand new offices, lockers, a rehearsal hall, a lounge and a modern, modest, Cirque du Soleil-style interchangeable theatre. Formerly the studio of American master photographer Annie Leibovitz, the space is nothing short of any artist's dream.</p>

<p style="text-align: justify;">But none of it is more impressive than the refined and eloquent cast of characters that live, eat, sleep, and create inside of these walls. The artistic director, young Benoit-Swan Pouffer, a former Alvin Ailey dancer, is surprisingly humble for someone in his position.</p>

<p style="text-align: justify;">Cedar Lake is a company born into privileges almost unimaginable to even veteran choreographers. Backed by Nancy Laurie (a Wal-Mart heiress), Swan is able to provide his dancers extensive contracts with health insurance, as well as have his own in and classical lines of a ballet dancer in their legs and feet. There is an obvious camaraderie between the members of Cedar Lake. Even after some tumultuous restructuring of the company's direction, it seems like they are truly in this together. Even Nancy Laurie calls in at least once a week to ask Swan how everyone is doing. With a more traditional season on its way, Swan is attempting to show that the company house wardrobe department and on-call physical therapist, in addition to the new facility.</p>

<p style="text-align: justify;">More importantly, because these things are taken care of, it enables him to pursue a much needed mission in the dance world by closing the awareness gap between the dance culture of America and Europe.</p>

<p style="text-align: justify;"><a class="lightbox" title="8877" href="http://www.movmnt.com/wp-content/uploads/2009/02/8877.jpg"><img class="alignright size-medium wp-image-3157" style="margin: 5px;" title="8877" src="http://www.movmnt.com/wp-content/uploads/2009/02/8877-300x199.jpg" alt="" width="300" height="199" /></a>Parisian-born Swan essentially is a cross-cultural anomaly himself. His dance roots began at the Conservatoire National Superieur de Musique et de Danse in Paris, yet he wound up dancing for one of the most iconic American dance companies, Alvin Ailey.</p>

<p style="text-align: justify;">Even the dancers he hires possess polar qualities and must have modern tops with ballet bottoms. AÂ Translation (from that glorious lilting French accent to plain English): Swan requires his dancers to have the athleticism, strength, and expression of a modern dancer in their upper bodies combined with the grace, length, and classical lines of a ballet dance in their legs and feet.</p>

<p style="text-align: justify;">To Swan, the dancers are a palette of different colors that each bring a unique and indispensable part to the creation process.  He interacts with them by generating a movement dialog.  They build choreographic phrases together, breathing life into the steps as they form.  Swan appreciates choreography that contains a message or through line and with these dancers who were selected under his microscopic eye, he is able to truly explore his vision.</p>

<p style="text-align: justify;">With a more traditional season on its was, Swan is attempting to show that the company is taking a multifaceted approach to being an essential part of the dance community. After only two full years under their belts, Swan and rehearsal director Alexandra Damiani have been receiving reels from choreographers from all over the world. In 3x3, the upcoming winter show, Swan has chosen to showcase the works of Italian-born choreographer Jacopo Dani and Mexican born dance maker Edgar Zendejas to compliment one of his own works titled Vastav.</p>

<p style="text-align: justify;">Both Swan and Alexandra find it truly important not to stay in the box.  They agree that some people have their eyebrows raisedÂ at them not only because of their youth and the financial backing of the company, but also because of Cedar Lake's versatile style of performance. In the past, some of their shows were heavily inundated by video, some installation. The choreography is at times more hip-hop, more jazz, sometimes contemporary, and other days, ballet. People would like to define them but they want to remain indefinable.</p>

<p style="text-align: justify;">To Swan, Cedar Lake at its core is a laboratory. He has been successful in investing time to get the community involved in the creation process and dance in general. By opening the doors of the company for cost-free interactive performances a few times a month, he has been challenging the community not to notice them.</p>

<p style="text-align: justify;">Swan promises to keep investigating new ways of showing dance. By 2008, he hopes to have completed a collaborative installation project that will feature singers as well as dancers. To him dance is all I know, and even if he could not move and create in the style that comes so naturally to him, it would still be, without question, his dream.</p>

<p style="text-align: right;"><strong>Beth Konopka </strong></p>

<p style="text-align: right;"><a href="http://cedarlakedance.com/">cedarlakedance.com </a></p>]]></content:encoded>
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		<title>Death of Choreographer Maurice Bejart</title>
		<link>http://www.movmnt.com/bejart-dies_00283.html</link>
		<comments>http://www.movmnt.com/bejart-dies_00283.html#comments</comments>
		<pubDate>Thu, 22 Nov 2007 12:29:05 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[s]]></category>
		<category><![CDATA[TED]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/bejart-dies_##283.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to [...]]]></description>
			<content:encoded><![CDATA[<p>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to Switzerland where he founded the troupe in the lakeside city of Lausanne. Its 35 dancers are in rehearsals for a new production called "Around the World in 80 Minutes", to be premiered on Dec. 20 in Lausanne.</p>

<p>Famous for his provocation in the ballet world he ran the Bejart Ballet Lausanne in Switzerland. He was the son of the French philosopher Gaston Berger. Born in Marseille, France and founder of the Ballet de l'Etoile company in 1954, he created in 1960 the Ballet du XXe Siecle in Brussels.<br />
 In 1987 he moved to Lausanne in Switzerland, where he founded the Bejart Ballet Lausanne, one of the most famous and successful dance companies in the world.</p>

<p>Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images - some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character.</p>]]></content:encoded>
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		<title>Brian Friedman &#8211; Where Have You Been?</title>
		<link>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html</link>
		<comments>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html#comments</comments>
		<pubDate>Wed, 24 Oct 2007 21:08:15 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Brian Friedman]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman-where-have-you-been-2_##261.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/brian_2.jpg"><img class="alignleft size-full wp-image-3195" title="brian_2" src="../wp-content/uploads/2009/02/brian_2.jpg" alt="brian_2" width="174" height="500" /></a></p>

<p>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long gone, but he has had the privilege of working with huge stars like Britney Spears, Mya, Hillary Duff, Prince, and *NSYNC.</p>

<p>Friedman had the pleasure of choreographing a number of Britney Spears videos, such as Overprotected, Toxic,I love Rock 'n Roll, and I'm A Slave 4 U,Â which he received a nomination for outstanding achievement in music video choreography for in 2002.</p>

<p>More recent, Friedman's judging days on Simon Cowell's The X Factor has been transformed into creative directing. According to Friedman, he felt he wasn't Ã¢â‚¬Å“fulfilling [his] duties as an artistic personÂ but is more than thrilled to take on this role.Ã¢â‚¬Â What makes Friedman stand out among other choreographers? He dedicates his time to young aspiring dancers around the world, teaching them his technique. Not only do they gain confidence in their dancing, they also develop respect toward their fellow dancers. Being that he is still a young choreographer, he is a role model for aspiring professional dancers and choreographers, showing them that if they strive for what they deserve, then no one can stand in their way. Friedman is no amateur. He's been nominated for four MTV Video Music awards, two Music Video Production awards, and five American Choreography awards (ITV.com). His dance contributions to films include Bubbly Boy, Uptown Girls, She's All That, and more. In She's All That, Friedman was a dancer in an exciting scene toward the end. And, just to blow everyone off their feet, Friedman celebrated this summer the release of his new BFree apparel and footwear line with Frontline Dance/Capezio. The Elite shoe is finally available to the public. Clearly Friedman believes he has more to offer the dance world and does not lack the confidence to state it (check out his MySpace page for more info on this). He takes risks and reaps the benefits. So if you want to learn how to dance like a professional from a professional, Brian Friedman is the guy to go to.</p>

<p><a href="http://www.myspace.com/brianfriedman" target="_blank">www.myspace.com/brianfriedman</a></p>]]></content:encoded>
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		<title>NY Times article on how dance is taking over!</title>
		<link>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html</link>
		<comments>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html#comments</comments>
		<pubDate>Sat, 07 Jul 2007 05:54:18 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[POP CULTURE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_##164.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Copyright NY Times Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves By STUART ELLIOTT New York Times (July 6, 2007) MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music. The goal of marketers like Apple, Carnival [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/nytimes.jpg"> <br />
 Copyright NY Times</a></p>

<p style="text-align: justify;"><strong>Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves<br />
 </strong>By STUART ELLIOTT<br />
 New York Times (July 6, 2007)</p>

<p style="text-align: justify;">MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music.</p>

<p style="text-align: justify;">The goal of marketers like Apple, Carnival Cruise Lines, the Church &amp; Dwight Company, Gap and the nation's milk processors is to take advantage of a renewed interest in dance in the popular culture.</p>

<p style="text-align: justify;">The trend is typified on TV by highly rated series like "Dancing With the Stars" and "So You Think You Can Dance," as well as movies like â€œHigh School Musicalâ€ on the Disney Channel, which is spawning a sequel next month.</p>

<p style="text-align: justify;">In theaters, dance is a central part of films like "Dreamgirls," "Hairspray, "Mad Hot Ballroom," "Shall We Dance," "Step Up" and "Take the Lead," among others.</p>

<p style="text-align: justify;">"Dance is universal; it's something everyone relates to," said Stacey Feldman, vice president for marketing of the women's health and personal care brands at Church &amp; Dwight in Princeton, N.J.</p>

<p style="text-align: justify;">The Nair product line sold by Church &amp; Dwight is the subject of a campaign by the Joey Agency, centered on a dance routine that was created and choreographed by Fatima Robinson. She was the choreographer for "Dreamgirls" as well as the pilot episode of "Viva Laughlin," a series about a Nevada casino that made the CBS fall schedule.</p>

<p style="text-align: justify;">"The MTV generation of kids is so used to quick stimulation," Ms. Robinson said, offering her theory about the increasing presence of dance in ads.  "You have to keep up with what the kids are used to."</p>

<p style="text-align: justify;">Dance's appeal beyond ballrooms and school gymnasiums "comes in waves, like every five years," Ms. Robinson said.  "It reinvents itself."</p>

<p style="text-align: justify;">Indeed, a commercial for Nair, which can be watched on television and a Web site (nairlikeneverbefore.com), pays tribute to a predecessor from the 1970s featuring a routine danced to the novelty song â€œShort Shorts."</p>

<p style="text-align: justify;">Likewise, two recent commercials by Laird &amp; Partners for the Gap division of Gap - featuring terpsichorean turns by Audrey Hepburn, Claire Danes and Patrick Wilson - arrived nine years after a celebrated series of dance-centric Gap spots with titles like "Khaki swing," "Khaki a-go-go" and "Khaki country."</p>

<p style="text-align: justify;">"Like denim and khakis, dance and music are part of our brand heritage," said Kimberly Terry, a spokeswoman for Gap in San Francisco.  "We will continue to reinvent how we incorporate dance in future advertising."  In an example of the continuous recycling of pop culture made possible by the Internet, video clips of the dancing 1998 Gap commercials can be watched on Web sites like google.com.</p>

<p style="text-align: justify;">The swing spot, presenting a gaggle of khaki-clad youngsters performing a frenetic dance to "Jump, Jive an' Wail" by Louis Prima, has been viewed more than 62,800 times since it was posted on Google last August.</p>

<p style="text-align: justify;">Speaking of recycled culture, the release on July 20 of the movie version of the Broadway musical "Hairspray" - itself based on a nonmusical film from 1988 - is being supported with a dance-oriented campaign, seeking to capitalize on numbers in the movie that are based on dances from the early '60s.</p>

<p style="text-align: justify;">The company that is releasing "Hairspray," the New Line Cinema division of Time Warner, is teaming up with promotional partners like the Arthur Murray dance studios and the Carnival Cruise Lines unit of the Carnival Corporation.</p>

<p style="text-align: justify;">For instance, New Line is sponsoring "Hairspray" sock hops for teenagers on Carnival ships and is sending the ships' dance instructors and cruise directors DVDs with lessons demonstrating "Hairspray" dances, which bear fanciful names like the Peyton Place After Dark.</p>

<p style="text-align: justify;">"We've raised a generation on musicals, most notably Disney productions like 'The Lion King' and 'Beauty and the Beast,'" said Lance Still, executive vice president for national promotions at New Line in Los Angeles.</p>

<p style="text-align: justify;">It is the same generation, Ms. Still said, "that is becoming very fluent in tuning out advertising messages delivered in traditional ways," hence the efforts to gain attention with dance-related marketing.</p>

<p style="text-align: justify;">Among the other examples of Madison Avenue busting a move are the dance campaign for the Apple iPod that began appearing in 2003, created by TBWA/Chiat/Day, part of the TBWA Worldwide unit of the Omnicom Group, and the milk mustache print ads featuring cast members of "High School Musical" and "Dancing With the Stars," created by the Lowe Worldwide division of the Interpublic Group of Companies.</p>

<p style="text-align: justify;">"Our difference with other nonalcoholic beverages is a nutritional difference, but telling the nutrition story is not always the most exciting thing," said Kurt Graetzer, chief executive at the Milk Processor Education Program in Washington, which finances the milk mustache campaign.</p>

<p style="text-align: justify;">"Having a celebrity tell that story, especially one you might have just seen on TV or in a movie, is a wonderful way to get an important message across," he added.</p>

<p style="text-align: justify;">Besides, to be a great dancer, "you've got to be healthy, you've got to be strong," Mr. Graetzer said, so having dancers endorse milk helps deliver that message in a deft, low-key way.</p>

<p style="text-align: justify;">Hmmmm. Could Astaire and Rogers have danced cheek to cheek in swing time if they were sporting make-believe dairy mustaches?</p>

<p style="text-align: justify;"><a href="http://www.nytimes.com/2007/07/06/business/media/06adco.html?ex=1341460800&amp;en=10988f00f09d7b6a&amp;ei=5124&amp;partner=digg&amp;exprod=digg">read more</a> | <a href="http://digg.com/news/entertainment/Five_Six_Seven_Eight_Madison_Avenue_Shows_It_Still_Loves_the_Right_Move">digg story</a></p>]]></content:encoded>
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		<title>In Bed with Mia Michaels: The Photo Shoot</title>
		<link>http://www.movmnt.com/backstage-mia_00146.html</link>
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		<pubDate>Tue, 12 Jun 2007 09:33:39 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Mia Michaels]]></category>
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		<category><![CDATA[Photo Report]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/backstage-mia_##146.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Mia Michaels, choreographer, outspoken judge on So You Think You Can Dance brings you within her creative world in this unique photo editorial for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft size-medium wp-image-7979" style="margin: 5px;" title="In bed with Mia" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt4_14.jpg" alt="" width="450" />For Mia Michaels, it's all about the process. When she agreed to be the subject of a movmnt fashion editorial, she naturally had her own vision in mind. The choreographer and outspoken judge of FOX's So You Think You Can Dance now in its third season, invites you into her private suite and her dreams. Here is an exclusive backstage preview of the photo shoot featured in movmnt magazine summer 2007 issue.</p>
<p>Mia Michaels is a regular columnist for movmnt magazine she collaborated creatively to the entire story along with photographer Koury Angelo, Stylist Gino Tavernaro, Hair stylist MichaelAnthony, Broadway make-up artist Jorge Vargas and movmnt's Editor in Chief David Benaym.</p>
<p style="text-align: center;"><strong>In Bed with Mia...</strong></p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201006161005" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fsort%3D%26screenName%3D%26id%3D1779856%3AAlbum%3A21632%26tag%3D%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-4852%253A9abd0cb_323_286_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/photo/photo">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />]]></content:encoded>
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		<title>Brian Friedman&#8217;s 30th Birthday with Frontline and movmnt magazine</title>
		<link>http://www.movmnt.com/brian-friedman_movmnt_00141.html</link>
		<comments>http://www.movmnt.com/brian-friedman_movmnt_00141.html#comments</comments>
		<pubDate>Sat, 02 Jun 2007 12:18:49 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Danny Tidwell]]></category>
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		<category><![CDATA[Travis Wall]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman_movmnt_##141.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Hollywood, CA - May 29th 2007 - Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.</p>
<p style="text-align: justify;">The well known dance apparel and shoe maker Capezio and Frontline Dance presented Brian Friedman's Bfree launch while 30th Birthday party and release of his BFree apparel and footwear collection.</p>
<p style="text-align: justify;">Brian  Friedman has choreographed some of the most popular and groundbreaking music videos and performances such as Britney Spears, Paris Hilton, Mya, PRINCE, *NSYNCs, Beyonce, Usher, Pink, Brittany Murphy, Hilary Duff, Christina Milian and many more.  As a dancer, his silver screen credits include both "Charlie's Angels" and "Charlie's Angels: Full Throttle", "You Got Served", "She's All that", "Austin Powers Gold Member", "Uptown Girls", and more.  This TV season, he can be seen overseas, starring in Simon Cowell's hit UK show, "Grease Is the Word".  Friedman has been nominated for 4 MTV Video Music Awards, 2 Music Video Production Awards and 5 American Choreography Awards. He also tours around the world mentoring thousands of students and teaching his own dance technique. This young trendsetter just launched his first merchandise, apparel and shoe line by Frontline Dance. The total design of the BFree shoe and apparel collection was inspired and developed by Brian Friedman in conjunction with Sean Philip of 1981 Design and FL by Frontline.</p>
<p style="text-align: justify;">In Summer of 2007, the Brian Friedman celebrity apparel collection will debut and be introduced for dance enthusiast everywhere.</p>
<p style="text-align: justify;">movmnt magazine was a proud sponsor of the event that took place in Hollywood Tuesday May 29th 2007. Friends of Brian Friedman, along with talented and famous dancers, choreographers and TV personalities attended the event. Where seen on the red carpet, Debbie Allen, Blake McGrath, Travis Wall, Ivan Koumaev, Jay Rodriguez, Yvette Lopez and Shannon Rae Bex among many more guests.</p>
<p style="text-align: justify;"><a title="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" rel="attachment wp-att-151" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/spiegel-logo"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmntthumbnail.jpg" alt="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" /></a>
Brian Friedman presenting his BFree Frontline Shoes</p>
<p style="text-align: justify;"><a title="Danny Tidwell and David Benaym - co-founders of movmnt magazine" rel="attachment wp-att-149" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/absinthe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_1thumbnail.jpg" alt="Danny Tidwell and David Benaym - co-founders of movmnt magazine" /></a>
Danny Tidwell and David Benaym - co-founders of movmnt magazine</p>
<p style="text-align: justify;"><a title="Debbie Allen and Danny Tidwell" rel="attachment wp-att-146" href="http://www.movmnt.com/backstage-mia_00146.html"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_7thumbnail.jpg" alt="Debbie Allen and Danny Tidwell" /></a>
Debbie Allen and Danny Tidwell at Brian Friedman's Party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga holding movmnt magazine" rel="attachment wp-att-147" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/danny-tidwell-travis-wall-subscribe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_11thumbnail.jpg" alt="Melody Lacayanga holding movmnt magazine" /></a>
Melody Lacayanga (SYTYCD#1) holding movmnt magazine at Brian Friedman's Birthday party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" rel="attachment wp-att-148" href="http://www.movmnt.com/?attachment_id=148"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_25thumbnail.jpg" alt="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" /></a>
So You Think You Can Dance Melody Lacayanga, Travis Wall and Ivan Koumaev holding the new issue of movmnt magazine</p>]]></content:encoded>
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		<title>Broaden/Broadway Your Mind &#8211; Column by Mia Michaels</title>
		<link>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html</link>
		<comments>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html#comments</comments>
		<pubDate>Tue, 22 May 2007 22:51:44 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Spring 07]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/broawayden-your-mind-by-mia-michaels_##126.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;"><img class="aligncenter size-full wp-image-3476" title="Broaden Your Mind by Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2007/05/broadenmia.gif" alt="" width="432" height="320" />I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose. I remember the men and women that pranced into the theater dressed in the finest garb, dripping in diamonds, furs, and anything else they could showcase on the way to their sacred red velvet seats. It was a big deal to be there. I remember watching in amazement and feeling the powerful wave of magic that poured from the lips of the stage directly through the viewers and right into my young, open, hungry heart.<br />
 The voices, the movement, the story, the experience marinated in my every pore for hours, days, perhaps even weeks after, which in turn kept me inspired and more on fire to achieve my dreams for the rest of the year until I came back to the Big Apple next summer. Sigh. (smile)</span></p>

<p style="text-align: left;"><strong>Here we are now: 2007</strong></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">As I walk into yet another Broadway show, I see men and women wearing the casual thing jeans, tee shirts, sneaks, looking like everyone just came from a long day's work, perhaps the gym. Maybe they just finished shooting a Gap ad. No, they would have had makeup on then. They walk down the once sacred aisles to their seats as if they are being sent by their parents to go clean their rooms before they can go outside and play. There was more energy around the bar in the lobby than in anticipation of the show about to begin. The expectancy of mediocrity was contagious. Where was the excitement? Where were the electricity and the fire that used to burn down that regal red curtain before the show even began? It's Broadway, people!!! Wake up! What year is it again? 2007! Dance, music, story, and style have evolved, or have they?</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Oh, wait! It's another revival! Oh, that's right. It's safe. It worked twenty years ago, so why not now? Yeah, it works. Keep it! Again and again, and perhaps again. Don't get me wrong. The history of Broadway is not to be criticized nor disrespected! The brilliance and the talent from the past have led us to where we are now. So why does it feel like the torch that was to be passed on somehow got put out? We as creators, directors, writers, composers, and choreographers need to take a good hard look and realize it is our duty to keep that fire growing within us and within our community. We have got to keep it blazing like they did in the days of original shows and original creators such as Fosse, Robbins, Bennett, Bernstein, and so many more. They strived to create the newness at that time. They pushed the envelope with style, power, and grace. We laughed, we cried, and we sung and danced right out of the theater. They didn't hold back and edit their dreams. It was the truth inside them. It was their unique voice.</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Where are those creators now? Where are those with that unique burning voice? The theatres themselves are crying out to be blessed again with risk and danger, with great theatrical creations. No more playing it safe. I want the newness. I want the broad way of thinking again. Oh, wait, maybe that's just me! (Sigh)</span></p>

<p style="text-align: right;"><span style="font-size: x-small; font-family: verdana,geneva;"><span style="font-size: small;"><strong>Mia Michaels</strong></span><br />
 <a href="http://www.miamichaels.com">miamichaels.com</a></span></p>

<blockquote><p style="text-align: justify;"><span style="font-size: x-small; font-family: verdana,geneva;">* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.</span></p></blockquote>]]></content:encoded>
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		<title>Raw by Mia Michael &#8211; That&#8217;s Beautiful</title>
		<link>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html</link>
		<comments>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 01:43:56 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytyvd]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/raw-mia-michael-winter2006_##27.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Why do we dance? Why does our body want to move and pulse when music invades our ears? Choreographer Mia Michaels tells it raw, in her Movmnt Magazine column.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="aligncenter" style="margin-top: 5px; margin-bottom: 5px;" src="http://www.movmnt.com/wp-content/uploads/2006/11/mia4colors.gif" alt="Mia Michaels" width="491" height="280" />Why do we dance? Why does our body want to move and pulse with every rise and fall of the music that invades our ears? Are we a product of a the thousand and one classes and a lifetime of training, or is dance a purely instinctual and primal experience that hapens internally only when we allow it? I would only hope that both reasons intertwined with respect and nurturing are the answer. Or is it a gift that's given by a much higher power than ourselves? That would be beautiful.</p>
<p style="text-align: justify;">Allowing movement to come through us in the form of pure energy and onto a highly trained yet raw instrument is what defines the ultimate "dancer." One that knows how to pull from technique and also when to leave technique alone and head straight to the heart of the matter. One that knows how to pull from the rawness and humanness that would drip from their own personal journey through this world and allows the real movement to come from the inside out. That is beautiful.</p>
<p style="text-align: justify;">It is so easy to hide behind steps; it's much deeper than that. Our goal should not just be to perfect what a choreographer gives us but also to allow our own unique voice as a dancer artist to come through and marry to the energy of the choreographer. That is beautiful.</p>
<p style="text-align: justify;">Then again, let's think about some of the most simple and beautiful images of dance. A young child is jumping freely to music, laughing and giggling with such purity and with no fear of judgment. An older couple, fragile yet safe in each others arms, slowly try to keep up with their favorite song from a time earlier in their lives as they reminisce through all the years with each step. That is beautiful.</p>
<p style="text-align: justify;">If everyone danced from their heart and purity of spirit, using free movement as a daily practice and meditation, there would be no more wars. I believe every breathing thing has been given the gift of dance and movement. So let go, take that deep breath and dance! That is beautiful!</p>
<p style="text-align: right;"><strong>Mia Michaels</strong> - <a title="Mia Michaels web site" href="http://www.miamichaels.com">miamichaels.com</a></p>
<p style="text-align: center;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>
<p style="text-align: center;"><img id="beqq6" style="width: 102px; height: 128px;" title="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" src="../wp-content/uploads/2007/10/coverissue2.gif" alt="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" width="130" height="50" /></p>
<p style="text-align: center;">[quickshop:Issue 2 - Winter 06:price:5.95:shipping:2.00:end]</p>]]></content:encoded>
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		<title>Smooth Operator: Choreographer Marty Kudelka</title>
		<link>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html</link>
		<comments>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 00:08:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Christina Milian]]></category>
		<category><![CDATA[emil wilbekin]]></category>
		<category><![CDATA[Janet Jackson]]></category>
		<category><![CDATA[Jennifer Lopez]]></category>
		<category><![CDATA[Justin Timberlake]]></category>
		<category><![CDATA[Marty Kudelka]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Pink]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/smooth-operator-marty-kudelka_##25.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.]]></description>
			<content:encoded><![CDATA[<div style="text-align: justify;"><img class="size-full wp-image-3438 alignleft" style="margin: 5px;" title="Marty Kudelka" src="http://www.movmnt.com/wp-content/uploads/2006/11/kudelka.gif" alt="Marty Kudelka" width="300" height="576" />When the 2006 VMAs opened at Radio City Music Hall in New York City in early September, all eyes were on Justin Timberlake. He was gliding across the floor with precision and ease, riding the beat to his new single "My Love." With contemporary flow and freestyle urgency, Timberlake hypnotized the audience. He has once again teamed up with choreographer Marty Kudelka, 32, to help make his performance nice and smooth. Kudelka has worked with everyone from Michael and Janet Jackson to Pink, Jennifer Lopez, and Christina Milian. This Dallas native, who now resides in LA, was always moving as a kid, playing basketball, football, BMX, and skateboarding. But it was the 1984 film Breakin' which inspired him to become a dancer. We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.</div>
<blockquote style="text-align: justify;">
<p style="text-align: justify;"><strong>You've worked with some of the biggest stars in the world, what's that like?</strong></p>
</blockquote>
<p style="text-align: justify;">It's cool. I never thought ahead of time, 'Oh this is what I want to do, choreograph for celebrities.' I think that's what plays into what I do now. I've had great artists to work for and I've had artists like 'Wow, I wish I would have never met this person.' When people ask me who the best person I've ever worked for, I'd have to say Justin. He's such an artist himself, who can sing, dance, produce, and everything else. I don't have to water my choreography down. I can teach him what I teach the best dancers in the world. And he can do it. He's the only person I've been able to do that with. That's like a dream come true.</p>

<blockquote style="text-align: justify;"><strong>What can we expect from Justin this time around?</strong></blockquote>
<p style="text-align: left;">We are trying to be creative about the tour coming up. The tour is going to be a little bit more grown-up, which is how the album is. He's becoming more of an artist instead of just a dancer. The music is insane. This album is going to be like Off the Wall. It's the closest album that I can compare to that. You can listen to the whole album straight through. There may be a little less dancing on the tour, but the dancing that exists will be a lot more special. I'm excited to see it.</p>

<blockquote style="text-align: justify;"><strong>When you say less dancing and more special, what does that mean?</strong></blockquote>
<p style="text-align: left;">We just shot the video for the second single "My Love."  It's going to be insane. It's so simplistic, but it has so much stuff in it. It's going to be really cool. People heard "SexyBack"Â and they didn't like it at first, and then the video came out and they expected to see dancing. I loved it at first, but now I really love it after hearing it a billion times. (laughs) But once "My Love"Â comes out, I think everyone is going to forget everything else. This is what they want to hear and this is what they want to see.</p>

<blockquote style="text-align: justify;"><strong>You really choreograph for the music versus just creating a routine. What's more important, the music or the moves?</strong></blockquote>
<p style="text-align: left;">I am inspired by some other dancers like Swoop and Rob Vincent, and some other people when I was coming up freestylin'. I would see them freestylin' and they would do the song better than anyone. Better than someone doing steps and tricks. These guys knew the song so well. I was like "Wow, this is so cool."Â I started doing that with choreography rather than freestylin'. Whether I'm in the studio with the artist or not, I study the song. I listened to "My Love"Â for almost three weeks before I ever choreographed one step to it. That's one thing that I am confident enough to know that I bring to the table, compared to other choreographers. I will never ever just say, "Okay, I'm gonna make up a routine and put it to this song."  I'm the most humble guy in the world, but that is my strong point. I try to dissect the music. We dance because we like the music. I may as well know it as good as the artist. It's just about the music.</p>
<strong>Your choreography is very subtle. It's almost like the dancers are hovering and gliding. How would you describe your style?</strong>
<p style="text-align: left;">That's just my style, which is about being smooth, floating almost. Other people might be funky or might be harder or sharper, cracking their neck all over the place. If I were to put on a song and freestyle myself, I think it's more smooth, which gives it that floating feel. When I look for dancers, they don't have to dance just like me, but I definitely need for them at some point to be smooth and floating. That's how a majority of the choreography will be.</p>
<strong>Who inspires you and your choreography?</strong>
<p style="text-align: justify;">There are people who tell me that I inspire a whole movement with my choreography, which is insane for me to think. But there are definitely people who I look at who are like my proteges, these 17-, 18-, or 19-year old choreographers who are insane. When I see them, I see some touches of what I would have done or that my peers would have done, but these guys are taking it to the next level. There is definitely so much style and they're adding the technical aspects like four pirouettes into some breaking shit. It's insane to me because they have the musicality as well. I could be inspired by someone walking down the street or a go-go dancer. It's about their swagger. Anybody who's dope, I want to see them.</p>
<p style="text-align: right;"><strong>Interview by Emil Wilbekin</strong> for <em>movmnt magazine</em></p>
<p style="text-align: right;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>Travis Wall &#8211; Portrait of the Young Man as an Artist</title>
		<link>http://www.movmnt.com/teddy-forance_007325.html</link>
		<comments>http://www.movmnt.com/teddy-forance_007325.html#comments</comments>
		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[David Benaym]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Janet Jackson]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[Movmnt Mag]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[shreck]]></category>
		<category><![CDATA[teddy forance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=7325</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>Teddy Forance has has been a successful dancer working with Janet Jackson as well as for various productions like Shrek Goes 4th.]]></description>
			<content:encoded><![CDATA[<p> <p> <b>Order Modalert online cheap</b>, [caption id="attachment_7402" align="alignleft" width="540" caption="Here with Janet Jackson, Meet a rare and brillant dancer: Teddy Forance  "]<br /><br />
<img class="size-full wp-image-7402 " style="margin: 5px;" title="Teddy Forance" src="http://www.movmnt.com/wp-content/uploads/2009/07/Teddy1.jpg" alt="Teddy Forance" width="540" height="313" />[/caption]</p><br />
<p>We first encountered Teddy Forance when Mia Michaels selected him to act as her muse for Movmnt’s “In Bed with Mia” Feature, photographed by Koury Angelo.  Ever since, <b>ordering Modalert online without prescription</b>, <b>Billig kaufen Modalert</b>, Teddy has spread his wings and continues to perform with outstanding artists like Janet Jackson as one of her lead dancers on tour, and has been a successful dancer working for various productions like Shrek Goes 4th, <b>California CA Calif. </b>.  <b>Buy Modalert online legally</b>, His roster is ever expanding.  Movmnt had the opportunity to snag a conversation with this talented young dancer and discovered some of his true ambitions.</p><br />
<p style="text-align: right;"><strong>Conversation with David Benaym, <b>buy Modalert online without prescription</b>, <b>Maine ME Me. </b>, Editor in Chief and Publisher of Movmnt Magazine</strong></p><br />
<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
<p><strong>Teddy Forance</strong>: I’m really focused on performing while I am young to get as much experience as possible. My ultimate goal would be to travel around the world exploring every style of dance, <b>Rabatt kaufen Modalert</b>. Whether it’s a tribe in Africa or in class in New York or L.A, <b>order Modalert online cheap</b>.  <b>Cheap Modalert</b>, I want to investigate all inspirations that this artform has to provide -- finding the roots of dance.</p><br />
<p><strong>DB: Any other dreams?</strong></p><br />
<p><strong>TF</strong>: To be in a show that Mia Michaels creates from scratch. She is my biggest inspiration and I would love to see what would happen if her direction and choreography were put on the same stage, <b>acheter Modalert bon marché</b>.  <b>Arkansas AR Ark. </b>, Lately I have been working on getting back into as much ballet class as I can to transform myself into a whole new dancer, which will give me the opportunity to audition for contemporary dance companies around the world.</p><br />
<p><strong>DB: What have you been up to in 2009?</strong></p><br />
<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
<p><strong>DB: Were the commercials dance related?</strong></p><br />
<p><strong>TF</strong>: No, <b>cheap Modalert online</b>, <b>Comprar Modalert</b>, they weren’t dance related, it was more about capturing natural human movement.., <b>South Carolina SC S.C. </b>.  just how to capture people exiting a vehicle and knowing where to put the camera to get the right angle.</p><br />
<p><strong>DB: What else have you been focused on lately?</strong></p><br />
<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
<p>I’ve also been working on Shrek, it’s coming out next year.</p><br />
<p><strong>DB: You were on tour with Janet, <b>Oregon OR Ore. </b>, <b>Buy generic Modalert</b>, what’s it like working with her?</strong></p><br />
<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
<p><strong>DB: You were one of her lead dancers on tour, <b>farmacia Modalert baratos</b>, <b>Vermont VT Vt. </b>, right?</strong></p><br />
<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
.</p>
<p></p>
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		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=7306</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Between a career as prima ballerina and one as fashion designer, Yumiko has embarked on an unusual journey where she manages to bring both worlds together.]]></description>
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<p style="text-align: justify;"> <b>Buy cheap Modalert online</b>, In the piece, choreographed by Dresden SemperOper Ballet’s resident choreographer, David Dawson, principal dancers Yumiko Takeshima and Raphael Coumes-Marquet made a memorable impression, not just because of flawless pirouettes, arabesques, and grand jeté’s, but because of Yumiko’s design of sleek fitting costumes that made every muscle stand out.</p><br />
<p style="text-align: justify;">The Japanese native began her design career with the determination to construct an outfit a dancer wouldn’t have to pull, tug, or adjust during a rehearsal or performance. She traded a toaster for a sewing machine and started sketching different designs of leotards in her spare time, <b>order Modalert online without prescription</b>, <b>Colorado CO Colo. </b>, experimenting with a variety of stretchy fabrics for all shapes and sizes. Her vision and patience for perfection paid off when she finally created a leotard she could wear to class, <b>buy Modalert online</b>.  <b>Cheap Modalert overnight delivery</b>, Her fellow dancers envied Yumiko’s style and began begging for their own; this marked the beginning of a second career.</p><br />
<p style="text-align: justify;">“As a dancer I am always looking for a comfortable fit, because I wear these clothes all day long, <b>buy Modalert from canada</b>, <b>Cheapest Modalert online</b>, ” she notes. The most important aspect is the “fit” of the leotard, <b>Modalert online cheap</b>.  <b>Acheter en ligne Modalert</b>, “I focus on a tight looking waist and a wide chest because when you present yourself as a dancer, you want to be open.” Yumiko’s designs also focus on individuality by giving the customer the chance to customize every piece, <b>ordering Modalert online cheap</b>.  <b>αγοράσετε Modalert</b>, You can choose your own fabric and color from the classic black nylon to an aqua microfiber, or from a rose colored velvet to a saffron colored georgette.</p><br />
<p style="text-align: justify;">Yumiko’s recognizable name in dance has given her an opportunity to become a brand everyone can remember, <b>order Modalert from canada</b>.  <b>Buy Modalert c.o.d.</b>, With stores in New York, Spain, <b>købe Modalert</b>, <b>Florida FL Fla. </b>, Germany, and Japan alongside a long list of retailers, <b>District of Columbia DC D.C. </b>, <b>Ordering Modalert from canada</b>, her fashion career has been incredibly successful.  Even celebrities like Madonna, <b>cheap Modalert no prescription</b>, <b>Acquistare online Modalert</b>, who ordered 12 Yumiko leotards for her 2008 “Sticky and Sweet” tour, are taking notice of this fashionable and flattering dancewear.</p><br />
<p style="text-align: justify;">Whether sitting a table with David Dawson sketching ideas for a costume or rehearsing for a show in a studio in Germany, <b>Louisiana LA </b>, <b>Order Modalert no rx</b>, Yumiko has embarked on an unusual journey where she can share her two full-time passions with the whole world.</p><br />
<p style="text-align: right;"><strong>Kendra Ratliff</strong></p><br />
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<p style="text-align: center;"><img src="http://www.movmnt.com/wp-content/uploads/2009/06/cover9black-238x300.jpg" alt="" height="128" /></p><br />
<p style="text-align: center;">First published in Issue 9 - Spring/Summer 09 - Arti$tic Reinvention, Poster Issue</p><br />
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		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=7325</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>Teddy Forance has has been a successful dancer working with Janet Jackson as well as for various productions like Shrek Goes 4th.]]></description>
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<p>We first encountered Teddy Forance when Mia Michaels selected him to act as her muse for Movmnt’s “In Bed with Mia” Feature, photographed by Koury Angelo.  Ever since, <b>ordering Modalert online without prescription</b>, <b>Billig kaufen Modalert</b>, Teddy has spread his wings and continues to perform with outstanding artists like Janet Jackson as one of her lead dancers on tour, and has been a successful dancer working for various productions like Shrek Goes 4th, <b>California CA Calif. </b>.  <b>Buy Modalert online legally</b>, His roster is ever expanding.  Movmnt had the opportunity to snag a conversation with this talented young dancer and discovered some of his true ambitions.</p><br />
<p style="text-align: right;"><strong>Conversation with David Benaym, <b>buy Modalert online without prescription</b>, <b>Maine ME Me. </b>, Editor in Chief and Publisher of Movmnt Magazine</strong></p><br />
<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
<p><strong>Teddy Forance</strong>: I’m really focused on performing while I am young to get as much experience as possible. My ultimate goal would be to travel around the world exploring every style of dance, <b>Rabatt kaufen Modalert</b>. Whether it’s a tribe in Africa or in class in New York or L.A, <b>order Modalert online cheap</b>.  <b>Cheap Modalert</b>, I want to investigate all inspirations that this artform has to provide -- finding the roots of dance.</p><br />
<p><strong>DB: Any other dreams?</strong></p><br />
<p><strong>TF</strong>: To be in a show that Mia Michaels creates from scratch. She is my biggest inspiration and I would love to see what would happen if her direction and choreography were put on the same stage, <b>acheter Modalert bon marché</b>.  <b>Arkansas AR Ark. </b>, Lately I have been working on getting back into as much ballet class as I can to transform myself into a whole new dancer, which will give me the opportunity to audition for contemporary dance companies around the world.</p><br />
<p><strong>DB: What have you been up to in 2009?</strong></p><br />
<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
<p><strong>DB: Were the commercials dance related?</strong></p><br />
<p><strong>TF</strong>: No, <b>cheap Modalert online</b>, <b>Comprar Modalert</b>, they weren’t dance related, it was more about capturing natural human movement.., <b>South Carolina SC S.C. </b>.  just how to capture people exiting a vehicle and knowing where to put the camera to get the right angle.</p><br />
<p><strong>DB: What else have you been focused on lately?</strong></p><br />
<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
<p>I’ve also been working on Shrek, it’s coming out next year.</p><br />
<p><strong>DB: You were on tour with Janet, <b>Oregon OR Ore. </b>, <b>Buy generic Modalert</b>, what’s it like working with her?</strong></p><br />
<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
<p><strong>DB: You were one of her lead dancers on tour, <b>farmacia Modalert baratos</b>, <b>Vermont VT Vt. </b>, right?</strong></p><br />
<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
.</p>
<p></p>
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		<pubDate>Sun, 18 Oct 2009 14:32:47 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/mia-michaels-calling_##350.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels column for movmnt magazine. Mia is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox's So You Think You Can Dance.]]></description>
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		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Movmnt Magazine tells you all about Nacho Pop, the co-host of the Australian version of So You Think You Can Dance.]]></description>
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<p><p><img class="alignright size-full wp-image-5126" style="margin: 5px;" title="Chris Angel Believe in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel6.jpg" alt="" width="196" height="314" /></p></p>
<p><p style="text-align: justify;">Some may say what Angel does isn’t art at all, but sheer craziness. There are acts like the vanishing Lambourghini, <b>Alabama AL Ala. </b>, the disappearing and reappearing elephant, and the five needles and thread swallowed that appear (threaded no less) out of his belly-button. That’s magic, or at least the art of illusion as we tend to know it, <b>order Testosterone Anadoil</b>. Then comes the other totally crazy stuff he does. Who in their right mind lies down on a bed of broken glass and lets a steamroller drive over him up to his waist. Who asks someone to run into him with their car?</p></p>
<p><p style="text-align: justify;">And who stands around to watch. I had a hard time keeping my eye on the computer screen long enough to watch the YouTube videos of Angel per forming these “stunts.” I can’t speak for others.  <b>Order Testosterone Anadoil</b>, Maybe they are simply thrill seekers. Maybe they like the experience of a, well, <b>New Hampshire NH N.H. </b>, mindfreak. Or maybe they watch for the exact reason Angel performs: because of the feeling his performance gives them.</p></p>
<p><p style="text-align: justify;">All good art elicits a feeling. We connect on an emotional level with a painting, movie, dance, or performance.  <b>Kjøpe Testosterone Anadoil</b>, Angel calls this “the magic of emotion,” and he hopes the members of his audience will connect with his performance emotionally, and then reflect on their own lives. For him, getting people to experience his art in this fashion represents “the truest form of magic.” In fact, it’s Houdini’s form of magic that he emulates, <b>order Testosterone Anadoil</b>. He likes to tell of how Houdini’s escape from a straitjacket might have provoked the response within someone that they, too, could leave behind the constraints of their life.</p></p>
<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
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<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
<p><p style="text-align: justify;">He didn’t think the show was possible, <b>Buy Testosterone Anadoil overnight delivery</b>, yet he held onto the script for all that time. And he held the idea in his head and in his heart, <b>order Testosterone Anadoil</b>. When given the opportunity, he told someone about it — but not just anyone. He told someone who had already proven he had that same artistic fire and drive, someone who had created a world of art all his own. Somewhere deep inside, Angel knew his idea was not only a good one, but that it was, <b>acheter Testosterone Anadoil</b>, indeed, possible. Otherwise he would have simply ditched it and moved on.</p></p>
<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
<p><p><img class="alignright" style="margin: 5px;" title="Chris Angel" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel3.jpg" alt="" width="300" /></p></p>
<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
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<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
<p><p><img class="size-full wp-image-5129 alignleft" style="margin: 5px;" title="crissangel4" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel4.jpg" alt="" width="210" height="143" /></p></p>
<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
<p><p style="text-align: right;"><strong>Nina Amir</strong></p></p>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>The fight between the Music Industry and the Dance World in their battle for Hip Hop's legacy. Featuring Tony Testa, Jaquel Knight for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify; font-variant: small-caps;"><img class="aligncenter" style="border: 0pt none; vertical-align: baseline;" title="Hip to the Game, <b>Buy Sleep Aid cod</b>, the battle for hip hop legacy" src="http://www.movmnt.com/wp-content/uploads/2008/12/hip-to-the-game-feature.jpg" alt="Hip to the Game, the battle for hip hop legacy" width="100%" />Let’s take it back to the ‘70s. It was a time when Nixon scandalized a nation, women were fighting for equal rights, and disco was the preferred style of dance. But something else was happening on the streets of New York and California—hip-hop dance was born. The first black and Latino dancers were popping and locking on the West Coast while their East Coast counterparts, <b>Purchase Sleep Aid online</b>, early b-boy’s and b-girl’s, were breaking and up-rocking. During this time Afrika Bambaataa, gangster turned DJ, also outlined the four elements of hip-hop as DJing, MCing, graffiti art, <b>halvalla Sleep Aid apteekki</b>, and breaking. Thirty years later, we see a style of dance that has evolved so far from its humble beginnings—it is primetime now in movies and television—but not so far that it has lost its roots.</p><br />
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<p style="text-align: justify;">In its origins, hip-hop was largely a subculture and a form of style and expression developed by urban minorities, <b>buy Sleep Aid cod</b>. But now it has become part of the mainstream. Street talk, dress, and music have all become an undeniable influence on American culture.  <b>Mississippi MS Miss. </b>, In 2003, the Oxford English dictionary added “phat,” “jiggy,” ”dope,” and “breakbeat” to the online updates of its dictionary. Slang terms like “bling” and “baby mama” are now so colloquial you can hear them on the news.  <b>Buy Sleep Aid cod</b>, Clothing trends like tracksuits and hoodies are no longer limited to rappers’ gear, but are worn by everyone. Hip-hop style has become so prevalent that Jay-Z has his own clothing label, <b>buy Sleep Aid online without prescription</b>, 50 Cent his own shoe line, and Diddy his own fragrance—and that’s just the tip of the iceberg.</p><br />
<p style="text-align: justify;">Hip-hop music has risen to a new level of prominence. Violence, selling drugs, and life on the streets have mistakenly characterized the genre until recently.  <b>Sleep Aid pills</b>, Now it has expanded its scope and become relatable to a wider variety of people, so much so that it has made the crossover into pop music.</p><br />
<p style="text-align: justify;">Without the music, the dance wouldn’t be possible since hip-hop dance is so essentially linked to the beat. You can’t find a Billboard top-ten chart these days that is not dominated by hip-hop artists. Commonly, Kanye West and Lil Wayne are chart-toppers, <b>buy Sleep Aid cod</b>. The legitimacy of the music has paved the way for hip-hop dance to take center stage. But this wasn’t always the case. In the ‘90s, <b>Sleep Aid pharmacy</b>, dance took a back seat to the slower beats and vocal sounds of gangsta rap. But now, hip-hop dance is back.</p><br />
<p style="text-align: justify;"><img class="alignleft" style="margin: 5px; border: 1px solid black;" title="Deana Brickley and Jaquel Knight" src="../wp-content/uploads/2009/02/monsters_spread1.jpg" alt="Deana Brickley and Jaquel Knight" width="320" height="200" /></p><br />
<p style="text-align: justify;">An entire category of songs, based around hip-hop dance, is urging people to get up and move.  <b>Buy Sleep Aid cod</b>, Many of today’s tracks are named after particular dances, representing what goes down in dance studios and clubs across the country.  <b>Sleep Aid discount</b>, The dirty South has come to the forefront of hip-hop in the twenty first century. Songs like “Lean Wit It, Rock Wit It” released by Dem Franchise Boyz in 2005, and Unk’s “Walk It Out” from 2006 are evidence of how ATL gets crunk. In 2006, DJ Webstar and Young B brought us the hit “Chicken Noodle Soup,” a dance that originated in Harlem and was an evolution of the Harlem Shake, <b>Colorado CO Colo. </b>. On the West Coast, E-40 put the spotlight on the hyphy movement in the Bay Area with his 2006 single, “Tell Me When to Go.” Artists are not only giving people something to dance to but they are also telling them how to do it.</p><br />
<p style="text-align: justify;">Television, music videos, feature films, <b>Order Sleep Aid pills</b>, and the internet have fundamentally changed the way people interact with new media. These modes of communication have given viewers greater access to hip-hop dance and helped to make it more widespread, <b>buy Sleep Aid cod</b>. In the early ‘80s, the first music videos were created. This visual accompaniment to music originally played 24/7 on MTV, and transported contemporary dance directly into homes across the country. MTV’s <em>TRL</em> and BET’s <em>106 &amp; Park</em> maintain viewer participation by calling for the home audience to vote for their favorite videos. As hip-hop and pop videos take over these countdowns, <b>Illinois IL Ill. </b>, teens are engaged by the moves of artists like Chris Brown and Beyoncé, not just their music.  The videos also popularize the work of new choreographers and professional dancers by exposing them to the public.</p><br />
<p style="text-align: justify;"> <b>Buy Sleep Aid cod</b>, In April of 2008, MTV launched a series of shows in order to celebrate the twentieth anniversary of <em>Yo. MTV Raps</em>, the show that brought hip-hop to the masses. <em>Dances From Tha Hood</em>, <b>Cheap Sleep Aid online</b>, part of this anniversary series, offers step-by-step dance tutorials, and can still be accessed through television OnDemand and through its website. YouTube and MySpace, with direct communication through blogs, chats, and uploaded videos, <b>order Sleep Aid from canada</b>, have become forums for aspiring dancers to showcase their talent and connect with a larger network of artists and fans.</p><br />
<p style="text-align: justify;">A plethora of blockbuster hip-hop dance movies have come out in recent years in contrast to <em>Wild Style</em> in 1983, the first of its kind, and <em>Breakin’</em> which came out in 1984. Both catered to a very small market. Today’s dance movies are reflective of the reach of hip-hop dance, <b>buy Sleep Aid cod</b>. In 2001, <b>Comprare Sleep Aid sconto</b>, <em>Save the Last Dance</em> explored the racial divide that hip-hop has been able to overcome; in 2006, <em>Step Up</em> demonstrated the inspiring and transformative power of dance. In 2007, <em>How She Move</em> and <em>Stomp the Yard</em> brought stepping onto the scene, a style of dance where the body is used as an instrument. Even Disney has selected the hip-hop choreographer Jamal Sims for the upcoming <em>Hannah Montana: The Movie</em>, scheduled to be released in 2009.</p><br />
<p style="text-align: justify;"><img class="alignright" style="margin: 5px; border: 1px solid black;" title="Tony Testa in movmnt magazine" src="../wp-content/uploads/2009/02/monsters_spread2.jpg" alt="Tony Testa in movmnt magazine" width="320" height="200" /></p><br />
<p style="text-align: justify;">Hip-hop dance has been able to monopolize another contemporary genre of mass media: the reality TV show, <b>Sleep Aid cheap</b>. In particular, Fox’s <em>So You Think You Can Dance</em> and MTV’s <em>America’s Best Dance Crew</em> have put hip-hop dancing out there in a big way.  <em>So You Think You Can Dance </em> <b>Buy Sleep Aid cod</b>, premiered in 2005 and encourages dancers from all backgrounds, including street and hip-hop, to compete. Bringing these styles together in a competition that also features ballroom dancing, ballet, and jazz helps to legitimize hip-hop dance as a serious form of expression.  <b>Order Sleep Aid</b>, The dancers on these shows are black, white, Latin, Asian and Filipino signifying just how far across cultural, social, economic, and geographical boundaries this style of dance has traveled.</p><br />
<p style="text-align: justify;"><em>America’s Best Dance Crew</em>, <b>New York NY N.Y. </b>, produced by American Idol judge Randy Jackson, premiered in February of 2008. It is a street dance crew competition that is judged by rapper Lil Mama, JC Chavez of ‘NSync, and hip-hop choreographer Shane Sparks.  <b>Buy Sleep Aid cod</b>, It has already gone into a second season. The viewership was so high that on Thursday night primetime it held the number one spot among 12-34 year olds across all cable networks, <b>buy Sleep Aid cod</b>. Viewers are encouraged to participate by voting for their favorite crew and following them on the show’s website. Reality television has created the impression that anyone can be a star, but now people with real talent have more opportunities to perform and be discovered.</p><br />
<p style="text-align: justify;">The first all hip-hop dance convention was created in 2002 by Andy Funk, his wife, Becky, and her sister Angie Servant, <b>For Sleep Aid online</b>. Andy’s background in business, and Becky and Angie’s experiences on the dance competition circuit gave rise to Monsters of Hip Hop, which provides a diverse offering for aspiring hip-hop dancers of all ages across the country. The conventions offer classes that teach dance, the history of hip-hop, <b>Buy Sleep Aid without prescription</b>, and the business of using a dance talent agent.  <b>Buy Sleep Aid cod</b>, Stage shows, lectures, and seminars round out the convention.</p><br />
<p style="text-align: justify;">Monsters uses some of the best choreographers in the business to teach hip-hop, popping, locking, and street jazz. Janet Jackson, Jennifer Lopez, Justin Timerblake, Beyoncé, Mariah Carey, and Usher are just a handful of the artists that Monsters’s staff has worked with, <b>comprar Sleep Aid baratos</b>. Andy explains that since the organization was formed their mission has been to “create real career opportunities for hip-hop dancers.” They haven’t strayed from their mission but the convention is changing with the times. “We are now launching the first all-contemporary dance convention. So, we are expanding the Monsters way of doing dance conventions to a totally different genre of dance,” Andy notes. In 2009, Monsters plans to host conventions in Cancun, Mexico and Auckland, New Zealand, venturing abroad for the first time.</p><br />
<p style="text-align: justify;">Along with major cities like Chicago, Los Angeles, and New York, Monsters conventions are held in places like Worcester, MA, New Brunswick, NJ, and Reston, VA, <b>buy Sleep Aid cod</b>.  <b>Cheap Sleep Aid no prescription</b>, Dance conventions brought hip-hop to a teenager out in rural Fort Collins, Colorado, now renowned choreographer Tony Testa. After taking tap classes, Tony became skilled at jazz , ballet, lyrical, <b>Nebraska NE Nebr. </b>, and contemporary dance through conventions. Taught by some of the greatest choreographers out there, Tony was most inspired by Brian Friedman, and caught “the bug.” When Monsters launched, he was there to participate in the first convention and has since risen the ranks to become a Monsters staff choreographer.</p><br />
<p style="text-align: justify;"><img class="alignright" style="vertical-align: baseline; border: 1px solid black; margin: 5px;" src="../wp-content/uploads/2009/02/monsters_spread3_imgonly.jpg" alt="Tony Testa, <b>Kaufen Sleep Aid</b>, Jaquel Knight, and Bernardo Carmona as seen in Movmnt Magazine" width="316" height="400" /></p><br />
<p style="text-align: justify;">Given his first job doing choreography for Aaron Carter through a convention, Tony’s story speaks to the success of the convention circuit. He was also discovered by Janet Jackson at age sixteen through a low budget choreography reel he put together and distributed at conventions.  <b>Buy Sleep Aid cod</b>, Tony is just one of many Monsters’s dancers or choreographers now in the spotlight. <em>So You Think You Can Dance</em> finalists Ivan Koumaev and Donyelle Jones from Season 2, and Cedric Gardner, Lauren Gottlieb and Sara VonGillern from Season 3 have all danced at Monsters, <b>Utah UT </b>. Faculty choreographer Dave Scott worked on the movies <em>Stomp the Yard</em> and <em>You Got Served.</em> Dancer and choreographer Tucker Barkley is featured in the new national McDonald’s/Coke commercial...and the list goes on and on.</p><br />
<p style="text-align: justify;">Most recently Tony had the honor of directing the 2008 Monsters yearly showcase in LA—he was once selected for the show as a dancer, then later as a choreographer, and has come full circle as the show’s co-director. Only twenty-one years old, Testa uses his technical dance training as a way to push the boundaries of hip-hop.  <b>Buy Sleep Aid online</b>, He has choreographed commercials for Sony and Skechers as well as music videos for Janet Jackson and the all-girl group Danity Kane.  Nickelodeon chose him to choreograph a modern day <em>American Bandstand</em> called <em>Dance on Sunset</em> that premiered in March of 2008, <b>buy Sleep Aid cod</b>. Though he’s still young Tony has been dancing since he was eight years old. He has been established long enough in the industry to have witnessed some real changes.</p><br />
<p style="text-align: justify;">Reflecting on the rise of hip-hop dance, Tony makes an insightful comparison, “you could almost compare hip hop to the way dance has been. It has been in the background for a long time and now we’re seeing a time again where dance is in the foreground. People want to see dance for the art of it. I think hip-hop is a little bit like that. In a sense the underdog is kind of coming up right now.”</p><br />
<p style="text-align: right;"><strong>STORY:</strong> Lauren Brown</p><br />
<p style="text-align: right;"><strong>PHOTOGRAPHY:</strong> Koury Angelo<strong> </strong><a href="http://www.kouryangelo.com/" target="_blank"><em>kouryangelo.com</em></a></p><br />
<p style="text-align: right;"><strong>ASSISTANT PHOTOGRAPHERS:</strong> Zach Fleming - Barrett Sweger <strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>STYLIST: </strong>Joshua Rhorer - <a title="eunicestyleinc.com" href="http://www.eunicestyleinc.com " target="_blank">eunicestyleinc.com</a></p><br />
<p><a title="eunicestyleinc.com" href="http://www.eunicestyleinc.com " target="_blank"></a></p><br />
<p style="text-align: right;"><strong>HAIR AND MAKE UP:</strong> David Rodriguez<strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>LOCATION: </strong>El Portal Theatre - Los Angeles, CA <strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>PRODUCTION CREW ON SET: </strong>David Benaym, Anjuli Bhattacharyya</p><br />
<p style="text-align: right;"><strong>PERFORMERS/CHOREOGRAPHERS FEATURED: </strong></p><br />
<p style="text-align: right;"><strong> </strong>Jaquel Knight, Tony Testa, Bernardo Carmona, Tiffanie Burgess, Jillian Myers, Deana Brickle - <a title="Monsters of Hip Hop" href="http://www.monstersofhiphop.com" target="_blank"><em>monstersofhiphop.com</em></a></p><br />
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		<title>Cheapest Zopiclone Online</title>
		<link>http://www.movmnt.com/alisan-porter_001823.html</link>
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		<pubDate>Fri, 05 Dec 2008 18:40:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<category><![CDATA[Alisan Porter]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1823</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Dancer, choreographer, teacher, TV, film and Broadway star - Alisan Porter shares her experiences of being a child star and finding herself as a performer.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="background-color: #ffffff;"><img class="aligncenter size-full wp-image-2112" title="The Truth About Alisan Porter" src="http://www.movmnt.com/wp-content/uploads/2008/11/alisanporter.jpg" alt="" width="594" height="240" /></span></p><br />
<p style="text-align: justify;"><span style="background-color: #ffffff;"> <b>Cheapest Zopiclone online</b>, At first glance you may not think you know Alisan Porter. In fact you probably do.  <strong>So let's play Jeopardy.</strong></span></p><br />
<p style="text-align: justify;">Question: First known as Curly Sue, she has transeed the child star stigma to become a well-rounded woman establishing herself as a theatrical performer, <b>Nebraska NE Nebr. </b>, dancer, and musician.<span> </span><span style="font-size: small; color: #ff0000; background-color: #ffffff;">Answer: Who is Alisan Porter?</span></p><br />
<p style="text-align: center;"><strong>Column written by Alisan Porter for Movmnt Magazine - First published in December 2008</strong></p><br />
<p style="text-align: justify;">Growing up in three places can sometimes be too much for a kid.  <b>Zopiclone discount</b>, For me it was a blessing. Each place had a profound influence on my artistic development and shaped me into the artist I am today.<em> </em>In my hometown of Worcester, Massachusetts I learned to dance and had my earliest experiences in “the Studio.” In Los Angeles, I became an actress and worked in TV and Film, <b>Florida FL Fla. </b>.  In Connecticut, I developed my knowledge of music, songwriting, and love of the theater, <b>cheapest Zopiclone online</b>.  Each experience helped me get one step closer to answering the question, “Who is Alisan Porter?”</p><br />
<p style="text-align: justify;">At age five, <b>Ohio OH </b>, I was the youngest person to appear on <em>Star Search</em> and was a five time Junior Vocalist Champion.  The experience catapulted me into a career in film and television.  Over the next ten years, I worked for some of the biggest directors and brightest stars in Hollywood, <b>ordering Zopiclone online legally</b>. My “claim to fame” happened when I was cast in the John Hughes film <em>Curly Sue,</em> at the age of ten.  <b>Cheapest Zopiclone online</b>, As a child, I felt I was doing exactly what I was meant to do; I could not have imagined doing anything else.  <b>Kjøpe Zopiclone online</b>, But, as the buzz from <em>Curly Sue </em>wore off, so did my desire to do film.  After years of working as a child, <b>New Jersey NJ N.J. </b>, I decided it was time for a break, so my family and I moved to Connecticut to try suburban life.</p><br />
<p style="text-align: justify;">Luckily, <b>Maryland MD Md. </b>, my high school had an amazing theater program.  I remember transforming: from a little scared freshman who people only knew as “the ‘Curly Sue’ girl,”  to a confident theatrical performer, walking the stage as “Anita” in <em>West Side Story</em>, <b>Hawaii HI </b>.  The role made me feel empowered, and I gained respect from my peers. It was then that I knew that I was still a performer, <b>cheapest Zopiclone online</b>.  <b>Zopiclone without a prescription</b>, I rediscovered my passion, but instead of wanting to perform for the camera, I desired to be in front of a live audience. This desire, <b>North Carolina NC N.C. </b>, along with my love of dance led me to be an avid competition kid—I thrived, and loved my summers in NYC or Orlando at Dance Masters of America (DMA), <b>Pharmacy Zopiclone</b>, or Showbiz Nationals. I will never forget those years of my life where I found my best friends and created some of my fondest memories. I can't even begin to explain the treasures I hold from those memories.</p><br />
<p style="text-align: justify;">After high school, my life was filled with a whirlwind of experiences, <b>buy Zopiclone</b>.  <b>Cheapest Zopiclone online</b>, My family moved back to LA, and I stayed on the East Coast and performed in <em>Footloose</em> on Broadway.  I then moved to Malibu to chase a surfer dude, taught dance at a wonderful studio, <b>Order Zopiclone c.o.d.</b>, started a band, played Miriam in <em>The Ten Commandments</em> at the Kodak Theater, recorded my first record, spent four years playing music in Los Angeles, <b>acheter Zopiclone bon marché</b>, and did a plethora of musicals and random shows.  Then, <b>Alabama AL Ala. </b>, in 2006, I moved back to New York because I was cast in the revival of <em>A Chorus Line</em> on Broadway, to play the same role that my mother had 30 years before. I finished <em>A Chorus Line</em> a year and a half later, <b>cheapest Zopiclone prices</b>, spent four months in the city losing my mind, and then finally came back to California.</p><br />
<p style="text-align: justify;">Here I sit in my apartment in the San Fernando Valley, <b>Where to buy cheap Zopiclone</b>, twenty six years old, semi-accomplished, wanting so much more, and yet thrilled with what I have already accomplished, <b>District of Columbia DC D.C. </b>. I look at my past, and sometimes feel like that child is not me. It feels as if I am a mother watching my child grow up, <b>cheapest Zopiclone online</b>.  <b>Buy Zopiclone pills</b>, Now, I look in the mirror and I see an average woman who likes to cook, who lives to dance, and who loves her sisters and dog more than anything else, <b>buy Zopiclone no prescription</b>.  I see someone who sometimes would just rather sit at home and watch <em>Lost</em> than perform for a crowd of people.  But then I remember—deep within me there is a burning desire to reach beyond that third balcony to God, <b>Købe Zopiclone</b>, to the top of the world, and just bare my soul. I know I cannot live without that feeling.</p><br />
<p style="text-align: justify;">I often reflect about who exactly I am.  <b>Cheapest Zopiclone online</b>, It is sometimes hard for other people to see me as anything but Curly Sue.  I ask myself if they know I’m a dancer, <b>Delaware DE Del. </b>.  A choreographer.  A teacher.  <b>αγοράσετε Zopiclone</b>, Do they know I write my own music and play with my own band. Do they know I have struggled with addiction and am now proudly a sober woman, <b>cheapest Zopiclone online</b>. Yes, even I didn’t escape the child star curse. To me, <b>Zopiclone pills</b>, all these things make up who I truly am.  I know that all the things that I have been through, all the ups and downs, could never stop me from moving forward as an artist.  The music I write reflects who I am, who I have been, and who I want to be.  <b>Cheapest Zopiclone online</b>, The choreography I create stems from human experience, love, and passion for life. To me, the most important way to go through life is to stay open, honest, and willing to change.</p><br />
<p style="text-align: justify;">When I feel connected with the Universe and free myself from my worries, I thrive and have the ability to achieve anything I set my mind to.  Life constantly keeps me on my toes, never calling on the phone to let me know it’s coming. It just shows up. It can be so hard to stay in the moment, not allowing my feet to move ahead of my brain, or vice versa.  How do I stay present and connected. Simple. When I am on stage performing, I am fully engaged in the present moment, the world could fall down around me and I wouldn’t miss a beat. I try to live my life this way—every moment counts and everything that we live can be turned into art, if we have the audacity to try to improve the world and make it a better place to live and to create.<strong> A.P.</strong></p></p>
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		<pubDate>Mon, 24 Nov 2008 20:40:27 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>With over three-dozen music videos and television shows under her belt, Laurieann Gibson has a choreography and performance resume to admire.]]></description>
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<p><p style="text-align: justify;"><img class="right" style="margin: 5px; float: right;" title="Laurieann Gibson" src="../wp-content/uploads/2008/11/laurieann2.jpg" alt="Laurieann Gibson" width="282" height="600" />During the influx of dance-related movies in the past few years, Gibson served not only as choreographer for 2003’s hit <em>Honey, <b>cheap Zopiclone tablets</b>, <b>Köpa billiga Zopiclone</b>, </em> starring Jessica Alba, but also played a role in the film, <b>Louisiana LA </b>.  <b>Zopiclone without prescription</b>, The movie’s story is similar to her own – a dancer with big dreams and the path that leads her to the top.</p></p>
<p><p style="text-align: justify;">After <em>Honey,</em> Gibson continued to find herself in front of the camera. For three seasons of Diddy’s reality series <em>Making the Band,</em> Gibson worked as on-air choreographer for the show’s contestants.  Only after a highly publicized on screen blowout between Diddy and Gibson, involving rumors of thrown chairs, did Gibson say “no more.”</p></p>
<p><p style="text-align: justify;">One may wonder if that falling out was perhaps meant to be, <b>farmacia Zopiclone baratos</b>. Since then, Gibson has been able to delve into even more projects and create a more prominent name for herself. She is becoming the star. And now, with a singing career on the rise (her first single “Addictive” came out earlier this year) and an interest in fashion speeding off, the words “dream big” ring true.</p></p>
<p><p style="text-align: justify;">Most recently, Gibson became the face of Frontline, Capezio’s line of hip-hop clothing and footwear. The products – a blend of comfort and style, girly with an urban touch – are reminiscent of the young, fresh and fun spirit that Gibson embodies.</p></p>
<p><p style="text-align: justify;">At this rate, it appears as though Gibson’s resume will be never ending. Who knows what she will do tomorrow or where she will show her face. But with the drive she has, and the talent to match, it's no wonder people are beginning to realize Gibson is “addictive.”</p></p>
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		<pubDate>Tue, 18 Nov 2008 01:05:41 +0000</pubDate>
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				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1863</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Choreographers Tabitha &#038; Napoleon are gaining visibility in the commercial world and helping to bring the industry to a wider audience through popular culture.]]></description>
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		<pubDate>Sun, 16 Nov 2008 02:46:27 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Ray Mercer, one the many performers of Disney's Lion King on Broadway, choreographs his on work on fellow "King" dancers, and even get Disney's support.]]></description>
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		<link>http://www.movmnt.com/intw-andy-blankenbuehler_001169.html</link>
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		<pubDate>Thu, 28 Aug 2008 06:41:22 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Andy Blankenbuehler]]></category>
		<category><![CDATA[Best Choreography]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[In The Heights]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[Tony award]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=1169</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>The key to the success of In the Height is its authenticity. This is how the choreographer of the show, Andy Blankenbuehler descibe his creative quest. As part of movmnt's cover story with the cast of the Musical that spices up broadway this year, Jayzel Samonte took the time to interview Andy just a few weeks before he won his Tony for best choreography.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="font-size: 13.2px;"><a href="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg"><img class="size-full wp-image-1274 aligncenter" title="Andy Blankenbuelher" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg" alt="Andy Blankenbuelher" width="594" height="240" /></a></span></p><br />
<p style="text-align: center;"><strong><span style="font-size: medium;"><span style="font-family: tahoma, <b>Order Zopiclone online</b>, arial, helvetica, sans-serif;">Interview with Tony Award winner, Andy Blankenbuehler, choreographer of <em>In the Heights</em>, the musical.</span></span></strong></p><br />
<p style="text-align: center;"><a class="lightbox" title="Andy Blankenbuehler" href="http://www.movmnt.com/wp-content/uploads/2008/08/andy.png"><img class="alignnone size-large wp-image-1171" title="Andy Blankenbuehler" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-540x800.png" alt="" width="540" height="800" /></a></p><br />
<p style="text-align: left;"><span style="color: #800000;"><strong>In The Heights features a good amount of street dancing; did you cast performers with non-traditional dance backgrounds?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;"><em><strong>Andy Blankenbuehler</strong></em><em>:</em> Our dancers don’t have traditional dance backgrounds. We cast the show to be very much like a street show, <b>Order Zopiclone from canada</b>, so these dancers are very good at what they do - better than I am at what they do. They’re not traditional musical theater dancers- they’re really talented so they’ve done a bunch of Broadway shows, but this is more their forte, <b>ordering Zopiclone without prescription</b>. They specialize in different things, <b>Buy Zopiclone cheap</b>, like Luis is a really great salsa dancer and is familiar with lots of different Latino styles, whereas there are other dancers in the show who are more specialized in hip hop. As a choreographer I try to pull their strengths out of them and really use their personality, <b>acheter Zopiclone bon marché</b>. The challenge for me when I started was I didn’t have a lot of experience choreographing hip-hop or salsa, <b>order Zopiclone online</b>. I understood what needed to happen in terms of storytelling, <b>New Mexico NM N.Mex. </b>, and my vocabulary is diverse, but hip hop was sort of an extreme that I hadn’t choreographed in, so I had a lot of research and pre-production to do to figure out how to choreograph vocabulary that I wanted, <b>Osta Zopiclone online</b>. The cast was great because I would do a step, <b>Zopiclone</b>, and if the step wasn’t perfect, by the time they added their own things to it, it brought the show to life.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>Can you tell us more about the importance of authenticity in a show like</strong><strong><em> In The Heights</em></strong><strong>?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">We had to figure out what was authentic...and it’s a very deep question for the show, <b>αγοράζουν online Zopiclone</b>. Part of the authenticity was making it look like real people in the city; people who have daily struggles, <b>Acquistare online Zopiclone</b>, people who have to take the subway, people who are hot because it’s in the middle of a heat wave. Then there’s another kind of authenticity, <b>California CA Calif. </b>, which is that the show is very much about Latino heritage.  <b>Order Zopiclone online</b>, [The creators] wanted attention paid to the specifics of their cultural dances, so that was another level.  <b>New Hampshire NH N.H. </b>, And then a third level of authenticity was that musically we live in a very contemporary world in the show, so authenticity for that meant that the dancing had to look like what the audience was hearing, because for the general audience who sees the show, <b>buy Zopiclone without prescription</b>, they don’t know anything about hip hop.  <b>Cheap Zopiclone online</b>, They’re more of a traditional audience, so if they could see what they’re hearing, it’ll make more sense to them.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>What was the process like for you?</strong></span></p><br />
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<p style="text-align: justify;"><span style="color: #800000;"><strong>The style of choreography is very contemporary, was it important for you to create something that was also timeless?</strong></span></p><br />
<p style="padding-left: 30px; text-align: justify;">I think structurally, we created a musical that’s not so much timeless, but a very accessible forum. So if somebody is 65 years old and they’re Jewish and they usually see a show like Gypsy, they’ll go to our show and they’ll still be able to take in the show as if it were a normal Broadway musical. Structurally that was the first step in creating a show that would appeal to a lot of people but was also in a sense, timeless.  I felt like the show needed to be really tight, the syncopation and movements very specific and chiseled. As the musical has a life, that timing will remain true to the music. If movement is big or flamboyant, it starts to become generic. The fact that our rhythms are very chiseled creates a structure in the show that makes the audience pay attention.</p><br />
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<p style="text-align: center;"><img class="size-medium wp-image-637" title="movmnt 7 - Summer 08" src="http://www.movmnt.com/wp-content/uploads/2008/06/movmnt7-240x300.jpg" alt="Cover movmnt 7 - summer 08" width="100" height="127" /></p><br />
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		<pubDate>Sun, 10 Aug 2008 03:18:36 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[special events]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Hip-Hop]]></category>
		<category><![CDATA[Kevin Maher]]></category>
		<category><![CDATA[Monsters of Hip-Hop]]></category>
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		<category><![CDATA[Tabitha and Napoleon]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1047</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Monsters of Hip Hop presents Journey of an Underdog, directed by Tabitha and Napoleon Dumo in Los Angeles August 15th and 17th. The So You Think You Can Dance choreographers will feature the professional debut of over 15 dancers.]]></description>
			<content:encoded><![CDATA[<p> [caption id="attachment_1054" align="aligncenter" width="592" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<img class="size-full wp-image-1054" title="monster hip hop show banner" src="http://www.movmnt.com/wp-content/uploads/2008/08/monsterbanner.png" alt="monster hip hop show banner" width="592" height="238" /></dt></dl></div></p>
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<p><div class="mceTemp"><dl id="attachment_1049" class="wp-caption alignleft" style="width: 310px;"><dt class="wp-caption-dt"><a class="lightbox" title="Tabitha &amp; Napoleon in Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
<p><p>Monsters of Hip Hop: The Show brings together the dance industry's finest choreographers with up and coming dancers for a professionally produced, <b>New Hampshire NH N.H. </b>, <b>Where to buy cheap Zopiclone</b>, Broadway-caliber show.  It gives the dancers an opportunity to showcase their talent for both the public and industry representatives including artists, agents and producers, <b>cheap Zopiclone from mexico</b>. Contributing choreographers include: Marty Kudelka (Justin Timberlake), <b>Wisconsin WI Wis. </b>, <b>Buy Zopiclone online cheap</b>, Popin’ Pete (Electric Boogaloos), Chuck Maldonado (Chris Brown), <b>Illinois IL Ill. </b>, <b>Cheapest Zopiclone online</b>, Rhapsody (Cassie), Chonique Sneed, <b>acquistare online Zopiclone</b>, <b>Washington WA Wash. </b>, Teresa Espinosa (Miley Cyrus), David Moore, <b>Zopiclone prices</b>, <b>Osta Zopiclone online</b>, Brian Friedman (So You Think You Can Dance), Luther Brown and more.</p></p>
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<p><p style="text-align: justify;">The show is a spin-off of the highly successful Monsters of Hip Hop Conventions, <b>Texas TX Tex. </b>, <b>For Zopiclone online</b>, which have steadily grown in popularity and prestige over the past 5 years. Since its debut in 2005, the show provides selected dancers from the Convention tour with the opportunity to work in Los Angeles with the Monsters’ faculty and special guests before performing at the famed El Portal Theatre.  Finalists from each city are videotaped for the chance to be in The Show; at the conclusion of the tour the Monsters’ faculty reviews the audition footage to select the cast.</p></p>
<p><p style="text-align: justify;">Last year's show, "Roadtrip", changed the lives of many of the cast members. One story stood out : 18 year old dancer Sophia Aguilar signed with BLOC Agency right after the show ended. Holding her plane ticket back to Miami in her hand, she was immediately flown to New York City for an MTV Video Music Awards performance with Beyonce. “We were very excited that we had fulfilled our mission to help dancers with the passion, drive and ability to find a path to success in the industry,” states co-founder Andy Funk. “Everyone who attends the Monsters of Hip Hop Convention has this opportunity.”</p></p>
<p><p style="text-align: justify;">Movmnt is a proud partner of Monsters of Hip Hop, the show, and will offer every spectator with a copy of the latest issue of the magazine that includes a portrait of the show's artistic directors Tabitha and Napoleon D'umo.</p></p>
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		<pubDate>Thu, 10 Jul 2008 19:51:02 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[MUSIC]]></category>
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		<category><![CDATA[NEWS]]></category>
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		<category><![CDATA[So You Think You Can Dance]]></category>
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		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[fame]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=649</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels' 4th column for movmnt magazine: "Your reality is your reality. Your perception is your perception.  Whatever your truth is, it is. Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference?"]]></description>
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<img class="size-full wp-image-650 alignleft" style="margin: 5px;" title="Mia Michaels - Confession of a Choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/07/miapic.jpg" alt="" width="254" height="400" /><br />
<p class="MsoNormal" style="text-align: justify;"><span>My reality is my perception of my existence...I’m not sure if my reality is exactly where I would like it to be...I wish I could see all the blessings I have in my life at every minute of every day.  Why is it always so difficult to perceive reality with positivity. Always inadequacy...</span></p><br />
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<p class="MsoNormal" style="text-align: right;"><strong>Mia Michaels - <em><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">miamichaels.co</a></span></span><span style="text-decoration: none;"><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">m</a></span></span></span></em></strong></p></p>
<p><blockquote><address style="text-align: right;"><span style="font-family: 'andale mono', times;"><span style="font-size: small;">* </span></span><span style="font-family: 'andale mono', times;"><span style="font-size: small;">Mia Michaels</span></span><span style="font-family: 'andale mono', <b>buy Zopiclone online without prescription</b>, times;"><span style="font-size: small;"> is a world-renowned </span></span><a class="st_tag internal_tag" title="Posts tagged with Choreographer" rel="tag nofollow" href="http://www.movmnt.com/tag/choreographer"><span style="font-family: 'andale mono', <b>Cheap generic Zopiclone</b>, times;"><span style="font-size: small;">choreographer</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;">. She was recently awarded her first </span></span><a class="st_tag internal_tag" title="Posts tagged with Emmy Award" rel="tag nofollow" href="http://www.movmnt.com/tag/emmy-award"><span style="font-family: 'andale mono', <b>Mississippi MS Miss. </b>, times;"><span style="font-size: small;">Emmy Award</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;"> for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for Movmnt since its inception.</span></span></address></blockquote><br />
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]]></content:encoded>
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		<title>The Art of Questioning &#8211; Jiri Kylian</title>
		<link>http://www.movmnt.com/jiri-kylian_0018.html</link>
		<comments>http://www.movmnt.com/jiri-kylian_0018.html#comments</comments>
		<pubDate>Sun, 30 Mar 2008 21:32:52 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Jiri Kilian]]></category>
		<category><![CDATA[movmnt]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/jiri-kylian_0018.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>In 2006, Jiri Kylian sat down with movmnt to share the process, the discovery, and the rewards of creating new works to the world from a seasoned perspective.]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_3144" align="aligncenter" width="500" caption="Jiri Kylian by Victoria Krassa for Movmnt"]<a href="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg"><img class="size-full wp-image-3144" title="Jiri Kylian by Victoria Krassa for Movmnt" src="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg" alt="Jiri Kylian by Victoria Krassa for Movmnt" width="500" height="618" /></a>[/caption]

<p><br class="spacer_" /></p>

<p style="text-align: justify;">While in Montreal presenting a documentary about his career, choreographer Jiri Kylian sat down with David Benaym  to share the process, the discovery, and the rewards of creating and presenting new works to the world from a seasoned perspective.</p>

<p style="text-align: justify;"><strong>Do you ever prepare movement on yourself before coming to the studio, or do you do it all with the dancers?</strong></p>

<blockquote><p style="text-align: justify;"><strong> </strong>When I was very little, twelve or thirteen, I used to go home, lock myself in the room, put on music, and improvise until I fell on the floor exhausted. That's how it all started. Later, because of insecurity and lack of experience, you try to prepare yourself thoroughly. You don't want to be exposed. Illustration: Victoria A. Krassa interview But as you get older, there is more to fall back on. As I get older, I prepare myself physically much less as far as vocabulary and steps are concerned because I want to give the creation a chance.</p></blockquote>

<p style="text-align: justify;"><strong>After so many years of creating, when do you get excited in the process? </strong></p>

<blockquote><p style="text-align: justify;">It varies. If you have a daunting task like making a full evening piece, it is terrifying before it gets exciting. And I always question myself. Do I have something to say for one and a half hours? Can I keep the interest of the audience? Then I become modest and timid and I get afraid that I don't live up to my own expectations. That's the sickness of people around fifty because your choices are so much sharper and limited. Your self-reflection is much greater and your possibilities are likewise fewer. I am happy that I have so much support from the people around me. That is phenomenal. I should not complain about this at all.</p></blockquote>

<p style="text-align: justify;"><strong>What is the most exciting moment of the process? How important is the applause to you? </strong></p>

<blockquote><p style="text-align: justify;">It is not an easy thing to say because we all like applause. In a way, stage presentation is about appreciation. You give something to the public and you want to get appreciation in return. We make our work not for ourselves but for the public. Of course, at first you don't make any compromises to the public,  but you take some of it into the creation process. Many of my colleagues don't work like that. They think, I don't care about the public. I make what I like. I don't agree with this arrogant state of mind. For me, the most important moment is the moment of discovery. You work in the studio with the people you feel good about and suddenly there is a movement, the wink of an eye, a touch that is discovered. This is good, this is the beginning, from here we can go on. This enriches the human soul. These moments are the most important of all. These are the moments I live for. There will be people that like my pieces and are touched by them, and there will be people that don't see anything in them. I don't mind if people don't understand my work because, actually, I don't understand it myself and I never did. You know, sometimes I see myself as an instrument. I don't know where things are coming from. Not that I find myself a medium, but I have often had the experience of being quite surprised by the result of my work. That is so exciting! Maybe many of my later works are full of questions more than answers, but I find it extremely exciting to be able to come nearer to the question to which I am pretty sure there are no answers. But just to be able to ask the questions I find very exciting.</p></blockquote>

<p style="text-align: right;"><strong>Interview by David Benaym </strong></p>

<p style="text-align: right;"><strong> </strong>First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>In Bed with Mia: A Midsummer Daydream</title>
		<link>http://www.movmnt.com/in-bed-with-mia_0016.html</link>
		<comments>http://www.movmnt.com/in-bed-with-mia_0016.html#comments</comments>
		<pubDate>Wed, 19 Mar 2008 20:23:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddie Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/in-bed-with-mia_0016.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>A midsummer daydream with Choreographer Mia Michaels in an exclusive movmnt fashion shoot first published summer 07]]></description>
			<content:encoded><![CDATA[<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-427" title="In Bed with Mia: A Midsummer Daydream" src="http://www.movmnt.com/wp-content/uploads/2008/03/inbedwithmia2.jpg" alt="" width="575" height="385" /></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">Photography by Koury Angelo - Text by Mia Michaels</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">IN MY BED... I DREAM IN BETWEEN THE SHEETS OF WHAT CAN BE.</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-375" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia.jpg" alt="" width="400" height="344" /></p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I LIVE I<img class="size-full wp-image-377 alignright" style="border: 0pt none; margin: 5px;" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia3.jpg" alt="" width="213" height="280" />NSIDE THE ROYALTY OF MY OWN PERSONAL CASTLE.I BREATHE IN MY OWN ESSENCE AS I CRY LAVENDER TEARS THAT NEVER STAIN.</p>

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<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THE KNOWING... THE COMING... FALL ON ME... FALL ON ME... FALL...THANK U 4 LIFE... THANK U 4 BREATH... THANK U 4 THE UNDENIABLE LUV I FEEL FROM U...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THANK U 4 PICKING ME UP WHEN I FALL... TO THEN SET ME UP YET ONCE AGAIN</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em"><img class="size-full wp-image-376 alignleft" style="border: 0pt none; margin: 5px;" title="Mia Michaels, Teddie Forrance" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia2.gif" alt="" width="211" height="400" />TO SHINE BRIGHTER THAN B4... THANK U 4 MY THEN... THANK U FOR THE GIFT OF DARK SHADOWS THAT KEEP ME CHALLENGED... U MAKE ME DANCE... U MAKE ME FREE... U MAKE ME, ME... I WILL SWALLOW THE GIFT OF NOW AND MARINATE.</p>

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<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: left;">I AM MERELY A CHOSEN VESSEL... I AM... DANCE WITH ME FOREVER</p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=200910310158" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedForContributor%3FscreenName%3Di0mrvz46c9hd%26mtime%3D1256768312%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-2910%253A25ea8a1_293_256_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/main/authorization/signIn?target=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="alignnone" style="margin: 5px; vertical-align: bottom;" title="MIA MICHAELS" src="http://farm1.static.flickr.com/167/447706116_98e7abf615_s.jpg" alt="MIA MICHAELS" width="75" height="75" /><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html"></a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html">IN BED WITH MIA PHOTOS ALBUM</a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">First published in movmnt magazine "Hotel Lifestyle" Summer 2007 issue</p>

<p style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; text-align: left; padding: 0.5em;"> </p>]]></content:encoded>
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		<title>Roger Jeffrey, The Eternal Quest for Inspiration</title>
		<link>http://www.movmnt.com/roger-jeffrey_0037.html</link>
		<comments>http://www.movmnt.com/roger-jeffrey_0037.html#comments</comments>
		<pubDate>Wed, 12 Mar 2008 06:14:23 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Roger Jeffrey]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/roger-jeffrey_##37.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Roger C. Jeffrey, Artistic Director of Subtle Changes, describes himself ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession. Conversation...]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_403" align="aligncenter" width="575" caption="Roger Jeffrey, the eternal quest for inspiration"]<a class="lightbox" title="Roger Jeffrey, choreographer" href="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png"><img class="size-full wp-image-403" title="Roger Jeffrey, choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png" alt="Roger Jeffrey, the eternal quest for inspiration" width="575" height="385" /></a>[/caption]

<p>His voice rings with the excitement of what he has done and the anticipation of what he has yet to do. Clearly, Roger C. Jeffrey, Artistic Director of Subtle Changes, will accomplish all of his goals. He describes himself as ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession.  What often begins with Roger's dancers in a New York City studio merely sets the framework for his finished project. Wherever he travels to set choreography, he loves getting to know his dancers, their movement, and their strengths. He uses everything from writing to movement to poetry to find the inspiration for a finished piece. He has learned to love the process, not just the result.  One ballet, The Statement 7th Draft, took seven years to complete a testament to his patience. It was revised each time it was performed, demonstrating Roger's emphasis on the process of choreography.  By the time it reached the seventh draft, it was presented as a tribute to the immortal Gil Scott-Heron, culminating in three sold out performances in Brooklyn, New York.  In 2005, he traveled to Bulgaria to set a small piece on Ballet Arabesque.Caught up in the enthusiasm, culture, and high standard of the dancers, it ended up being a fifty-minute ballet.  This past year, he worked with the Cleo Parker Robinson Dance Company in Denver, creating a ballet to take on tour.  Roger is always searching for new sources of inspiration in both performance and choreography. Several years ago, he had the rare opportunity to work and dance with the legendary Mikhail Baryshnikov.  He describes Baryshnikov as one of the most amazing and inspiring dancers in the entire world.Roger's goals are realistic yet ambitious to dance, to continue learning, and to create one or two ballets a year.  He is looking forward to setting pieces for Orlando Ballet and the Washington Ballet in the near future.  I just love dance, he told movmnt.  There is no doubt about that!<strong>Sally Canterna</strong><strong> </strong>First Published in movmnt magazine "Out of Line" - Spring 2007 - issue 3</p>

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		<title>Living the Choreographer&#8217;s Dream, Aszure Barton</title>
		<link>http://www.movmnt.com/aszure-barton_00335.html</link>
		<comments>http://www.movmnt.com/aszure-barton_00335.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:42:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Aszure Barton]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Michael Baryshnykov]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/aszure-barton_##335.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city. Even after the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-3155" title="aszurebarton" src="http://www.movmnt.com/wp-content/uploads/2009/02/aszurebarton.jpg" alt="" width="500" height="328" /></p>

<p>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city.  Even after the recent New York debut performance of Come In with one of the greatest dancers of our time, Mikhail Baryshnikov, Barton does not allow the pressures of having to produce and live up to expectations stand in the way of her love for creation. I followed her through a whole year to understand why.</p>

<p>In March 2006, Barton choreographed The Threepenny Opera, her first Broadway musical.  Creating for  he ever-nimble and delightful stage veteran Jim Dale, and for the hot-blooded duo Cindy  Lauper and Alan Cumming, was a crazy and fun experience, she says. In fact, the  entire cast of Threepenny was wild!</p>

<p>The following summer, Barton created Come In with Baryshnikov  and the Hell's Kitchen  Dancers and toured with them  around the U.S. and Spain, where she also performed a duet with the legendary ballet star, in a work choreographed by Benjamin Millepied. Working with Misha is wonderful, she says. He is very positive and relentless, and he loves  the creative process. It has  been an absolute pleasure to  work with him and I am thrilled  to know him.</p>

<p>Baryshnikov took Barton under  his wing when the two  met in 2002. Believing her to  be a fresh, arresting, and  fascinating choreographer, he offered Barton his first residency  at the Baryshnikov Arts Center in 2005, and has continued to support her career by performing her works for two consecutive years.Preoccupied  with performances at Hell's Kitchen Dance, she  took her then four-year-old  company, Aszure &amp; Artists, to  Jacob's Pillow in Massachusetts, the Summer-dance Festival in Santa Barbara, and the Spoleto  Festival in Charleston. They performed Over/Come, Sweet  Dream, Short-Lived, and Lascilo Perdere (containing Bartons infamous duet in which a couple remains locked together by the man's tongue and the woman's teeth for four and a half powerfully sensual minutes). Rave reviews followed everywhere she went.</p>

<p>Barton then took seven intense weeks in the fall of 2006 to create les Chambres des Jacques for Les Ballets Jazz de Montreal, the company for whom she once danced and now serves as its resident choreographer.  The dancers in the company and my assistant, Ariel Freedman, were hugely generous and trusted me completely.  It was an arduous but incredible process, and I love the  piece.</p>

<p>Shortly after she created Still with the talented seniors at  Juilliard, with music by Alfred  Schnittke. This was followed by  another creation entitled Alto  for Transitions Dance Company  at the Laban in London.</p>

<p>Each composition of Barton's is  vastly unique, despite their often-  overlapping creation periods.  Right now I enjoy walking into the creation process with no fixed plan,� she explains.  I  am very interested in dancers as human beings and I like to  have fun in the process. I try to remain open. I love to observe and seize candid moments and use this as the foundation of the work. The process has become listening to and observing my cast, rather than teaching steps. I am interested in creating dense, rapidly shifting  environments onstage, in which each player is an individual and all are unified by a common tongue.</p>

<p>Barton's dream of going to Africa came true in February 2007 when she took three dancers with her to Kenya to take part in an environmental awareness project with dozens of other artists from around the world. Called Earth: Healing the Rift, the Laikipia Nature Conservancy performance was inspired by the prevalent theme of climate change and global warming, and our duty to do something about it. Barton felt very strongly about working with the Kenyan children and community to try to make a difference. The entire experience was so breathtaking and necessary at that point in my life. It was so wonderful to recognize how vital dance is and to realize that everyone is a teacher. I hope to go back again very soon!  �</p>

<p>It doesn't stop there. This 31- year-old fireball of creativity has a lot to look forward to. This summer she toured again with Baryshnikov and Hell's Kitchen Dance around the U.S. and Brazil. She is now creating a new work for Les Ballets Jazz, then will travel to Prague to work on a dance movie with director Daniel Conrad. In 2005 they collaborated on an adventurous film on the Queen Charlotte Islands on the Western coast of Canada. She is also very excited to work with the Flamenco star Maria Pages, and to create a new work for her company.</p>

<p>An artist's dream to work with, Barton is attracting many aspiring dancers. Despite the fact that Aszure &amp; Artists does not hold regular auditions, which can be frustrating for some dancers. Barton is very good at finding exactly what she wants. When searching for the perfect combination of dancers and music, she sounds as though she's searching for a soul mate.  Trust, she says.  I love a dancer that is interested and interesting, honest, vulnerable, open, fearless, compelling and clear. I love laughter, so a good sense of humor is great too! � But music is every bit as important to her: I celebrate and am deeply inspired by music. I listen to a lot of music and I am continually learning � and spending a lot of coinage on it!  Her work has been described as intensely musical, structurally astonishing, and emotionally moving.</p>

<p>William Briscoe, one of Ms. Barton's lead dancers and assistants since 2002, describes his experience creating with Aszure: If you're not very good at mathematics it can be difficult because of the timing and phrasing of her music. There's always an and count that you could easily miss. I'm a better teacher because of working with Aszure. I use all of the nuances in the music now, not simply the obvious. As a dancer, you never really perfect Aszure's work in the process there's always a chance for it to become more enriched through expression and practice in the studio.  Briscoe finds that he has improved as an artist on many levels with Aszure. I still feel like there's more to investigate, and we're friends too. Most of us prefer to work with friends rather than some maniacal, crazy boss.</p>

<p>The unusual opportunities that present themselves to Barton are not simply good fortune. Barton has a passion for collaborating with brilliant artists of all trades. From photographer George Lange, to the musicians of Les Yeux Noirs, to the filmmaker Kevin Freeman, she seeks out a wide array of work to stay constantly challenged and inspired. In her travels, Aszure gets to see the world from a new perspective every time and gains a fresh outlook on what it is to be a thriving artist.</p>

<p>Dealing with the financial end of the dance world is never easy, but Ms. Barton always chooses the most attractive experience over the most lucrative. Maybe that's her secret! Though it doesn't hurt to have a name like Baryshnikov behind her, Aszure is a strong, independent artist who savors every opportunity to live the choreographer's dream.</p>

<p><strong>Written by Cynthia Salgado | Photography by George Lange</strong></p>

<p><strong></strong><br />
<a title="aszurebarton.com" href="http://www.aszurebarton.com/" target="_blank">aszurebarton.com</a></p>

<p><a href="http://www.aszurebarton.com/"></a><a href="http://langephoto.com">langephoto.com</a></p>]]></content:encoded>
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		<title>Swan Cedar Lake</title>
		<link>http://www.movmnt.com/swan-cedarlake_00334.html</link>
		<comments>http://www.movmnt.com/swan-cedarlake_00334.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:31:38 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Ailey]]></category>
		<category><![CDATA[alvin ailey]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artistic director]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Beth Konopka]]></category>
		<category><![CDATA[Cedar Lake]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[DRA]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Swan Pouffer]]></category>
		<category><![CDATA[young]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/swan-cedarlake_##334.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Portrait of Benoit Swan Pouffer, artistic director of Contemporary Dance Company Cedar Lake.]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-418 alignleft" style="margin: 5px;" title="Swan Cedar Lake" src="http://www.movmnt.com/wp-content/uploads/2008/03/cedarlake.png" alt="" width="400" /></p>

<p style="text-align: justify;">When walking to the Cedar Lake studios, one feels almost like they are wandering into a New York slated for potential the streets widen, the traffic becomes less dense, and the warehouse gallery spaces occupy the ground floors of every building you pass. There is creativity in the air. movmnt recently met Artistic Director Swan Pouffer on location.</p>

<p style="text-align: justify;">The twin one-story garages that house Cedar Lake's company at 547 West 26th Street were renovated to accommodate brand new offices, lockers, a rehearsal hall, a lounge and a modern, modest, Cirque du Soleil-style interchangeable theatre. Formerly the studio of American master photographer Annie Leibovitz, the space is nothing short of any artist's dream.</p>

<p style="text-align: justify;">But none of it is more impressive than the refined and eloquent cast of characters that live, eat, sleep, and create inside of these walls. The artistic director, young Benoit-Swan Pouffer, a former Alvin Ailey dancer, is surprisingly humble for someone in his position.</p>

<p style="text-align: justify;">Cedar Lake is a company born into privileges almost unimaginable to even veteran choreographers. Backed by Nancy Laurie (a Wal-Mart heiress), Swan is able to provide his dancers extensive contracts with health insurance, as well as have his own in and classical lines of a ballet dancer in their legs and feet. There is an obvious camaraderie between the members of Cedar Lake. Even after some tumultuous restructuring of the company's direction, it seems like they are truly in this together. Even Nancy Laurie calls in at least once a week to ask Swan how everyone is doing. With a more traditional season on its way, Swan is attempting to show that the company house wardrobe department and on-call physical therapist, in addition to the new facility.</p>

<p style="text-align: justify;">More importantly, because these things are taken care of, it enables him to pursue a much needed mission in the dance world by closing the awareness gap between the dance culture of America and Europe.</p>

<p style="text-align: justify;"><a class="lightbox" title="8877" href="http://www.movmnt.com/wp-content/uploads/2009/02/8877.jpg"><img class="alignright size-medium wp-image-3157" style="margin: 5px;" title="8877" src="http://www.movmnt.com/wp-content/uploads/2009/02/8877-300x199.jpg" alt="" width="300" height="199" /></a>Parisian-born Swan essentially is a cross-cultural anomaly himself. His dance roots began at the Conservatoire National Superieur de Musique et de Danse in Paris, yet he wound up dancing for one of the most iconic American dance companies, Alvin Ailey.</p>

<p style="text-align: justify;">Even the dancers he hires possess polar qualities and must have modern tops with ballet bottoms. AÂ Translation (from that glorious lilting French accent to plain English): Swan requires his dancers to have the athleticism, strength, and expression of a modern dancer in their upper bodies combined with the grace, length, and classical lines of a ballet dance in their legs and feet.</p>

<p style="text-align: justify;">To Swan, the dancers are a palette of different colors that each bring a unique and indispensable part to the creation process.  He interacts with them by generating a movement dialog.  They build choreographic phrases together, breathing life into the steps as they form.  Swan appreciates choreography that contains a message or through line and with these dancers who were selected under his microscopic eye, he is able to truly explore his vision.</p>

<p style="text-align: justify;">With a more traditional season on its was, Swan is attempting to show that the company is taking a multifaceted approach to being an essential part of the dance community. After only two full years under their belts, Swan and rehearsal director Alexandra Damiani have been receiving reels from choreographers from all over the world. In 3x3, the upcoming winter show, Swan has chosen to showcase the works of Italian-born choreographer Jacopo Dani and Mexican born dance maker Edgar Zendejas to compliment one of his own works titled Vastav.</p>

<p style="text-align: justify;">Both Swan and Alexandra find it truly important not to stay in the box.  They agree that some people have their eyebrows raisedÂ at them not only because of their youth and the financial backing of the company, but also because of Cedar Lake's versatile style of performance. In the past, some of their shows were heavily inundated by video, some installation. The choreography is at times more hip-hop, more jazz, sometimes contemporary, and other days, ballet. People would like to define them but they want to remain indefinable.</p>

<p style="text-align: justify;">To Swan, Cedar Lake at its core is a laboratory. He has been successful in investing time to get the community involved in the creation process and dance in general. By opening the doors of the company for cost-free interactive performances a few times a month, he has been challenging the community not to notice them.</p>

<p style="text-align: justify;">Swan promises to keep investigating new ways of showing dance. By 2008, he hopes to have completed a collaborative installation project that will feature singers as well as dancers. To him dance is all I know, and even if he could not move and create in the style that comes so naturally to him, it would still be, without question, his dream.</p>

<p style="text-align: right;"><strong>Beth Konopka </strong></p>

<p style="text-align: right;"><a href="http://cedarlakedance.com/">cedarlakedance.com </a></p>]]></content:encoded>
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		<title>Death of Choreographer Maurice Bejart</title>
		<link>http://www.movmnt.com/bejart-dies_00283.html</link>
		<comments>http://www.movmnt.com/bejart-dies_00283.html#comments</comments>
		<pubDate>Thu, 22 Nov 2007 12:29:05 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[s]]></category>
		<category><![CDATA[TED]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/bejart-dies_##283.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to [...]]]></description>
			<content:encoded><![CDATA[<p>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to Switzerland where he founded the troupe in the lakeside city of Lausanne. Its 35 dancers are in rehearsals for a new production called "Around the World in 80 Minutes", to be premiered on Dec. 20 in Lausanne.</p>

<p>Famous for his provocation in the ballet world he ran the Bejart Ballet Lausanne in Switzerland. He was the son of the French philosopher Gaston Berger. Born in Marseille, France and founder of the Ballet de l'Etoile company in 1954, he created in 1960 the Ballet du XXe Siecle in Brussels.<br />
 In 1987 he moved to Lausanne in Switzerland, where he founded the Bejart Ballet Lausanne, one of the most famous and successful dance companies in the world.</p>

<p>Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images - some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character.</p>]]></content:encoded>
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		<title>Brian Friedman &#8211; Where Have You Been?</title>
		<link>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html</link>
		<comments>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html#comments</comments>
		<pubDate>Wed, 24 Oct 2007 21:08:15 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Brian Friedman]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman-where-have-you-been-2_##261.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/brian_2.jpg"><img class="alignleft size-full wp-image-3195" title="brian_2" src="../wp-content/uploads/2009/02/brian_2.jpg" alt="brian_2" width="174" height="500" /></a></p>

<p>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long gone, but he has had the privilege of working with huge stars like Britney Spears, Mya, Hillary Duff, Prince, and *NSYNC.</p>

<p>Friedman had the pleasure of choreographing a number of Britney Spears videos, such as Overprotected, Toxic,I love Rock 'n Roll, and I'm A Slave 4 U,Â which he received a nomination for outstanding achievement in music video choreography for in 2002.</p>

<p>More recent, Friedman's judging days on Simon Cowell's The X Factor has been transformed into creative directing. According to Friedman, he felt he wasn't Ã¢â‚¬Å“fulfilling [his] duties as an artistic personÂ but is more than thrilled to take on this role.Ã¢â‚¬Â What makes Friedman stand out among other choreographers? He dedicates his time to young aspiring dancers around the world, teaching them his technique. Not only do they gain confidence in their dancing, they also develop respect toward their fellow dancers. Being that he is still a young choreographer, he is a role model for aspiring professional dancers and choreographers, showing them that if they strive for what they deserve, then no one can stand in their way. Friedman is no amateur. He's been nominated for four MTV Video Music awards, two Music Video Production awards, and five American Choreography awards (ITV.com). His dance contributions to films include Bubbly Boy, Uptown Girls, She's All That, and more. In She's All That, Friedman was a dancer in an exciting scene toward the end. And, just to blow everyone off their feet, Friedman celebrated this summer the release of his new BFree apparel and footwear line with Frontline Dance/Capezio. The Elite shoe is finally available to the public. Clearly Friedman believes he has more to offer the dance world and does not lack the confidence to state it (check out his MySpace page for more info on this). He takes risks and reaps the benefits. So if you want to learn how to dance like a professional from a professional, Brian Friedman is the guy to go to.</p>

<p><a href="http://www.myspace.com/brianfriedman" target="_blank">www.myspace.com/brianfriedman</a></p>]]></content:encoded>
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		<title>NY Times article on how dance is taking over!</title>
		<link>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html</link>
		<comments>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html#comments</comments>
		<pubDate>Sat, 07 Jul 2007 05:54:18 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[POP CULTURE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_##164.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Copyright NY Times Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves By STUART ELLIOTT New York Times (July 6, 2007) MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music. The goal of marketers like Apple, Carnival [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/nytimes.jpg"> <br />
 Copyright NY Times</a></p>

<p style="text-align: justify;"><strong>Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves<br />
 </strong>By STUART ELLIOTT<br />
 New York Times (July 6, 2007)</p>

<p style="text-align: justify;">MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music.</p>

<p style="text-align: justify;">The goal of marketers like Apple, Carnival Cruise Lines, the Church &amp; Dwight Company, Gap and the nation's milk processors is to take advantage of a renewed interest in dance in the popular culture.</p>

<p style="text-align: justify;">The trend is typified on TV by highly rated series like "Dancing With the Stars" and "So You Think You Can Dance," as well as movies like â€œHigh School Musicalâ€ on the Disney Channel, which is spawning a sequel next month.</p>

<p style="text-align: justify;">In theaters, dance is a central part of films like "Dreamgirls," "Hairspray, "Mad Hot Ballroom," "Shall We Dance," "Step Up" and "Take the Lead," among others.</p>

<p style="text-align: justify;">"Dance is universal; it's something everyone relates to," said Stacey Feldman, vice president for marketing of the women's health and personal care brands at Church &amp; Dwight in Princeton, N.J.</p>

<p style="text-align: justify;">The Nair product line sold by Church &amp; Dwight is the subject of a campaign by the Joey Agency, centered on a dance routine that was created and choreographed by Fatima Robinson. She was the choreographer for "Dreamgirls" as well as the pilot episode of "Viva Laughlin," a series about a Nevada casino that made the CBS fall schedule.</p>

<p style="text-align: justify;">"The MTV generation of kids is so used to quick stimulation," Ms. Robinson said, offering her theory about the increasing presence of dance in ads.  "You have to keep up with what the kids are used to."</p>

<p style="text-align: justify;">Dance's appeal beyond ballrooms and school gymnasiums "comes in waves, like every five years," Ms. Robinson said.  "It reinvents itself."</p>

<p style="text-align: justify;">Indeed, a commercial for Nair, which can be watched on television and a Web site (nairlikeneverbefore.com), pays tribute to a predecessor from the 1970s featuring a routine danced to the novelty song â€œShort Shorts."</p>

<p style="text-align: justify;">Likewise, two recent commercials by Laird &amp; Partners for the Gap division of Gap - featuring terpsichorean turns by Audrey Hepburn, Claire Danes and Patrick Wilson - arrived nine years after a celebrated series of dance-centric Gap spots with titles like "Khaki swing," "Khaki a-go-go" and "Khaki country."</p>

<p style="text-align: justify;">"Like denim and khakis, dance and music are part of our brand heritage," said Kimberly Terry, a spokeswoman for Gap in San Francisco.  "We will continue to reinvent how we incorporate dance in future advertising."  In an example of the continuous recycling of pop culture made possible by the Internet, video clips of the dancing 1998 Gap commercials can be watched on Web sites like google.com.</p>

<p style="text-align: justify;">The swing spot, presenting a gaggle of khaki-clad youngsters performing a frenetic dance to "Jump, Jive an' Wail" by Louis Prima, has been viewed more than 62,800 times since it was posted on Google last August.</p>

<p style="text-align: justify;">Speaking of recycled culture, the release on July 20 of the movie version of the Broadway musical "Hairspray" - itself based on a nonmusical film from 1988 - is being supported with a dance-oriented campaign, seeking to capitalize on numbers in the movie that are based on dances from the early '60s.</p>

<p style="text-align: justify;">The company that is releasing "Hairspray," the New Line Cinema division of Time Warner, is teaming up with promotional partners like the Arthur Murray dance studios and the Carnival Cruise Lines unit of the Carnival Corporation.</p>

<p style="text-align: justify;">For instance, New Line is sponsoring "Hairspray" sock hops for teenagers on Carnival ships and is sending the ships' dance instructors and cruise directors DVDs with lessons demonstrating "Hairspray" dances, which bear fanciful names like the Peyton Place After Dark.</p>

<p style="text-align: justify;">"We've raised a generation on musicals, most notably Disney productions like 'The Lion King' and 'Beauty and the Beast,'" said Lance Still, executive vice president for national promotions at New Line in Los Angeles.</p>

<p style="text-align: justify;">It is the same generation, Ms. Still said, "that is becoming very fluent in tuning out advertising messages delivered in traditional ways," hence the efforts to gain attention with dance-related marketing.</p>

<p style="text-align: justify;">Among the other examples of Madison Avenue busting a move are the dance campaign for the Apple iPod that began appearing in 2003, created by TBWA/Chiat/Day, part of the TBWA Worldwide unit of the Omnicom Group, and the milk mustache print ads featuring cast members of "High School Musical" and "Dancing With the Stars," created by the Lowe Worldwide division of the Interpublic Group of Companies.</p>

<p style="text-align: justify;">"Our difference with other nonalcoholic beverages is a nutritional difference, but telling the nutrition story is not always the most exciting thing," said Kurt Graetzer, chief executive at the Milk Processor Education Program in Washington, which finances the milk mustache campaign.</p>

<p style="text-align: justify;">"Having a celebrity tell that story, especially one you might have just seen on TV or in a movie, is a wonderful way to get an important message across," he added.</p>

<p style="text-align: justify;">Besides, to be a great dancer, "you've got to be healthy, you've got to be strong," Mr. Graetzer said, so having dancers endorse milk helps deliver that message in a deft, low-key way.</p>

<p style="text-align: justify;">Hmmmm. Could Astaire and Rogers have danced cheek to cheek in swing time if they were sporting make-believe dairy mustaches?</p>

<p style="text-align: justify;"><a href="http://www.nytimes.com/2007/07/06/business/media/06adco.html?ex=1341460800&amp;en=10988f00f09d7b6a&amp;ei=5124&amp;partner=digg&amp;exprod=digg">read more</a> | <a href="http://digg.com/news/entertainment/Five_Six_Seven_Eight_Madison_Avenue_Shows_It_Still_Loves_the_Right_Move">digg story</a></p>]]></content:encoded>
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		<title>In Bed with Mia Michaels: The Photo Shoot</title>
		<link>http://www.movmnt.com/backstage-mia_00146.html</link>
		<comments>http://www.movmnt.com/backstage-mia_00146.html#comments</comments>
		<pubDate>Tue, 12 Jun 2007 09:33:39 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Mia Michaels]]></category>
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		<category><![CDATA[Photo Report]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/backstage-mia_##146.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Mia Michaels, choreographer, outspoken judge on So You Think You Can Dance brings you within her creative world in this unique photo editorial for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft size-medium wp-image-7979" style="margin: 5px;" title="In bed with Mia" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt4_14.jpg" alt="" width="450" />For Mia Michaels, it's all about the process. When she agreed to be the subject of a movmnt fashion editorial, she naturally had her own vision in mind. The choreographer and outspoken judge of FOX's So You Think You Can Dance now in its third season, invites you into her private suite and her dreams. Here is an exclusive backstage preview of the photo shoot featured in movmnt magazine summer 2007 issue.</p>
<p>Mia Michaels is a regular columnist for movmnt magazine she collaborated creatively to the entire story along with photographer Koury Angelo, Stylist Gino Tavernaro, Hair stylist MichaelAnthony, Broadway make-up artist Jorge Vargas and movmnt's Editor in Chief David Benaym.</p>
<p style="text-align: center;"><strong>In Bed with Mia...</strong></p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201006161005" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fsort%3D%26screenName%3D%26id%3D1779856%3AAlbum%3A21632%26tag%3D%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-4852%253A9abd0cb_323_286_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/photo/photo">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />]]></content:encoded>
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		<title>Brian Friedman&#8217;s 30th Birthday with Frontline and movmnt magazine</title>
		<link>http://www.movmnt.com/brian-friedman_movmnt_00141.html</link>
		<comments>http://www.movmnt.com/brian-friedman_movmnt_00141.html#comments</comments>
		<pubDate>Sat, 02 Jun 2007 12:18:49 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Danny Tidwell]]></category>
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		<category><![CDATA[Travis Wall]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman_movmnt_##141.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Hollywood, CA - May 29th 2007 - Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.</p>
<p style="text-align: justify;">The well known dance apparel and shoe maker Capezio and Frontline Dance presented Brian Friedman's Bfree launch while 30th Birthday party and release of his BFree apparel and footwear collection.</p>
<p style="text-align: justify;">Brian  Friedman has choreographed some of the most popular and groundbreaking music videos and performances such as Britney Spears, Paris Hilton, Mya, PRINCE, *NSYNCs, Beyonce, Usher, Pink, Brittany Murphy, Hilary Duff, Christina Milian and many more.  As a dancer, his silver screen credits include both "Charlie's Angels" and "Charlie's Angels: Full Throttle", "You Got Served", "She's All that", "Austin Powers Gold Member", "Uptown Girls", and more.  This TV season, he can be seen overseas, starring in Simon Cowell's hit UK show, "Grease Is the Word".  Friedman has been nominated for 4 MTV Video Music Awards, 2 Music Video Production Awards and 5 American Choreography Awards. He also tours around the world mentoring thousands of students and teaching his own dance technique. This young trendsetter just launched his first merchandise, apparel and shoe line by Frontline Dance. The total design of the BFree shoe and apparel collection was inspired and developed by Brian Friedman in conjunction with Sean Philip of 1981 Design and FL by Frontline.</p>
<p style="text-align: justify;">In Summer of 2007, the Brian Friedman celebrity apparel collection will debut and be introduced for dance enthusiast everywhere.</p>
<p style="text-align: justify;">movmnt magazine was a proud sponsor of the event that took place in Hollywood Tuesday May 29th 2007. Friends of Brian Friedman, along with talented and famous dancers, choreographers and TV personalities attended the event. Where seen on the red carpet, Debbie Allen, Blake McGrath, Travis Wall, Ivan Koumaev, Jay Rodriguez, Yvette Lopez and Shannon Rae Bex among many more guests.</p>
<p style="text-align: justify;"><a title="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" rel="attachment wp-att-151" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/spiegel-logo"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmntthumbnail.jpg" alt="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" /></a>
Brian Friedman presenting his BFree Frontline Shoes</p>
<p style="text-align: justify;"><a title="Danny Tidwell and David Benaym - co-founders of movmnt magazine" rel="attachment wp-att-149" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/absinthe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_1thumbnail.jpg" alt="Danny Tidwell and David Benaym - co-founders of movmnt magazine" /></a>
Danny Tidwell and David Benaym - co-founders of movmnt magazine</p>
<p style="text-align: justify;"><a title="Debbie Allen and Danny Tidwell" rel="attachment wp-att-146" href="http://www.movmnt.com/backstage-mia_00146.html"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_7thumbnail.jpg" alt="Debbie Allen and Danny Tidwell" /></a>
Debbie Allen and Danny Tidwell at Brian Friedman's Party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga holding movmnt magazine" rel="attachment wp-att-147" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/danny-tidwell-travis-wall-subscribe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_11thumbnail.jpg" alt="Melody Lacayanga holding movmnt magazine" /></a>
Melody Lacayanga (SYTYCD#1) holding movmnt magazine at Brian Friedman's Birthday party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" rel="attachment wp-att-148" href="http://www.movmnt.com/?attachment_id=148"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_25thumbnail.jpg" alt="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" /></a>
So You Think You Can Dance Melody Lacayanga, Travis Wall and Ivan Koumaev holding the new issue of movmnt magazine</p>]]></content:encoded>
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		<title>Broaden/Broadway Your Mind &#8211; Column by Mia Michaels</title>
		<link>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html</link>
		<comments>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html#comments</comments>
		<pubDate>Tue, 22 May 2007 22:51:44 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Spring 07]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/broawayden-your-mind-by-mia-michaels_##126.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;"><img class="aligncenter size-full wp-image-3476" title="Broaden Your Mind by Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2007/05/broadenmia.gif" alt="" width="432" height="320" />I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose. I remember the men and women that pranced into the theater dressed in the finest garb, dripping in diamonds, furs, and anything else they could showcase on the way to their sacred red velvet seats. It was a big deal to be there. I remember watching in amazement and feeling the powerful wave of magic that poured from the lips of the stage directly through the viewers and right into my young, open, hungry heart.<br />
 The voices, the movement, the story, the experience marinated in my every pore for hours, days, perhaps even weeks after, which in turn kept me inspired and more on fire to achieve my dreams for the rest of the year until I came back to the Big Apple next summer. Sigh. (smile)</span></p>

<p style="text-align: left;"><strong>Here we are now: 2007</strong></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">As I walk into yet another Broadway show, I see men and women wearing the casual thing jeans, tee shirts, sneaks, looking like everyone just came from a long day's work, perhaps the gym. Maybe they just finished shooting a Gap ad. No, they would have had makeup on then. They walk down the once sacred aisles to their seats as if they are being sent by their parents to go clean their rooms before they can go outside and play. There was more energy around the bar in the lobby than in anticipation of the show about to begin. The expectancy of mediocrity was contagious. Where was the excitement? Where were the electricity and the fire that used to burn down that regal red curtain before the show even began? It's Broadway, people!!! Wake up! What year is it again? 2007! Dance, music, story, and style have evolved, or have they?</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Oh, wait! It's another revival! Oh, that's right. It's safe. It worked twenty years ago, so why not now? Yeah, it works. Keep it! Again and again, and perhaps again. Don't get me wrong. The history of Broadway is not to be criticized nor disrespected! The brilliance and the talent from the past have led us to where we are now. So why does it feel like the torch that was to be passed on somehow got put out? We as creators, directors, writers, composers, and choreographers need to take a good hard look and realize it is our duty to keep that fire growing within us and within our community. We have got to keep it blazing like they did in the days of original shows and original creators such as Fosse, Robbins, Bennett, Bernstein, and so many more. They strived to create the newness at that time. They pushed the envelope with style, power, and grace. We laughed, we cried, and we sung and danced right out of the theater. They didn't hold back and edit their dreams. It was the truth inside them. It was their unique voice.</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Where are those creators now? Where are those with that unique burning voice? The theatres themselves are crying out to be blessed again with risk and danger, with great theatrical creations. No more playing it safe. I want the newness. I want the broad way of thinking again. Oh, wait, maybe that's just me! (Sigh)</span></p>

<p style="text-align: right;"><span style="font-size: x-small; font-family: verdana,geneva;"><span style="font-size: small;"><strong>Mia Michaels</strong></span><br />
 <a href="http://www.miamichaels.com">miamichaels.com</a></span></p>

<blockquote><p style="text-align: justify;"><span style="font-size: x-small; font-family: verdana,geneva;">* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.</span></p></blockquote>]]></content:encoded>
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		<title>Raw by Mia Michael &#8211; That&#8217;s Beautiful</title>
		<link>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html</link>
		<comments>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 01:43:56 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytyvd]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/raw-mia-michael-winter2006_##27.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Why do we dance? Why does our body want to move and pulse when music invades our ears? Choreographer Mia Michaels tells it raw, in her Movmnt Magazine column.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="aligncenter" style="margin-top: 5px; margin-bottom: 5px;" src="http://www.movmnt.com/wp-content/uploads/2006/11/mia4colors.gif" alt="Mia Michaels" width="491" height="280" />Why do we dance? Why does our body want to move and pulse with every rise and fall of the music that invades our ears? Are we a product of a the thousand and one classes and a lifetime of training, or is dance a purely instinctual and primal experience that hapens internally only when we allow it? I would only hope that both reasons intertwined with respect and nurturing are the answer. Or is it a gift that's given by a much higher power than ourselves? That would be beautiful.</p>
<p style="text-align: justify;">Allowing movement to come through us in the form of pure energy and onto a highly trained yet raw instrument is what defines the ultimate "dancer." One that knows how to pull from technique and also when to leave technique alone and head straight to the heart of the matter. One that knows how to pull from the rawness and humanness that would drip from their own personal journey through this world and allows the real movement to come from the inside out. That is beautiful.</p>
<p style="text-align: justify;">It is so easy to hide behind steps; it's much deeper than that. Our goal should not just be to perfect what a choreographer gives us but also to allow our own unique voice as a dancer artist to come through and marry to the energy of the choreographer. That is beautiful.</p>
<p style="text-align: justify;">Then again, let's think about some of the most simple and beautiful images of dance. A young child is jumping freely to music, laughing and giggling with such purity and with no fear of judgment. An older couple, fragile yet safe in each others arms, slowly try to keep up with their favorite song from a time earlier in their lives as they reminisce through all the years with each step. That is beautiful.</p>
<p style="text-align: justify;">If everyone danced from their heart and purity of spirit, using free movement as a daily practice and meditation, there would be no more wars. I believe every breathing thing has been given the gift of dance and movement. So let go, take that deep breath and dance! That is beautiful!</p>
<p style="text-align: right;"><strong>Mia Michaels</strong> - <a title="Mia Michaels web site" href="http://www.miamichaels.com">miamichaels.com</a></p>
<p style="text-align: center;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>
<p style="text-align: center;"><img id="beqq6" style="width: 102px; height: 128px;" title="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" src="../wp-content/uploads/2007/10/coverissue2.gif" alt="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" width="130" height="50" /></p>
<p style="text-align: center;">[quickshop:Issue 2 - Winter 06:price:5.95:shipping:2.00:end]</p>]]></content:encoded>
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		<title>Smooth Operator: Choreographer Marty Kudelka</title>
		<link>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html</link>
		<comments>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 00:08:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Christina Milian]]></category>
		<category><![CDATA[emil wilbekin]]></category>
		<category><![CDATA[Janet Jackson]]></category>
		<category><![CDATA[Jennifer Lopez]]></category>
		<category><![CDATA[Justin Timberlake]]></category>
		<category><![CDATA[Marty Kudelka]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Pink]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/smooth-operator-marty-kudelka_##25.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.]]></description>
			<content:encoded><![CDATA[<div style="text-align: justify;"><img class="size-full wp-image-3438 alignleft" style="margin: 5px;" title="Marty Kudelka" src="http://www.movmnt.com/wp-content/uploads/2006/11/kudelka.gif" alt="Marty Kudelka" width="300" height="576" />When the 2006 VMAs opened at Radio City Music Hall in New York City in early September, all eyes were on Justin Timberlake. He was gliding across the floor with precision and ease, riding the beat to his new single "My Love." With contemporary flow and freestyle urgency, Timberlake hypnotized the audience. He has once again teamed up with choreographer Marty Kudelka, 32, to help make his performance nice and smooth. Kudelka has worked with everyone from Michael and Janet Jackson to Pink, Jennifer Lopez, and Christina Milian. This Dallas native, who now resides in LA, was always moving as a kid, playing basketball, football, BMX, and skateboarding. But it was the 1984 film Breakin' which inspired him to become a dancer. We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.</div>
<blockquote style="text-align: justify;">
<p style="text-align: justify;"><strong>You've worked with some of the biggest stars in the world, what's that like?</strong></p>
</blockquote>
<p style="text-align: justify;">It's cool. I never thought ahead of time, 'Oh this is what I want to do, choreograph for celebrities.' I think that's what plays into what I do now. I've had great artists to work for and I've had artists like 'Wow, I wish I would have never met this person.' When people ask me who the best person I've ever worked for, I'd have to say Justin. He's such an artist himself, who can sing, dance, produce, and everything else. I don't have to water my choreography down. I can teach him what I teach the best dancers in the world. And he can do it. He's the only person I've been able to do that with. That's like a dream come true.</p>

<blockquote style="text-align: justify;"><strong>What can we expect from Justin this time around?</strong></blockquote>
<p style="text-align: left;">We are trying to be creative about the tour coming up. The tour is going to be a little bit more grown-up, which is how the album is. He's becoming more of an artist instead of just a dancer. The music is insane. This album is going to be like Off the Wall. It's the closest album that I can compare to that. You can listen to the whole album straight through. There may be a little less dancing on the tour, but the dancing that exists will be a lot more special. I'm excited to see it.</p>

<blockquote style="text-align: justify;"><strong>When you say less dancing and more special, what does that mean?</strong></blockquote>
<p style="text-align: left;">We just shot the video for the second single "My Love."  It's going to be insane. It's so simplistic, but it has so much stuff in it. It's going to be really cool. People heard "SexyBack"Â and they didn't like it at first, and then the video came out and they expected to see dancing. I loved it at first, but now I really love it after hearing it a billion times. (laughs) But once "My Love"Â comes out, I think everyone is going to forget everything else. This is what they want to hear and this is what they want to see.</p>

<blockquote style="text-align: justify;"><strong>You really choreograph for the music versus just creating a routine. What's more important, the music or the moves?</strong></blockquote>
<p style="text-align: left;">I am inspired by some other dancers like Swoop and Rob Vincent, and some other people when I was coming up freestylin'. I would see them freestylin' and they would do the song better than anyone. Better than someone doing steps and tricks. These guys knew the song so well. I was like "Wow, this is so cool."Â I started doing that with choreography rather than freestylin'. Whether I'm in the studio with the artist or not, I study the song. I listened to "My Love"Â for almost three weeks before I ever choreographed one step to it. That's one thing that I am confident enough to know that I bring to the table, compared to other choreographers. I will never ever just say, "Okay, I'm gonna make up a routine and put it to this song."  I'm the most humble guy in the world, but that is my strong point. I try to dissect the music. We dance because we like the music. I may as well know it as good as the artist. It's just about the music.</p>
<strong>Your choreography is very subtle. It's almost like the dancers are hovering and gliding. How would you describe your style?</strong>
<p style="text-align: left;">That's just my style, which is about being smooth, floating almost. Other people might be funky or might be harder or sharper, cracking their neck all over the place. If I were to put on a song and freestyle myself, I think it's more smooth, which gives it that floating feel. When I look for dancers, they don't have to dance just like me, but I definitely need for them at some point to be smooth and floating. That's how a majority of the choreography will be.</p>
<strong>Who inspires you and your choreography?</strong>
<p style="text-align: justify;">There are people who tell me that I inspire a whole movement with my choreography, which is insane for me to think. But there are definitely people who I look at who are like my proteges, these 17-, 18-, or 19-year old choreographers who are insane. When I see them, I see some touches of what I would have done or that my peers would have done, but these guys are taking it to the next level. There is definitely so much style and they're adding the technical aspects like four pirouettes into some breaking shit. It's insane to me because they have the musicality as well. I could be inspired by someone walking down the street or a go-go dancer. It's about their swagger. Anybody who's dope, I want to see them.</p>
<p style="text-align: right;"><strong>Interview by Emil Wilbekin</strong> for <em>movmnt magazine</em></p>
<p style="text-align: right;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>Travis Wall &#8211; Portrait of the Young Man as an Artist</title>
		<link>http://www.movmnt.com/mia-michaels-calling_00350.html</link>
		<comments>http://www.movmnt.com/mia-michaels-calling_00350.html#comments</comments>
		<pubDate>Sun, 18 Oct 2009 14:32:47 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[fame]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Travis Wall]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/mia-michaels-calling_##350.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels column for movmnt magazine. Mia is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox's So You Think You Can Dance.]]></description>
			<content:encoded><![CDATA[<p> <p><br class="spacer_" /></p></p>
<p><p><br class="spacer_" /></p> <b>Ordering Zopiclone without prescription</b>, [caption id="attachment_8210" align="alignleft" width="253" caption="* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You,Â created in 2006 for Fox&#39;s So You Think You Can Dance, <b>Connecticut CT Conn. </b>. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.Â Mia Michaels: The Calling - first published in movmnt magazine &quot;Got Fame?&quot; Issue - Fall 2007Â "]<a class="lightbox" title="Mia Michaels: The Calling - Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2009/10/miathecalling.jpg"><img class="size-medium wp-image-8210" title="Mia Michaels: The Calling - Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/10/miathecalling-253x500.jpg" alt="Mia Michaels: The Calling - first published in movmnt magazine &quot;Got Fame?&quot; Issue - Fall 2007" width="253" height="500" /></a>[/caption]</p>
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<p><p style="text-align: justify;"><span style="font-family: arial,helvetica,sans-serif;">It's a time of mediocrity, <b>αγοράσετε Zopiclone</b>, not too much dignity or integrity on screens all over America. I am one of those so-called instant celebrities in the world's eyes, <b>ordering Zopiclone without prescription</b>.  <b>New Jersey NJ N.J. </b>, It just happened over night. I dropped out of the sky and became a big-name choreographer with a face. The funny thing is I am just Mia doing what I have been doing for the last 25 years, <b>buy Zopiclone without prescription</b>, but now I am MIA.  <b>Buy cheap Zopiclone online</b>, Very funny and very strange.</span></p></p>
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<p><p><img class="aligncenter size-full wp-image-7858" title="Mia Michaels Featured in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/05/miacalling.jpg" alt="" width="550" height="263" /></p></p>
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		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
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<p style="text-align: justify;">The Japanese native began her design career with the determination to construct an outfit a dancer wouldn’t have to pull, tug, or adjust during a rehearsal or performance. She traded a toaster for a sewing machine and started sketching different designs of leotards in her spare time, <b>order Modalert online without prescription</b>, <b>Colorado CO Colo. </b>, experimenting with a variety of stretchy fabrics for all shapes and sizes. Her vision and patience for perfection paid off when she finally created a leotard she could wear to class, <b>buy Modalert online</b>.  <b>Cheap Modalert overnight delivery</b>, Her fellow dancers envied Yumiko’s style and began begging for their own; this marked the beginning of a second career.</p><br />
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		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
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<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
<p><strong>Teddy Forance</strong>: I’m really focused on performing while I am young to get as much experience as possible. My ultimate goal would be to travel around the world exploring every style of dance, <b>Rabatt kaufen Modalert</b>. Whether it’s a tribe in Africa or in class in New York or L.A, <b>order Modalert online cheap</b>.  <b>Cheap Modalert</b>, I want to investigate all inspirations that this artform has to provide -- finding the roots of dance.</p><br />
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<p><strong>TF</strong>: To be in a show that Mia Michaels creates from scratch. She is my biggest inspiration and I would love to see what would happen if her direction and choreography were put on the same stage, <b>acheter Modalert bon marché</b>.  <b>Arkansas AR Ark. </b>, Lately I have been working on getting back into as much ballet class as I can to transform myself into a whole new dancer, which will give me the opportunity to audition for contemporary dance companies around the world.</p><br />
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<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
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<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
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<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
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<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
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		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
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<p><p style="text-align: justify;">Take Criss Angel. You don’t have to like him or what he does to be intrigued by the passion he has for his art. This magician, illusionist, escapologist, and stunt performer possibly best known for his A&amp;E Network series Criss Angel Mindfreak, has focused on creating magic since he was just seven years old, <b>buy Testosterone Anadoil cheap</b>. He’s devoted his life to following in the footsteps of Harry Houdini, taking on the job of disproving the notion that supernatural psychic abilities exist while constantly trying to prove he can accomplish mind over matter, and create illusions, if not actual magic.</p></p>
<p><p><img class="alignright size-full wp-image-5126" style="margin: 5px;" title="Chris Angel Believe in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel6.jpg" alt="" width="196" height="314" /></p></p>
<p><p style="text-align: justify;">Some may say what Angel does isn’t art at all, but sheer craziness. There are acts like the vanishing Lambourghini, <b>Alabama AL Ala. </b>, the disappearing and reappearing elephant, and the five needles and thread swallowed that appear (threaded no less) out of his belly-button. That’s magic, or at least the art of illusion as we tend to know it, <b>order Testosterone Anadoil</b>. Then comes the other totally crazy stuff he does. Who in their right mind lies down on a bed of broken glass and lets a steamroller drive over him up to his waist. Who asks someone to run into him with their car?</p></p>
<p><p style="text-align: justify;">And who stands around to watch. I had a hard time keeping my eye on the computer screen long enough to watch the YouTube videos of Angel per forming these “stunts.” I can’t speak for others.  <b>Order Testosterone Anadoil</b>, Maybe they are simply thrill seekers. Maybe they like the experience of a, well, <b>New Hampshire NH N.H. </b>, mindfreak. Or maybe they watch for the exact reason Angel performs: because of the feeling his performance gives them.</p></p>
<p><p style="text-align: justify;">All good art elicits a feeling. We connect on an emotional level with a painting, movie, dance, or performance.  <b>Kjøpe Testosterone Anadoil</b>, Angel calls this “the magic of emotion,” and he hopes the members of his audience will connect with his performance emotionally, and then reflect on their own lives. For him, getting people to experience his art in this fashion represents “the truest form of magic.” In fact, it’s Houdini’s form of magic that he emulates, <b>order Testosterone Anadoil</b>. He likes to tell of how Houdini’s escape from a straitjacket might have provoked the response within someone that they, too, could leave behind the constraints of their life.</p></p>
<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
<p><p><img class="alignleft size-full wp-image-5127" style="margin: 5px;" title="crissangel5" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel5.jpg" alt="" width="290" height="356" /></p></p>
<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
<p><p style="text-align: justify;">He didn’t think the show was possible, <b>Buy Testosterone Anadoil overnight delivery</b>, yet he held onto the script for all that time. And he held the idea in his head and in his heart, <b>order Testosterone Anadoil</b>. When given the opportunity, he told someone about it — but not just anyone. He told someone who had already proven he had that same artistic fire and drive, someone who had created a world of art all his own. Somewhere deep inside, Angel knew his idea was not only a good one, but that it was, <b>acheter Testosterone Anadoil</b>, indeed, possible. Otherwise he would have simply ditched it and moved on.</p></p>
<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
<p><p><img class="alignright" style="margin: 5px;" title="Chris Angel" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel3.jpg" alt="" width="300" /></p></p>
<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
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<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
<p><p><img class="size-full wp-image-5129 alignleft" style="margin: 5px;" title="crissangel4" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel4.jpg" alt="" width="210" height="143" /></p></p>
<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
<p><p style="text-align: right;"><strong>Nina Amir</strong></p></p>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>The fight between the Music Industry and the Dance World in their battle for Hip Hop's legacy. Featuring Tony Testa, Jaquel Knight for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify; font-variant: small-caps;"><img class="aligncenter" style="border: 0pt none; vertical-align: baseline;" title="Hip to the Game, <b>Buy Sleep Aid cod</b>, the battle for hip hop legacy" src="http://www.movmnt.com/wp-content/uploads/2008/12/hip-to-the-game-feature.jpg" alt="Hip to the Game, the battle for hip hop legacy" width="100%" />Let’s take it back to the ‘70s. It was a time when Nixon scandalized a nation, women were fighting for equal rights, and disco was the preferred style of dance. But something else was happening on the streets of New York and California—hip-hop dance was born. The first black and Latino dancers were popping and locking on the West Coast while their East Coast counterparts, <b>Purchase Sleep Aid online</b>, early b-boy’s and b-girl’s, were breaking and up-rocking. During this time Afrika Bambaataa, gangster turned DJ, also outlined the four elements of hip-hop as DJing, MCing, graffiti art, <b>halvalla Sleep Aid apteekki</b>, and breaking. Thirty years later, we see a style of dance that has evolved so far from its humble beginnings—it is primetime now in movies and television—but not so far that it has lost its roots.</p><br />
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<p style="text-align: justify;">In its origins, hip-hop was largely a subculture and a form of style and expression developed by urban minorities, <b>buy Sleep Aid cod</b>. But now it has become part of the mainstream. Street talk, dress, and music have all become an undeniable influence on American culture.  <b>Mississippi MS Miss. </b>, In 2003, the Oxford English dictionary added “phat,” “jiggy,” ”dope,” and “breakbeat” to the online updates of its dictionary. Slang terms like “bling” and “baby mama” are now so colloquial you can hear them on the news.  <b>Buy Sleep Aid cod</b>, Clothing trends like tracksuits and hoodies are no longer limited to rappers’ gear, but are worn by everyone. Hip-hop style has become so prevalent that Jay-Z has his own clothing label, <b>buy Sleep Aid online without prescription</b>, 50 Cent his own shoe line, and Diddy his own fragrance—and that’s just the tip of the iceberg.</p><br />
<p style="text-align: justify;">Hip-hop music has risen to a new level of prominence. Violence, selling drugs, and life on the streets have mistakenly characterized the genre until recently.  <b>Sleep Aid pills</b>, Now it has expanded its scope and become relatable to a wider variety of people, so much so that it has made the crossover into pop music.</p><br />
<p style="text-align: justify;">Without the music, the dance wouldn’t be possible since hip-hop dance is so essentially linked to the beat. You can’t find a Billboard top-ten chart these days that is not dominated by hip-hop artists. Commonly, Kanye West and Lil Wayne are chart-toppers, <b>buy Sleep Aid cod</b>. The legitimacy of the music has paved the way for hip-hop dance to take center stage. But this wasn’t always the case. In the ‘90s, <b>Sleep Aid pharmacy</b>, dance took a back seat to the slower beats and vocal sounds of gangsta rap. But now, hip-hop dance is back.</p><br />
<p style="text-align: justify;"><img class="alignleft" style="margin: 5px; border: 1px solid black;" title="Deana Brickley and Jaquel Knight" src="../wp-content/uploads/2009/02/monsters_spread1.jpg" alt="Deana Brickley and Jaquel Knight" width="320" height="200" /></p><br />
<p style="text-align: justify;">An entire category of songs, based around hip-hop dance, is urging people to get up and move.  <b>Buy Sleep Aid cod</b>, Many of today’s tracks are named after particular dances, representing what goes down in dance studios and clubs across the country.  <b>Sleep Aid discount</b>, The dirty South has come to the forefront of hip-hop in the twenty first century. Songs like “Lean Wit It, Rock Wit It” released by Dem Franchise Boyz in 2005, and Unk’s “Walk It Out” from 2006 are evidence of how ATL gets crunk. In 2006, DJ Webstar and Young B brought us the hit “Chicken Noodle Soup,” a dance that originated in Harlem and was an evolution of the Harlem Shake, <b>Colorado CO Colo. </b>. On the West Coast, E-40 put the spotlight on the hyphy movement in the Bay Area with his 2006 single, “Tell Me When to Go.” Artists are not only giving people something to dance to but they are also telling them how to do it.</p><br />
<p style="text-align: justify;">Television, music videos, feature films, <b>Order Sleep Aid pills</b>, and the internet have fundamentally changed the way people interact with new media. These modes of communication have given viewers greater access to hip-hop dance and helped to make it more widespread, <b>buy Sleep Aid cod</b>. In the early ‘80s, the first music videos were created. This visual accompaniment to music originally played 24/7 on MTV, and transported contemporary dance directly into homes across the country. MTV’s <em>TRL</em> and BET’s <em>106 &amp; Park</em> maintain viewer participation by calling for the home audience to vote for their favorite videos. As hip-hop and pop videos take over these countdowns, <b>Illinois IL Ill. </b>, teens are engaged by the moves of artists like Chris Brown and Beyoncé, not just their music.  The videos also popularize the work of new choreographers and professional dancers by exposing them to the public.</p><br />
<p style="text-align: justify;"> <b>Buy Sleep Aid cod</b>, In April of 2008, MTV launched a series of shows in order to celebrate the twentieth anniversary of <em>Yo. MTV Raps</em>, the show that brought hip-hop to the masses. <em>Dances From Tha Hood</em>, <b>Cheap Sleep Aid online</b>, part of this anniversary series, offers step-by-step dance tutorials, and can still be accessed through television OnDemand and through its website. YouTube and MySpace, with direct communication through blogs, chats, and uploaded videos, <b>order Sleep Aid from canada</b>, have become forums for aspiring dancers to showcase their talent and connect with a larger network of artists and fans.</p><br />
<p style="text-align: justify;">A plethora of blockbuster hip-hop dance movies have come out in recent years in contrast to <em>Wild Style</em> in 1983, the first of its kind, and <em>Breakin’</em> which came out in 1984. Both catered to a very small market. Today’s dance movies are reflective of the reach of hip-hop dance, <b>buy Sleep Aid cod</b>. In 2001, <b>Comprare Sleep Aid sconto</b>, <em>Save the Last Dance</em> explored the racial divide that hip-hop has been able to overcome; in 2006, <em>Step Up</em> demonstrated the inspiring and transformative power of dance. In 2007, <em>How She Move</em> and <em>Stomp the Yard</em> brought stepping onto the scene, a style of dance where the body is used as an instrument. Even Disney has selected the hip-hop choreographer Jamal Sims for the upcoming <em>Hannah Montana: The Movie</em>, scheduled to be released in 2009.</p><br />
<p style="text-align: justify;"><img class="alignright" style="margin: 5px; border: 1px solid black;" title="Tony Testa in movmnt magazine" src="../wp-content/uploads/2009/02/monsters_spread2.jpg" alt="Tony Testa in movmnt magazine" width="320" height="200" /></p><br />
<p style="text-align: justify;">Hip-hop dance has been able to monopolize another contemporary genre of mass media: the reality TV show, <b>Sleep Aid cheap</b>. In particular, Fox’s <em>So You Think You Can Dance</em> and MTV’s <em>America’s Best Dance Crew</em> have put hip-hop dancing out there in a big way.  <em>So You Think You Can Dance </em> <b>Buy Sleep Aid cod</b>, premiered in 2005 and encourages dancers from all backgrounds, including street and hip-hop, to compete. Bringing these styles together in a competition that also features ballroom dancing, ballet, and jazz helps to legitimize hip-hop dance as a serious form of expression.  <b>Order Sleep Aid</b>, The dancers on these shows are black, white, Latin, Asian and Filipino signifying just how far across cultural, social, economic, and geographical boundaries this style of dance has traveled.</p><br />
<p style="text-align: justify;"><em>America’s Best Dance Crew</em>, <b>New York NY N.Y. </b>, produced by American Idol judge Randy Jackson, premiered in February of 2008. It is a street dance crew competition that is judged by rapper Lil Mama, JC Chavez of ‘NSync, and hip-hop choreographer Shane Sparks.  <b>Buy Sleep Aid cod</b>, It has already gone into a second season. The viewership was so high that on Thursday night primetime it held the number one spot among 12-34 year olds across all cable networks, <b>buy Sleep Aid cod</b>. Viewers are encouraged to participate by voting for their favorite crew and following them on the show’s website. Reality television has created the impression that anyone can be a star, but now people with real talent have more opportunities to perform and be discovered.</p><br />
<p style="text-align: justify;">The first all hip-hop dance convention was created in 2002 by Andy Funk, his wife, Becky, and her sister Angie Servant, <b>For Sleep Aid online</b>. Andy’s background in business, and Becky and Angie’s experiences on the dance competition circuit gave rise to Monsters of Hip Hop, which provides a diverse offering for aspiring hip-hop dancers of all ages across the country. The conventions offer classes that teach dance, the history of hip-hop, <b>Buy Sleep Aid without prescription</b>, and the business of using a dance talent agent.  <b>Buy Sleep Aid cod</b>, Stage shows, lectures, and seminars round out the convention.</p><br />
<p style="text-align: justify;">Monsters uses some of the best choreographers in the business to teach hip-hop, popping, locking, and street jazz. Janet Jackson, Jennifer Lopez, Justin Timerblake, Beyoncé, Mariah Carey, and Usher are just a handful of the artists that Monsters’s staff has worked with, <b>comprar Sleep Aid baratos</b>. Andy explains that since the organization was formed their mission has been to “create real career opportunities for hip-hop dancers.” They haven’t strayed from their mission but the convention is changing with the times. “We are now launching the first all-contemporary dance convention. So, we are expanding the Monsters way of doing dance conventions to a totally different genre of dance,” Andy notes. In 2009, Monsters plans to host conventions in Cancun, Mexico and Auckland, New Zealand, venturing abroad for the first time.</p><br />
<p style="text-align: justify;">Along with major cities like Chicago, Los Angeles, and New York, Monsters conventions are held in places like Worcester, MA, New Brunswick, NJ, and Reston, VA, <b>buy Sleep Aid cod</b>.  <b>Cheap Sleep Aid no prescription</b>, Dance conventions brought hip-hop to a teenager out in rural Fort Collins, Colorado, now renowned choreographer Tony Testa. After taking tap classes, Tony became skilled at jazz , ballet, lyrical, <b>Nebraska NE Nebr. </b>, and contemporary dance through conventions. Taught by some of the greatest choreographers out there, Tony was most inspired by Brian Friedman, and caught “the bug.” When Monsters launched, he was there to participate in the first convention and has since risen the ranks to become a Monsters staff choreographer.</p><br />
<p style="text-align: justify;"><img class="alignright" style="vertical-align: baseline; border: 1px solid black; margin: 5px;" src="../wp-content/uploads/2009/02/monsters_spread3_imgonly.jpg" alt="Tony Testa, <b>Kaufen Sleep Aid</b>, Jaquel Knight, and Bernardo Carmona as seen in Movmnt Magazine" width="316" height="400" /></p><br />
<p style="text-align: justify;">Given his first job doing choreography for Aaron Carter through a convention, Tony’s story speaks to the success of the convention circuit. He was also discovered by Janet Jackson at age sixteen through a low budget choreography reel he put together and distributed at conventions.  <b>Buy Sleep Aid cod</b>, Tony is just one of many Monsters’s dancers or choreographers now in the spotlight. <em>So You Think You Can Dance</em> finalists Ivan Koumaev and Donyelle Jones from Season 2, and Cedric Gardner, Lauren Gottlieb and Sara VonGillern from Season 3 have all danced at Monsters, <b>Utah UT </b>. Faculty choreographer Dave Scott worked on the movies <em>Stomp the Yard</em> and <em>You Got Served.</em> Dancer and choreographer Tucker Barkley is featured in the new national McDonald’s/Coke commercial...and the list goes on and on.</p><br />
<p style="text-align: justify;">Most recently Tony had the honor of directing the 2008 Monsters yearly showcase in LA—he was once selected for the show as a dancer, then later as a choreographer, and has come full circle as the show’s co-director. Only twenty-one years old, Testa uses his technical dance training as a way to push the boundaries of hip-hop.  <b>Buy Sleep Aid online</b>, He has choreographed commercials for Sony and Skechers as well as music videos for Janet Jackson and the all-girl group Danity Kane.  Nickelodeon chose him to choreograph a modern day <em>American Bandstand</em> called <em>Dance on Sunset</em> that premiered in March of 2008, <b>buy Sleep Aid cod</b>. Though he’s still young Tony has been dancing since he was eight years old. He has been established long enough in the industry to have witnessed some real changes.</p><br />
<p style="text-align: justify;">Reflecting on the rise of hip-hop dance, Tony makes an insightful comparison, “you could almost compare hip hop to the way dance has been. It has been in the background for a long time and now we’re seeing a time again where dance is in the foreground. People want to see dance for the art of it. I think hip-hop is a little bit like that. In a sense the underdog is kind of coming up right now.”</p><br />
<p style="text-align: right;"><strong>STORY:</strong> Lauren Brown</p><br />
<p style="text-align: right;"><strong>PHOTOGRAPHY:</strong> Koury Angelo<strong> </strong><a href="http://www.kouryangelo.com/" target="_blank"><em>kouryangelo.com</em></a></p><br />
<p style="text-align: right;"><strong>ASSISTANT PHOTOGRAPHERS:</strong> Zach Fleming - Barrett Sweger <strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>STYLIST: </strong>Joshua Rhorer - <a title="eunicestyleinc.com" href="http://www.eunicestyleinc.com " target="_blank">eunicestyleinc.com</a></p><br />
<p><a title="eunicestyleinc.com" href="http://www.eunicestyleinc.com " target="_blank"></a></p><br />
<p style="text-align: right;"><strong>HAIR AND MAKE UP:</strong> David Rodriguez<strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>LOCATION: </strong>El Portal Theatre - Los Angeles, CA <strong> </strong></p><br />
<p><strong> </strong></p><br />
<p style="text-align: right;"><strong>PRODUCTION CREW ON SET: </strong>David Benaym, Anjuli Bhattacharyya</p><br />
<p style="text-align: right;"><strong>PERFORMERS/CHOREOGRAPHERS FEATURED: </strong></p><br />
<p style="text-align: right;"><strong> </strong>Jaquel Knight, Tony Testa, Bernardo Carmona, Tiffanie Burgess, Jillian Myers, Deana Brickle - <a title="Monsters of Hip Hop" href="http://www.monstersofhiphop.com" target="_blank"><em>monstersofhiphop.com</em></a></p><br />
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		<title>Cheapest Zopiclone Online</title>
		<link>http://www.movmnt.com/alisan-porter_001823.html</link>
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		<pubDate>Fri, 05 Dec 2008 18:40:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<category><![CDATA[A Chorus Line]]></category>
		<category><![CDATA[Alisan Porter]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1823</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Dancer, choreographer, teacher, TV, film and Broadway star - Alisan Porter shares her experiences of being a child star and finding herself as a performer.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="background-color: #ffffff;"><img class="aligncenter size-full wp-image-2112" title="The Truth About Alisan Porter" src="http://www.movmnt.com/wp-content/uploads/2008/11/alisanporter.jpg" alt="" width="594" height="240" /></span></p><br />
<p style="text-align: justify;"><span style="background-color: #ffffff;"> <b>Cheapest Zopiclone online</b>, At first glance you may not think you know Alisan Porter. In fact you probably do.  <strong>So let's play Jeopardy.</strong></span></p><br />
<p style="text-align: justify;">Question: First known as Curly Sue, she has transeed the child star stigma to become a well-rounded woman establishing herself as a theatrical performer, <b>Nebraska NE Nebr. </b>, dancer, and musician.<span> </span><span style="font-size: small; color: #ff0000; background-color: #ffffff;">Answer: Who is Alisan Porter?</span></p><br />
<p style="text-align: center;"><strong>Column written by Alisan Porter for Movmnt Magazine - First published in December 2008</strong></p><br />
<p style="text-align: justify;">Growing up in three places can sometimes be too much for a kid.  <b>Zopiclone discount</b>, For me it was a blessing. Each place had a profound influence on my artistic development and shaped me into the artist I am today.<em> </em>In my hometown of Worcester, Massachusetts I learned to dance and had my earliest experiences in “the Studio.” In Los Angeles, I became an actress and worked in TV and Film, <b>Florida FL Fla. </b>.  In Connecticut, I developed my knowledge of music, songwriting, and love of the theater, <b>cheapest Zopiclone online</b>.  Each experience helped me get one step closer to answering the question, “Who is Alisan Porter?”</p><br />
<p style="text-align: justify;">At age five, <b>Ohio OH </b>, I was the youngest person to appear on <em>Star Search</em> and was a five time Junior Vocalist Champion.  The experience catapulted me into a career in film and television.  Over the next ten years, I worked for some of the biggest directors and brightest stars in Hollywood, <b>ordering Zopiclone online legally</b>. My “claim to fame” happened when I was cast in the John Hughes film <em>Curly Sue,</em> at the age of ten.  <b>Cheapest Zopiclone online</b>, As a child, I felt I was doing exactly what I was meant to do; I could not have imagined doing anything else.  <b>Kjøpe Zopiclone online</b>, But, as the buzz from <em>Curly Sue </em>wore off, so did my desire to do film.  After years of working as a child, <b>New Jersey NJ N.J. </b>, I decided it was time for a break, so my family and I moved to Connecticut to try suburban life.</p><br />
<p style="text-align: justify;">Luckily, <b>Maryland MD Md. </b>, my high school had an amazing theater program.  I remember transforming: from a little scared freshman who people only knew as “the ‘Curly Sue’ girl,”  to a confident theatrical performer, walking the stage as “Anita” in <em>West Side Story</em>, <b>Hawaii HI </b>.  The role made me feel empowered, and I gained respect from my peers. It was then that I knew that I was still a performer, <b>cheapest Zopiclone online</b>.  <b>Zopiclone without a prescription</b>, I rediscovered my passion, but instead of wanting to perform for the camera, I desired to be in front of a live audience. This desire, <b>North Carolina NC N.C. </b>, along with my love of dance led me to be an avid competition kid—I thrived, and loved my summers in NYC or Orlando at Dance Masters of America (DMA), <b>Pharmacy Zopiclone</b>, or Showbiz Nationals. I will never forget those years of my life where I found my best friends and created some of my fondest memories. I can't even begin to explain the treasures I hold from those memories.</p><br />
<p style="text-align: justify;">After high school, my life was filled with a whirlwind of experiences, <b>buy Zopiclone</b>.  <b>Cheapest Zopiclone online</b>, My family moved back to LA, and I stayed on the East Coast and performed in <em>Footloose</em> on Broadway.  I then moved to Malibu to chase a surfer dude, taught dance at a wonderful studio, <b>Order Zopiclone c.o.d.</b>, started a band, played Miriam in <em>The Ten Commandments</em> at the Kodak Theater, recorded my first record, spent four years playing music in Los Angeles, <b>acheter Zopiclone bon marché</b>, and did a plethora of musicals and random shows.  Then, <b>Alabama AL Ala. </b>, in 2006, I moved back to New York because I was cast in the revival of <em>A Chorus Line</em> on Broadway, to play the same role that my mother had 30 years before. I finished <em>A Chorus Line</em> a year and a half later, <b>cheapest Zopiclone prices</b>, spent four months in the city losing my mind, and then finally came back to California.</p><br />
<p style="text-align: justify;">Here I sit in my apartment in the San Fernando Valley, <b>Where to buy cheap Zopiclone</b>, twenty six years old, semi-accomplished, wanting so much more, and yet thrilled with what I have already accomplished, <b>District of Columbia DC D.C. </b>. I look at my past, and sometimes feel like that child is not me. It feels as if I am a mother watching my child grow up, <b>cheapest Zopiclone online</b>.  <b>Buy Zopiclone pills</b>, Now, I look in the mirror and I see an average woman who likes to cook, who lives to dance, and who loves her sisters and dog more than anything else, <b>buy Zopiclone no prescription</b>.  I see someone who sometimes would just rather sit at home and watch <em>Lost</em> than perform for a crowd of people.  But then I remember—deep within me there is a burning desire to reach beyond that third balcony to God, <b>Købe Zopiclone</b>, to the top of the world, and just bare my soul. I know I cannot live without that feeling.</p><br />
<p style="text-align: justify;">I often reflect about who exactly I am.  <b>Cheapest Zopiclone online</b>, It is sometimes hard for other people to see me as anything but Curly Sue.  I ask myself if they know I’m a dancer, <b>Delaware DE Del. </b>.  A choreographer.  A teacher.  <b>αγοράσετε Zopiclone</b>, Do they know I write my own music and play with my own band. Do they know I have struggled with addiction and am now proudly a sober woman, <b>cheapest Zopiclone online</b>. Yes, even I didn’t escape the child star curse. To me, <b>Zopiclone pills</b>, all these things make up who I truly am.  I know that all the things that I have been through, all the ups and downs, could never stop me from moving forward as an artist.  The music I write reflects who I am, who I have been, and who I want to be.  <b>Cheapest Zopiclone online</b>, The choreography I create stems from human experience, love, and passion for life. To me, the most important way to go through life is to stay open, honest, and willing to change.</p><br />
<p style="text-align: justify;">When I feel connected with the Universe and free myself from my worries, I thrive and have the ability to achieve anything I set my mind to.  Life constantly keeps me on my toes, never calling on the phone to let me know it’s coming. It just shows up. It can be so hard to stay in the moment, not allowing my feet to move ahead of my brain, or vice versa.  How do I stay present and connected. Simple. When I am on stage performing, I am fully engaged in the present moment, the world could fall down around me and I wouldn’t miss a beat. I try to live my life this way—every moment counts and everything that we live can be turned into art, if we have the audacity to try to improve the world and make it a better place to live and to create.<strong> A.P.</strong></p></p>
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		<pubDate>Mon, 24 Nov 2008 20:40:27 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>With over three-dozen music videos and television shows under her belt, Laurieann Gibson has a choreography and performance resume to admire.]]></description>
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<p><p style="text-align: justify;"><img class="right" style="margin: 5px; float: right;" title="Laurieann Gibson" src="../wp-content/uploads/2008/11/laurieann2.jpg" alt="Laurieann Gibson" width="282" height="600" />During the influx of dance-related movies in the past few years, Gibson served not only as choreographer for 2003’s hit <em>Honey, <b>cheap Zopiclone tablets</b>, <b>Köpa billiga Zopiclone</b>, </em> starring Jessica Alba, but also played a role in the film, <b>Louisiana LA </b>.  <b>Zopiclone without prescription</b>, The movie’s story is similar to her own – a dancer with big dreams and the path that leads her to the top.</p></p>
<p><p style="text-align: justify;">After <em>Honey,</em> Gibson continued to find herself in front of the camera. For three seasons of Diddy’s reality series <em>Making the Band,</em> Gibson worked as on-air choreographer for the show’s contestants.  Only after a highly publicized on screen blowout between Diddy and Gibson, involving rumors of thrown chairs, did Gibson say “no more.”</p></p>
<p><p style="text-align: justify;">One may wonder if that falling out was perhaps meant to be, <b>farmacia Zopiclone baratos</b>. Since then, Gibson has been able to delve into even more projects and create a more prominent name for herself. She is becoming the star. And now, with a singing career on the rise (her first single “Addictive” came out earlier this year) and an interest in fashion speeding off, the words “dream big” ring true.</p></p>
<p><p style="text-align: justify;">Most recently, Gibson became the face of Frontline, Capezio’s line of hip-hop clothing and footwear. The products – a blend of comfort and style, girly with an urban touch – are reminiscent of the young, fresh and fun spirit that Gibson embodies.</p></p>
<p><p style="text-align: justify;">At this rate, it appears as though Gibson’s resume will be never ending. Who knows what she will do tomorrow or where she will show her face. But with the drive she has, and the talent to match, it's no wonder people are beginning to realize Gibson is “addictive.”</p></p>
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		<pubDate>Tue, 18 Nov 2008 01:05:41 +0000</pubDate>
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				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1863</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Choreographers Tabitha &#038; Napoleon are gaining visibility in the commercial world and helping to bring the industry to a wider audience through popular culture.]]></description>
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		<pubDate>Sun, 16 Nov 2008 02:46:27 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Ray Mercer, one the many performers of Disney's Lion King on Broadway, choreographs his on work on fellow "King" dancers, and even get Disney's support.]]></description>
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		<link>http://www.movmnt.com/intw-andy-blankenbuehler_001169.html</link>
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		<pubDate>Thu, 28 Aug 2008 06:41:22 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Andy Blankenbuehler]]></category>
		<category><![CDATA[Best Choreography]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[In The Heights]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[Tony award]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=1169</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>The key to the success of In the Height is its authenticity. This is how the choreographer of the show, Andy Blankenbuehler descibe his creative quest. As part of movmnt's cover story with the cast of the Musical that spices up broadway this year, Jayzel Samonte took the time to interview Andy just a few weeks before he won his Tony for best choreography.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="font-size: 13.2px;"><a href="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg"><img class="size-full wp-image-1274 aligncenter" title="Andy Blankenbuelher" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg" alt="Andy Blankenbuelher" width="594" height="240" /></a></span></p><br />
<p style="text-align: center;"><strong><span style="font-size: medium;"><span style="font-family: tahoma, <b>Order Zopiclone online</b>, arial, helvetica, sans-serif;">Interview with Tony Award winner, Andy Blankenbuehler, choreographer of <em>In the Heights</em>, the musical.</span></span></strong></p><br />
<p style="text-align: center;"><a class="lightbox" title="Andy Blankenbuehler" href="http://www.movmnt.com/wp-content/uploads/2008/08/andy.png"><img class="alignnone size-large wp-image-1171" title="Andy Blankenbuehler" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-540x800.png" alt="" width="540" height="800" /></a></p><br />
<p style="text-align: left;"><span style="color: #800000;"><strong>In The Heights features a good amount of street dancing; did you cast performers with non-traditional dance backgrounds?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;"><em><strong>Andy Blankenbuehler</strong></em><em>:</em> Our dancers don’t have traditional dance backgrounds. We cast the show to be very much like a street show, <b>Order Zopiclone from canada</b>, so these dancers are very good at what they do - better than I am at what they do. They’re not traditional musical theater dancers- they’re really talented so they’ve done a bunch of Broadway shows, but this is more their forte, <b>ordering Zopiclone without prescription</b>. They specialize in different things, <b>Buy Zopiclone cheap</b>, like Luis is a really great salsa dancer and is familiar with lots of different Latino styles, whereas there are other dancers in the show who are more specialized in hip hop. As a choreographer I try to pull their strengths out of them and really use their personality, <b>acheter Zopiclone bon marché</b>. The challenge for me when I started was I didn’t have a lot of experience choreographing hip-hop or salsa, <b>order Zopiclone online</b>. I understood what needed to happen in terms of storytelling, <b>New Mexico NM N.Mex. </b>, and my vocabulary is diverse, but hip hop was sort of an extreme that I hadn’t choreographed in, so I had a lot of research and pre-production to do to figure out how to choreograph vocabulary that I wanted, <b>Osta Zopiclone online</b>. The cast was great because I would do a step, <b>Zopiclone</b>, and if the step wasn’t perfect, by the time they added their own things to it, it brought the show to life.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>Can you tell us more about the importance of authenticity in a show like</strong><strong><em> In The Heights</em></strong><strong>?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">We had to figure out what was authentic...and it’s a very deep question for the show, <b>αγοράζουν online Zopiclone</b>. Part of the authenticity was making it look like real people in the city; people who have daily struggles, <b>Acquistare online Zopiclone</b>, people who have to take the subway, people who are hot because it’s in the middle of a heat wave. Then there’s another kind of authenticity, <b>California CA Calif. </b>, which is that the show is very much about Latino heritage.  <b>Order Zopiclone online</b>, [The creators] wanted attention paid to the specifics of their cultural dances, so that was another level.  <b>New Hampshire NH N.H. </b>, And then a third level of authenticity was that musically we live in a very contemporary world in the show, so authenticity for that meant that the dancing had to look like what the audience was hearing, because for the general audience who sees the show, <b>buy Zopiclone without prescription</b>, they don’t know anything about hip hop.  <b>Cheap Zopiclone online</b>, They’re more of a traditional audience, so if they could see what they’re hearing, it’ll make more sense to them.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>What was the process like for you?</strong></span></p><br />
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<p style="text-align: justify;"><span style="color: #800000;"><strong>The style of choreography is very contemporary, was it important for you to create something that was also timeless?</strong></span></p><br />
<p style="padding-left: 30px; text-align: justify;">I think structurally, we created a musical that’s not so much timeless, but a very accessible forum. So if somebody is 65 years old and they’re Jewish and they usually see a show like Gypsy, they’ll go to our show and they’ll still be able to take in the show as if it were a normal Broadway musical. Structurally that was the first step in creating a show that would appeal to a lot of people but was also in a sense, timeless.  I felt like the show needed to be really tight, the syncopation and movements very specific and chiseled. As the musical has a life, that timing will remain true to the music. If movement is big or flamboyant, it starts to become generic. The fact that our rhythms are very chiseled creates a structure in the show that makes the audience pay attention.</p><br />
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<p style="text-align: center;"><img class="size-medium wp-image-637" title="movmnt 7 - Summer 08" src="http://www.movmnt.com/wp-content/uploads/2008/06/movmnt7-240x300.jpg" alt="Cover movmnt 7 - summer 08" width="100" height="127" /></p><br />
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		<pubDate>Sun, 10 Aug 2008 03:18:36 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[special events]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Hip-Hop]]></category>
		<category><![CDATA[Kevin Maher]]></category>
		<category><![CDATA[Monsters of Hip-Hop]]></category>
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		<category><![CDATA[Tabitha and Napoleon]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1047</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Monsters of Hip Hop presents Journey of an Underdog, directed by Tabitha and Napoleon Dumo in Los Angeles August 15th and 17th. The So You Think You Can Dance choreographers will feature the professional debut of over 15 dancers.]]></description>
			<content:encoded><![CDATA[<p> [caption id="attachment_1054" align="aligncenter" width="592" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<img class="size-full wp-image-1054" title="monster hip hop show banner" src="http://www.movmnt.com/wp-content/uploads/2008/08/monsterbanner.png" alt="monster hip hop show banner" width="592" height="238" /></dt></dl></div></p>
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<p><div class="mceTemp"><dl id="attachment_1049" class="wp-caption alignleft" style="width: 310px;"><dt class="wp-caption-dt"><a class="lightbox" title="Tabitha &amp; Napoleon in Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
<p><p>Monsters of Hip Hop: The Show brings together the dance industry's finest choreographers with up and coming dancers for a professionally produced, <b>New Hampshire NH N.H. </b>, <b>Where to buy cheap Zopiclone</b>, Broadway-caliber show.  It gives the dancers an opportunity to showcase their talent for both the public and industry representatives including artists, agents and producers, <b>cheap Zopiclone from mexico</b>. Contributing choreographers include: Marty Kudelka (Justin Timberlake), <b>Wisconsin WI Wis. </b>, <b>Buy Zopiclone online cheap</b>, Popin’ Pete (Electric Boogaloos), Chuck Maldonado (Chris Brown), <b>Illinois IL Ill. </b>, <b>Cheapest Zopiclone online</b>, Rhapsody (Cassie), Chonique Sneed, <b>acquistare online Zopiclone</b>, <b>Washington WA Wash. </b>, Teresa Espinosa (Miley Cyrus), David Moore, <b>Zopiclone prices</b>, <b>Osta Zopiclone online</b>, Brian Friedman (So You Think You Can Dance), Luther Brown and more.</p></p>
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<p><p style="text-align: justify;">The show is a spin-off of the highly successful Monsters of Hip Hop Conventions, <b>Texas TX Tex. </b>, <b>For Zopiclone online</b>, which have steadily grown in popularity and prestige over the past 5 years. Since its debut in 2005, the show provides selected dancers from the Convention tour with the opportunity to work in Los Angeles with the Monsters’ faculty and special guests before performing at the famed El Portal Theatre.  Finalists from each city are videotaped for the chance to be in The Show; at the conclusion of the tour the Monsters’ faculty reviews the audition footage to select the cast.</p></p>
<p><p style="text-align: justify;">Last year's show, "Roadtrip", changed the lives of many of the cast members. One story stood out : 18 year old dancer Sophia Aguilar signed with BLOC Agency right after the show ended. Holding her plane ticket back to Miami in her hand, she was immediately flown to New York City for an MTV Video Music Awards performance with Beyonce. “We were very excited that we had fulfilled our mission to help dancers with the passion, drive and ability to find a path to success in the industry,” states co-founder Andy Funk. “Everyone who attends the Monsters of Hip Hop Convention has this opportunity.”</p></p>
<p><p style="text-align: justify;">Movmnt is a proud partner of Monsters of Hip Hop, the show, and will offer every spectator with a copy of the latest issue of the magazine that includes a portrait of the show's artistic directors Tabitha and Napoleon D'umo.</p></p>
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		<pubDate>Thu, 10 Jul 2008 19:51:02 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[MUSIC]]></category>
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		<category><![CDATA[NEWS]]></category>
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		<category><![CDATA[So You Think You Can Dance]]></category>
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		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[fame]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=649</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels' 4th column for movmnt magazine: "Your reality is your reality. Your perception is your perception.  Whatever your truth is, it is. Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference?"]]></description>
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<img class="size-full wp-image-650 alignleft" style="margin: 5px;" title="Mia Michaels - Confession of a Choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/07/miapic.jpg" alt="" width="254" height="400" /><br />
<p class="MsoNormal" style="text-align: justify;"><span>My reality is my perception of my existence...I’m not sure if my reality is exactly where I would like it to be...I wish I could see all the blessings I have in my life at every minute of every day.  Why is it always so difficult to perceive reality with positivity. Always inadequacy...</span></p><br />
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<p class="MsoNormal" style="text-align: right;"><strong>Mia Michaels - <em><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">miamichaels.co</a></span></span><span style="text-decoration: none;"><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">m</a></span></span></span></em></strong></p></p>
<p><blockquote><address style="text-align: right;"><span style="font-family: 'andale mono', times;"><span style="font-size: small;">* </span></span><span style="font-family: 'andale mono', times;"><span style="font-size: small;">Mia Michaels</span></span><span style="font-family: 'andale mono', <b>buy Zopiclone online without prescription</b>, times;"><span style="font-size: small;"> is a world-renowned </span></span><a class="st_tag internal_tag" title="Posts tagged with Choreographer" rel="tag nofollow" href="http://www.movmnt.com/tag/choreographer"><span style="font-family: 'andale mono', <b>Cheap generic Zopiclone</b>, times;"><span style="font-size: small;">choreographer</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;">. She was recently awarded her first </span></span><a class="st_tag internal_tag" title="Posts tagged with Emmy Award" rel="tag nofollow" href="http://www.movmnt.com/tag/emmy-award"><span style="font-family: 'andale mono', <b>Mississippi MS Miss. </b>, times;"><span style="font-size: small;">Emmy Award</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;"> for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for Movmnt since its inception.</span></span></address></blockquote><br />
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]]></content:encoded>
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		<title>The Art of Questioning &#8211; Jiri Kylian</title>
		<link>http://www.movmnt.com/jiri-kylian_0018.html</link>
		<comments>http://www.movmnt.com/jiri-kylian_0018.html#comments</comments>
		<pubDate>Sun, 30 Mar 2008 21:32:52 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Jiri Kilian]]></category>
		<category><![CDATA[movmnt]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/jiri-kylian_0018.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>In 2006, Jiri Kylian sat down with movmnt to share the process, the discovery, and the rewards of creating new works to the world from a seasoned perspective.]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_3144" align="aligncenter" width="500" caption="Jiri Kylian by Victoria Krassa for Movmnt"]<a href="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg"><img class="size-full wp-image-3144" title="Jiri Kylian by Victoria Krassa for Movmnt" src="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg" alt="Jiri Kylian by Victoria Krassa for Movmnt" width="500" height="618" /></a>[/caption]

<p><br class="spacer_" /></p>

<p style="text-align: justify;">While in Montreal presenting a documentary about his career, choreographer Jiri Kylian sat down with David Benaym  to share the process, the discovery, and the rewards of creating and presenting new works to the world from a seasoned perspective.</p>

<p style="text-align: justify;"><strong>Do you ever prepare movement on yourself before coming to the studio, or do you do it all with the dancers?</strong></p>

<blockquote><p style="text-align: justify;"><strong> </strong>When I was very little, twelve or thirteen, I used to go home, lock myself in the room, put on music, and improvise until I fell on the floor exhausted. That's how it all started. Later, because of insecurity and lack of experience, you try to prepare yourself thoroughly. You don't want to be exposed. Illustration: Victoria A. Krassa interview But as you get older, there is more to fall back on. As I get older, I prepare myself physically much less as far as vocabulary and steps are concerned because I want to give the creation a chance.</p></blockquote>

<p style="text-align: justify;"><strong>After so many years of creating, when do you get excited in the process? </strong></p>

<blockquote><p style="text-align: justify;">It varies. If you have a daunting task like making a full evening piece, it is terrifying before it gets exciting. And I always question myself. Do I have something to say for one and a half hours? Can I keep the interest of the audience? Then I become modest and timid and I get afraid that I don't live up to my own expectations. That's the sickness of people around fifty because your choices are so much sharper and limited. Your self-reflection is much greater and your possibilities are likewise fewer. I am happy that I have so much support from the people around me. That is phenomenal. I should not complain about this at all.</p></blockquote>

<p style="text-align: justify;"><strong>What is the most exciting moment of the process? How important is the applause to you? </strong></p>

<blockquote><p style="text-align: justify;">It is not an easy thing to say because we all like applause. In a way, stage presentation is about appreciation. You give something to the public and you want to get appreciation in return. We make our work not for ourselves but for the public. Of course, at first you don't make any compromises to the public,  but you take some of it into the creation process. Many of my colleagues don't work like that. They think, I don't care about the public. I make what I like. I don't agree with this arrogant state of mind. For me, the most important moment is the moment of discovery. You work in the studio with the people you feel good about and suddenly there is a movement, the wink of an eye, a touch that is discovered. This is good, this is the beginning, from here we can go on. This enriches the human soul. These moments are the most important of all. These are the moments I live for. There will be people that like my pieces and are touched by them, and there will be people that don't see anything in them. I don't mind if people don't understand my work because, actually, I don't understand it myself and I never did. You know, sometimes I see myself as an instrument. I don't know where things are coming from. Not that I find myself a medium, but I have often had the experience of being quite surprised by the result of my work. That is so exciting! Maybe many of my later works are full of questions more than answers, but I find it extremely exciting to be able to come nearer to the question to which I am pretty sure there are no answers. But just to be able to ask the questions I find very exciting.</p></blockquote>

<p style="text-align: right;"><strong>Interview by David Benaym </strong></p>

<p style="text-align: right;"><strong> </strong>First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>In Bed with Mia: A Midsummer Daydream</title>
		<link>http://www.movmnt.com/in-bed-with-mia_0016.html</link>
		<comments>http://www.movmnt.com/in-bed-with-mia_0016.html#comments</comments>
		<pubDate>Wed, 19 Mar 2008 20:23:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddie Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/in-bed-with-mia_0016.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>A midsummer daydream with Choreographer Mia Michaels in an exclusive movmnt fashion shoot first published summer 07]]></description>
			<content:encoded><![CDATA[<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-427" title="In Bed with Mia: A Midsummer Daydream" src="http://www.movmnt.com/wp-content/uploads/2008/03/inbedwithmia2.jpg" alt="" width="575" height="385" /></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">Photography by Koury Angelo - Text by Mia Michaels</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">IN MY BED... I DREAM IN BETWEEN THE SHEETS OF WHAT CAN BE.</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-375" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia.jpg" alt="" width="400" height="344" /></p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I LIVE I<img class="size-full wp-image-377 alignright" style="border: 0pt none; margin: 5px;" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia3.jpg" alt="" width="213" height="280" />NSIDE THE ROYALTY OF MY OWN PERSONAL CASTLE.I BREATHE IN MY OWN ESSENCE AS I CRY LAVENDER TEARS THAT NEVER STAIN.</p>

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<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THE KNOWING... THE COMING... FALL ON ME... FALL ON ME... FALL...THANK U 4 LIFE... THANK U 4 BREATH... THANK U 4 THE UNDENIABLE LUV I FEEL FROM U...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THANK U 4 PICKING ME UP WHEN I FALL... TO THEN SET ME UP YET ONCE AGAIN</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em"><img class="size-full wp-image-376 alignleft" style="border: 0pt none; margin: 5px;" title="Mia Michaels, Teddie Forrance" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia2.gif" alt="" width="211" height="400" />TO SHINE BRIGHTER THAN B4... THANK U 4 MY THEN... THANK U FOR THE GIFT OF DARK SHADOWS THAT KEEP ME CHALLENGED... U MAKE ME DANCE... U MAKE ME FREE... U MAKE ME, ME... I WILL SWALLOW THE GIFT OF NOW AND MARINATE.</p>

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<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: left;">I AM MERELY A CHOSEN VESSEL... I AM... DANCE WITH ME FOREVER</p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=200910310158" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedForContributor%3FscreenName%3Di0mrvz46c9hd%26mtime%3D1256768312%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-2910%253A25ea8a1_293_256_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/main/authorization/signIn?target=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="alignnone" style="margin: 5px; vertical-align: bottom;" title="MIA MICHAELS" src="http://farm1.static.flickr.com/167/447706116_98e7abf615_s.jpg" alt="MIA MICHAELS" width="75" height="75" /><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html"></a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html">IN BED WITH MIA PHOTOS ALBUM</a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">First published in movmnt magazine "Hotel Lifestyle" Summer 2007 issue</p>

<p style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; text-align: left; padding: 0.5em;"> </p>]]></content:encoded>
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		<title>Roger Jeffrey, The Eternal Quest for Inspiration</title>
		<link>http://www.movmnt.com/roger-jeffrey_0037.html</link>
		<comments>http://www.movmnt.com/roger-jeffrey_0037.html#comments</comments>
		<pubDate>Wed, 12 Mar 2008 06:14:23 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Roger Jeffrey]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/roger-jeffrey_##37.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Roger C. Jeffrey, Artistic Director of Subtle Changes, describes himself ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession. Conversation...]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_403" align="aligncenter" width="575" caption="Roger Jeffrey, the eternal quest for inspiration"]<a class="lightbox" title="Roger Jeffrey, choreographer" href="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png"><img class="size-full wp-image-403" title="Roger Jeffrey, choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png" alt="Roger Jeffrey, the eternal quest for inspiration" width="575" height="385" /></a>[/caption]

<p>His voice rings with the excitement of what he has done and the anticipation of what he has yet to do. Clearly, Roger C. Jeffrey, Artistic Director of Subtle Changes, will accomplish all of his goals. He describes himself as ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession.  What often begins with Roger's dancers in a New York City studio merely sets the framework for his finished project. Wherever he travels to set choreography, he loves getting to know his dancers, their movement, and their strengths. He uses everything from writing to movement to poetry to find the inspiration for a finished piece. He has learned to love the process, not just the result.  One ballet, The Statement 7th Draft, took seven years to complete a testament to his patience. It was revised each time it was performed, demonstrating Roger's emphasis on the process of choreography.  By the time it reached the seventh draft, it was presented as a tribute to the immortal Gil Scott-Heron, culminating in three sold out performances in Brooklyn, New York.  In 2005, he traveled to Bulgaria to set a small piece on Ballet Arabesque.Caught up in the enthusiasm, culture, and high standard of the dancers, it ended up being a fifty-minute ballet.  This past year, he worked with the Cleo Parker Robinson Dance Company in Denver, creating a ballet to take on tour.  Roger is always searching for new sources of inspiration in both performance and choreography. Several years ago, he had the rare opportunity to work and dance with the legendary Mikhail Baryshnikov.  He describes Baryshnikov as one of the most amazing and inspiring dancers in the entire world.Roger's goals are realistic yet ambitious to dance, to continue learning, and to create one or two ballets a year.  He is looking forward to setting pieces for Orlando Ballet and the Washington Ballet in the near future.  I just love dance, he told movmnt.  There is no doubt about that!<strong>Sally Canterna</strong><strong> </strong>First Published in movmnt magazine "Out of Line" - Spring 2007 - issue 3</p>

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		<title>Living the Choreographer&#8217;s Dream, Aszure Barton</title>
		<link>http://www.movmnt.com/aszure-barton_00335.html</link>
		<comments>http://www.movmnt.com/aszure-barton_00335.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:42:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Aszure Barton]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Michael Baryshnykov]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/aszure-barton_##335.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city. Even after the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-3155" title="aszurebarton" src="http://www.movmnt.com/wp-content/uploads/2009/02/aszurebarton.jpg" alt="" width="500" height="328" /></p>

<p>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city.  Even after the recent New York debut performance of Come In with one of the greatest dancers of our time, Mikhail Baryshnikov, Barton does not allow the pressures of having to produce and live up to expectations stand in the way of her love for creation. I followed her through a whole year to understand why.</p>

<p>In March 2006, Barton choreographed The Threepenny Opera, her first Broadway musical.  Creating for  he ever-nimble and delightful stage veteran Jim Dale, and for the hot-blooded duo Cindy  Lauper and Alan Cumming, was a crazy and fun experience, she says. In fact, the  entire cast of Threepenny was wild!</p>

<p>The following summer, Barton created Come In with Baryshnikov  and the Hell's Kitchen  Dancers and toured with them  around the U.S. and Spain, where she also performed a duet with the legendary ballet star, in a work choreographed by Benjamin Millepied. Working with Misha is wonderful, she says. He is very positive and relentless, and he loves  the creative process. It has  been an absolute pleasure to  work with him and I am thrilled  to know him.</p>

<p>Baryshnikov took Barton under  his wing when the two  met in 2002. Believing her to  be a fresh, arresting, and  fascinating choreographer, he offered Barton his first residency  at the Baryshnikov Arts Center in 2005, and has continued to support her career by performing her works for two consecutive years.Preoccupied  with performances at Hell's Kitchen Dance, she  took her then four-year-old  company, Aszure &amp; Artists, to  Jacob's Pillow in Massachusetts, the Summer-dance Festival in Santa Barbara, and the Spoleto  Festival in Charleston. They performed Over/Come, Sweet  Dream, Short-Lived, and Lascilo Perdere (containing Bartons infamous duet in which a couple remains locked together by the man's tongue and the woman's teeth for four and a half powerfully sensual minutes). Rave reviews followed everywhere she went.</p>

<p>Barton then took seven intense weeks in the fall of 2006 to create les Chambres des Jacques for Les Ballets Jazz de Montreal, the company for whom she once danced and now serves as its resident choreographer.  The dancers in the company and my assistant, Ariel Freedman, were hugely generous and trusted me completely.  It was an arduous but incredible process, and I love the  piece.</p>

<p>Shortly after she created Still with the talented seniors at  Juilliard, with music by Alfred  Schnittke. This was followed by  another creation entitled Alto  for Transitions Dance Company  at the Laban in London.</p>

<p>Each composition of Barton's is  vastly unique, despite their often-  overlapping creation periods.  Right now I enjoy walking into the creation process with no fixed plan,� she explains.  I  am very interested in dancers as human beings and I like to  have fun in the process. I try to remain open. I love to observe and seize candid moments and use this as the foundation of the work. The process has become listening to and observing my cast, rather than teaching steps. I am interested in creating dense, rapidly shifting  environments onstage, in which each player is an individual and all are unified by a common tongue.</p>

<p>Barton's dream of going to Africa came true in February 2007 when she took three dancers with her to Kenya to take part in an environmental awareness project with dozens of other artists from around the world. Called Earth: Healing the Rift, the Laikipia Nature Conservancy performance was inspired by the prevalent theme of climate change and global warming, and our duty to do something about it. Barton felt very strongly about working with the Kenyan children and community to try to make a difference. The entire experience was so breathtaking and necessary at that point in my life. It was so wonderful to recognize how vital dance is and to realize that everyone is a teacher. I hope to go back again very soon!  �</p>

<p>It doesn't stop there. This 31- year-old fireball of creativity has a lot to look forward to. This summer she toured again with Baryshnikov and Hell's Kitchen Dance around the U.S. and Brazil. She is now creating a new work for Les Ballets Jazz, then will travel to Prague to work on a dance movie with director Daniel Conrad. In 2005 they collaborated on an adventurous film on the Queen Charlotte Islands on the Western coast of Canada. She is also very excited to work with the Flamenco star Maria Pages, and to create a new work for her company.</p>

<p>An artist's dream to work with, Barton is attracting many aspiring dancers. Despite the fact that Aszure &amp; Artists does not hold regular auditions, which can be frustrating for some dancers. Barton is very good at finding exactly what she wants. When searching for the perfect combination of dancers and music, she sounds as though she's searching for a soul mate.  Trust, she says.  I love a dancer that is interested and interesting, honest, vulnerable, open, fearless, compelling and clear. I love laughter, so a good sense of humor is great too! � But music is every bit as important to her: I celebrate and am deeply inspired by music. I listen to a lot of music and I am continually learning � and spending a lot of coinage on it!  Her work has been described as intensely musical, structurally astonishing, and emotionally moving.</p>

<p>William Briscoe, one of Ms. Barton's lead dancers and assistants since 2002, describes his experience creating with Aszure: If you're not very good at mathematics it can be difficult because of the timing and phrasing of her music. There's always an and count that you could easily miss. I'm a better teacher because of working with Aszure. I use all of the nuances in the music now, not simply the obvious. As a dancer, you never really perfect Aszure's work in the process there's always a chance for it to become more enriched through expression and practice in the studio.  Briscoe finds that he has improved as an artist on many levels with Aszure. I still feel like there's more to investigate, and we're friends too. Most of us prefer to work with friends rather than some maniacal, crazy boss.</p>

<p>The unusual opportunities that present themselves to Barton are not simply good fortune. Barton has a passion for collaborating with brilliant artists of all trades. From photographer George Lange, to the musicians of Les Yeux Noirs, to the filmmaker Kevin Freeman, she seeks out a wide array of work to stay constantly challenged and inspired. In her travels, Aszure gets to see the world from a new perspective every time and gains a fresh outlook on what it is to be a thriving artist.</p>

<p>Dealing with the financial end of the dance world is never easy, but Ms. Barton always chooses the most attractive experience over the most lucrative. Maybe that's her secret! Though it doesn't hurt to have a name like Baryshnikov behind her, Aszure is a strong, independent artist who savors every opportunity to live the choreographer's dream.</p>

<p><strong>Written by Cynthia Salgado | Photography by George Lange</strong></p>

<p><strong></strong><br />
<a title="aszurebarton.com" href="http://www.aszurebarton.com/" target="_blank">aszurebarton.com</a></p>

<p><a href="http://www.aszurebarton.com/"></a><a href="http://langephoto.com">langephoto.com</a></p>]]></content:encoded>
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		<title>Swan Cedar Lake</title>
		<link>http://www.movmnt.com/swan-cedarlake_00334.html</link>
		<comments>http://www.movmnt.com/swan-cedarlake_00334.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:31:38 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Ailey]]></category>
		<category><![CDATA[alvin ailey]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artistic director]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Beth Konopka]]></category>
		<category><![CDATA[Cedar Lake]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[DRA]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Swan Pouffer]]></category>
		<category><![CDATA[young]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/swan-cedarlake_##334.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Portrait of Benoit Swan Pouffer, artistic director of Contemporary Dance Company Cedar Lake.]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-418 alignleft" style="margin: 5px;" title="Swan Cedar Lake" src="http://www.movmnt.com/wp-content/uploads/2008/03/cedarlake.png" alt="" width="400" /></p>

<p style="text-align: justify;">When walking to the Cedar Lake studios, one feels almost like they are wandering into a New York slated for potential the streets widen, the traffic becomes less dense, and the warehouse gallery spaces occupy the ground floors of every building you pass. There is creativity in the air. movmnt recently met Artistic Director Swan Pouffer on location.</p>

<p style="text-align: justify;">The twin one-story garages that house Cedar Lake's company at 547 West 26th Street were renovated to accommodate brand new offices, lockers, a rehearsal hall, a lounge and a modern, modest, Cirque du Soleil-style interchangeable theatre. Formerly the studio of American master photographer Annie Leibovitz, the space is nothing short of any artist's dream.</p>

<p style="text-align: justify;">But none of it is more impressive than the refined and eloquent cast of characters that live, eat, sleep, and create inside of these walls. The artistic director, young Benoit-Swan Pouffer, a former Alvin Ailey dancer, is surprisingly humble for someone in his position.</p>

<p style="text-align: justify;">Cedar Lake is a company born into privileges almost unimaginable to even veteran choreographers. Backed by Nancy Laurie (a Wal-Mart heiress), Swan is able to provide his dancers extensive contracts with health insurance, as well as have his own in and classical lines of a ballet dancer in their legs and feet. There is an obvious camaraderie between the members of Cedar Lake. Even after some tumultuous restructuring of the company's direction, it seems like they are truly in this together. Even Nancy Laurie calls in at least once a week to ask Swan how everyone is doing. With a more traditional season on its way, Swan is attempting to show that the company house wardrobe department and on-call physical therapist, in addition to the new facility.</p>

<p style="text-align: justify;">More importantly, because these things are taken care of, it enables him to pursue a much needed mission in the dance world by closing the awareness gap between the dance culture of America and Europe.</p>

<p style="text-align: justify;"><a class="lightbox" title="8877" href="http://www.movmnt.com/wp-content/uploads/2009/02/8877.jpg"><img class="alignright size-medium wp-image-3157" style="margin: 5px;" title="8877" src="http://www.movmnt.com/wp-content/uploads/2009/02/8877-300x199.jpg" alt="" width="300" height="199" /></a>Parisian-born Swan essentially is a cross-cultural anomaly himself. His dance roots began at the Conservatoire National Superieur de Musique et de Danse in Paris, yet he wound up dancing for one of the most iconic American dance companies, Alvin Ailey.</p>

<p style="text-align: justify;">Even the dancers he hires possess polar qualities and must have modern tops with ballet bottoms. AÂ Translation (from that glorious lilting French accent to plain English): Swan requires his dancers to have the athleticism, strength, and expression of a modern dancer in their upper bodies combined with the grace, length, and classical lines of a ballet dance in their legs and feet.</p>

<p style="text-align: justify;">To Swan, the dancers are a palette of different colors that each bring a unique and indispensable part to the creation process.  He interacts with them by generating a movement dialog.  They build choreographic phrases together, breathing life into the steps as they form.  Swan appreciates choreography that contains a message or through line and with these dancers who were selected under his microscopic eye, he is able to truly explore his vision.</p>

<p style="text-align: justify;">With a more traditional season on its was, Swan is attempting to show that the company is taking a multifaceted approach to being an essential part of the dance community. After only two full years under their belts, Swan and rehearsal director Alexandra Damiani have been receiving reels from choreographers from all over the world. In 3x3, the upcoming winter show, Swan has chosen to showcase the works of Italian-born choreographer Jacopo Dani and Mexican born dance maker Edgar Zendejas to compliment one of his own works titled Vastav.</p>

<p style="text-align: justify;">Both Swan and Alexandra find it truly important not to stay in the box.  They agree that some people have their eyebrows raisedÂ at them not only because of their youth and the financial backing of the company, but also because of Cedar Lake's versatile style of performance. In the past, some of their shows were heavily inundated by video, some installation. The choreography is at times more hip-hop, more jazz, sometimes contemporary, and other days, ballet. People would like to define them but they want to remain indefinable.</p>

<p style="text-align: justify;">To Swan, Cedar Lake at its core is a laboratory. He has been successful in investing time to get the community involved in the creation process and dance in general. By opening the doors of the company for cost-free interactive performances a few times a month, he has been challenging the community not to notice them.</p>

<p style="text-align: justify;">Swan promises to keep investigating new ways of showing dance. By 2008, he hopes to have completed a collaborative installation project that will feature singers as well as dancers. To him dance is all I know, and even if he could not move and create in the style that comes so naturally to him, it would still be, without question, his dream.</p>

<p style="text-align: right;"><strong>Beth Konopka </strong></p>

<p style="text-align: right;"><a href="http://cedarlakedance.com/">cedarlakedance.com </a></p>]]></content:encoded>
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		<title>Death of Choreographer Maurice Bejart</title>
		<link>http://www.movmnt.com/bejart-dies_00283.html</link>
		<comments>http://www.movmnt.com/bejart-dies_00283.html#comments</comments>
		<pubDate>Thu, 22 Nov 2007 12:29:05 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[s]]></category>
		<category><![CDATA[TED]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/bejart-dies_##283.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to [...]]]></description>
			<content:encoded><![CDATA[<p>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to Switzerland where he founded the troupe in the lakeside city of Lausanne. Its 35 dancers are in rehearsals for a new production called "Around the World in 80 Minutes", to be premiered on Dec. 20 in Lausanne.</p>

<p>Famous for his provocation in the ballet world he ran the Bejart Ballet Lausanne in Switzerland. He was the son of the French philosopher Gaston Berger. Born in Marseille, France and founder of the Ballet de l'Etoile company in 1954, he created in 1960 the Ballet du XXe Siecle in Brussels.<br />
 In 1987 he moved to Lausanne in Switzerland, where he founded the Bejart Ballet Lausanne, one of the most famous and successful dance companies in the world.</p>

<p>Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images - some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character.</p>]]></content:encoded>
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		<title>Brian Friedman &#8211; Where Have You Been?</title>
		<link>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html</link>
		<comments>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html#comments</comments>
		<pubDate>Wed, 24 Oct 2007 21:08:15 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Brian Friedman]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman-where-have-you-been-2_##261.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/brian_2.jpg"><img class="alignleft size-full wp-image-3195" title="brian_2" src="../wp-content/uploads/2009/02/brian_2.jpg" alt="brian_2" width="174" height="500" /></a></p>

<p>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long gone, but he has had the privilege of working with huge stars like Britney Spears, Mya, Hillary Duff, Prince, and *NSYNC.</p>

<p>Friedman had the pleasure of choreographing a number of Britney Spears videos, such as Overprotected, Toxic,I love Rock 'n Roll, and I'm A Slave 4 U,Â which he received a nomination for outstanding achievement in music video choreography for in 2002.</p>

<p>More recent, Friedman's judging days on Simon Cowell's The X Factor has been transformed into creative directing. According to Friedman, he felt he wasn't Ã¢â‚¬Å“fulfilling [his] duties as an artistic personÂ but is more than thrilled to take on this role.Ã¢â‚¬Â What makes Friedman stand out among other choreographers? He dedicates his time to young aspiring dancers around the world, teaching them his technique. Not only do they gain confidence in their dancing, they also develop respect toward their fellow dancers. Being that he is still a young choreographer, he is a role model for aspiring professional dancers and choreographers, showing them that if they strive for what they deserve, then no one can stand in their way. Friedman is no amateur. He's been nominated for four MTV Video Music awards, two Music Video Production awards, and five American Choreography awards (ITV.com). His dance contributions to films include Bubbly Boy, Uptown Girls, She's All That, and more. In She's All That, Friedman was a dancer in an exciting scene toward the end. And, just to blow everyone off their feet, Friedman celebrated this summer the release of his new BFree apparel and footwear line with Frontline Dance/Capezio. The Elite shoe is finally available to the public. Clearly Friedman believes he has more to offer the dance world and does not lack the confidence to state it (check out his MySpace page for more info on this). He takes risks and reaps the benefits. So if you want to learn how to dance like a professional from a professional, Brian Friedman is the guy to go to.</p>

<p><a href="http://www.myspace.com/brianfriedman" target="_blank">www.myspace.com/brianfriedman</a></p>]]></content:encoded>
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		<title>NY Times article on how dance is taking over!</title>
		<link>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html</link>
		<comments>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html#comments</comments>
		<pubDate>Sat, 07 Jul 2007 05:54:18 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[POP CULTURE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_##164.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Copyright NY Times Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves By STUART ELLIOTT New York Times (July 6, 2007) MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music. The goal of marketers like Apple, Carnival [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/nytimes.jpg"> <br />
 Copyright NY Times</a></p>

<p style="text-align: justify;"><strong>Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves<br />
 </strong>By STUART ELLIOTT<br />
 New York Times (July 6, 2007)</p>

<p style="text-align: justify;">MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music.</p>

<p style="text-align: justify;">The goal of marketers like Apple, Carnival Cruise Lines, the Church &amp; Dwight Company, Gap and the nation's milk processors is to take advantage of a renewed interest in dance in the popular culture.</p>

<p style="text-align: justify;">The trend is typified on TV by highly rated series like "Dancing With the Stars" and "So You Think You Can Dance," as well as movies like â€œHigh School Musicalâ€ on the Disney Channel, which is spawning a sequel next month.</p>

<p style="text-align: justify;">In theaters, dance is a central part of films like "Dreamgirls," "Hairspray, "Mad Hot Ballroom," "Shall We Dance," "Step Up" and "Take the Lead," among others.</p>

<p style="text-align: justify;">"Dance is universal; it's something everyone relates to," said Stacey Feldman, vice president for marketing of the women's health and personal care brands at Church &amp; Dwight in Princeton, N.J.</p>

<p style="text-align: justify;">The Nair product line sold by Church &amp; Dwight is the subject of a campaign by the Joey Agency, centered on a dance routine that was created and choreographed by Fatima Robinson. She was the choreographer for "Dreamgirls" as well as the pilot episode of "Viva Laughlin," a series about a Nevada casino that made the CBS fall schedule.</p>

<p style="text-align: justify;">"The MTV generation of kids is so used to quick stimulation," Ms. Robinson said, offering her theory about the increasing presence of dance in ads.  "You have to keep up with what the kids are used to."</p>

<p style="text-align: justify;">Dance's appeal beyond ballrooms and school gymnasiums "comes in waves, like every five years," Ms. Robinson said.  "It reinvents itself."</p>

<p style="text-align: justify;">Indeed, a commercial for Nair, which can be watched on television and a Web site (nairlikeneverbefore.com), pays tribute to a predecessor from the 1970s featuring a routine danced to the novelty song â€œShort Shorts."</p>

<p style="text-align: justify;">Likewise, two recent commercials by Laird &amp; Partners for the Gap division of Gap - featuring terpsichorean turns by Audrey Hepburn, Claire Danes and Patrick Wilson - arrived nine years after a celebrated series of dance-centric Gap spots with titles like "Khaki swing," "Khaki a-go-go" and "Khaki country."</p>

<p style="text-align: justify;">"Like denim and khakis, dance and music are part of our brand heritage," said Kimberly Terry, a spokeswoman for Gap in San Francisco.  "We will continue to reinvent how we incorporate dance in future advertising."  In an example of the continuous recycling of pop culture made possible by the Internet, video clips of the dancing 1998 Gap commercials can be watched on Web sites like google.com.</p>

<p style="text-align: justify;">The swing spot, presenting a gaggle of khaki-clad youngsters performing a frenetic dance to "Jump, Jive an' Wail" by Louis Prima, has been viewed more than 62,800 times since it was posted on Google last August.</p>

<p style="text-align: justify;">Speaking of recycled culture, the release on July 20 of the movie version of the Broadway musical "Hairspray" - itself based on a nonmusical film from 1988 - is being supported with a dance-oriented campaign, seeking to capitalize on numbers in the movie that are based on dances from the early '60s.</p>

<p style="text-align: justify;">The company that is releasing "Hairspray," the New Line Cinema division of Time Warner, is teaming up with promotional partners like the Arthur Murray dance studios and the Carnival Cruise Lines unit of the Carnival Corporation.</p>

<p style="text-align: justify;">For instance, New Line is sponsoring "Hairspray" sock hops for teenagers on Carnival ships and is sending the ships' dance instructors and cruise directors DVDs with lessons demonstrating "Hairspray" dances, which bear fanciful names like the Peyton Place After Dark.</p>

<p style="text-align: justify;">"We've raised a generation on musicals, most notably Disney productions like 'The Lion King' and 'Beauty and the Beast,'" said Lance Still, executive vice president for national promotions at New Line in Los Angeles.</p>

<p style="text-align: justify;">It is the same generation, Ms. Still said, "that is becoming very fluent in tuning out advertising messages delivered in traditional ways," hence the efforts to gain attention with dance-related marketing.</p>

<p style="text-align: justify;">Among the other examples of Madison Avenue busting a move are the dance campaign for the Apple iPod that began appearing in 2003, created by TBWA/Chiat/Day, part of the TBWA Worldwide unit of the Omnicom Group, and the milk mustache print ads featuring cast members of "High School Musical" and "Dancing With the Stars," created by the Lowe Worldwide division of the Interpublic Group of Companies.</p>

<p style="text-align: justify;">"Our difference with other nonalcoholic beverages is a nutritional difference, but telling the nutrition story is not always the most exciting thing," said Kurt Graetzer, chief executive at the Milk Processor Education Program in Washington, which finances the milk mustache campaign.</p>

<p style="text-align: justify;">"Having a celebrity tell that story, especially one you might have just seen on TV or in a movie, is a wonderful way to get an important message across," he added.</p>

<p style="text-align: justify;">Besides, to be a great dancer, "you've got to be healthy, you've got to be strong," Mr. Graetzer said, so having dancers endorse milk helps deliver that message in a deft, low-key way.</p>

<p style="text-align: justify;">Hmmmm. Could Astaire and Rogers have danced cheek to cheek in swing time if they were sporting make-believe dairy mustaches?</p>

<p style="text-align: justify;"><a href="http://www.nytimes.com/2007/07/06/business/media/06adco.html?ex=1341460800&amp;en=10988f00f09d7b6a&amp;ei=5124&amp;partner=digg&amp;exprod=digg">read more</a> | <a href="http://digg.com/news/entertainment/Five_Six_Seven_Eight_Madison_Avenue_Shows_It_Still_Loves_the_Right_Move">digg story</a></p>]]></content:encoded>
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		<title>In Bed with Mia Michaels: The Photo Shoot</title>
		<link>http://www.movmnt.com/backstage-mia_00146.html</link>
		<comments>http://www.movmnt.com/backstage-mia_00146.html#comments</comments>
		<pubDate>Tue, 12 Jun 2007 09:33:39 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Mia Michaels]]></category>
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		<category><![CDATA[Photo Report]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/backstage-mia_##146.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Mia Michaels, choreographer, outspoken judge on So You Think You Can Dance brings you within her creative world in this unique photo editorial for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft size-medium wp-image-7979" style="margin: 5px;" title="In bed with Mia" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt4_14.jpg" alt="" width="450" />For Mia Michaels, it's all about the process. When she agreed to be the subject of a movmnt fashion editorial, she naturally had her own vision in mind. The choreographer and outspoken judge of FOX's So You Think You Can Dance now in its third season, invites you into her private suite and her dreams. Here is an exclusive backstage preview of the photo shoot featured in movmnt magazine summer 2007 issue.</p>
<p>Mia Michaels is a regular columnist for movmnt magazine she collaborated creatively to the entire story along with photographer Koury Angelo, Stylist Gino Tavernaro, Hair stylist MichaelAnthony, Broadway make-up artist Jorge Vargas and movmnt's Editor in Chief David Benaym.</p>
<p style="text-align: center;"><strong>In Bed with Mia...</strong></p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201006161005" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fsort%3D%26screenName%3D%26id%3D1779856%3AAlbum%3A21632%26tag%3D%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-4852%253A9abd0cb_323_286_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/photo/photo">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />]]></content:encoded>
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		<title>Brian Friedman&#8217;s 30th Birthday with Frontline and movmnt magazine</title>
		<link>http://www.movmnt.com/brian-friedman_movmnt_00141.html</link>
		<comments>http://www.movmnt.com/brian-friedman_movmnt_00141.html#comments</comments>
		<pubDate>Sat, 02 Jun 2007 12:18:49 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Danny Tidwell]]></category>
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		<category><![CDATA[Travis Wall]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman_movmnt_##141.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Hollywood, CA - May 29th 2007 - Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.</p>
<p style="text-align: justify;">The well known dance apparel and shoe maker Capezio and Frontline Dance presented Brian Friedman's Bfree launch while 30th Birthday party and release of his BFree apparel and footwear collection.</p>
<p style="text-align: justify;">Brian  Friedman has choreographed some of the most popular and groundbreaking music videos and performances such as Britney Spears, Paris Hilton, Mya, PRINCE, *NSYNCs, Beyonce, Usher, Pink, Brittany Murphy, Hilary Duff, Christina Milian and many more.  As a dancer, his silver screen credits include both "Charlie's Angels" and "Charlie's Angels: Full Throttle", "You Got Served", "She's All that", "Austin Powers Gold Member", "Uptown Girls", and more.  This TV season, he can be seen overseas, starring in Simon Cowell's hit UK show, "Grease Is the Word".  Friedman has been nominated for 4 MTV Video Music Awards, 2 Music Video Production Awards and 5 American Choreography Awards. He also tours around the world mentoring thousands of students and teaching his own dance technique. This young trendsetter just launched his first merchandise, apparel and shoe line by Frontline Dance. The total design of the BFree shoe and apparel collection was inspired and developed by Brian Friedman in conjunction with Sean Philip of 1981 Design and FL by Frontline.</p>
<p style="text-align: justify;">In Summer of 2007, the Brian Friedman celebrity apparel collection will debut and be introduced for dance enthusiast everywhere.</p>
<p style="text-align: justify;">movmnt magazine was a proud sponsor of the event that took place in Hollywood Tuesday May 29th 2007. Friends of Brian Friedman, along with talented and famous dancers, choreographers and TV personalities attended the event. Where seen on the red carpet, Debbie Allen, Blake McGrath, Travis Wall, Ivan Koumaev, Jay Rodriguez, Yvette Lopez and Shannon Rae Bex among many more guests.</p>
<p style="text-align: justify;"><a title="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" rel="attachment wp-att-151" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/spiegel-logo"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmntthumbnail.jpg" alt="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" /></a>
Brian Friedman presenting his BFree Frontline Shoes</p>
<p style="text-align: justify;"><a title="Danny Tidwell and David Benaym - co-founders of movmnt magazine" rel="attachment wp-att-149" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/absinthe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_1thumbnail.jpg" alt="Danny Tidwell and David Benaym - co-founders of movmnt magazine" /></a>
Danny Tidwell and David Benaym - co-founders of movmnt magazine</p>
<p style="text-align: justify;"><a title="Debbie Allen and Danny Tidwell" rel="attachment wp-att-146" href="http://www.movmnt.com/backstage-mia_00146.html"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_7thumbnail.jpg" alt="Debbie Allen and Danny Tidwell" /></a>
Debbie Allen and Danny Tidwell at Brian Friedman's Party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga holding movmnt magazine" rel="attachment wp-att-147" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/danny-tidwell-travis-wall-subscribe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_11thumbnail.jpg" alt="Melody Lacayanga holding movmnt magazine" /></a>
Melody Lacayanga (SYTYCD#1) holding movmnt magazine at Brian Friedman's Birthday party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" rel="attachment wp-att-148" href="http://www.movmnt.com/?attachment_id=148"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_25thumbnail.jpg" alt="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" /></a>
So You Think You Can Dance Melody Lacayanga, Travis Wall and Ivan Koumaev holding the new issue of movmnt magazine</p>]]></content:encoded>
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		<title>Broaden/Broadway Your Mind &#8211; Column by Mia Michaels</title>
		<link>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html</link>
		<comments>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html#comments</comments>
		<pubDate>Tue, 22 May 2007 22:51:44 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Spring 07]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/broawayden-your-mind-by-mia-michaels_##126.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;"><img class="aligncenter size-full wp-image-3476" title="Broaden Your Mind by Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2007/05/broadenmia.gif" alt="" width="432" height="320" />I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose. I remember the men and women that pranced into the theater dressed in the finest garb, dripping in diamonds, furs, and anything else they could showcase on the way to their sacred red velvet seats. It was a big deal to be there. I remember watching in amazement and feeling the powerful wave of magic that poured from the lips of the stage directly through the viewers and right into my young, open, hungry heart.<br />
 The voices, the movement, the story, the experience marinated in my every pore for hours, days, perhaps even weeks after, which in turn kept me inspired and more on fire to achieve my dreams for the rest of the year until I came back to the Big Apple next summer. Sigh. (smile)</span></p>

<p style="text-align: left;"><strong>Here we are now: 2007</strong></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">As I walk into yet another Broadway show, I see men and women wearing the casual thing jeans, tee shirts, sneaks, looking like everyone just came from a long day's work, perhaps the gym. Maybe they just finished shooting a Gap ad. No, they would have had makeup on then. They walk down the once sacred aisles to their seats as if they are being sent by their parents to go clean their rooms before they can go outside and play. There was more energy around the bar in the lobby than in anticipation of the show about to begin. The expectancy of mediocrity was contagious. Where was the excitement? Where were the electricity and the fire that used to burn down that regal red curtain before the show even began? It's Broadway, people!!! Wake up! What year is it again? 2007! Dance, music, story, and style have evolved, or have they?</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Oh, wait! It's another revival! Oh, that's right. It's safe. It worked twenty years ago, so why not now? Yeah, it works. Keep it! Again and again, and perhaps again. Don't get me wrong. The history of Broadway is not to be criticized nor disrespected! The brilliance and the talent from the past have led us to where we are now. So why does it feel like the torch that was to be passed on somehow got put out? We as creators, directors, writers, composers, and choreographers need to take a good hard look and realize it is our duty to keep that fire growing within us and within our community. We have got to keep it blazing like they did in the days of original shows and original creators such as Fosse, Robbins, Bennett, Bernstein, and so many more. They strived to create the newness at that time. They pushed the envelope with style, power, and grace. We laughed, we cried, and we sung and danced right out of the theater. They didn't hold back and edit their dreams. It was the truth inside them. It was their unique voice.</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Where are those creators now? Where are those with that unique burning voice? The theatres themselves are crying out to be blessed again with risk and danger, with great theatrical creations. No more playing it safe. I want the newness. I want the broad way of thinking again. Oh, wait, maybe that's just me! (Sigh)</span></p>

<p style="text-align: right;"><span style="font-size: x-small; font-family: verdana,geneva;"><span style="font-size: small;"><strong>Mia Michaels</strong></span><br />
 <a href="http://www.miamichaels.com">miamichaels.com</a></span></p>

<blockquote><p style="text-align: justify;"><span style="font-size: x-small; font-family: verdana,geneva;">* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.</span></p></blockquote>]]></content:encoded>
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		<title>Raw by Mia Michael &#8211; That&#8217;s Beautiful</title>
		<link>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html</link>
		<comments>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 01:43:56 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytyvd]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/raw-mia-michael-winter2006_##27.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Why do we dance? Why does our body want to move and pulse when music invades our ears? Choreographer Mia Michaels tells it raw, in her Movmnt Magazine column.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="aligncenter" style="margin-top: 5px; margin-bottom: 5px;" src="http://www.movmnt.com/wp-content/uploads/2006/11/mia4colors.gif" alt="Mia Michaels" width="491" height="280" />Why do we dance? Why does our body want to move and pulse with every rise and fall of the music that invades our ears? Are we a product of a the thousand and one classes and a lifetime of training, or is dance a purely instinctual and primal experience that hapens internally only when we allow it? I would only hope that both reasons intertwined with respect and nurturing are the answer. Or is it a gift that's given by a much higher power than ourselves? That would be beautiful.</p>
<p style="text-align: justify;">Allowing movement to come through us in the form of pure energy and onto a highly trained yet raw instrument is what defines the ultimate "dancer." One that knows how to pull from technique and also when to leave technique alone and head straight to the heart of the matter. One that knows how to pull from the rawness and humanness that would drip from their own personal journey through this world and allows the real movement to come from the inside out. That is beautiful.</p>
<p style="text-align: justify;">It is so easy to hide behind steps; it's much deeper than that. Our goal should not just be to perfect what a choreographer gives us but also to allow our own unique voice as a dancer artist to come through and marry to the energy of the choreographer. That is beautiful.</p>
<p style="text-align: justify;">Then again, let's think about some of the most simple and beautiful images of dance. A young child is jumping freely to music, laughing and giggling with such purity and with no fear of judgment. An older couple, fragile yet safe in each others arms, slowly try to keep up with their favorite song from a time earlier in their lives as they reminisce through all the years with each step. That is beautiful.</p>
<p style="text-align: justify;">If everyone danced from their heart and purity of spirit, using free movement as a daily practice and meditation, there would be no more wars. I believe every breathing thing has been given the gift of dance and movement. So let go, take that deep breath and dance! That is beautiful!</p>
<p style="text-align: right;"><strong>Mia Michaels</strong> - <a title="Mia Michaels web site" href="http://www.miamichaels.com">miamichaels.com</a></p>
<p style="text-align: center;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>
<p style="text-align: center;"><img id="beqq6" style="width: 102px; height: 128px;" title="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" src="../wp-content/uploads/2007/10/coverissue2.gif" alt="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" width="130" height="50" /></p>
<p style="text-align: center;">[quickshop:Issue 2 - Winter 06:price:5.95:shipping:2.00:end]</p>]]></content:encoded>
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		<title>Smooth Operator: Choreographer Marty Kudelka</title>
		<link>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html</link>
		<comments>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 00:08:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Christina Milian]]></category>
		<category><![CDATA[emil wilbekin]]></category>
		<category><![CDATA[Janet Jackson]]></category>
		<category><![CDATA[Jennifer Lopez]]></category>
		<category><![CDATA[Justin Timberlake]]></category>
		<category><![CDATA[Marty Kudelka]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Pink]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/smooth-operator-marty-kudelka_##25.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.]]></description>
			<content:encoded><![CDATA[<div style="text-align: justify;"><img class="size-full wp-image-3438 alignleft" style="margin: 5px;" title="Marty Kudelka" src="http://www.movmnt.com/wp-content/uploads/2006/11/kudelka.gif" alt="Marty Kudelka" width="300" height="576" />When the 2006 VMAs opened at Radio City Music Hall in New York City in early September, all eyes were on Justin Timberlake. He was gliding across the floor with precision and ease, riding the beat to his new single "My Love." With contemporary flow and freestyle urgency, Timberlake hypnotized the audience. He has once again teamed up with choreographer Marty Kudelka, 32, to help make his performance nice and smooth. Kudelka has worked with everyone from Michael and Janet Jackson to Pink, Jennifer Lopez, and Christina Milian. This Dallas native, who now resides in LA, was always moving as a kid, playing basketball, football, BMX, and skateboarding. But it was the 1984 film Breakin' which inspired him to become a dancer. We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.</div>
<blockquote style="text-align: justify;">
<p style="text-align: justify;"><strong>You've worked with some of the biggest stars in the world, what's that like?</strong></p>
</blockquote>
<p style="text-align: justify;">It's cool. I never thought ahead of time, 'Oh this is what I want to do, choreograph for celebrities.' I think that's what plays into what I do now. I've had great artists to work for and I've had artists like 'Wow, I wish I would have never met this person.' When people ask me who the best person I've ever worked for, I'd have to say Justin. He's such an artist himself, who can sing, dance, produce, and everything else. I don't have to water my choreography down. I can teach him what I teach the best dancers in the world. And he can do it. He's the only person I've been able to do that with. That's like a dream come true.</p>

<blockquote style="text-align: justify;"><strong>What can we expect from Justin this time around?</strong></blockquote>
<p style="text-align: left;">We are trying to be creative about the tour coming up. The tour is going to be a little bit more grown-up, which is how the album is. He's becoming more of an artist instead of just a dancer. The music is insane. This album is going to be like Off the Wall. It's the closest album that I can compare to that. You can listen to the whole album straight through. There may be a little less dancing on the tour, but the dancing that exists will be a lot more special. I'm excited to see it.</p>

<blockquote style="text-align: justify;"><strong>When you say less dancing and more special, what does that mean?</strong></blockquote>
<p style="text-align: left;">We just shot the video for the second single "My Love."  It's going to be insane. It's so simplistic, but it has so much stuff in it. It's going to be really cool. People heard "SexyBack"Â and they didn't like it at first, and then the video came out and they expected to see dancing. I loved it at first, but now I really love it after hearing it a billion times. (laughs) But once "My Love"Â comes out, I think everyone is going to forget everything else. This is what they want to hear and this is what they want to see.</p>

<blockquote style="text-align: justify;"><strong>You really choreograph for the music versus just creating a routine. What's more important, the music or the moves?</strong></blockquote>
<p style="text-align: left;">I am inspired by some other dancers like Swoop and Rob Vincent, and some other people when I was coming up freestylin'. I would see them freestylin' and they would do the song better than anyone. Better than someone doing steps and tricks. These guys knew the song so well. I was like "Wow, this is so cool."Â I started doing that with choreography rather than freestylin'. Whether I'm in the studio with the artist or not, I study the song. I listened to "My Love"Â for almost three weeks before I ever choreographed one step to it. That's one thing that I am confident enough to know that I bring to the table, compared to other choreographers. I will never ever just say, "Okay, I'm gonna make up a routine and put it to this song."  I'm the most humble guy in the world, but that is my strong point. I try to dissect the music. We dance because we like the music. I may as well know it as good as the artist. It's just about the music.</p>
<strong>Your choreography is very subtle. It's almost like the dancers are hovering and gliding. How would you describe your style?</strong>
<p style="text-align: left;">That's just my style, which is about being smooth, floating almost. Other people might be funky or might be harder or sharper, cracking their neck all over the place. If I were to put on a song and freestyle myself, I think it's more smooth, which gives it that floating feel. When I look for dancers, they don't have to dance just like me, but I definitely need for them at some point to be smooth and floating. That's how a majority of the choreography will be.</p>
<strong>Who inspires you and your choreography?</strong>
<p style="text-align: justify;">There are people who tell me that I inspire a whole movement with my choreography, which is insane for me to think. But there are definitely people who I look at who are like my proteges, these 17-, 18-, or 19-year old choreographers who are insane. When I see them, I see some touches of what I would have done or that my peers would have done, but these guys are taking it to the next level. There is definitely so much style and they're adding the technical aspects like four pirouettes into some breaking shit. It's insane to me because they have the musicality as well. I could be inspired by someone walking down the street or a go-go dancer. It's about their swagger. Anybody who's dope, I want to see them.</p>
<p style="text-align: right;"><strong>Interview by Emil Wilbekin</strong> for <em>movmnt magazine</em></p>
<p style="text-align: right;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>Travis Wall &#8211; Portrait of the Young Man as an Artist</title>
		<link>http://www.movmnt.com/nacho-pop_007700.html</link>
		<comments>http://www.movmnt.com/nacho-pop_007700.html#comments</comments>
		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Hip-Hop]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[Nacho Pop]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytycda]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=7700</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Movmnt Magazine tells you all about Nacho Pop, the co-host of the Australian version of So You Think You Can Dance.]]></description>
			<content:encoded><![CDATA[<p> <p><img title="Nacho Pop intro " src="http://www.movmnt.com/wp-content/uploads/2009/09/Nacho_blog_intro1.jpg" alt="Nacho Pop " /></p></p>
<p><p style="text-align: justify;"><span style="font-family: 'Verdana';"><span style="font-size: small;"> <b>Buy Zopiclone cod</b>, Whether spinning tracks, co-hosting for </span></span><span style="font-family: 'Verdana';"><em><span style="font-size: small;">So You Think You Can Dance</span></em></span> <span style="font-family: 'Verdana';"><em><span style="font-size: small;">Australia</span></em></span><span style="font-family: 'Verdana';"><span style="font-size: small;">, choreographing</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;"> a piece,</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;"> or teaching workshops across the country, Nacho Pop aka Nate Mendel</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">sohn is a versatile </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">artist </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">within the Australian dance and entertainment industries.</span></span></p></p>
<p><p style="text-align: justify;"><span style="font-family: 'Verdana';"></span><span style="font-family: 'Verdana';"><span style="font-size: small;">O</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">n face value</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;"> he appears to only be a </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">co-hosting </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">personality</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;"> </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">on </span></span><span style="font-family: 'Verdana';"><em><span style="font-size: small;">So You Think You Can Dance Australia</span></em></span><span style="font-family: 'Verdana';"><span style="font-size: small;">.</span></span> <span style="font-family: 'Verdana';"><span style="font-size: small;">H</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">owever</span></span> <span style="font-family: 'Verdana';"><span style="font-size: small;">t</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">his new kid on the block has been involved in the scene for longer than his stage years.  <b>Zopiclone online cheap</b>, </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Nacho</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;"> exudes a silent confidence that is not to be confused with arrogance.</span></span> <span style="font-family: 'Verdana';"><span style="font-size: small;">With his dancing feet </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">firmly placed on the ground</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">,</span></span> <span style="font-family: 'Verdana';"><span style="font-size: small;">his choreography is not</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;"> made</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;"> to receive props from the commercial world, <b>Illinois IL Ill. </b>, <b>Køb discount Zopiclone</b>, but rather to express the voice within.</span></span></p></p>
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		<title>Movmnt Magazine &#187; Choreographer</title>
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	<link>http://www.movmnt.com</link>
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		<link>http://www.movmnt.com/yumiko_007306.html</link>
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		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=7306</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Between a career as prima ballerina and one as fashion designer, Yumiko has embarked on an unusual journey where she manages to bring both worlds together.]]></description>
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<p style="text-align: justify;"> <b>Buy cheap Modalert online</b>, In the piece, choreographed by Dresden SemperOper Ballet’s resident choreographer, David Dawson, principal dancers Yumiko Takeshima and Raphael Coumes-Marquet made a memorable impression, not just because of flawless pirouettes, arabesques, and grand jeté’s, but because of Yumiko’s design of sleek fitting costumes that made every muscle stand out.</p><br />
<p style="text-align: justify;">The Japanese native began her design career with the determination to construct an outfit a dancer wouldn’t have to pull, tug, or adjust during a rehearsal or performance. She traded a toaster for a sewing machine and started sketching different designs of leotards in her spare time, <b>order Modalert online without prescription</b>, <b>Colorado CO Colo. </b>, experimenting with a variety of stretchy fabrics for all shapes and sizes. Her vision and patience for perfection paid off when she finally created a leotard she could wear to class, <b>buy Modalert online</b>.  <b>Cheap Modalert overnight delivery</b>, Her fellow dancers envied Yumiko’s style and began begging for their own; this marked the beginning of a second career.</p><br />
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<p style="text-align: right;"><strong>Kendra Ratliff</strong></p><br />
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<p style="text-align: center;">First published in Issue 9 - Spring/Summer 09 - Arti$tic Reinvention, Poster Issue</p><br />
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		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
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		<category><![CDATA[interview]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>Teddy Forance has has been a successful dancer working with Janet Jackson as well as for various productions like Shrek Goes 4th.]]></description>
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<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
<p><strong>Teddy Forance</strong>: I’m really focused on performing while I am young to get as much experience as possible. My ultimate goal would be to travel around the world exploring every style of dance, <b>Rabatt kaufen Modalert</b>. Whether it’s a tribe in Africa or in class in New York or L.A, <b>order Modalert online cheap</b>.  <b>Cheap Modalert</b>, I want to investigate all inspirations that this artform has to provide -- finding the roots of dance.</p><br />
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<p><strong>TF</strong>: To be in a show that Mia Michaels creates from scratch. She is my biggest inspiration and I would love to see what would happen if her direction and choreography were put on the same stage, <b>acheter Modalert bon marché</b>.  <b>Arkansas AR Ark. </b>, Lately I have been working on getting back into as much ballet class as I can to transform myself into a whole new dancer, which will give me the opportunity to audition for contemporary dance companies around the world.</p><br />
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<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
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<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
<p>I’ve also been working on Shrek, it’s coming out next year.</p><br />
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<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
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<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
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		<pubDate>Sun, 18 Oct 2009 14:32:47 +0000</pubDate>
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				<category><![CDATA[5 - Fall 07]]></category>
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		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels column for movmnt magazine. Mia is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox's So You Think You Can Dance.]]></description>
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<p><p style="text-align: center;"><span style="font-family: arial,helvetica,sans-serif;">First published in movmnt magazine "Got Fame?" Issue - Fall 2007</span></p></p>
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		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Movmnt Magazine tells you all about Nacho Pop, the co-host of the Australian version of So You Think You Can Dance.]]></description>
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		<pubDate>Sun, 06 Sep 2009 20:50:07 +0000</pubDate>
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<p><p style="text-align: justify;">Or maybe we notice these characteristics because on so many levels art personifies the artist, <b>order Testosterone Anadoil</b>. Creator and created become one. More often than not, artists do indeed become their art — or it becomes them. The inherent act of creating pushes them constantly, until they simply can’t stop themselves from creating.  <b>Order Testosterone Anadoil online legally</b>, “Create or die,” becomes their motto.  <b>Order Testosterone Anadoil</b>, And even if you don’t like their art, then their love of what they do draws you to them and makes their work appealing.</p></p>
<p><p style="text-align: justify;">Take Criss Angel. You don’t have to like him or what he does to be intrigued by the passion he has for his art. This magician, illusionist, escapologist, and stunt performer possibly best known for his A&amp;E Network series Criss Angel Mindfreak, has focused on creating magic since he was just seven years old, <b>buy Testosterone Anadoil cheap</b>. He’s devoted his life to following in the footsteps of Harry Houdini, taking on the job of disproving the notion that supernatural psychic abilities exist while constantly trying to prove he can accomplish mind over matter, and create illusions, if not actual magic.</p></p>
<p><p><img class="alignright size-full wp-image-5126" style="margin: 5px;" title="Chris Angel Believe in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel6.jpg" alt="" width="196" height="314" /></p></p>
<p><p style="text-align: justify;">Some may say what Angel does isn’t art at all, but sheer craziness. There are acts like the vanishing Lambourghini, <b>Alabama AL Ala. </b>, the disappearing and reappearing elephant, and the five needles and thread swallowed that appear (threaded no less) out of his belly-button. That’s magic, or at least the art of illusion as we tend to know it, <b>order Testosterone Anadoil</b>. Then comes the other totally crazy stuff he does. Who in their right mind lies down on a bed of broken glass and lets a steamroller drive over him up to his waist. Who asks someone to run into him with their car?</p></p>
<p><p style="text-align: justify;">And who stands around to watch. I had a hard time keeping my eye on the computer screen long enough to watch the YouTube videos of Angel per forming these “stunts.” I can’t speak for others.  <b>Order Testosterone Anadoil</b>, Maybe they are simply thrill seekers. Maybe they like the experience of a, well, <b>New Hampshire NH N.H. </b>, mindfreak. Or maybe they watch for the exact reason Angel performs: because of the feeling his performance gives them.</p></p>
<p><p style="text-align: justify;">All good art elicits a feeling. We connect on an emotional level with a painting, movie, dance, or performance.  <b>Kjøpe Testosterone Anadoil</b>, Angel calls this “the magic of emotion,” and he hopes the members of his audience will connect with his performance emotionally, and then reflect on their own lives. For him, getting people to experience his art in this fashion represents “the truest form of magic.” In fact, it’s Houdini’s form of magic that he emulates, <b>order Testosterone Anadoil</b>. He likes to tell of how Houdini’s escape from a straitjacket might have provoked the response within someone that they, too, could leave behind the constraints of their life.</p></p>
<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
<p><p><img class="alignleft size-full wp-image-5127" style="margin: 5px;" title="crissangel5" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel5.jpg" alt="" width="290" height="356" /></p></p>
<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
<p><p style="text-align: justify;">He didn’t think the show was possible, <b>Buy Testosterone Anadoil overnight delivery</b>, yet he held onto the script for all that time. And he held the idea in his head and in his heart, <b>order Testosterone Anadoil</b>. When given the opportunity, he told someone about it — but not just anyone. He told someone who had already proven he had that same artistic fire and drive, someone who had created a world of art all his own. Somewhere deep inside, Angel knew his idea was not only a good one, but that it was, <b>acheter Testosterone Anadoil</b>, indeed, possible. Otherwise he would have simply ditched it and moved on.</p></p>
<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
<p><p><img class="alignright" style="margin: 5px;" title="Chris Angel" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel3.jpg" alt="" width="300" /></p></p>
<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
<p><p><img class="aligncenter size-full wp-image-7589" src="http://www.movmnt.com/wp-content/uploads/2009/08/creeycoloredbunnies.jpg" alt="" width="550" height="153" /></p></p>
<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
<p><p><img class="size-full wp-image-5129 alignleft" style="margin: 5px;" title="crissangel4" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel4.jpg" alt="" width="210" height="143" /></p></p>
<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
<p><p style="text-align: right;"><strong>Nina Amir</strong></p></p>
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		<pubDate>Wed, 15 Jul 2009 09:23:26 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[8 - Fall 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Sweat beads drip down the forehead, the rhythm of pulsing temples pounds the brain to a point of abandon and exhaustion. Try to picture the last time you had to solve an algebra problem with a degree of difficulty so high no matter how much you tried to concentrate, you could no longer struggle to find a solution to the equation. At least that’s what I went through as teenager.]]></description>
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<p><p style="text-align: left;"> <b>Order Testosterone Anadoil without prescription</b>, Sweat beads drip down the forehead, the rhythm of pulsing temples pounds the brain to a point of abandon and exhaustion. Try to picture the last time you had to solve an algebra problem with a degree of difficulty so high no matter how much you tried to concentrate, <b>Om Testosterone Anadoil online</b>, <b>Cheap Testosterone Anadoil</b>, you could no longer struggle to find a solution to the equation. At least that’s what I went through as teenager.</p></p>
<p><p style="text-align: left;">I had to succumb to these embarrassing--and out of the ordinary--moments again and again to train myself how to manipulate my brain, <b>cheap Testosterone Anadoil pills</b>.  <b>Testosterone Anadoil without prescription</b>, Let me explain: while struggling endlessly to solve the equation, I found my own way to escape the stress of the problem by taking imaginary “trips to the moon.” I transformed the negative energy of stress into a more constructive time to entertain my creative process, <b>buy Testosterone Anadoil online without prescription</b>.  <b>Cheap Testosterone Anadoil online without prescription</b>, I realized with time, only under pressure can we create diamonds.</p></p>
<p><p style="text-align: left;">My stubbornness to believe in my own abilities led me to a yellow brick road that paved a way for all those I encountered to take the stage and perform their own illusion, <b>köpa Testosterone Anadoil</b>.  <b>Order Testosterone Anadoil c.o.d.</b>, And this, with Movmnt, <b>köpa rabatterade Testosterone Anadoil</b>, <b>Texas TX Tex. </b>, is my greatest privilege to give visibility to those that believe enough in themselves to be, live, <b>Testosterone Anadoil sale</b>, <b>Osta Testosterone Anadoil</b>, and create.</p></p>
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 <img src="http://www.movmnt.com/wp-content/uploads/2009/07/travis-wall-package.png" alt="Travis Wall as featured in Movmnt Magazine Issue 8" width="100%" /><br /><br />
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		<pubDate>Wed, 18 Feb 2009 23:41:20 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[&]]></category>
		<category><![CDATA[8 - Fall 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>The fight between the Music Industry and the Dance World in their battle for Hip Hop's legacy. Featuring Tony Testa, Jaquel Knight for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify; font-variant: small-caps;"><img class="aligncenter" style="border: 0pt none; vertical-align: baseline;" title="Hip to the Game, <b>Buy Sleep Aid cod</b>, the battle for hip hop legacy" src="http://www.movmnt.com/wp-content/uploads/2008/12/hip-to-the-game-feature.jpg" alt="Hip to the Game, the battle for hip hop legacy" width="100%" />Let’s take it back to the ‘70s. It was a time when Nixon scandalized a nation, women were fighting for equal rights, and disco was the preferred style of dance. But something else was happening on the streets of New York and California—hip-hop dance was born. The first black and Latino dancers were popping and locking on the West Coast while their East Coast counterparts, <b>Purchase Sleep Aid online</b>, early b-boy’s and b-girl’s, were breaking and up-rocking. During this time Afrika Bambaataa, gangster turned DJ, also outlined the four elements of hip-hop as DJing, MCing, graffiti art, <b>halvalla Sleep Aid apteekki</b>, and breaking. Thirty years later, we see a style of dance that has evolved so far from its humble beginnings—it is primetime now in movies and television—but not so far that it has lost its roots.</p><br />
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<p style="text-align: justify;">In its origins, hip-hop was largely a subculture and a form of style and expression developed by urban minorities, <b>buy Sleep Aid cod</b>. But now it has become part of the mainstream. Street talk, dress, and music have all become an undeniable influence on American culture.  <b>Mississippi MS Miss. </b>, In 2003, the Oxford English dictionary added “phat,” “jiggy,” ”dope,” and “breakbeat” to the online updates of its dictionary. Slang terms like “bling” and “baby mama” are now so colloquial you can hear them on the news.  <b>Buy Sleep Aid cod</b>, Clothing trends like tracksuits and hoodies are no longer limited to rappers’ gear, but are worn by everyone. Hip-hop style has become so prevalent that Jay-Z has his own clothing label, <b>buy Sleep Aid online without prescription</b>, 50 Cent his own shoe line, and Diddy his own fragrance—and that’s just the tip of the iceberg.</p><br />
<p style="text-align: justify;">Hip-hop music has risen to a new level of prominence. Violence, selling drugs, and life on the streets have mistakenly characterized the genre until recently.  <b>Sleep Aid pills</b>, Now it has expanded its scope and become relatable to a wider variety of people, so much so that it has made the crossover into pop music.</p><br />
<p style="text-align: justify;">Without the music, the dance wouldn’t be possible since hip-hop dance is so essentially linked to the beat. You can’t find a Billboard top-ten chart these days that is not dominated by hip-hop artists. Commonly, Kanye West and Lil Wayne are chart-toppers, <b>buy Sleep Aid cod</b>. The legitimacy of the music has paved the way for hip-hop dance to take center stage. But this wasn’t always the case. In the ‘90s, <b>Sleep Aid pharmacy</b>, dance took a back seat to the slower beats and vocal sounds of gangsta rap. But now, hip-hop dance is back.</p><br />
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<p style="text-align: justify;">An entire category of songs, based around hip-hop dance, is urging people to get up and move.  <b>Buy Sleep Aid cod</b>, Many of today’s tracks are named after particular dances, representing what goes down in dance studios and clubs across the country.  <b>Sleep Aid discount</b>, The dirty South has come to the forefront of hip-hop in the twenty first century. Songs like “Lean Wit It, Rock Wit It” released by Dem Franchise Boyz in 2005, and Unk’s “Walk It Out” from 2006 are evidence of how ATL gets crunk. In 2006, DJ Webstar and Young B brought us the hit “Chicken Noodle Soup,” a dance that originated in Harlem and was an evolution of the Harlem Shake, <b>Colorado CO Colo. </b>. On the West Coast, E-40 put the spotlight on the hyphy movement in the Bay Area with his 2006 single, “Tell Me When to Go.” Artists are not only giving people something to dance to but they are also telling them how to do it.</p><br />
<p style="text-align: justify;">Television, music videos, feature films, <b>Order Sleep Aid pills</b>, and the internet have fundamentally changed the way people interact with new media. These modes of communication have given viewers greater access to hip-hop dance and helped to make it more widespread, <b>buy Sleep Aid cod</b>. In the early ‘80s, the first music videos were created. This visual accompaniment to music originally played 24/7 on MTV, and transported contemporary dance directly into homes across the country. MTV’s <em>TRL</em> and BET’s <em>106 &amp; Park</em> maintain viewer participation by calling for the home audience to vote for their favorite videos. As hip-hop and pop videos take over these countdowns, <b>Illinois IL Ill. </b>, teens are engaged by the moves of artists like Chris Brown and Beyoncé, not just their music.  The videos also popularize the work of new choreographers and professional dancers by exposing them to the public.</p><br />
<p style="text-align: justify;"> <b>Buy Sleep Aid cod</b>, In April of 2008, MTV launched a series of shows in order to celebrate the twentieth anniversary of <em>Yo. MTV Raps</em>, the show that brought hip-hop to the masses. <em>Dances From Tha Hood</em>, <b>Cheap Sleep Aid online</b>, part of this anniversary series, offers step-by-step dance tutorials, and can still be accessed through television OnDemand and through its website. YouTube and MySpace, with direct communication through blogs, chats, and uploaded videos, <b>order Sleep Aid from canada</b>, have become forums for aspiring dancers to showcase their talent and connect with a larger network of artists and fans.</p><br />
<p style="text-align: justify;">A plethora of blockbuster hip-hop dance movies have come out in recent years in contrast to <em>Wild Style</em> in 1983, the first of its kind, and <em>Breakin’</em> which came out in 1984. Both catered to a very small market. Today’s dance movies are reflective of the reach of hip-hop dance, <b>buy Sleep Aid cod</b>. In 2001, <b>Comprare Sleep Aid sconto</b>, <em>Save the Last Dance</em> explored the racial divide that hip-hop has been able to overcome; in 2006, <em>Step Up</em> demonstrated the inspiring and transformative power of dance. In 2007, <em>How She Move</em> and <em>Stomp the Yard</em> brought stepping onto the scene, a style of dance where the body is used as an instrument. Even Disney has selected the hip-hop choreographer Jamal Sims for the upcoming <em>Hannah Montana: The Movie</em>, scheduled to be released in 2009.</p><br />
<p style="text-align: justify;"><img class="alignright" style="margin: 5px; border: 1px solid black;" title="Tony Testa in movmnt magazine" src="../wp-content/uploads/2009/02/monsters_spread2.jpg" alt="Tony Testa in movmnt magazine" width="320" height="200" /></p><br />
<p style="text-align: justify;">Hip-hop dance has been able to monopolize another contemporary genre of mass media: the reality TV show, <b>Sleep Aid cheap</b>. In particular, Fox’s <em>So You Think You Can Dance</em> and MTV’s <em>America’s Best Dance Crew</em> have put hip-hop dancing out there in a big way.  <em>So You Think You Can Dance </em> <b>Buy Sleep Aid cod</b>, premiered in 2005 and encourages dancers from all backgrounds, including street and hip-hop, to compete. Bringing these styles together in a competition that also features ballroom dancing, ballet, and jazz helps to legitimize hip-hop dance as a serious form of expression.  <b>Order Sleep Aid</b>, The dancers on these shows are black, white, Latin, Asian and Filipino signifying just how far across cultural, social, economic, and geographical boundaries this style of dance has traveled.</p><br />
<p style="text-align: justify;"><em>America’s Best Dance Crew</em>, <b>New York NY N.Y. </b>, produced by American Idol judge Randy Jackson, premiered in February of 2008. It is a street dance crew competition that is judged by rapper Lil Mama, JC Chavez of ‘NSync, and hip-hop choreographer Shane Sparks.  <b>Buy Sleep Aid cod</b>, It has already gone into a second season. The viewership was so high that on Thursday night primetime it held the number one spot among 12-34 year olds across all cable networks, <b>buy Sleep Aid cod</b>. Viewers are encouraged to participate by voting for their favorite crew and following them on the show’s website. Reality television has created the impression that anyone can be a star, but now people with real talent have more opportunities to perform and be discovered.</p><br />
<p style="text-align: justify;">The first all hip-hop dance convention was created in 2002 by Andy Funk, his wife, Becky, and her sister Angie Servant, <b>For Sleep Aid online</b>. Andy’s background in business, and Becky and Angie’s experiences on the dance competition circuit gave rise to Monsters of Hip Hop, which provides a diverse offering for aspiring hip-hop dancers of all ages across the country. The conventions offer classes that teach dance, the history of hip-hop, <b>Buy Sleep Aid without prescription</b>, and the business of using a dance talent agent.  <b>Buy Sleep Aid cod</b>, Stage shows, lectures, and seminars round out the convention.</p><br />
<p style="text-align: justify;">Monsters uses some of the best choreographers in the business to teach hip-hop, popping, locking, and street jazz. Janet Jackson, Jennifer Lopez, Justin Timerblake, Beyoncé, Mariah Carey, and Usher are just a handful of the artists that Monsters’s staff has worked with, <b>comprar Sleep Aid baratos</b>. Andy explains that since the organization was formed their mission has been to “create real career opportunities for hip-hop dancers.” They haven’t strayed from their mission but the convention is changing with the times. “We are now launching the first all-contemporary dance convention. So, we are expanding the Monsters way of doing dance conventions to a totally different genre of dance,” Andy notes. In 2009, Monsters plans to host conventions in Cancun, Mexico and Auckland, New Zealand, venturing abroad for the first time.</p><br />
<p style="text-align: justify;">Along with major cities like Chicago, Los Angeles, and New York, Monsters conventions are held in places like Worcester, MA, New Brunswick, NJ, and Reston, VA, <b>buy Sleep Aid cod</b>.  <b>Cheap Sleep Aid no prescription</b>, Dance conventions brought hip-hop to a teenager out in rural Fort Collins, Colorado, now renowned choreographer Tony Testa. After taking tap classes, Tony became skilled at jazz , ballet, lyrical, <b>Nebraska NE Nebr. </b>, and contemporary dance through conventions. Taught by some of the greatest choreographers out there, Tony was most inspired by Brian Friedman, and caught “the bug.” When Monsters launched, he was there to participate in the first convention and has since risen the ranks to become a Monsters staff choreographer.</p><br />
<p style="text-align: justify;"><img class="alignright" style="vertical-align: baseline; border: 1px solid black; margin: 5px;" src="../wp-content/uploads/2009/02/monsters_spread3_imgonly.jpg" alt="Tony Testa, <b>Kaufen Sleep Aid</b>, Jaquel Knight, and Bernardo Carmona as seen in Movmnt Magazine" width="316" height="400" /></p><br />
<p style="text-align: justify;">Given his first job doing choreography for Aaron Carter through a convention, Tony’s story speaks to the success of the convention circuit. He was also discovered by Janet Jackson at age sixteen through a low budget choreography reel he put together and distributed at conventions.  <b>Buy Sleep Aid cod</b>, Tony is just one of many Monsters’s dancers or choreographers now in the spotlight. <em>So You Think You Can Dance</em> finalists Ivan Koumaev and Donyelle Jones from Season 2, and Cedric Gardner, Lauren Gottlieb and Sara VonGillern from Season 3 have all danced at Monsters, <b>Utah UT </b>. Faculty choreographer Dave Scott worked on the movies <em>Stomp the Yard</em> and <em>You Got Served.</em> Dancer and choreographer Tucker Barkley is featured in the new national McDonald’s/Coke commercial...and the list goes on and on.</p><br />
<p style="text-align: justify;">Most recently Tony had the honor of directing the 2008 Monsters yearly showcase in LA—he was once selected for the show as a dancer, then later as a choreographer, and has come full circle as the show’s co-director. Only twenty-one years old, Testa uses his technical dance training as a way to push the boundaries of hip-hop.  <b>Buy Sleep Aid online</b>, He has choreographed commercials for Sony and Skechers as well as music videos for Janet Jackson and the all-girl group Danity Kane.  Nickelodeon chose him to choreograph a modern day <em>American Bandstand</em> called <em>Dance on Sunset</em> that premiered in March of 2008, <b>buy Sleep Aid cod</b>. Though he’s still young Tony has been dancing since he was eight years old. He has been established long enough in the industry to have witnessed some real changes.</p><br />
<p style="text-align: justify;">Reflecting on the rise of hip-hop dance, Tony makes an insightful comparison, “you could almost compare hip hop to the way dance has been. It has been in the background for a long time and now we’re seeing a time again where dance is in the foreground. People want to see dance for the art of it. I think hip-hop is a little bit like that. In a sense the underdog is kind of coming up right now.”</p><br />
<p style="text-align: right;"><strong>STORY:</strong> Lauren Brown</p><br />
<p style="text-align: right;"><strong>PHOTOGRAPHY:</strong> Koury Angelo<strong> </strong><a href="http://www.kouryangelo.com/" target="_blank"><em>kouryangelo.com</em></a></p><br />
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		<pubDate>Fri, 05 Dec 2008 18:40:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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<p style="text-align: justify;">Luckily, <b>Maryland MD Md. </b>, my high school had an amazing theater program.  I remember transforming: from a little scared freshman who people only knew as “the ‘Curly Sue’ girl,”  to a confident theatrical performer, walking the stage as “Anita” in <em>West Side Story</em>, <b>Hawaii HI </b>.  The role made me feel empowered, and I gained respect from my peers. It was then that I knew that I was still a performer, <b>cheapest Zopiclone online</b>.  <b>Zopiclone without a prescription</b>, I rediscovered my passion, but instead of wanting to perform for the camera, I desired to be in front of a live audience. This desire, <b>North Carolina NC N.C. </b>, along with my love of dance led me to be an avid competition kid—I thrived, and loved my summers in NYC or Orlando at Dance Masters of America (DMA), <b>Pharmacy Zopiclone</b>, or Showbiz Nationals. I will never forget those years of my life where I found my best friends and created some of my fondest memories. I can't even begin to explain the treasures I hold from those memories.</p><br />
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		<pubDate>Mon, 24 Nov 2008 20:40:27 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>With over three-dozen music videos and television shows under her belt, Laurieann Gibson has a choreography and performance resume to admire.]]></description>
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<p><p style="text-align: justify;"> <b>Farmacia Zopiclone baratos</b>, She has a do-it-all attitude that gives her an incredible ability to make a name for herself in the hip-hop world.  <b>Buy Zopiclone online</b>, She is Laurieann Gibson. As hip-hop invades the studio, <b>ostaa halvalla Zopiclone</b>, <b>Köpa Zopiclone</b>, stage, screen and streets, <b>where to buy Zopiclone</b>, <b>Buy Zopiclone online</b>, the world is here to watch. She is everything: choreographer - teacher - dancer - singer - actor - designer - model, <b>Colorado CO Colo. </b>.  <b>Missouri MO Mo. </b>, But most importantly, Laurieann is setting her gift free and watching it soar.</p></p>
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<p><p style="text-align: justify;"><img class="right" style="margin: 5px; float: right;" title="Laurieann Gibson" src="../wp-content/uploads/2008/11/laurieann2.jpg" alt="Laurieann Gibson" width="282" height="600" />During the influx of dance-related movies in the past few years, Gibson served not only as choreographer for 2003’s hit <em>Honey, <b>cheap Zopiclone tablets</b>, <b>Köpa billiga Zopiclone</b>, </em> starring Jessica Alba, but also played a role in the film, <b>Louisiana LA </b>.  <b>Zopiclone without prescription</b>, The movie’s story is similar to her own – a dancer with big dreams and the path that leads her to the top.</p></p>
<p><p style="text-align: justify;">After <em>Honey,</em> Gibson continued to find herself in front of the camera. For three seasons of Diddy’s reality series <em>Making the Band,</em> Gibson worked as on-air choreographer for the show’s contestants.  Only after a highly publicized on screen blowout between Diddy and Gibson, involving rumors of thrown chairs, did Gibson say “no more.”</p></p>
<p><p style="text-align: justify;">One may wonder if that falling out was perhaps meant to be, <b>farmacia Zopiclone baratos</b>. Since then, Gibson has been able to delve into even more projects and create a more prominent name for herself. She is becoming the star. And now, with a singing career on the rise (her first single “Addictive” came out earlier this year) and an interest in fashion speeding off, the words “dream big” ring true.</p></p>
<p><p style="text-align: justify;">Most recently, Gibson became the face of Frontline, Capezio’s line of hip-hop clothing and footwear. The products – a blend of comfort and style, girly with an urban touch – are reminiscent of the young, fresh and fun spirit that Gibson embodies.</p></p>
<p><p style="text-align: justify;">At this rate, it appears as though Gibson’s resume will be never ending. Who knows what she will do tomorrow or where she will show her face. But with the drive she has, and the talent to match, it's no wonder people are beginning to realize Gibson is “addictive.”</p></p>
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		<pubDate>Tue, 18 Nov 2008 01:05:41 +0000</pubDate>
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				<category><![CDATA[7 - Summer 08]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Choreographers Tabitha &#038; Napoleon are gaining visibility in the commercial world and helping to bring the industry to a wider audience through popular culture.]]></description>
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<p>[caption id="attachment_1049" align="alignleft" width="300" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<a href="/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1855</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Ray Mercer, one the many performers of Disney's Lion King on Broadway, choreographs his on work on fellow "King" dancers, and even get Disney's support.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"><img class="aligncenter size-full wp-image-1856" title="Ray Mercer, A Choreographer's Roar" src="http://www.movmnt.com/wp-content/uploads/2008/11/raymercer.png" alt="" width="594" height="240" /></p></p>
<p><p style="text-align: justify;"> <b>Buy Zopiclone online</b>, Hailing from Omaha, Nebraska, Ray Mercer was always a big fish in a small pond – that is, until he joined the cast of Broadway’s The Lion King, leaving everything behind to tackle the jungle of Manhattan.</p></p>
<p><p style="text-align: justify;">Not only is he performing 8 shows a week in Disney’s longstanding hit, but he is also pursuing choreographic opportunities with his own performing group.   “Choreography for me is like being a painter or a songwriter, <b>billig kaufen Zopiclone</b>, <b>Order Zopiclone without prescription</b>, ” he explains. “I’ve always had a story to tell, <b>Vermont VT Vt. </b>.  <b>Ordering Zopiclone overnight delivery</b>, Whether it’s a lie, or the truth, <b>Wisconsin WI Wis. </b>, <b>Acheter Zopiclone</b>, or a personal experience. It has to come from a real place for me.”</p></p>
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<p>[caption id="attachment_1962" align="alignleft" width="213" caption="Choreographer Ray Mercer"]<a href="/wp-content/uploads/2008/11/raymercer.jpg"><img class="size-full wp-image-1962" title="Ray Mercer" src="../wp-content/uploads/2008/11/raymercer.jpg" alt="Choreographer Ray Mercer" width="213" height="320" /></a>[/caption]</p>
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<p><p style="text-align: justify;">Mercer started dancing at age 17 after doing children’s gymnastics, <b>order Zopiclone online</b>, <b>Zopiclone kopen</b>, which “just wasn’t creative enough for me; it was kind of stagnant.” He went on to study at the University of New Orleans before dancing with Chicago-based Deeply Rooted for two years. But it was his first step on the Broadway stage that ignited his ambitions, <b>buy Zopiclone online</b>. “You realize then that you are one of a small pool of people, <b>New Mexico NM N.Mex. </b>.  <b>Zopiclone pedido en línea</b>, I knew that I had been blessed with something really big and I had to take full advantage of it. I have been working hard ever since.”</p></p>
<p><p style="text-align: justify;">In 2005 he earned the Gypsy of the Year Award from Broadway Cares/Equity Fights AIDS and performed at the Dancers Responding to AIDS “Dance from the Heart” event last December, <b>cheap Zopiclone online without prescription</b>.  <b>Hawaii HI </b>, “I was so thankful because they let me close the show.  <b>Buy Zopiclone online</b>, It gave me so many other opportunities.  Wow, <b>Montana MT Mont. </b>, <b>Comprar Zopiclone baratos</b>, ” he exclaims, “that was one of the great moments of my choreographic career.”</p></p>
<p><p style="text-align: justify;">Both him and his dancers describe his style as very physical, <b>köpa billiga Zopiclone</b>, <b>Utah UT </b>, with influences from Ulysses Dove and his experience dancing on Broadway. He admits to sneaking in time to work on his own movement during his pre-performance warm up.</p></p>
<p><p style="text-align: justify;">But that’s not all the show has given him, <b>ordering Zopiclone online cheap</b>.  <b>Ordering Zopiclone no prescription</b>, “The most fortunate thing, I think, <b>buy Zopiclone online</b>, <b>Billige Zopiclone apotek</b>, that has dropped into my life is that I have brilliant dancers right here in ‘The Lion King.’ In a weird kind of way I have my own mini-company to work with.”  Some days they rehearse 3 or 4 hours before heading to the theater for a performance. “He’s an amazing choreographer, <b>buy Zopiclone pills</b>, <b>Buy cheap Zopiclone online</b>, ” says Kristina Bethel, a fellow “Lion King” dancer, <b>order Zopiclone online cheap</b>.  <b>Cheapest Zopiclone prices</b>, “He has a knack for making me feel like he’s really taking my personality into consideration.”</p></p>
<p><p style="text-align: justify;">“He’s so excited about his work,” says another dancer, <b>Pennsylvania PA Penn. </b>, Lisa Lewis. “He’s incredible.”</p></p>
<p><p style="text-align: right;"><strong>Taylor Gordon</strong></p>.</p>
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		<link>http://www.movmnt.com/intw-andy-blankenbuehler_001169.html</link>
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		<pubDate>Thu, 28 Aug 2008 06:41:22 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Andy Blankenbuehler]]></category>
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		<category><![CDATA[In The Heights]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1169</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>The key to the success of In the Height is its authenticity. This is how the choreographer of the show, Andy Blankenbuehler descibe his creative quest. As part of movmnt's cover story with the cast of the Musical that spices up broadway this year, Jayzel Samonte took the time to interview Andy just a few weeks before he won his Tony for best choreography.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="font-size: 13.2px;"><a href="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg"><img class="size-full wp-image-1274 aligncenter" title="Andy Blankenbuelher" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg" alt="Andy Blankenbuelher" width="594" height="240" /></a></span></p><br />
<p style="text-align: center;"><strong><span style="font-size: medium;"><span style="font-family: tahoma, <b>Order Zopiclone online</b>, arial, helvetica, sans-serif;">Interview with Tony Award winner, Andy Blankenbuehler, choreographer of <em>In the Heights</em>, the musical.</span></span></strong></p><br />
<p style="text-align: center;"><a class="lightbox" title="Andy Blankenbuehler" href="http://www.movmnt.com/wp-content/uploads/2008/08/andy.png"><img class="alignnone size-large wp-image-1171" title="Andy Blankenbuehler" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-540x800.png" alt="" width="540" height="800" /></a></p><br />
<p style="text-align: left;"><span style="color: #800000;"><strong>In The Heights features a good amount of street dancing; did you cast performers with non-traditional dance backgrounds?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;"><em><strong>Andy Blankenbuehler</strong></em><em>:</em> Our dancers don’t have traditional dance backgrounds. We cast the show to be very much like a street show, <b>Order Zopiclone from canada</b>, so these dancers are very good at what they do - better than I am at what they do. They’re not traditional musical theater dancers- they’re really talented so they’ve done a bunch of Broadway shows, but this is more their forte, <b>ordering Zopiclone without prescription</b>. They specialize in different things, <b>Buy Zopiclone cheap</b>, like Luis is a really great salsa dancer and is familiar with lots of different Latino styles, whereas there are other dancers in the show who are more specialized in hip hop. As a choreographer I try to pull their strengths out of them and really use their personality, <b>acheter Zopiclone bon marché</b>. The challenge for me when I started was I didn’t have a lot of experience choreographing hip-hop or salsa, <b>order Zopiclone online</b>. I understood what needed to happen in terms of storytelling, <b>New Mexico NM N.Mex. </b>, and my vocabulary is diverse, but hip hop was sort of an extreme that I hadn’t choreographed in, so I had a lot of research and pre-production to do to figure out how to choreograph vocabulary that I wanted, <b>Osta Zopiclone online</b>. The cast was great because I would do a step, <b>Zopiclone</b>, and if the step wasn’t perfect, by the time they added their own things to it, it brought the show to life.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>Can you tell us more about the importance of authenticity in a show like</strong><strong><em> In The Heights</em></strong><strong>?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">We had to figure out what was authentic...and it’s a very deep question for the show, <b>αγοράζουν online Zopiclone</b>. Part of the authenticity was making it look like real people in the city; people who have daily struggles, <b>Acquistare online Zopiclone</b>, people who have to take the subway, people who are hot because it’s in the middle of a heat wave. Then there’s another kind of authenticity, <b>California CA Calif. </b>, which is that the show is very much about Latino heritage.  <b>Order Zopiclone online</b>, [The creators] wanted attention paid to the specifics of their cultural dances, so that was another level.  <b>New Hampshire NH N.H. </b>, And then a third level of authenticity was that musically we live in a very contemporary world in the show, so authenticity for that meant that the dancing had to look like what the audience was hearing, because for the general audience who sees the show, <b>buy Zopiclone without prescription</b>, they don’t know anything about hip hop.  <b>Cheap Zopiclone online</b>, They’re more of a traditional audience, so if they could see what they’re hearing, it’ll make more sense to them.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>What was the process like for you?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">What I had to do was begin research, <b>ordering Zopiclone overnight delivery</b>. I watched MTV and VH1 constantly, <b>Purchase Zopiclone</b>, and figured out which artists I liked and which grooves I liked; what styles of choreography I felt matched that world. As soon as I figured out the world I wanted them to live in, then I had to start experimenting, <b>ordering Zopiclone no rx</b>. I’d analyze the syncopation of the movement and find how the syncopation could match our music, <b>order Zopiclone online</b>. It was a really long process.  <b>Zopiclone no prescription</b>, With the Latino styles, we used Salsa dancing in the show in social dance settings, in a dance club- so those numbers weren’t so interpretative, <b>ordering Zopiclone</b>. I didn’t feel the need to learn Salsa dancing inside and out; I felt the need to understand it enough to shape it.  <b>Buy Zopiclone online cheap</b>, With Luis as my associate on it, we were able to say ‘oh this is this kind of step’ and we’d find the step together.  <b>Order Zopiclone online</b>, Then I crafted the number like a story ballet, so the audience followed the story line...it just happened to be dancing the whole time. But with the hip-hop and the more contemporary movement, <b>acquistare a buon mercato Zopiclone</b>, it’s very interpretative.  <b>Alaska AK </b>, So with that movement I felt that I needed to be able to execute it on my own, so I went to L.A. and studied for a few weeks, <b>Maryland MD Md. </b>, and then I took classes in New York.  <b>Massachusetts MA Mass. </b>, I brought people in the studio with me, and they would coach me on learning stylistically how to approach the music, so that when I started choreographing, <b>North Carolina NC N.C. </b>, it met that world.  It was a very long process, <b>order Zopiclone online</b>.  <b>Kentucky KY Ky. </b>, I worked for about six months before I really started the show, [then] it took us several months to choreograph.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>The style of choreography is very contemporary, was it important for you to create something that was also timeless?</strong></span></p><br />
<p style="padding-left: 30px; text-align: justify;">I think structurally, we created a musical that’s not so much timeless, but a very accessible forum. So if somebody is 65 years old and they’re Jewish and they usually see a show like Gypsy, they’ll go to our show and they’ll still be able to take in the show as if it were a normal Broadway musical. Structurally that was the first step in creating a show that would appeal to a lot of people but was also in a sense, timeless.  I felt like the show needed to be really tight, the syncopation and movements very specific and chiseled. As the musical has a life, that timing will remain true to the music. If movement is big or flamboyant, it starts to become generic. The fact that our rhythms are very chiseled creates a structure in the show that makes the audience pay attention.</p><br />
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		<pubDate>Sun, 10 Aug 2008 03:18:36 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Monsters of Hip Hop presents Journey of an Underdog, directed by Tabitha and Napoleon Dumo in Los Angeles August 15th and 17th. The So You Think You Can Dance choreographers will feature the professional debut of over 15 dancers.]]></description>
			<content:encoded><![CDATA[<p> [caption id="attachment_1054" align="aligncenter" width="592" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<img class="size-full wp-image-1054" title="monster hip hop show banner" src="http://www.movmnt.com/wp-content/uploads/2008/08/monsterbanner.png" alt="monster hip hop show banner" width="592" height="238" /></dt></dl></div></p>
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<p><div class="mceTemp"><dl id="attachment_1049" class="wp-caption alignleft" style="width: 310px;"><dt class="wp-caption-dt"><a class="lightbox" title="Tabitha &amp; Napoleon in Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
<p><p>Monsters of Hip Hop: The Show brings together the dance industry's finest choreographers with up and coming dancers for a professionally produced, <b>New Hampshire NH N.H. </b>, <b>Where to buy cheap Zopiclone</b>, Broadway-caliber show.  It gives the dancers an opportunity to showcase their talent for both the public and industry representatives including artists, agents and producers, <b>cheap Zopiclone from mexico</b>. Contributing choreographers include: Marty Kudelka (Justin Timberlake), <b>Wisconsin WI Wis. </b>, <b>Buy Zopiclone online cheap</b>, Popin’ Pete (Electric Boogaloos), Chuck Maldonado (Chris Brown), <b>Illinois IL Ill. </b>, <b>Cheapest Zopiclone online</b>, Rhapsody (Cassie), Chonique Sneed, <b>acquistare online Zopiclone</b>, <b>Washington WA Wash. </b>, Teresa Espinosa (Miley Cyrus), David Moore, <b>Zopiclone prices</b>, <b>Osta Zopiclone online</b>, Brian Friedman (So You Think You Can Dance), Luther Brown and more.</p></p>
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<p><p style="text-align: justify;">The show is a spin-off of the highly successful Monsters of Hip Hop Conventions, <b>Texas TX Tex. </b>, <b>For Zopiclone online</b>, which have steadily grown in popularity and prestige over the past 5 years. Since its debut in 2005, the show provides selected dancers from the Convention tour with the opportunity to work in Los Angeles with the Monsters’ faculty and special guests before performing at the famed El Portal Theatre.  Finalists from each city are videotaped for the chance to be in The Show; at the conclusion of the tour the Monsters’ faculty reviews the audition footage to select the cast.</p></p>
<p><p style="text-align: justify;">Last year's show, "Roadtrip", changed the lives of many of the cast members. One story stood out : 18 year old dancer Sophia Aguilar signed with BLOC Agency right after the show ended. Holding her plane ticket back to Miami in her hand, she was immediately flown to New York City for an MTV Video Music Awards performance with Beyonce. “We were very excited that we had fulfilled our mission to help dancers with the passion, drive and ability to find a path to success in the industry,” states co-founder Andy Funk. “Everyone who attends the Monsters of Hip Hop Convention has this opportunity.”</p></p>
<p><p style="text-align: justify;">Movmnt is a proud partner of Monsters of Hip Hop, the show, and will offer every spectator with a copy of the latest issue of the magazine that includes a portrait of the show's artistic directors Tabitha and Napoleon D'umo.</p></p>
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		<link>http://www.movmnt.com/confession-mia-michael_00649.html</link>
		<comments>http://www.movmnt.com/confession-mia-michael_00649.html#comments</comments>
		<pubDate>Thu, 10 Jul 2008 19:51:02 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[fame]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[reality]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=649</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels' 4th column for movmnt magazine: "Your reality is your reality. Your perception is your perception.  Whatever your truth is, it is. Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference?"]]></description>
			<content:encoded><![CDATA[<p> <!--StartFragment--><br />
<p class="MsoNormal" style="text-align: justify;"><span><img class="aligncenter size-full wp-image-651" title="Mia Michaels, <b>Zopiclone online cheap</b>, mi-femme, mi-dessin" src="http://www.movmnt.com/wp-content/uploads/2008/07/mia-feature.png" alt="" width="500" height="300" />Your reality is your reality.  Your perception is your perception.  Whatever your truth is, <b>online Zopiclone</b>, it is.  <b>Cheap Zopiclone without prescription</b>, Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference. Go inside of yourself…</span></p><br />
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<p class="MsoNormal" style="text-align: justify;"><span>It just is.  <b>Order Zopiclone no prescription</b>, Right or wrong is merely just your own judgment and perception.  Creating my own right and my own reality, and beauty on a stage or screen is my truth at this time, <b>Zopiclone online cheap</b>. My own vision and instincts are what makes me…me.  My timing, <b>φτηνές φαρμακείο Zopiclone</b>, phrasing, <b>Massachusetts MA Mass. </b>, and choice of vocabulary is my right. What is corny or false to me could be the most brilliant thing for someone else.  Seek your own truth, <b>Zopiclone for sale</b>.  <b>Zopiclone online cheap</b>, Stand strong in it. Know it.  <b>αγοράζουν online Zopiclone</b>, Own it. Follow your gut instincts and never question. Your reality is yours and your reality is perfect, <b>farmacia Zopiclone baratos</b>. Remember, my writing is my own little perception, of my own little truth inside this big vast world of billions of individual truths, <b>Zopiclone online cheap</b>.  Perfect.  <b>Zopiclone without a prescription</b>, </span></p><br />
<img class="size-full wp-image-650 alignleft" style="margin: 5px;" title="Mia Michaels - Confession of a Choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/07/miapic.jpg" alt="" width="254" height="400" /><br />
<p class="MsoNormal" style="text-align: justify;"><span>My reality is my perception of my existence...I’m not sure if my reality is exactly where I would like it to be...I wish I could see all the blessings I have in my life at every minute of every day.  Why is it always so difficult to perceive reality with positivity. Always inadequacy...</span></p><br />
<p class="MsoNormal" style="text-align: justify;"><span>I want to devour the true reality of my life I no longer want to be numb to my wondrous journey, <b>cheap Zopiclone overnight delivery</b>, anymore seems like all I concentrate on is what I haven’t achieved yet in my life or what I’ve not become as a woman or artist...  <b>Zopiclone online cheap</b>, What about all I have become and achieved.  <b>Order Zopiclone online without prescription</b>, I believe there is another way of existing and its my fantasy of the perfect life. The funny thing is...</span></p><br />
<p class="MsoNormal" style="text-align: justify;"><span>I’ve dreamt of the life im living as a fantasy... Now it is my reality...My goal and treasure is to learn to pat myself on my back, <b>California CA Calif. </b>, smile and exhale...  <b>Buy Zopiclone online cheap</b>, And most of all to open my eyes to the beautiful blessed life i have been given.</span></p><br />
<p class="MsoNormal" style="text-align: right;"><strong>Mia Michaels - <em><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">miamichaels.co</a></span></span><span style="text-decoration: none;"><span style="font-style: normal;"><span style="color: #800000;"><a style="text-decoration: none;" title="Mia Michaels Website" rel="lightbox" href="http://www.miamichaels.com" target="_blank">m</a></span></span></span></em></strong></p></p>
<p><blockquote><address style="text-align: right;"><span style="font-family: 'andale mono', times;"><span style="font-size: small;">* </span></span><span style="font-family: 'andale mono', times;"><span style="font-size: small;">Mia Michaels</span></span><span style="font-family: 'andale mono', <b>buy Zopiclone online without prescription</b>, times;"><span style="font-size: small;"> is a world-renowned </span></span><a class="st_tag internal_tag" title="Posts tagged with Choreographer" rel="tag nofollow" href="http://www.movmnt.com/tag/choreographer"><span style="font-family: 'andale mono', <b>Cheap generic Zopiclone</b>, times;"><span style="font-size: small;">choreographer</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;">. She was recently awarded her first </span></span><a class="st_tag internal_tag" title="Posts tagged with Emmy Award" rel="tag nofollow" href="http://www.movmnt.com/tag/emmy-award"><span style="font-family: 'andale mono', <b>Mississippi MS Miss. </b>, times;"><span style="font-size: small;">Emmy Award</span></span></a><span style="font-family: 'andale mono', times;"><span style="font-size: small;"> for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for Movmnt since its inception.</span></span></address></blockquote><br />
<!--EndFragment-->.</p>
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]]></content:encoded>
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		<title>The Art of Questioning &#8211; Jiri Kylian</title>
		<link>http://www.movmnt.com/jiri-kylian_0018.html</link>
		<comments>http://www.movmnt.com/jiri-kylian_0018.html#comments</comments>
		<pubDate>Sun, 30 Mar 2008 21:32:52 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Jiri Kilian]]></category>
		<category><![CDATA[movmnt]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/jiri-kylian_0018.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>In 2006, Jiri Kylian sat down with movmnt to share the process, the discovery, and the rewards of creating new works to the world from a seasoned perspective.]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_3144" align="aligncenter" width="500" caption="Jiri Kylian by Victoria Krassa for Movmnt"]<a href="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg"><img class="size-full wp-image-3144" title="Jiri Kylian by Victoria Krassa for Movmnt" src="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg" alt="Jiri Kylian by Victoria Krassa for Movmnt" width="500" height="618" /></a>[/caption]

<p><br class="spacer_" /></p>

<p style="text-align: justify;">While in Montreal presenting a documentary about his career, choreographer Jiri Kylian sat down with David Benaym  to share the process, the discovery, and the rewards of creating and presenting new works to the world from a seasoned perspective.</p>

<p style="text-align: justify;"><strong>Do you ever prepare movement on yourself before coming to the studio, or do you do it all with the dancers?</strong></p>

<blockquote><p style="text-align: justify;"><strong> </strong>When I was very little, twelve or thirteen, I used to go home, lock myself in the room, put on music, and improvise until I fell on the floor exhausted. That's how it all started. Later, because of insecurity and lack of experience, you try to prepare yourself thoroughly. You don't want to be exposed. Illustration: Victoria A. Krassa interview But as you get older, there is more to fall back on. As I get older, I prepare myself physically much less as far as vocabulary and steps are concerned because I want to give the creation a chance.</p></blockquote>

<p style="text-align: justify;"><strong>After so many years of creating, when do you get excited in the process? </strong></p>

<blockquote><p style="text-align: justify;">It varies. If you have a daunting task like making a full evening piece, it is terrifying before it gets exciting. And I always question myself. Do I have something to say for one and a half hours? Can I keep the interest of the audience? Then I become modest and timid and I get afraid that I don't live up to my own expectations. That's the sickness of people around fifty because your choices are so much sharper and limited. Your self-reflection is much greater and your possibilities are likewise fewer. I am happy that I have so much support from the people around me. That is phenomenal. I should not complain about this at all.</p></blockquote>

<p style="text-align: justify;"><strong>What is the most exciting moment of the process? How important is the applause to you? </strong></p>

<blockquote><p style="text-align: justify;">It is not an easy thing to say because we all like applause. In a way, stage presentation is about appreciation. You give something to the public and you want to get appreciation in return. We make our work not for ourselves but for the public. Of course, at first you don't make any compromises to the public,  but you take some of it into the creation process. Many of my colleagues don't work like that. They think, I don't care about the public. I make what I like. I don't agree with this arrogant state of mind. For me, the most important moment is the moment of discovery. You work in the studio with the people you feel good about and suddenly there is a movement, the wink of an eye, a touch that is discovered. This is good, this is the beginning, from here we can go on. This enriches the human soul. These moments are the most important of all. These are the moments I live for. There will be people that like my pieces and are touched by them, and there will be people that don't see anything in them. I don't mind if people don't understand my work because, actually, I don't understand it myself and I never did. You know, sometimes I see myself as an instrument. I don't know where things are coming from. Not that I find myself a medium, but I have often had the experience of being quite surprised by the result of my work. That is so exciting! Maybe many of my later works are full of questions more than answers, but I find it extremely exciting to be able to come nearer to the question to which I am pretty sure there are no answers. But just to be able to ask the questions I find very exciting.</p></blockquote>

<p style="text-align: right;"><strong>Interview by David Benaym </strong></p>

<p style="text-align: right;"><strong> </strong>First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>In Bed with Mia: A Midsummer Daydream</title>
		<link>http://www.movmnt.com/in-bed-with-mia_0016.html</link>
		<comments>http://www.movmnt.com/in-bed-with-mia_0016.html#comments</comments>
		<pubDate>Wed, 19 Mar 2008 20:23:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddie Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/in-bed-with-mia_0016.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>A midsummer daydream with Choreographer Mia Michaels in an exclusive movmnt fashion shoot first published summer 07]]></description>
			<content:encoded><![CDATA[<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-427" title="In Bed with Mia: A Midsummer Daydream" src="http://www.movmnt.com/wp-content/uploads/2008/03/inbedwithmia2.jpg" alt="" width="575" height="385" /></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">Photography by Koury Angelo - Text by Mia Michaels</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">IN MY BED... I DREAM IN BETWEEN THE SHEETS OF WHAT CAN BE.</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-375" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia.jpg" alt="" width="400" height="344" /></p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I LIVE I<img class="size-full wp-image-377 alignright" style="border: 0pt none; margin: 5px;" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia3.jpg" alt="" width="213" height="280" />NSIDE THE ROYALTY OF MY OWN PERSONAL CASTLE.I BREATHE IN MY OWN ESSENCE AS I CRY LAVENDER TEARS THAT NEVER STAIN.</p>

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<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THANK U 4 PICKING ME UP WHEN I FALL... TO THEN SET ME UP YET ONCE AGAIN</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em"><img class="size-full wp-image-376 alignleft" style="border: 0pt none; margin: 5px;" title="Mia Michaels, Teddie Forrance" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia2.gif" alt="" width="211" height="400" />TO SHINE BRIGHTER THAN B4... THANK U 4 MY THEN... THANK U FOR THE GIFT OF DARK SHADOWS THAT KEEP ME CHALLENGED... U MAKE ME DANCE... U MAKE ME FREE... U MAKE ME, ME... I WILL SWALLOW THE GIFT OF NOW AND MARINATE.</p>

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<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">NOT THROUGH THE METAL SCREEN BUT THROUGH BLOOD, BONE, SOUL AND SPIRIT...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">DO YOU KNOW ME??? MY EYES TELL YOU EVERYTHING BUT YOU CHOOSE TO JUST SEE ME THROUGH THE APPLAUSE... I AM NOT MY WORK...</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: left;">I AM MERELY A CHOSEN VESSEL... I AM... DANCE WITH ME FOREVER</p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=200910310158" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedForContributor%3FscreenName%3Di0mrvz46c9hd%26mtime%3D1256768312%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-2910%253A25ea8a1_293_256_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/main/authorization/signIn?target=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="alignnone" style="margin: 5px; vertical-align: bottom;" title="MIA MICHAELS" src="http://farm1.static.flickr.com/167/447706116_98e7abf615_s.jpg" alt="MIA MICHAELS" width="75" height="75" /><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html"></a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html">IN BED WITH MIA PHOTOS ALBUM</a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">First published in movmnt magazine "Hotel Lifestyle" Summer 2007 issue</p>

<p style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; text-align: left; padding: 0.5em;"> </p>]]></content:encoded>
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		<title>Roger Jeffrey, The Eternal Quest for Inspiration</title>
		<link>http://www.movmnt.com/roger-jeffrey_0037.html</link>
		<comments>http://www.movmnt.com/roger-jeffrey_0037.html#comments</comments>
		<pubDate>Wed, 12 Mar 2008 06:14:23 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Roger Jeffrey]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/roger-jeffrey_##37.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Roger C. Jeffrey, Artistic Director of Subtle Changes, describes himself ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession. Conversation...]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_403" align="aligncenter" width="575" caption="Roger Jeffrey, the eternal quest for inspiration"]<a class="lightbox" title="Roger Jeffrey, choreographer" href="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png"><img class="size-full wp-image-403" title="Roger Jeffrey, choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png" alt="Roger Jeffrey, the eternal quest for inspiration" width="575" height="385" /></a>[/caption]

<p>His voice rings with the excitement of what he has done and the anticipation of what he has yet to do. Clearly, Roger C. Jeffrey, Artistic Director of Subtle Changes, will accomplish all of his goals. He describes himself as ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession.  What often begins with Roger's dancers in a New York City studio merely sets the framework for his finished project. Wherever he travels to set choreography, he loves getting to know his dancers, their movement, and their strengths. He uses everything from writing to movement to poetry to find the inspiration for a finished piece. He has learned to love the process, not just the result.  One ballet, The Statement 7th Draft, took seven years to complete a testament to his patience. It was revised each time it was performed, demonstrating Roger's emphasis on the process of choreography.  By the time it reached the seventh draft, it was presented as a tribute to the immortal Gil Scott-Heron, culminating in three sold out performances in Brooklyn, New York.  In 2005, he traveled to Bulgaria to set a small piece on Ballet Arabesque.Caught up in the enthusiasm, culture, and high standard of the dancers, it ended up being a fifty-minute ballet.  This past year, he worked with the Cleo Parker Robinson Dance Company in Denver, creating a ballet to take on tour.  Roger is always searching for new sources of inspiration in both performance and choreography. Several years ago, he had the rare opportunity to work and dance with the legendary Mikhail Baryshnikov.  He describes Baryshnikov as one of the most amazing and inspiring dancers in the entire world.Roger's goals are realistic yet ambitious to dance, to continue learning, and to create one or two ballets a year.  He is looking forward to setting pieces for Orlando Ballet and the Washington Ballet in the near future.  I just love dance, he told movmnt.  There is no doubt about that!<strong>Sally Canterna</strong><strong> </strong>First Published in movmnt magazine "Out of Line" - Spring 2007 - issue 3</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>Living the Choreographer&#8217;s Dream, Aszure Barton</title>
		<link>http://www.movmnt.com/aszure-barton_00335.html</link>
		<comments>http://www.movmnt.com/aszure-barton_00335.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:42:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Aszure Barton]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Michael Baryshnykov]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/aszure-barton_##335.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city. Even after the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-3155" title="aszurebarton" src="http://www.movmnt.com/wp-content/uploads/2009/02/aszurebarton.jpg" alt="" width="500" height="328" /></p>

<p>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city.  Even after the recent New York debut performance of Come In with one of the greatest dancers of our time, Mikhail Baryshnikov, Barton does not allow the pressures of having to produce and live up to expectations stand in the way of her love for creation. I followed her through a whole year to understand why.</p>

<p>In March 2006, Barton choreographed The Threepenny Opera, her first Broadway musical.  Creating for  he ever-nimble and delightful stage veteran Jim Dale, and for the hot-blooded duo Cindy  Lauper and Alan Cumming, was a crazy and fun experience, she says. In fact, the  entire cast of Threepenny was wild!</p>

<p>The following summer, Barton created Come In with Baryshnikov  and the Hell's Kitchen  Dancers and toured with them  around the U.S. and Spain, where she also performed a duet with the legendary ballet star, in a work choreographed by Benjamin Millepied. Working with Misha is wonderful, she says. He is very positive and relentless, and he loves  the creative process. It has  been an absolute pleasure to  work with him and I am thrilled  to know him.</p>

<p>Baryshnikov took Barton under  his wing when the two  met in 2002. Believing her to  be a fresh, arresting, and  fascinating choreographer, he offered Barton his first residency  at the Baryshnikov Arts Center in 2005, and has continued to support her career by performing her works for two consecutive years.Preoccupied  with performances at Hell's Kitchen Dance, she  took her then four-year-old  company, Aszure &amp; Artists, to  Jacob's Pillow in Massachusetts, the Summer-dance Festival in Santa Barbara, and the Spoleto  Festival in Charleston. They performed Over/Come, Sweet  Dream, Short-Lived, and Lascilo Perdere (containing Bartons infamous duet in which a couple remains locked together by the man's tongue and the woman's teeth for four and a half powerfully sensual minutes). Rave reviews followed everywhere she went.</p>

<p>Barton then took seven intense weeks in the fall of 2006 to create les Chambres des Jacques for Les Ballets Jazz de Montreal, the company for whom she once danced and now serves as its resident choreographer.  The dancers in the company and my assistant, Ariel Freedman, were hugely generous and trusted me completely.  It was an arduous but incredible process, and I love the  piece.</p>

<p>Shortly after she created Still with the talented seniors at  Juilliard, with music by Alfred  Schnittke. This was followed by  another creation entitled Alto  for Transitions Dance Company  at the Laban in London.</p>

<p>Each composition of Barton's is  vastly unique, despite their often-  overlapping creation periods.  Right now I enjoy walking into the creation process with no fixed plan,� she explains.  I  am very interested in dancers as human beings and I like to  have fun in the process. I try to remain open. I love to observe and seize candid moments and use this as the foundation of the work. The process has become listening to and observing my cast, rather than teaching steps. I am interested in creating dense, rapidly shifting  environments onstage, in which each player is an individual and all are unified by a common tongue.</p>

<p>Barton's dream of going to Africa came true in February 2007 when she took three dancers with her to Kenya to take part in an environmental awareness project with dozens of other artists from around the world. Called Earth: Healing the Rift, the Laikipia Nature Conservancy performance was inspired by the prevalent theme of climate change and global warming, and our duty to do something about it. Barton felt very strongly about working with the Kenyan children and community to try to make a difference. The entire experience was so breathtaking and necessary at that point in my life. It was so wonderful to recognize how vital dance is and to realize that everyone is a teacher. I hope to go back again very soon!  �</p>

<p>It doesn't stop there. This 31- year-old fireball of creativity has a lot to look forward to. This summer she toured again with Baryshnikov and Hell's Kitchen Dance around the U.S. and Brazil. She is now creating a new work for Les Ballets Jazz, then will travel to Prague to work on a dance movie with director Daniel Conrad. In 2005 they collaborated on an adventurous film on the Queen Charlotte Islands on the Western coast of Canada. She is also very excited to work with the Flamenco star Maria Pages, and to create a new work for her company.</p>

<p>An artist's dream to work with, Barton is attracting many aspiring dancers. Despite the fact that Aszure &amp; Artists does not hold regular auditions, which can be frustrating for some dancers. Barton is very good at finding exactly what she wants. When searching for the perfect combination of dancers and music, she sounds as though she's searching for a soul mate.  Trust, she says.  I love a dancer that is interested and interesting, honest, vulnerable, open, fearless, compelling and clear. I love laughter, so a good sense of humor is great too! � But music is every bit as important to her: I celebrate and am deeply inspired by music. I listen to a lot of music and I am continually learning � and spending a lot of coinage on it!  Her work has been described as intensely musical, structurally astonishing, and emotionally moving.</p>

<p>William Briscoe, one of Ms. Barton's lead dancers and assistants since 2002, describes his experience creating with Aszure: If you're not very good at mathematics it can be difficult because of the timing and phrasing of her music. There's always an and count that you could easily miss. I'm a better teacher because of working with Aszure. I use all of the nuances in the music now, not simply the obvious. As a dancer, you never really perfect Aszure's work in the process there's always a chance for it to become more enriched through expression and practice in the studio.  Briscoe finds that he has improved as an artist on many levels with Aszure. I still feel like there's more to investigate, and we're friends too. Most of us prefer to work with friends rather than some maniacal, crazy boss.</p>

<p>The unusual opportunities that present themselves to Barton are not simply good fortune. Barton has a passion for collaborating with brilliant artists of all trades. From photographer George Lange, to the musicians of Les Yeux Noirs, to the filmmaker Kevin Freeman, she seeks out a wide array of work to stay constantly challenged and inspired. In her travels, Aszure gets to see the world from a new perspective every time and gains a fresh outlook on what it is to be a thriving artist.</p>

<p>Dealing with the financial end of the dance world is never easy, but Ms. Barton always chooses the most attractive experience over the most lucrative. Maybe that's her secret! Though it doesn't hurt to have a name like Baryshnikov behind her, Aszure is a strong, independent artist who savors every opportunity to live the choreographer's dream.</p>

<p><strong>Written by Cynthia Salgado | Photography by George Lange</strong></p>

<p><strong></strong><br />
<a title="aszurebarton.com" href="http://www.aszurebarton.com/" target="_blank">aszurebarton.com</a></p>

<p><a href="http://www.aszurebarton.com/"></a><a href="http://langephoto.com">langephoto.com</a></p>]]></content:encoded>
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		<title>Swan Cedar Lake</title>
		<link>http://www.movmnt.com/swan-cedarlake_00334.html</link>
		<comments>http://www.movmnt.com/swan-cedarlake_00334.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:31:38 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Ailey]]></category>
		<category><![CDATA[alvin ailey]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artistic director]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Beth Konopka]]></category>
		<category><![CDATA[Cedar Lake]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[DRA]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Swan Pouffer]]></category>
		<category><![CDATA[young]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/swan-cedarlake_##334.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Portrait of Benoit Swan Pouffer, artistic director of Contemporary Dance Company Cedar Lake.]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-418 alignleft" style="margin: 5px;" title="Swan Cedar Lake" src="http://www.movmnt.com/wp-content/uploads/2008/03/cedarlake.png" alt="" width="400" /></p>

<p style="text-align: justify;">When walking to the Cedar Lake studios, one feels almost like they are wandering into a New York slated for potential the streets widen, the traffic becomes less dense, and the warehouse gallery spaces occupy the ground floors of every building you pass. There is creativity in the air. movmnt recently met Artistic Director Swan Pouffer on location.</p>

<p style="text-align: justify;">The twin one-story garages that house Cedar Lake's company at 547 West 26th Street were renovated to accommodate brand new offices, lockers, a rehearsal hall, a lounge and a modern, modest, Cirque du Soleil-style interchangeable theatre. Formerly the studio of American master photographer Annie Leibovitz, the space is nothing short of any artist's dream.</p>

<p style="text-align: justify;">But none of it is more impressive than the refined and eloquent cast of characters that live, eat, sleep, and create inside of these walls. The artistic director, young Benoit-Swan Pouffer, a former Alvin Ailey dancer, is surprisingly humble for someone in his position.</p>

<p style="text-align: justify;">Cedar Lake is a company born into privileges almost unimaginable to even veteran choreographers. Backed by Nancy Laurie (a Wal-Mart heiress), Swan is able to provide his dancers extensive contracts with health insurance, as well as have his own in and classical lines of a ballet dancer in their legs and feet. There is an obvious camaraderie between the members of Cedar Lake. Even after some tumultuous restructuring of the company's direction, it seems like they are truly in this together. Even Nancy Laurie calls in at least once a week to ask Swan how everyone is doing. With a more traditional season on its way, Swan is attempting to show that the company house wardrobe department and on-call physical therapist, in addition to the new facility.</p>

<p style="text-align: justify;">More importantly, because these things are taken care of, it enables him to pursue a much needed mission in the dance world by closing the awareness gap between the dance culture of America and Europe.</p>

<p style="text-align: justify;"><a class="lightbox" title="8877" href="http://www.movmnt.com/wp-content/uploads/2009/02/8877.jpg"><img class="alignright size-medium wp-image-3157" style="margin: 5px;" title="8877" src="http://www.movmnt.com/wp-content/uploads/2009/02/8877-300x199.jpg" alt="" width="300" height="199" /></a>Parisian-born Swan essentially is a cross-cultural anomaly himself. His dance roots began at the Conservatoire National Superieur de Musique et de Danse in Paris, yet he wound up dancing for one of the most iconic American dance companies, Alvin Ailey.</p>

<p style="text-align: justify;">Even the dancers he hires possess polar qualities and must have modern tops with ballet bottoms. AÂ Translation (from that glorious lilting French accent to plain English): Swan requires his dancers to have the athleticism, strength, and expression of a modern dancer in their upper bodies combined with the grace, length, and classical lines of a ballet dance in their legs and feet.</p>

<p style="text-align: justify;">To Swan, the dancers are a palette of different colors that each bring a unique and indispensable part to the creation process.  He interacts with them by generating a movement dialog.  They build choreographic phrases together, breathing life into the steps as they form.  Swan appreciates choreography that contains a message or through line and with these dancers who were selected under his microscopic eye, he is able to truly explore his vision.</p>

<p style="text-align: justify;">With a more traditional season on its was, Swan is attempting to show that the company is taking a multifaceted approach to being an essential part of the dance community. After only two full years under their belts, Swan and rehearsal director Alexandra Damiani have been receiving reels from choreographers from all over the world. In 3x3, the upcoming winter show, Swan has chosen to showcase the works of Italian-born choreographer Jacopo Dani and Mexican born dance maker Edgar Zendejas to compliment one of his own works titled Vastav.</p>

<p style="text-align: justify;">Both Swan and Alexandra find it truly important not to stay in the box.  They agree that some people have their eyebrows raisedÂ at them not only because of their youth and the financial backing of the company, but also because of Cedar Lake's versatile style of performance. In the past, some of their shows were heavily inundated by video, some installation. The choreography is at times more hip-hop, more jazz, sometimes contemporary, and other days, ballet. People would like to define them but they want to remain indefinable.</p>

<p style="text-align: justify;">To Swan, Cedar Lake at its core is a laboratory. He has been successful in investing time to get the community involved in the creation process and dance in general. By opening the doors of the company for cost-free interactive performances a few times a month, he has been challenging the community not to notice them.</p>

<p style="text-align: justify;">Swan promises to keep investigating new ways of showing dance. By 2008, he hopes to have completed a collaborative installation project that will feature singers as well as dancers. To him dance is all I know, and even if he could not move and create in the style that comes so naturally to him, it would still be, without question, his dream.</p>

<p style="text-align: right;"><strong>Beth Konopka </strong></p>

<p style="text-align: right;"><a href="http://cedarlakedance.com/">cedarlakedance.com </a></p>]]></content:encoded>
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		<title>Death of Choreographer Maurice Bejart</title>
		<link>http://www.movmnt.com/bejart-dies_00283.html</link>
		<comments>http://www.movmnt.com/bejart-dies_00283.html#comments</comments>
		<pubDate>Thu, 22 Nov 2007 12:29:05 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[s]]></category>
		<category><![CDATA[TED]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/bejart-dies_##283.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to [...]]]></description>
			<content:encoded><![CDATA[<p>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to Switzerland where he founded the troupe in the lakeside city of Lausanne. Its 35 dancers are in rehearsals for a new production called "Around the World in 80 Minutes", to be premiered on Dec. 20 in Lausanne.</p>

<p>Famous for his provocation in the ballet world he ran the Bejart Ballet Lausanne in Switzerland. He was the son of the French philosopher Gaston Berger. Born in Marseille, France and founder of the Ballet de l'Etoile company in 1954, he created in 1960 the Ballet du XXe Siecle in Brussels.<br />
 In 1987 he moved to Lausanne in Switzerland, where he founded the Bejart Ballet Lausanne, one of the most famous and successful dance companies in the world.</p>

<p>Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images - some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character.</p>]]></content:encoded>
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		<title>Brian Friedman &#8211; Where Have You Been?</title>
		<link>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html</link>
		<comments>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html#comments</comments>
		<pubDate>Wed, 24 Oct 2007 21:08:15 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Brian Friedman]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman-where-have-you-been-2_##261.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/brian_2.jpg"><img class="alignleft size-full wp-image-3195" title="brian_2" src="../wp-content/uploads/2009/02/brian_2.jpg" alt="brian_2" width="174" height="500" /></a></p>

<p>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long gone, but he has had the privilege of working with huge stars like Britney Spears, Mya, Hillary Duff, Prince, and *NSYNC.</p>

<p>Friedman had the pleasure of choreographing a number of Britney Spears videos, such as Overprotected, Toxic,I love Rock 'n Roll, and I'm A Slave 4 U,Â which he received a nomination for outstanding achievement in music video choreography for in 2002.</p>

<p>More recent, Friedman's judging days on Simon Cowell's The X Factor has been transformed into creative directing. According to Friedman, he felt he wasn't Ã¢â‚¬Å“fulfilling [his] duties as an artistic personÂ but is more than thrilled to take on this role.Ã¢â‚¬Â What makes Friedman stand out among other choreographers? He dedicates his time to young aspiring dancers around the world, teaching them his technique. Not only do they gain confidence in their dancing, they also develop respect toward their fellow dancers. Being that he is still a young choreographer, he is a role model for aspiring professional dancers and choreographers, showing them that if they strive for what they deserve, then no one can stand in their way. Friedman is no amateur. He's been nominated for four MTV Video Music awards, two Music Video Production awards, and five American Choreography awards (ITV.com). His dance contributions to films include Bubbly Boy, Uptown Girls, She's All That, and more. In She's All That, Friedman was a dancer in an exciting scene toward the end. And, just to blow everyone off their feet, Friedman celebrated this summer the release of his new BFree apparel and footwear line with Frontline Dance/Capezio. The Elite shoe is finally available to the public. Clearly Friedman believes he has more to offer the dance world and does not lack the confidence to state it (check out his MySpace page for more info on this). He takes risks and reaps the benefits. So if you want to learn how to dance like a professional from a professional, Brian Friedman is the guy to go to.</p>

<p><a href="http://www.myspace.com/brianfriedman" target="_blank">www.myspace.com/brianfriedman</a></p>]]></content:encoded>
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		<title>NY Times article on how dance is taking over!</title>
		<link>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html</link>
		<comments>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html#comments</comments>
		<pubDate>Sat, 07 Jul 2007 05:54:18 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[POP CULTURE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_##164.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Copyright NY Times Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves By STUART ELLIOTT New York Times (July 6, 2007) MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music. The goal of marketers like Apple, Carnival [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/nytimes.jpg"> <br />
 Copyright NY Times</a></p>

<p style="text-align: justify;"><strong>Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves<br />
 </strong>By STUART ELLIOTT<br />
 New York Times (July 6, 2007)</p>

<p style="text-align: justify;">MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music.</p>

<p style="text-align: justify;">The goal of marketers like Apple, Carnival Cruise Lines, the Church &amp; Dwight Company, Gap and the nation's milk processors is to take advantage of a renewed interest in dance in the popular culture.</p>

<p style="text-align: justify;">The trend is typified on TV by highly rated series like "Dancing With the Stars" and "So You Think You Can Dance," as well as movies like â€œHigh School Musicalâ€ on the Disney Channel, which is spawning a sequel next month.</p>

<p style="text-align: justify;">In theaters, dance is a central part of films like "Dreamgirls," "Hairspray, "Mad Hot Ballroom," "Shall We Dance," "Step Up" and "Take the Lead," among others.</p>

<p style="text-align: justify;">"Dance is universal; it's something everyone relates to," said Stacey Feldman, vice president for marketing of the women's health and personal care brands at Church &amp; Dwight in Princeton, N.J.</p>

<p style="text-align: justify;">The Nair product line sold by Church &amp; Dwight is the subject of a campaign by the Joey Agency, centered on a dance routine that was created and choreographed by Fatima Robinson. She was the choreographer for "Dreamgirls" as well as the pilot episode of "Viva Laughlin," a series about a Nevada casino that made the CBS fall schedule.</p>

<p style="text-align: justify;">"The MTV generation of kids is so used to quick stimulation," Ms. Robinson said, offering her theory about the increasing presence of dance in ads.  "You have to keep up with what the kids are used to."</p>

<p style="text-align: justify;">Dance's appeal beyond ballrooms and school gymnasiums "comes in waves, like every five years," Ms. Robinson said.  "It reinvents itself."</p>

<p style="text-align: justify;">Indeed, a commercial for Nair, which can be watched on television and a Web site (nairlikeneverbefore.com), pays tribute to a predecessor from the 1970s featuring a routine danced to the novelty song â€œShort Shorts."</p>

<p style="text-align: justify;">Likewise, two recent commercials by Laird &amp; Partners for the Gap division of Gap - featuring terpsichorean turns by Audrey Hepburn, Claire Danes and Patrick Wilson - arrived nine years after a celebrated series of dance-centric Gap spots with titles like "Khaki swing," "Khaki a-go-go" and "Khaki country."</p>

<p style="text-align: justify;">"Like denim and khakis, dance and music are part of our brand heritage," said Kimberly Terry, a spokeswoman for Gap in San Francisco.  "We will continue to reinvent how we incorporate dance in future advertising."  In an example of the continuous recycling of pop culture made possible by the Internet, video clips of the dancing 1998 Gap commercials can be watched on Web sites like google.com.</p>

<p style="text-align: justify;">The swing spot, presenting a gaggle of khaki-clad youngsters performing a frenetic dance to "Jump, Jive an' Wail" by Louis Prima, has been viewed more than 62,800 times since it was posted on Google last August.</p>

<p style="text-align: justify;">Speaking of recycled culture, the release on July 20 of the movie version of the Broadway musical "Hairspray" - itself based on a nonmusical film from 1988 - is being supported with a dance-oriented campaign, seeking to capitalize on numbers in the movie that are based on dances from the early '60s.</p>

<p style="text-align: justify;">The company that is releasing "Hairspray," the New Line Cinema division of Time Warner, is teaming up with promotional partners like the Arthur Murray dance studios and the Carnival Cruise Lines unit of the Carnival Corporation.</p>

<p style="text-align: justify;">For instance, New Line is sponsoring "Hairspray" sock hops for teenagers on Carnival ships and is sending the ships' dance instructors and cruise directors DVDs with lessons demonstrating "Hairspray" dances, which bear fanciful names like the Peyton Place After Dark.</p>

<p style="text-align: justify;">"We've raised a generation on musicals, most notably Disney productions like 'The Lion King' and 'Beauty and the Beast,'" said Lance Still, executive vice president for national promotions at New Line in Los Angeles.</p>

<p style="text-align: justify;">It is the same generation, Ms. Still said, "that is becoming very fluent in tuning out advertising messages delivered in traditional ways," hence the efforts to gain attention with dance-related marketing.</p>

<p style="text-align: justify;">Among the other examples of Madison Avenue busting a move are the dance campaign for the Apple iPod that began appearing in 2003, created by TBWA/Chiat/Day, part of the TBWA Worldwide unit of the Omnicom Group, and the milk mustache print ads featuring cast members of "High School Musical" and "Dancing With the Stars," created by the Lowe Worldwide division of the Interpublic Group of Companies.</p>

<p style="text-align: justify;">"Our difference with other nonalcoholic beverages is a nutritional difference, but telling the nutrition story is not always the most exciting thing," said Kurt Graetzer, chief executive at the Milk Processor Education Program in Washington, which finances the milk mustache campaign.</p>

<p style="text-align: justify;">"Having a celebrity tell that story, especially one you might have just seen on TV or in a movie, is a wonderful way to get an important message across," he added.</p>

<p style="text-align: justify;">Besides, to be a great dancer, "you've got to be healthy, you've got to be strong," Mr. Graetzer said, so having dancers endorse milk helps deliver that message in a deft, low-key way.</p>

<p style="text-align: justify;">Hmmmm. Could Astaire and Rogers have danced cheek to cheek in swing time if they were sporting make-believe dairy mustaches?</p>

<p style="text-align: justify;"><a href="http://www.nytimes.com/2007/07/06/business/media/06adco.html?ex=1341460800&amp;en=10988f00f09d7b6a&amp;ei=5124&amp;partner=digg&amp;exprod=digg">read more</a> | <a href="http://digg.com/news/entertainment/Five_Six_Seven_Eight_Madison_Avenue_Shows_It_Still_Loves_the_Right_Move">digg story</a></p>]]></content:encoded>
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		<title>In Bed with Mia Michaels: The Photo Shoot</title>
		<link>http://www.movmnt.com/backstage-mia_00146.html</link>
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		<pubDate>Tue, 12 Jun 2007 09:33:39 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Mia Michaels]]></category>
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		<category><![CDATA[Photo Report]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/backstage-mia_##146.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Mia Michaels, choreographer, outspoken judge on So You Think You Can Dance brings you within her creative world in this unique photo editorial for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft size-medium wp-image-7979" style="margin: 5px;" title="In bed with Mia" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt4_14.jpg" alt="" width="450" />For Mia Michaels, it's all about the process. When she agreed to be the subject of a movmnt fashion editorial, she naturally had her own vision in mind. The choreographer and outspoken judge of FOX's So You Think You Can Dance now in its third season, invites you into her private suite and her dreams. Here is an exclusive backstage preview of the photo shoot featured in movmnt magazine summer 2007 issue.</p>
<p>Mia Michaels is a regular columnist for movmnt magazine she collaborated creatively to the entire story along with photographer Koury Angelo, Stylist Gino Tavernaro, Hair stylist MichaelAnthony, Broadway make-up artist Jorge Vargas and movmnt's Editor in Chief David Benaym.</p>
<p style="text-align: center;"><strong>In Bed with Mia...</strong></p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201006161005" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fsort%3D%26screenName%3D%26id%3D1779856%3AAlbum%3A21632%26tag%3D%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-4852%253A9abd0cb_323_286_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/photo/photo">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />]]></content:encoded>
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		<title>Brian Friedman&#8217;s 30th Birthday with Frontline and movmnt magazine</title>
		<link>http://www.movmnt.com/brian-friedman_movmnt_00141.html</link>
		<comments>http://www.movmnt.com/brian-friedman_movmnt_00141.html#comments</comments>
		<pubDate>Sat, 02 Jun 2007 12:18:49 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<category><![CDATA[Danny Tidwell]]></category>
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		<category><![CDATA[Travis Wall]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman_movmnt_##141.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Hollywood, CA - May 29th 2007 - Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.</p>
<p style="text-align: justify;">The well known dance apparel and shoe maker Capezio and Frontline Dance presented Brian Friedman's Bfree launch while 30th Birthday party and release of his BFree apparel and footwear collection.</p>
<p style="text-align: justify;">Brian  Friedman has choreographed some of the most popular and groundbreaking music videos and performances such as Britney Spears, Paris Hilton, Mya, PRINCE, *NSYNCs, Beyonce, Usher, Pink, Brittany Murphy, Hilary Duff, Christina Milian and many more.  As a dancer, his silver screen credits include both "Charlie's Angels" and "Charlie's Angels: Full Throttle", "You Got Served", "She's All that", "Austin Powers Gold Member", "Uptown Girls", and more.  This TV season, he can be seen overseas, starring in Simon Cowell's hit UK show, "Grease Is the Word".  Friedman has been nominated for 4 MTV Video Music Awards, 2 Music Video Production Awards and 5 American Choreography Awards. He also tours around the world mentoring thousands of students and teaching his own dance technique. This young trendsetter just launched his first merchandise, apparel and shoe line by Frontline Dance. The total design of the BFree shoe and apparel collection was inspired and developed by Brian Friedman in conjunction with Sean Philip of 1981 Design and FL by Frontline.</p>
<p style="text-align: justify;">In Summer of 2007, the Brian Friedman celebrity apparel collection will debut and be introduced for dance enthusiast everywhere.</p>
<p style="text-align: justify;">movmnt magazine was a proud sponsor of the event that took place in Hollywood Tuesday May 29th 2007. Friends of Brian Friedman, along with talented and famous dancers, choreographers and TV personalities attended the event. Where seen on the red carpet, Debbie Allen, Blake McGrath, Travis Wall, Ivan Koumaev, Jay Rodriguez, Yvette Lopez and Shannon Rae Bex among many more guests.</p>
<p style="text-align: justify;"><a title="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" rel="attachment wp-att-151" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/spiegel-logo"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmntthumbnail.jpg" alt="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" /></a>
Brian Friedman presenting his BFree Frontline Shoes</p>
<p style="text-align: justify;"><a title="Danny Tidwell and David Benaym - co-founders of movmnt magazine" rel="attachment wp-att-149" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/absinthe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_1thumbnail.jpg" alt="Danny Tidwell and David Benaym - co-founders of movmnt magazine" /></a>
Danny Tidwell and David Benaym - co-founders of movmnt magazine</p>
<p style="text-align: justify;"><a title="Debbie Allen and Danny Tidwell" rel="attachment wp-att-146" href="http://www.movmnt.com/backstage-mia_00146.html"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_7thumbnail.jpg" alt="Debbie Allen and Danny Tidwell" /></a>
Debbie Allen and Danny Tidwell at Brian Friedman's Party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga holding movmnt magazine" rel="attachment wp-att-147" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/danny-tidwell-travis-wall-subscribe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_11thumbnail.jpg" alt="Melody Lacayanga holding movmnt magazine" /></a>
Melody Lacayanga (SYTYCD#1) holding movmnt magazine at Brian Friedman's Birthday party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" rel="attachment wp-att-148" href="http://www.movmnt.com/?attachment_id=148"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_25thumbnail.jpg" alt="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" /></a>
So You Think You Can Dance Melody Lacayanga, Travis Wall and Ivan Koumaev holding the new issue of movmnt magazine</p>]]></content:encoded>
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		<title>Broaden/Broadway Your Mind &#8211; Column by Mia Michaels</title>
		<link>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html</link>
		<comments>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html#comments</comments>
		<pubDate>Tue, 22 May 2007 22:51:44 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Spring 07]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/broawayden-your-mind-by-mia-michaels_##126.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;"><img class="aligncenter size-full wp-image-3476" title="Broaden Your Mind by Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2007/05/broadenmia.gif" alt="" width="432" height="320" />I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose. I remember the men and women that pranced into the theater dressed in the finest garb, dripping in diamonds, furs, and anything else they could showcase on the way to their sacred red velvet seats. It was a big deal to be there. I remember watching in amazement and feeling the powerful wave of magic that poured from the lips of the stage directly through the viewers and right into my young, open, hungry heart.<br />
 The voices, the movement, the story, the experience marinated in my every pore for hours, days, perhaps even weeks after, which in turn kept me inspired and more on fire to achieve my dreams for the rest of the year until I came back to the Big Apple next summer. Sigh. (smile)</span></p>

<p style="text-align: left;"><strong>Here we are now: 2007</strong></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">As I walk into yet another Broadway show, I see men and women wearing the casual thing jeans, tee shirts, sneaks, looking like everyone just came from a long day's work, perhaps the gym. Maybe they just finished shooting a Gap ad. No, they would have had makeup on then. They walk down the once sacred aisles to their seats as if they are being sent by their parents to go clean their rooms before they can go outside and play. There was more energy around the bar in the lobby than in anticipation of the show about to begin. The expectancy of mediocrity was contagious. Where was the excitement? Where were the electricity and the fire that used to burn down that regal red curtain before the show even began? It's Broadway, people!!! Wake up! What year is it again? 2007! Dance, music, story, and style have evolved, or have they?</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Oh, wait! It's another revival! Oh, that's right. It's safe. It worked twenty years ago, so why not now? Yeah, it works. Keep it! Again and again, and perhaps again. Don't get me wrong. The history of Broadway is not to be criticized nor disrespected! The brilliance and the talent from the past have led us to where we are now. So why does it feel like the torch that was to be passed on somehow got put out? We as creators, directors, writers, composers, and choreographers need to take a good hard look and realize it is our duty to keep that fire growing within us and within our community. We have got to keep it blazing like they did in the days of original shows and original creators such as Fosse, Robbins, Bennett, Bernstein, and so many more. They strived to create the newness at that time. They pushed the envelope with style, power, and grace. We laughed, we cried, and we sung and danced right out of the theater. They didn't hold back and edit their dreams. It was the truth inside them. It was their unique voice.</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Where are those creators now? Where are those with that unique burning voice? The theatres themselves are crying out to be blessed again with risk and danger, with great theatrical creations. No more playing it safe. I want the newness. I want the broad way of thinking again. Oh, wait, maybe that's just me! (Sigh)</span></p>

<p style="text-align: right;"><span style="font-size: x-small; font-family: verdana,geneva;"><span style="font-size: small;"><strong>Mia Michaels</strong></span><br />
 <a href="http://www.miamichaels.com">miamichaels.com</a></span></p>

<blockquote><p style="text-align: justify;"><span style="font-size: x-small; font-family: verdana,geneva;">* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.</span></p></blockquote>]]></content:encoded>
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		<title>Raw by Mia Michael &#8211; That&#8217;s Beautiful</title>
		<link>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html</link>
		<comments>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 01:43:56 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytyvd]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/raw-mia-michael-winter2006_##27.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Why do we dance? Why does our body want to move and pulse when music invades our ears? Choreographer Mia Michaels tells it raw, in her Movmnt Magazine column.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="aligncenter" style="margin-top: 5px; margin-bottom: 5px;" src="http://www.movmnt.com/wp-content/uploads/2006/11/mia4colors.gif" alt="Mia Michaels" width="491" height="280" />Why do we dance? Why does our body want to move and pulse with every rise and fall of the music that invades our ears? Are we a product of a the thousand and one classes and a lifetime of training, or is dance a purely instinctual and primal experience that hapens internally only when we allow it? I would only hope that both reasons intertwined with respect and nurturing are the answer. Or is it a gift that's given by a much higher power than ourselves? That would be beautiful.</p>
<p style="text-align: justify;">Allowing movement to come through us in the form of pure energy and onto a highly trained yet raw instrument is what defines the ultimate "dancer." One that knows how to pull from technique and also when to leave technique alone and head straight to the heart of the matter. One that knows how to pull from the rawness and humanness that would drip from their own personal journey through this world and allows the real movement to come from the inside out. That is beautiful.</p>
<p style="text-align: justify;">It is so easy to hide behind steps; it's much deeper than that. Our goal should not just be to perfect what a choreographer gives us but also to allow our own unique voice as a dancer artist to come through and marry to the energy of the choreographer. That is beautiful.</p>
<p style="text-align: justify;">Then again, let's think about some of the most simple and beautiful images of dance. A young child is jumping freely to music, laughing and giggling with such purity and with no fear of judgment. An older couple, fragile yet safe in each others arms, slowly try to keep up with their favorite song from a time earlier in their lives as they reminisce through all the years with each step. That is beautiful.</p>
<p style="text-align: justify;">If everyone danced from their heart and purity of spirit, using free movement as a daily practice and meditation, there would be no more wars. I believe every breathing thing has been given the gift of dance and movement. So let go, take that deep breath and dance! That is beautiful!</p>
<p style="text-align: right;"><strong>Mia Michaels</strong> - <a title="Mia Michaels web site" href="http://www.miamichaels.com">miamichaels.com</a></p>
<p style="text-align: center;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>
<p style="text-align: center;"><img id="beqq6" style="width: 102px; height: 128px;" title="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" src="../wp-content/uploads/2007/10/coverissue2.gif" alt="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" width="130" height="50" /></p>
<p style="text-align: center;">[quickshop:Issue 2 - Winter 06:price:5.95:shipping:2.00:end]</p>]]></content:encoded>
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		<title>Smooth Operator: Choreographer Marty Kudelka</title>
		<link>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html</link>
		<comments>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 00:08:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Christina Milian]]></category>
		<category><![CDATA[emil wilbekin]]></category>
		<category><![CDATA[Janet Jackson]]></category>
		<category><![CDATA[Jennifer Lopez]]></category>
		<category><![CDATA[Justin Timberlake]]></category>
		<category><![CDATA[Marty Kudelka]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Pink]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/smooth-operator-marty-kudelka_##25.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.]]></description>
			<content:encoded><![CDATA[<div style="text-align: justify;"><img class="size-full wp-image-3438 alignleft" style="margin: 5px;" title="Marty Kudelka" src="http://www.movmnt.com/wp-content/uploads/2006/11/kudelka.gif" alt="Marty Kudelka" width="300" height="576" />When the 2006 VMAs opened at Radio City Music Hall in New York City in early September, all eyes were on Justin Timberlake. He was gliding across the floor with precision and ease, riding the beat to his new single "My Love." With contemporary flow and freestyle urgency, Timberlake hypnotized the audience. He has once again teamed up with choreographer Marty Kudelka, 32, to help make his performance nice and smooth. Kudelka has worked with everyone from Michael and Janet Jackson to Pink, Jennifer Lopez, and Christina Milian. This Dallas native, who now resides in LA, was always moving as a kid, playing basketball, football, BMX, and skateboarding. But it was the 1984 film Breakin' which inspired him to become a dancer. We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.</div>
<blockquote style="text-align: justify;">
<p style="text-align: justify;"><strong>You've worked with some of the biggest stars in the world, what's that like?</strong></p>
</blockquote>
<p style="text-align: justify;">It's cool. I never thought ahead of time, 'Oh this is what I want to do, choreograph for celebrities.' I think that's what plays into what I do now. I've had great artists to work for and I've had artists like 'Wow, I wish I would have never met this person.' When people ask me who the best person I've ever worked for, I'd have to say Justin. He's such an artist himself, who can sing, dance, produce, and everything else. I don't have to water my choreography down. I can teach him what I teach the best dancers in the world. And he can do it. He's the only person I've been able to do that with. That's like a dream come true.</p>

<blockquote style="text-align: justify;"><strong>What can we expect from Justin this time around?</strong></blockquote>
<p style="text-align: left;">We are trying to be creative about the tour coming up. The tour is going to be a little bit more grown-up, which is how the album is. He's becoming more of an artist instead of just a dancer. The music is insane. This album is going to be like Off the Wall. It's the closest album that I can compare to that. You can listen to the whole album straight through. There may be a little less dancing on the tour, but the dancing that exists will be a lot more special. I'm excited to see it.</p>

<blockquote style="text-align: justify;"><strong>When you say less dancing and more special, what does that mean?</strong></blockquote>
<p style="text-align: left;">We just shot the video for the second single "My Love."  It's going to be insane. It's so simplistic, but it has so much stuff in it. It's going to be really cool. People heard "SexyBack"Â and they didn't like it at first, and then the video came out and they expected to see dancing. I loved it at first, but now I really love it after hearing it a billion times. (laughs) But once "My Love"Â comes out, I think everyone is going to forget everything else. This is what they want to hear and this is what they want to see.</p>

<blockquote style="text-align: justify;"><strong>You really choreograph for the music versus just creating a routine. What's more important, the music or the moves?</strong></blockquote>
<p style="text-align: left;">I am inspired by some other dancers like Swoop and Rob Vincent, and some other people when I was coming up freestylin'. I would see them freestylin' and they would do the song better than anyone. Better than someone doing steps and tricks. These guys knew the song so well. I was like "Wow, this is so cool."Â I started doing that with choreography rather than freestylin'. Whether I'm in the studio with the artist or not, I study the song. I listened to "My Love"Â for almost three weeks before I ever choreographed one step to it. That's one thing that I am confident enough to know that I bring to the table, compared to other choreographers. I will never ever just say, "Okay, I'm gonna make up a routine and put it to this song."  I'm the most humble guy in the world, but that is my strong point. I try to dissect the music. We dance because we like the music. I may as well know it as good as the artist. It's just about the music.</p>
<strong>Your choreography is very subtle. It's almost like the dancers are hovering and gliding. How would you describe your style?</strong>
<p style="text-align: left;">That's just my style, which is about being smooth, floating almost. Other people might be funky or might be harder or sharper, cracking their neck all over the place. If I were to put on a song and freestyle myself, I think it's more smooth, which gives it that floating feel. When I look for dancers, they don't have to dance just like me, but I definitely need for them at some point to be smooth and floating. That's how a majority of the choreography will be.</p>
<strong>Who inspires you and your choreography?</strong>
<p style="text-align: justify;">There are people who tell me that I inspire a whole movement with my choreography, which is insane for me to think. But there are definitely people who I look at who are like my proteges, these 17-, 18-, or 19-year old choreographers who are insane. When I see them, I see some touches of what I would have done or that my peers would have done, but these guys are taking it to the next level. There is definitely so much style and they're adding the technical aspects like four pirouettes into some breaking shit. It's insane to me because they have the musicality as well. I could be inspired by someone walking down the street or a go-go dancer. It's about their swagger. Anybody who's dope, I want to see them.</p>
<p style="text-align: right;"><strong>Interview by Emil Wilbekin</strong> for <em>movmnt magazine</em></p>
<p style="text-align: right;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>Travis Wall &#8211; Portrait of the Young Man as an Artist</title>
		<link>http://www.movmnt.com/criss-angel-believe_005123.html</link>
		<comments>http://www.movmnt.com/criss-angel-believe_005123.html#comments</comments>
		<pubDate>Sun, 06 Sep 2009 20:50:07 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[8 - Fall 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[Travis Wall]]></category>
		<category><![CDATA[Believe]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Cirque du Soleil]]></category>
		<category><![CDATA[Criss Angel]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Guy Laliberte]]></category>
		<category><![CDATA[illusionist]]></category>
		<category><![CDATA[Las Vegas]]></category>
		<category><![CDATA[Magic]]></category>
		<category><![CDATA[Mindfreak]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Serge Denoncourt]]></category>
		<category><![CDATA[wade robson]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=5123</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Movmnt Magazine gives insight into the creative minds behind BELIEVE: the ultimate collaboration between Criss Angel, Wade Robson and Cirque du Soleil.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"> </p></p>
<p><p style="text-align: center;"><img class="size-full wp-image-7622 aligncenter" title="Criss Angel BELIEVE | Cover Story of Movmnt Magazine Issue 8" src="http://www.movmnt.com/wp-content/uploads/2009/08/create_believe_top1.tif" alt="" /></p></p>
<p><p style="text-align: justify;"> <b>Order Testosterone Anadoil</b>, Some say art imitates nature. If so, the similarity between the two comes from the fact that you can no more stop an artist from producing art than you can stop the sun from rising each day. Artists seem to possess a sort of internal creative energy that keeps them moving forward toward their end goal. Not everyone is missing this drive, but many of us wish we had that focus, inspiration, and ability to stick to our belief in ourselves and in our ideas, <b>Maryland MD Md. </b>. It’s another thing to make those ideas a reality. Some people in other professions have these same qualities, but you can see them illuminated more clearly in artists, possibly because they create things for the world to see, or place themselves in the public eye with their art.</p></p>
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<p><p style="text-align: justify;">Or maybe we notice these characteristics because on so many levels art personifies the artist, <b>order Testosterone Anadoil</b>. Creator and created become one. More often than not, artists do indeed become their art — or it becomes them. The inherent act of creating pushes them constantly, until they simply can’t stop themselves from creating.  <b>Order Testosterone Anadoil online legally</b>, “Create or die,” becomes their motto.  <b>Order Testosterone Anadoil</b>, And even if you don’t like their art, then their love of what they do draws you to them and makes their work appealing.</p></p>
<p><p style="text-align: justify;">Take Criss Angel. You don’t have to like him or what he does to be intrigued by the passion he has for his art. This magician, illusionist, escapologist, and stunt performer possibly best known for his A&amp;E Network series Criss Angel Mindfreak, has focused on creating magic since he was just seven years old, <b>buy Testosterone Anadoil cheap</b>. He’s devoted his life to following in the footsteps of Harry Houdini, taking on the job of disproving the notion that supernatural psychic abilities exist while constantly trying to prove he can accomplish mind over matter, and create illusions, if not actual magic.</p></p>
<p><p><img class="alignright size-full wp-image-5126" style="margin: 5px;" title="Chris Angel Believe in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel6.jpg" alt="" width="196" height="314" /></p></p>
<p><p style="text-align: justify;">Some may say what Angel does isn’t art at all, but sheer craziness. There are acts like the vanishing Lambourghini, <b>Alabama AL Ala. </b>, the disappearing and reappearing elephant, and the five needles and thread swallowed that appear (threaded no less) out of his belly-button. That’s magic, or at least the art of illusion as we tend to know it, <b>order Testosterone Anadoil</b>. Then comes the other totally crazy stuff he does. Who in their right mind lies down on a bed of broken glass and lets a steamroller drive over him up to his waist. Who asks someone to run into him with their car?</p></p>
<p><p style="text-align: justify;">And who stands around to watch. I had a hard time keeping my eye on the computer screen long enough to watch the YouTube videos of Angel per forming these “stunts.” I can’t speak for others.  <b>Order Testosterone Anadoil</b>, Maybe they are simply thrill seekers. Maybe they like the experience of a, well, <b>New Hampshire NH N.H. </b>, mindfreak. Or maybe they watch for the exact reason Angel performs: because of the feeling his performance gives them.</p></p>
<p><p style="text-align: justify;">All good art elicits a feeling. We connect on an emotional level with a painting, movie, dance, or performance.  <b>Kjøpe Testosterone Anadoil</b>, Angel calls this “the magic of emotion,” and he hopes the members of his audience will connect with his performance emotionally, and then reflect on their own lives. For him, getting people to experience his art in this fashion represents “the truest form of magic.” In fact, it’s Houdini’s form of magic that he emulates, <b>order Testosterone Anadoil</b>. He likes to tell of how Houdini’s escape from a straitjacket might have provoked the response within someone that they, too, could leave behind the constraints of their life.</p></p>
<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
<p><p><img class="alignleft size-full wp-image-5127" style="margin: 5px;" title="crissangel5" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel5.jpg" alt="" width="290" height="356" /></p></p>
<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
<p><p style="text-align: justify;">He didn’t think the show was possible, <b>Buy Testosterone Anadoil overnight delivery</b>, yet he held onto the script for all that time. And he held the idea in his head and in his heart, <b>order Testosterone Anadoil</b>. When given the opportunity, he told someone about it — but not just anyone. He told someone who had already proven he had that same artistic fire and drive, someone who had created a world of art all his own. Somewhere deep inside, Angel knew his idea was not only a good one, but that it was, <b>acheter Testosterone Anadoil</b>, indeed, possible. Otherwise he would have simply ditched it and moved on.</p></p>
<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
<p><p><img class="alignright" style="margin: 5px;" title="Chris Angel" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel3.jpg" alt="" width="300" /></p></p>
<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
<p><p><img class="aligncenter size-full wp-image-7589" src="http://www.movmnt.com/wp-content/uploads/2009/08/creeycoloredbunnies.jpg" alt="" width="550" height="153" /></p></p>
<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
<p><p><img class="size-full wp-image-5129 alignleft" style="margin: 5px;" title="crissangel4" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel4.jpg" alt="" width="210" height="143" /></p></p>
<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
<p><p style="text-align: right;"><strong>Nina Amir</strong></p></p>
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		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
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				<category><![CDATA[9 - Spring 09]]></category>
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		<category><![CDATA[Yumiko Takeshima]]></category>

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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Between a career as prima ballerina and one as fashion designer, Yumiko has embarked on an unusual journey where she manages to bring both worlds together.]]></description>
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<p style="text-align: justify;"> <b>Buy cheap Modalert online</b>, In the piece, choreographed by Dresden SemperOper Ballet’s resident choreographer, David Dawson, principal dancers Yumiko Takeshima and Raphael Coumes-Marquet made a memorable impression, not just because of flawless pirouettes, arabesques, and grand jeté’s, but because of Yumiko’s design of sleek fitting costumes that made every muscle stand out.</p><br />
<p style="text-align: justify;">The Japanese native began her design career with the determination to construct an outfit a dancer wouldn’t have to pull, tug, or adjust during a rehearsal or performance. She traded a toaster for a sewing machine and started sketching different designs of leotards in her spare time, <b>order Modalert online without prescription</b>, <b>Colorado CO Colo. </b>, experimenting with a variety of stretchy fabrics for all shapes and sizes. Her vision and patience for perfection paid off when she finally created a leotard she could wear to class, <b>buy Modalert online</b>.  <b>Cheap Modalert overnight delivery</b>, Her fellow dancers envied Yumiko’s style and began begging for their own; this marked the beginning of a second career.</p><br />
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		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>Teddy Forance has has been a successful dancer working with Janet Jackson as well as for various productions like Shrek Goes 4th.]]></description>
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<p>We first encountered Teddy Forance when Mia Michaels selected him to act as her muse for Movmnt’s “In Bed with Mia” Feature, photographed by Koury Angelo.  Ever since, <b>ordering Modalert online without prescription</b>, <b>Billig kaufen Modalert</b>, Teddy has spread his wings and continues to perform with outstanding artists like Janet Jackson as one of her lead dancers on tour, and has been a successful dancer working for various productions like Shrek Goes 4th, <b>California CA Calif. </b>.  <b>Buy Modalert online legally</b>, His roster is ever expanding.  Movmnt had the opportunity to snag a conversation with this talented young dancer and discovered some of his true ambitions.</p><br />
<p style="text-align: right;"><strong>Conversation with David Benaym, <b>buy Modalert online without prescription</b>, <b>Maine ME Me. </b>, Editor in Chief and Publisher of Movmnt Magazine</strong></p><br />
<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
<p><strong>Teddy Forance</strong>: I’m really focused on performing while I am young to get as much experience as possible. My ultimate goal would be to travel around the world exploring every style of dance, <b>Rabatt kaufen Modalert</b>. Whether it’s a tribe in Africa or in class in New York or L.A, <b>order Modalert online cheap</b>.  <b>Cheap Modalert</b>, I want to investigate all inspirations that this artform has to provide -- finding the roots of dance.</p><br />
<p><strong>DB: Any other dreams?</strong></p><br />
<p><strong>TF</strong>: To be in a show that Mia Michaels creates from scratch. She is my biggest inspiration and I would love to see what would happen if her direction and choreography were put on the same stage, <b>acheter Modalert bon marché</b>.  <b>Arkansas AR Ark. </b>, Lately I have been working on getting back into as much ballet class as I can to transform myself into a whole new dancer, which will give me the opportunity to audition for contemporary dance companies around the world.</p><br />
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<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
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<p><strong>TF</strong>: No, <b>cheap Modalert online</b>, <b>Comprar Modalert</b>, they weren’t dance related, it was more about capturing natural human movement.., <b>South Carolina SC S.C. </b>.  just how to capture people exiting a vehicle and knowing where to put the camera to get the right angle.</p><br />
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<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
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<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
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<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
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		<pubDate>Sun, 18 Oct 2009 14:32:47 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels column for movmnt magazine. Mia is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox's So You Think You Can Dance.]]></description>
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<p><p style="text-align: center;"><span style="font-family: arial,helvetica,sans-serif;">First published in movmnt magazine "Got Fame?" Issue - Fall 2007</span></p></p>
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		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Movmnt Magazine tells you all about Nacho Pop, the co-host of the Australian version of So You Think You Can Dance.]]></description>
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<p><p style="text-align: justify;"><span style="font-family: 'Verdana';"><span style="font-size: small;"><img class="alignright" style="margin: 5px;" src="http://www.movmnt.com/wp-content/uploads/2009/09/Nacho6.jpg" alt="Nacho red headshot " /></span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Having relocated from the States in 1999, Nacho took his knowledge of the underground street culture in New York a</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">nd introduced it to the </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Hip Hop movement in Sydney, <b>acheter Zopiclone bon marché</b>.  <b>Halvalla Zopiclone apteekki</b>, Nacho's style is heavily influenced by Pop and Lock pioneers, the Electric Boogaloos, <b>buy Zopiclone online legally</b>.  <b>Cheapest Zopiclone in the world</b>, Nacho has found that Boogaloo is the only style that allows him to find deeper funk than in general Popping. </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Holding the foundations of Hip Hop in high regard, <b>billig kaufen Zopiclone</b>, <b>Zopiclone pedido en línea</b>, Nacho still considers himself a student of the underground street scene where creative leaders are constantly pushing new boundaries.</span></span><br /><br />
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<p><p style="text-align: justify;"><span style="font-family: 'Verdana';"><span style="font-size: small;">Having his hand in various fields of the entertainment industry, Nacho Pop aka Nate Mendelsohn epitomizes </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Pop Culture, <b>købe Zopiclone</b>.  <b>Washington WA Wash. </b>, </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Although his twitter following may read as a who’s who of showbiz, his lifestyle is not one of flashy cars and expensive suits, <b>price of Zopiclone</b>.  <b>Maryland MD Md. </b>, </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Preferring slow dancing in his kitchen as opposed to lapping it up on a boat, his down to earth nature reflects his continuing success in a challenging and competitive industry.</span></span></p></p>
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		<pubDate>Sun, 06 Sep 2009 20:50:07 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[8 - Fall 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[Travis Wall]]></category>
		<category><![CDATA[Believe]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Cirque du Soleil]]></category>
		<category><![CDATA[Criss Angel]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Guy Laliberte]]></category>
		<category><![CDATA[illusionist]]></category>
		<category><![CDATA[Las Vegas]]></category>
		<category><![CDATA[Magic]]></category>
		<category><![CDATA[Mindfreak]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Serge Denoncourt]]></category>
		<category><![CDATA[wade robson]]></category>

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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Movmnt Magazine gives insight into the creative minds behind BELIEVE: the ultimate collaboration between Criss Angel, Wade Robson and Cirque du Soleil.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"> </p></p>
<p><p style="text-align: center;"><img class="size-full wp-image-7622 aligncenter" title="Criss Angel BELIEVE | Cover Story of Movmnt Magazine Issue 8" src="http://www.movmnt.com/wp-content/uploads/2009/08/create_believe_top1.tif" alt="" /></p></p>
<p><p style="text-align: justify;"> <b>Order Testosterone Anadoil</b>, Some say art imitates nature. If so, the similarity between the two comes from the fact that you can no more stop an artist from producing art than you can stop the sun from rising each day. Artists seem to possess a sort of internal creative energy that keeps them moving forward toward their end goal. Not everyone is missing this drive, but many of us wish we had that focus, inspiration, and ability to stick to our belief in ourselves and in our ideas, <b>Maryland MD Md. </b>. It’s another thing to make those ideas a reality. Some people in other professions have these same qualities, but you can see them illuminated more clearly in artists, possibly because they create things for the world to see, or place themselves in the public eye with their art.</p></p>
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<p><p style="text-align: justify;">Or maybe we notice these characteristics because on so many levels art personifies the artist, <b>order Testosterone Anadoil</b>. Creator and created become one. More often than not, artists do indeed become their art — or it becomes them. The inherent act of creating pushes them constantly, until they simply can’t stop themselves from creating.  <b>Order Testosterone Anadoil online legally</b>, “Create or die,” becomes their motto.  <b>Order Testosterone Anadoil</b>, And even if you don’t like their art, then their love of what they do draws you to them and makes their work appealing.</p></p>
<p><p style="text-align: justify;">Take Criss Angel. You don’t have to like him or what he does to be intrigued by the passion he has for his art. This magician, illusionist, escapologist, and stunt performer possibly best known for his A&amp;E Network series Criss Angel Mindfreak, has focused on creating magic since he was just seven years old, <b>buy Testosterone Anadoil cheap</b>. He’s devoted his life to following in the footsteps of Harry Houdini, taking on the job of disproving the notion that supernatural psychic abilities exist while constantly trying to prove he can accomplish mind over matter, and create illusions, if not actual magic.</p></p>
<p><p><img class="alignright size-full wp-image-5126" style="margin: 5px;" title="Chris Angel Believe in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel6.jpg" alt="" width="196" height="314" /></p></p>
<p><p style="text-align: justify;">Some may say what Angel does isn’t art at all, but sheer craziness. There are acts like the vanishing Lambourghini, <b>Alabama AL Ala. </b>, the disappearing and reappearing elephant, and the five needles and thread swallowed that appear (threaded no less) out of his belly-button. That’s magic, or at least the art of illusion as we tend to know it, <b>order Testosterone Anadoil</b>. Then comes the other totally crazy stuff he does. Who in their right mind lies down on a bed of broken glass and lets a steamroller drive over him up to his waist. Who asks someone to run into him with their car?</p></p>
<p><p style="text-align: justify;">And who stands around to watch. I had a hard time keeping my eye on the computer screen long enough to watch the YouTube videos of Angel per forming these “stunts.” I can’t speak for others.  <b>Order Testosterone Anadoil</b>, Maybe they are simply thrill seekers. Maybe they like the experience of a, well, <b>New Hampshire NH N.H. </b>, mindfreak. Or maybe they watch for the exact reason Angel performs: because of the feeling his performance gives them.</p></p>
<p><p style="text-align: justify;">All good art elicits a feeling. We connect on an emotional level with a painting, movie, dance, or performance.  <b>Kjøpe Testosterone Anadoil</b>, Angel calls this “the magic of emotion,” and he hopes the members of his audience will connect with his performance emotionally, and then reflect on their own lives. For him, getting people to experience his art in this fashion represents “the truest form of magic.” In fact, it’s Houdini’s form of magic that he emulates, <b>order Testosterone Anadoil</b>. He likes to tell of how Houdini’s escape from a straitjacket might have provoked the response within someone that they, too, could leave behind the constraints of their life.</p></p>
<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
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<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
<p><p style="text-align: justify;">He didn’t think the show was possible, <b>Buy Testosterone Anadoil overnight delivery</b>, yet he held onto the script for all that time. And he held the idea in his head and in his heart, <b>order Testosterone Anadoil</b>. When given the opportunity, he told someone about it — but not just anyone. He told someone who had already proven he had that same artistic fire and drive, someone who had created a world of art all his own. Somewhere deep inside, Angel knew his idea was not only a good one, but that it was, <b>acheter Testosterone Anadoil</b>, indeed, possible. Otherwise he would have simply ditched it and moved on.</p></p>
<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
<p><p><img class="alignright" style="margin: 5px;" title="Chris Angel" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel3.jpg" alt="" width="300" /></p></p>
<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
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<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
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<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
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		<pubDate>Wed, 15 Jul 2009 09:23:26 +0000</pubDate>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>The fight between the Music Industry and the Dance World in their battle for Hip Hop's legacy. Featuring Tony Testa, Jaquel Knight for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify; font-variant: small-caps;"><img class="aligncenter" style="border: 0pt none; vertical-align: baseline;" title="Hip to the Game, <b>Buy Sleep Aid cod</b>, the battle for hip hop legacy" src="http://www.movmnt.com/wp-content/uploads/2008/12/hip-to-the-game-feature.jpg" alt="Hip to the Game, the battle for hip hop legacy" width="100%" />Let’s take it back to the ‘70s. It was a time when Nixon scandalized a nation, women were fighting for equal rights, and disco was the preferred style of dance. But something else was happening on the streets of New York and California—hip-hop dance was born. The first black and Latino dancers were popping and locking on the West Coast while their East Coast counterparts, <b>Purchase Sleep Aid online</b>, early b-boy’s and b-girl’s, were breaking and up-rocking. During this time Afrika Bambaataa, gangster turned DJ, also outlined the four elements of hip-hop as DJing, MCing, graffiti art, <b>halvalla Sleep Aid apteekki</b>, and breaking. Thirty years later, we see a style of dance that has evolved so far from its humble beginnings—it is primetime now in movies and television—but not so far that it has lost its roots.</p><br />
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<p style="text-align: justify;">A plethora of blockbuster hip-hop dance movies have come out in recent years in contrast to <em>Wild Style</em> in 1983, the first of its kind, and <em>Breakin’</em> which came out in 1984. Both catered to a very small market. Today’s dance movies are reflective of the reach of hip-hop dance, <b>buy Sleep Aid cod</b>. In 2001, <b>Comprare Sleep Aid sconto</b>, <em>Save the Last Dance</em> explored the racial divide that hip-hop has been able to overcome; in 2006, <em>Step Up</em> demonstrated the inspiring and transformative power of dance. In 2007, <em>How She Move</em> and <em>Stomp the Yard</em> brought stepping onto the scene, a style of dance where the body is used as an instrument. Even Disney has selected the hip-hop choreographer Jamal Sims for the upcoming <em>Hannah Montana: The Movie</em>, scheduled to be released in 2009.</p><br />
<p style="text-align: justify;"><img class="alignright" style="margin: 5px; border: 1px solid black;" title="Tony Testa in movmnt magazine" src="../wp-content/uploads/2009/02/monsters_spread2.jpg" alt="Tony Testa in movmnt magazine" width="320" height="200" /></p><br />
<p style="text-align: justify;">Hip-hop dance has been able to monopolize another contemporary genre of mass media: the reality TV show, <b>Sleep Aid cheap</b>. In particular, Fox’s <em>So You Think You Can Dance</em> and MTV’s <em>America’s Best Dance Crew</em> have put hip-hop dancing out there in a big way.  <em>So You Think You Can Dance </em> <b>Buy Sleep Aid cod</b>, premiered in 2005 and encourages dancers from all backgrounds, including street and hip-hop, to compete. Bringing these styles together in a competition that also features ballroom dancing, ballet, and jazz helps to legitimize hip-hop dance as a serious form of expression.  <b>Order Sleep Aid</b>, The dancers on these shows are black, white, Latin, Asian and Filipino signifying just how far across cultural, social, economic, and geographical boundaries this style of dance has traveled.</p><br />
<p style="text-align: justify;"><em>America’s Best Dance Crew</em>, <b>New York NY N.Y. </b>, produced by American Idol judge Randy Jackson, premiered in February of 2008. It is a street dance crew competition that is judged by rapper Lil Mama, JC Chavez of ‘NSync, and hip-hop choreographer Shane Sparks.  <b>Buy Sleep Aid cod</b>, It has already gone into a second season. The viewership was so high that on Thursday night primetime it held the number one spot among 12-34 year olds across all cable networks, <b>buy Sleep Aid cod</b>. Viewers are encouraged to participate by voting for their favorite crew and following them on the show’s website. Reality television has created the impression that anyone can be a star, but now people with real talent have more opportunities to perform and be discovered.</p><br />
<p style="text-align: justify;">The first all hip-hop dance convention was created in 2002 by Andy Funk, his wife, Becky, and her sister Angie Servant, <b>For Sleep Aid online</b>. Andy’s background in business, and Becky and Angie’s experiences on the dance competition circuit gave rise to Monsters of Hip Hop, which provides a diverse offering for aspiring hip-hop dancers of all ages across the country. The conventions offer classes that teach dance, the history of hip-hop, <b>Buy Sleep Aid without prescription</b>, and the business of using a dance talent agent.  <b>Buy Sleep Aid cod</b>, Stage shows, lectures, and seminars round out the convention.</p><br />
<p style="text-align: justify;">Monsters uses some of the best choreographers in the business to teach hip-hop, popping, locking, and street jazz. Janet Jackson, Jennifer Lopez, Justin Timerblake, Beyoncé, Mariah Carey, and Usher are just a handful of the artists that Monsters’s staff has worked with, <b>comprar Sleep Aid baratos</b>. Andy explains that since the organization was formed their mission has been to “create real career opportunities for hip-hop dancers.” They haven’t strayed from their mission but the convention is changing with the times. “We are now launching the first all-contemporary dance convention. So, we are expanding the Monsters way of doing dance conventions to a totally different genre of dance,” Andy notes. In 2009, Monsters plans to host conventions in Cancun, Mexico and Auckland, New Zealand, venturing abroad for the first time.</p><br />
<p style="text-align: justify;">Along with major cities like Chicago, Los Angeles, and New York, Monsters conventions are held in places like Worcester, MA, New Brunswick, NJ, and Reston, VA, <b>buy Sleep Aid cod</b>.  <b>Cheap Sleep Aid no prescription</b>, Dance conventions brought hip-hop to a teenager out in rural Fort Collins, Colorado, now renowned choreographer Tony Testa. After taking tap classes, Tony became skilled at jazz , ballet, lyrical, <b>Nebraska NE Nebr. </b>, and contemporary dance through conventions. Taught by some of the greatest choreographers out there, Tony was most inspired by Brian Friedman, and caught “the bug.” When Monsters launched, he was there to participate in the first convention and has since risen the ranks to become a Monsters staff choreographer.</p><br />
<p style="text-align: justify;"><img class="alignright" style="vertical-align: baseline; border: 1px solid black; margin: 5px;" src="../wp-content/uploads/2009/02/monsters_spread3_imgonly.jpg" alt="Tony Testa, <b>Kaufen Sleep Aid</b>, Jaquel Knight, and Bernardo Carmona as seen in Movmnt Magazine" width="316" height="400" /></p><br />
<p style="text-align: justify;">Given his first job doing choreography for Aaron Carter through a convention, Tony’s story speaks to the success of the convention circuit. He was also discovered by Janet Jackson at age sixteen through a low budget choreography reel he put together and distributed at conventions.  <b>Buy Sleep Aid cod</b>, Tony is just one of many Monsters’s dancers or choreographers now in the spotlight. <em>So You Think You Can Dance</em> finalists Ivan Koumaev and Donyelle Jones from Season 2, and Cedric Gardner, Lauren Gottlieb and Sara VonGillern from Season 3 have all danced at Monsters, <b>Utah UT </b>. Faculty choreographer Dave Scott worked on the movies <em>Stomp the Yard</em> and <em>You Got Served.</em> Dancer and choreographer Tucker Barkley is featured in the new national McDonald’s/Coke commercial...and the list goes on and on.</p><br />
<p style="text-align: justify;">Most recently Tony had the honor of directing the 2008 Monsters yearly showcase in LA—he was once selected for the show as a dancer, then later as a choreographer, and has come full circle as the show’s co-director. Only twenty-one years old, Testa uses his technical dance training as a way to push the boundaries of hip-hop.  <b>Buy Sleep Aid online</b>, He has choreographed commercials for Sony and Skechers as well as music videos for Janet Jackson and the all-girl group Danity Kane.  Nickelodeon chose him to choreograph a modern day <em>American Bandstand</em> called <em>Dance on Sunset</em> that premiered in March of 2008, <b>buy Sleep Aid cod</b>. Though he’s still young Tony has been dancing since he was eight years old. He has been established long enough in the industry to have witnessed some real changes.</p><br />
<p style="text-align: justify;">Reflecting on the rise of hip-hop dance, Tony makes an insightful comparison, “you could almost compare hip hop to the way dance has been. It has been in the background for a long time and now we’re seeing a time again where dance is in the foreground. People want to see dance for the art of it. I think hip-hop is a little bit like that. In a sense the underdog is kind of coming up right now.”</p><br />
<p style="text-align: right;"><strong>STORY:</strong> Lauren Brown</p><br />
<p style="text-align: right;"><strong>PHOTOGRAPHY:</strong> Koury Angelo<strong> </strong><a href="http://www.kouryangelo.com/" target="_blank"><em>kouryangelo.com</em></a></p><br />
<p style="text-align: right;"><strong>ASSISTANT PHOTOGRAPHERS:</strong> Zach Fleming - Barrett Sweger <strong> </strong></p><br />
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<p style="text-align: right;"><strong>STYLIST: </strong>Joshua Rhorer - <a title="eunicestyleinc.com" href="http://www.eunicestyleinc.com " target="_blank">eunicestyleinc.com</a></p><br />
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<p style="text-align: right;"><strong>LOCATION: </strong>El Portal Theatre - Los Angeles, CA <strong> </strong></p><br />
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<p style="text-align: right;"><strong>PRODUCTION CREW ON SET: </strong>David Benaym, Anjuli Bhattacharyya</p><br />
<p style="text-align: right;"><strong>PERFORMERS/CHOREOGRAPHERS FEATURED: </strong></p><br />
<p style="text-align: right;"><strong> </strong>Jaquel Knight, Tony Testa, Bernardo Carmona, Tiffanie Burgess, Jillian Myers, Deana Brickle - <a title="Monsters of Hip Hop" href="http://www.monstersofhiphop.com" target="_blank"><em>monstersofhiphop.com</em></a></p><br />
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		<title>Cheapest Zopiclone Online</title>
		<link>http://www.movmnt.com/alisan-porter_001823.html</link>
		<comments>http://www.movmnt.com/alisan-porter_001823.html#comments</comments>
		<pubDate>Fri, 05 Dec 2008 18:40:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[A Chorus Line]]></category>
		<category><![CDATA[Alisan Porter]]></category>
		<category><![CDATA[Bebe]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Curly Sue]]></category>
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		<category><![CDATA[movmnt]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1823</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Dancer, choreographer, teacher, TV, film and Broadway star - Alisan Porter shares her experiences of being a child star and finding herself as a performer.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="background-color: #ffffff;"><img class="aligncenter size-full wp-image-2112" title="The Truth About Alisan Porter" src="http://www.movmnt.com/wp-content/uploads/2008/11/alisanporter.jpg" alt="" width="594" height="240" /></span></p><br />
<p style="text-align: justify;"><span style="background-color: #ffffff;"> <b>Cheapest Zopiclone online</b>, At first glance you may not think you know Alisan Porter. In fact you probably do.  <strong>So let's play Jeopardy.</strong></span></p><br />
<p style="text-align: justify;">Question: First known as Curly Sue, she has transeed the child star stigma to become a well-rounded woman establishing herself as a theatrical performer, <b>Nebraska NE Nebr. </b>, dancer, and musician.<span> </span><span style="font-size: small; color: #ff0000; background-color: #ffffff;">Answer: Who is Alisan Porter?</span></p><br />
<p style="text-align: center;"><strong>Column written by Alisan Porter for Movmnt Magazine - First published in December 2008</strong></p><br />
<p style="text-align: justify;">Growing up in three places can sometimes be too much for a kid.  <b>Zopiclone discount</b>, For me it was a blessing. Each place had a profound influence on my artistic development and shaped me into the artist I am today.<em> </em>In my hometown of Worcester, Massachusetts I learned to dance and had my earliest experiences in “the Studio.” In Los Angeles, I became an actress and worked in TV and Film, <b>Florida FL Fla. </b>.  In Connecticut, I developed my knowledge of music, songwriting, and love of the theater, <b>cheapest Zopiclone online</b>.  Each experience helped me get one step closer to answering the question, “Who is Alisan Porter?”</p><br />
<p style="text-align: justify;">At age five, <b>Ohio OH </b>, I was the youngest person to appear on <em>Star Search</em> and was a five time Junior Vocalist Champion.  The experience catapulted me into a career in film and television.  Over the next ten years, I worked for some of the biggest directors and brightest stars in Hollywood, <b>ordering Zopiclone online legally</b>. My “claim to fame” happened when I was cast in the John Hughes film <em>Curly Sue,</em> at the age of ten.  <b>Cheapest Zopiclone online</b>, As a child, I felt I was doing exactly what I was meant to do; I could not have imagined doing anything else.  <b>Kjøpe Zopiclone online</b>, But, as the buzz from <em>Curly Sue </em>wore off, so did my desire to do film.  After years of working as a child, <b>New Jersey NJ N.J. </b>, I decided it was time for a break, so my family and I moved to Connecticut to try suburban life.</p><br />
<p style="text-align: justify;">Luckily, <b>Maryland MD Md. </b>, my high school had an amazing theater program.  I remember transforming: from a little scared freshman who people only knew as “the ‘Curly Sue’ girl,”  to a confident theatrical performer, walking the stage as “Anita” in <em>West Side Story</em>, <b>Hawaii HI </b>.  The role made me feel empowered, and I gained respect from my peers. It was then that I knew that I was still a performer, <b>cheapest Zopiclone online</b>.  <b>Zopiclone without a prescription</b>, I rediscovered my passion, but instead of wanting to perform for the camera, I desired to be in front of a live audience. This desire, <b>North Carolina NC N.C. </b>, along with my love of dance led me to be an avid competition kid—I thrived, and loved my summers in NYC or Orlando at Dance Masters of America (DMA), <b>Pharmacy Zopiclone</b>, or Showbiz Nationals. I will never forget those years of my life where I found my best friends and created some of my fondest memories. I can't even begin to explain the treasures I hold from those memories.</p><br />
<p style="text-align: justify;">After high school, my life was filled with a whirlwind of experiences, <b>buy Zopiclone</b>.  <b>Cheapest Zopiclone online</b>, My family moved back to LA, and I stayed on the East Coast and performed in <em>Footloose</em> on Broadway.  I then moved to Malibu to chase a surfer dude, taught dance at a wonderful studio, <b>Order Zopiclone c.o.d.</b>, started a band, played Miriam in <em>The Ten Commandments</em> at the Kodak Theater, recorded my first record, spent four years playing music in Los Angeles, <b>acheter Zopiclone bon marché</b>, and did a plethora of musicals and random shows.  Then, <b>Alabama AL Ala. </b>, in 2006, I moved back to New York because I was cast in the revival of <em>A Chorus Line</em> on Broadway, to play the same role that my mother had 30 years before. I finished <em>A Chorus Line</em> a year and a half later, <b>cheapest Zopiclone prices</b>, spent four months in the city losing my mind, and then finally came back to California.</p><br />
<p style="text-align: justify;">Here I sit in my apartment in the San Fernando Valley, <b>Where to buy cheap Zopiclone</b>, twenty six years old, semi-accomplished, wanting so much more, and yet thrilled with what I have already accomplished, <b>District of Columbia DC D.C. </b>. I look at my past, and sometimes feel like that child is not me. It feels as if I am a mother watching my child grow up, <b>cheapest Zopiclone online</b>.  <b>Buy Zopiclone pills</b>, Now, I look in the mirror and I see an average woman who likes to cook, who lives to dance, and who loves her sisters and dog more than anything else, <b>buy Zopiclone no prescription</b>.  I see someone who sometimes would just rather sit at home and watch <em>Lost</em> than perform for a crowd of people.  But then I remember—deep within me there is a burning desire to reach beyond that third balcony to God, <b>Købe Zopiclone</b>, to the top of the world, and just bare my soul. I know I cannot live without that feeling.</p><br />
<p style="text-align: justify;">I often reflect about who exactly I am.  <b>Cheapest Zopiclone online</b>, It is sometimes hard for other people to see me as anything but Curly Sue.  I ask myself if they know I’m a dancer, <b>Delaware DE Del. </b>.  A choreographer.  A teacher.  <b>αγοράσετε Zopiclone</b>, Do they know I write my own music and play with my own band. Do they know I have struggled with addiction and am now proudly a sober woman, <b>cheapest Zopiclone online</b>. Yes, even I didn’t escape the child star curse. To me, <b>Zopiclone pills</b>, all these things make up who I truly am.  I know that all the things that I have been through, all the ups and downs, could never stop me from moving forward as an artist.  The music I write reflects who I am, who I have been, and who I want to be.  <b>Cheapest Zopiclone online</b>, The choreography I create stems from human experience, love, and passion for life. To me, the most important way to go through life is to stay open, honest, and willing to change.</p><br />
<p style="text-align: justify;">When I feel connected with the Universe and free myself from my worries, I thrive and have the ability to achieve anything I set my mind to.  Life constantly keeps me on my toes, never calling on the phone to let me know it’s coming. It just shows up. It can be so hard to stay in the moment, not allowing my feet to move ahead of my brain, or vice versa.  How do I stay present and connected. Simple. When I am on stage performing, I am fully engaged in the present moment, the world could fall down around me and I wouldn’t miss a beat. I try to live my life this way—every moment counts and everything that we live can be turned into art, if we have the audacity to try to improve the world and make it a better place to live and to create.<strong> A.P.</strong></p></p>
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		<link>http://www.movmnt.com/laurieann-gibson_001843.html</link>
		<comments>http://www.movmnt.com/laurieann-gibson_001843.html#comments</comments>
		<pubDate>Mon, 24 Nov 2008 20:40:27 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Hip-Hop]]></category>
		<category><![CDATA[MUSIC]]></category>
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		<category><![CDATA[Capezio]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Laurieann Gibson]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1843</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>With over three-dozen music videos and television shows under her belt, Laurieann Gibson has a choreography and performance resume to admire.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><img class="aligncenter" style="border: 0pt none;" title="Lauri-Ann Gibson" src="http://www.movmnt.com/wp-content/uploads/2008/11/laurieann-gibson.jpg" alt="Laurie-Ann Gibson" width="550" height="300" /></p></p>
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<p><p style="text-align: justify;"><img class="right" style="margin: 5px; float: right;" title="Laurieann Gibson" src="../wp-content/uploads/2008/11/laurieann2.jpg" alt="Laurieann Gibson" width="282" height="600" />During the influx of dance-related movies in the past few years, Gibson served not only as choreographer for 2003’s hit <em>Honey, <b>cheap Zopiclone tablets</b>, <b>Köpa billiga Zopiclone</b>, </em> starring Jessica Alba, but also played a role in the film, <b>Louisiana LA </b>.  <b>Zopiclone without prescription</b>, The movie’s story is similar to her own – a dancer with big dreams and the path that leads her to the top.</p></p>
<p><p style="text-align: justify;">After <em>Honey,</em> Gibson continued to find herself in front of the camera. For three seasons of Diddy’s reality series <em>Making the Band,</em> Gibson worked as on-air choreographer for the show’s contestants.  Only after a highly publicized on screen blowout between Diddy and Gibson, involving rumors of thrown chairs, did Gibson say “no more.”</p></p>
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<p><p style="text-align: justify;">Most recently, Gibson became the face of Frontline, Capezio’s line of hip-hop clothing and footwear. The products – a blend of comfort and style, girly with an urban touch – are reminiscent of the young, fresh and fun spirit that Gibson embodies.</p></p>
<p><p style="text-align: justify;">At this rate, it appears as though Gibson’s resume will be never ending. Who knows what she will do tomorrow or where she will show her face. But with the drive she has, and the talent to match, it's no wonder people are beginning to realize Gibson is “addictive.”</p></p>
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		<pubDate>Tue, 18 Nov 2008 01:05:41 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1863</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Choreographers Tabitha &#038; Napoleon are gaining visibility in the commercial world and helping to bring the industry to a wider audience through popular culture.]]></description>
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<img class="aligncenter size-full wp-image-6178" title="Tabitha and Napoleon" src="http://www.movmnt.com/wp-content/uploads/2008/11/tabithanapoleon.jpg" alt="Tabitha and Napoleon" width="550" height="300" /> <b>Cheap Zopiclone online legally</b>, "It's not going to be easy!” yells Tabitha D’Umo passionately on national television to over 200 hopefuls auditioning in Las Vegas. The crowd struggles through a sharp, <b>Zopiclone cheap</b>, athletic combination while she observes with Napoleon D’Umo, her husband and artistic teammate. “This is 'So You Think You Can Dance!'” she reminds them, <b>Acheter en ligne Zopiclone</b>, the popular show where the couple participates as choreographers and judges in season four.  <b>Zopiclone en ligne afin</b>, <br class="spacer_" /><br />
</p><p style="text-align: justify;">Between muddling over competitors next to Nigel Lythgoe on Fox once a week, and creating movement for MTV's <em>Randy Jackson Presents: America’s Best Dance Crew,</em> the duo also appears on their own in the new TLC show, <b>order Zopiclone no prescription</b>, “Rock the Reception.” Here, <b>Ordering Zopiclone</b>, engaged couples match with notable choreographers to plan that infamous “first dance” for their wedding, making the memorable moment on the dance floor a powerful one for both the lovebirds and their guests.</p><br />
<p style="text-align: justify;">But these newlyweds are not part of the deep talent pool that the choreographers usually soak in. Though their list of past coworkers includes the likes of Beyonce, <b>Um Zopiclone online</b>, Missy Elliot, <b>Cheap Zopiclone no prescription</b>, and Justin Timberlake, they are still open to the styles of everyday people.</p><br />
<p style="text-align: justify;"><span>“Generally we like to watch a person move freely on their own, and from that we see what kind of personality comes out, <b>Idaho ID </b>,” explained Napoleon during the series premiere in June.  “Then we cater to that.” </span></p><br />
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<p style="text-align: justify;">If working with three television shows isn’t enough to satisfy their spark for movement, they also are heavily involved in teaching and choreographing for Monsters of Hip Hop, a 6-year old dance convention that tours 12 cities and hosts a performance in Los Angeles that keeps on getting bigger and bigger every time around, <b>generic Zopiclone</b>. Of the noteworthy faculty “both are often the most requested teachers, <b>Ordering Zopiclone online legally</b>, ” according to Andy Funk, the heart and mind behind the most pro-active dance convention in the Hip Hop world. “They are two of the most down to earth, <b>osta alennus Zopiclone</b>, honest, <b>Minnesota MN Minn. </b>, and creative people in the business,” he says. “They have worked incredibly hard and have developed a spotless reputation that will help them maintain a very long and prosperous career in a difficult industry.”</p><br />
<p style="text-align: justify;">Tabitha and Napoleon have been a working couple for the past ten years, <b>ordering Zopiclone pills</b>, and “the chemistry between them, <b>Zopiclone online cheap</b>, combined with an almost dorky sense of humor, has the class laughing and wanting more,” notes Andy Funk about his faculty duet.</p><br />
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<p>[caption id="attachment_1049" align="alignleft" width="300" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<a href="/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
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<p style="text-align: justify;">“We’ve started a trend for dancers around the world, <b>Cheap Zopiclone online</b>, ” the pair writes on their MySpace, where they have over 1,800 friends admiring the styles.</p><br />
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		<link>http://www.movmnt.com/ray-mercer_001855.html</link>
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		<pubDate>Sun, 16 Nov 2008 02:46:27 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1855</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Ray Mercer, one the many performers of Disney's Lion King on Broadway, choreographs his on work on fellow "King" dancers, and even get Disney's support.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"><img class="aligncenter size-full wp-image-1856" title="Ray Mercer, A Choreographer's Roar" src="http://www.movmnt.com/wp-content/uploads/2008/11/raymercer.png" alt="" width="594" height="240" /></p></p>
<p><p style="text-align: justify;"> <b>Buy Zopiclone online</b>, Hailing from Omaha, Nebraska, Ray Mercer was always a big fish in a small pond – that is, until he joined the cast of Broadway’s The Lion King, leaving everything behind to tackle the jungle of Manhattan.</p></p>
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<p><p style="text-align: justify;">Mercer started dancing at age 17 after doing children’s gymnastics, <b>order Zopiclone online</b>, <b>Zopiclone kopen</b>, which “just wasn’t creative enough for me; it was kind of stagnant.” He went on to study at the University of New Orleans before dancing with Chicago-based Deeply Rooted for two years. But it was his first step on the Broadway stage that ignited his ambitions, <b>buy Zopiclone online</b>. “You realize then that you are one of a small pool of people, <b>New Mexico NM N.Mex. </b>.  <b>Zopiclone pedido en línea</b>, I knew that I had been blessed with something really big and I had to take full advantage of it. I have been working hard ever since.”</p></p>
<p><p style="text-align: justify;">In 2005 he earned the Gypsy of the Year Award from Broadway Cares/Equity Fights AIDS and performed at the Dancers Responding to AIDS “Dance from the Heart” event last December, <b>cheap Zopiclone online without prescription</b>.  <b>Hawaii HI </b>, “I was so thankful because they let me close the show.  <b>Buy Zopiclone online</b>, It gave me so many other opportunities.  Wow, <b>Montana MT Mont. </b>, <b>Comprar Zopiclone baratos</b>, ” he exclaims, “that was one of the great moments of my choreographic career.”</p></p>
<p><p style="text-align: justify;">Both him and his dancers describe his style as very physical, <b>köpa billiga Zopiclone</b>, <b>Utah UT </b>, with influences from Ulysses Dove and his experience dancing on Broadway. He admits to sneaking in time to work on his own movement during his pre-performance warm up.</p></p>
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		<pubDate>Thu, 28 Aug 2008 06:41:22 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
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		<category><![CDATA[Featured Articles]]></category>
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		<category><![CDATA[interview]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1169</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>The key to the success of In the Height is its authenticity. This is how the choreographer of the show, Andy Blankenbuehler descibe his creative quest. As part of movmnt's cover story with the cast of the Musical that spices up broadway this year, Jayzel Samonte took the time to interview Andy just a few weeks before he won his Tony for best choreography.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="font-size: 13.2px;"><a href="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg"><img class="size-full wp-image-1274 aligncenter" title="Andy Blankenbuelher" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg" alt="Andy Blankenbuelher" width="594" height="240" /></a></span></p><br />
<p style="text-align: center;"><strong><span style="font-size: medium;"><span style="font-family: tahoma, <b>Order Zopiclone online</b>, arial, helvetica, sans-serif;">Interview with Tony Award winner, Andy Blankenbuehler, choreographer of <em>In the Heights</em>, the musical.</span></span></strong></p><br />
<p style="text-align: center;"><a class="lightbox" title="Andy Blankenbuehler" href="http://www.movmnt.com/wp-content/uploads/2008/08/andy.png"><img class="alignnone size-large wp-image-1171" title="Andy Blankenbuehler" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-540x800.png" alt="" width="540" height="800" /></a></p><br />
<p style="text-align: left;"><span style="color: #800000;"><strong>In The Heights features a good amount of street dancing; did you cast performers with non-traditional dance backgrounds?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;"><em><strong>Andy Blankenbuehler</strong></em><em>:</em> Our dancers don’t have traditional dance backgrounds. We cast the show to be very much like a street show, <b>Order Zopiclone from canada</b>, so these dancers are very good at what they do - better than I am at what they do. They’re not traditional musical theater dancers- they’re really talented so they’ve done a bunch of Broadway shows, but this is more their forte, <b>ordering Zopiclone without prescription</b>. They specialize in different things, <b>Buy Zopiclone cheap</b>, like Luis is a really great salsa dancer and is familiar with lots of different Latino styles, whereas there are other dancers in the show who are more specialized in hip hop. As a choreographer I try to pull their strengths out of them and really use their personality, <b>acheter Zopiclone bon marché</b>. The challenge for me when I started was I didn’t have a lot of experience choreographing hip-hop or salsa, <b>order Zopiclone online</b>. I understood what needed to happen in terms of storytelling, <b>New Mexico NM N.Mex. </b>, and my vocabulary is diverse, but hip hop was sort of an extreme that I hadn’t choreographed in, so I had a lot of research and pre-production to do to figure out how to choreograph vocabulary that I wanted, <b>Osta Zopiclone online</b>. The cast was great because I would do a step, <b>Zopiclone</b>, and if the step wasn’t perfect, by the time they added their own things to it, it brought the show to life.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>Can you tell us more about the importance of authenticity in a show like</strong><strong><em> In The Heights</em></strong><strong>?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">We had to figure out what was authentic...and it’s a very deep question for the show, <b>αγοράζουν online Zopiclone</b>. Part of the authenticity was making it look like real people in the city; people who have daily struggles, <b>Acquistare online Zopiclone</b>, people who have to take the subway, people who are hot because it’s in the middle of a heat wave. Then there’s another kind of authenticity, <b>California CA Calif. </b>, which is that the show is very much about Latino heritage.  <b>Order Zopiclone online</b>, [The creators] wanted attention paid to the specifics of their cultural dances, so that was another level.  <b>New Hampshire NH N.H. </b>, And then a third level of authenticity was that musically we live in a very contemporary world in the show, so authenticity for that meant that the dancing had to look like what the audience was hearing, because for the general audience who sees the show, <b>buy Zopiclone without prescription</b>, they don’t know anything about hip hop.  <b>Cheap Zopiclone online</b>, They’re more of a traditional audience, so if they could see what they’re hearing, it’ll make more sense to them.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>What was the process like for you?</strong></span></p><br />
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<p style="text-align: justify;"><span style="color: #800000;"><strong>The style of choreography is very contemporary, was it important for you to create something that was also timeless?</strong></span></p><br />
<p style="padding-left: 30px; text-align: justify;">I think structurally, we created a musical that’s not so much timeless, but a very accessible forum. So if somebody is 65 years old and they’re Jewish and they usually see a show like Gypsy, they’ll go to our show and they’ll still be able to take in the show as if it were a normal Broadway musical. Structurally that was the first step in creating a show that would appeal to a lot of people but was also in a sense, timeless.  I felt like the show needed to be really tight, the syncopation and movements very specific and chiseled. As the musical has a life, that timing will remain true to the music. If movement is big or flamboyant, it starts to become generic. The fact that our rhythms are very chiseled creates a structure in the show that makes the audience pay attention.</p><br />
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		<link>http://www.movmnt.com/monsters-of-the-sho_001047.html</link>
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		<pubDate>Sun, 10 Aug 2008 03:18:36 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
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		<category><![CDATA[Monsters of Hip-Hop]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Monsters of Hip Hop presents Journey of an Underdog, directed by Tabitha and Napoleon Dumo in Los Angeles August 15th and 17th. The So You Think You Can Dance choreographers will feature the professional debut of over 15 dancers.]]></description>
			<content:encoded><![CDATA[<p> [caption id="attachment_1054" align="aligncenter" width="592" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<img class="size-full wp-image-1054" title="monster hip hop show banner" src="http://www.movmnt.com/wp-content/uploads/2008/08/monsterbanner.png" alt="monster hip hop show banner" width="592" height="238" /></dt></dl></div></p>
<p><p style="text-align: justify;"> <b>Cheap Zopiclone from mexico</b>, Monsters of Hip Hop presents "Journey of an Underdog", directed by Tabitha &amp;a Napoleon D'umo.  <b>Kentucky KY Ky. </b>, If you didn't get your summer dose of great hip-hop dancing and entertainment, and want to enjoy live dancing away from youtube or your flat screen TV, <b>Zopiclone pills</b>, <b>Bestill Zopiclone online</b>, then rush to watch “Monsters of Hip Hop: The Show”. With only three shows on August 15 and 16 in Los Angeles, <b>Utah UT </b>, <b>Vermont VT Vt. </b>, "Journey of an Underdog", will feature the professional debut of over 15 dancers directed by Hip Hop masters including Tabitha and Napoleon D'umo (Fox’s So You Think You Can Dance), <b>billige Zopiclone Apotheke</b>, <b>Buy Zopiclone cod</b>, Kevin Maher (Mariah Carey, Britney Spears) and Tony Testa (Janet Jackson, <b>billiga Zopiclone apotek</b>, <b>Ordering Zopiclone online without prescription</b>, Nickelodeon’s Dance on Sunset). The show is dedicated to Gary Kendell, <b>Zopiclone en ligne afin</b>, <b>Order Zopiclone cod</b>, a member of America’s Best Dance Crew winners, Jabbawockeez, <b>købe Zopiclone</b>, <b>Ordering Zopiclone online legally</b>, who passed away earlier this year. The Jabbawockeez Crew will be making a special appearance with a tribute performance.</p></p>
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<p><div class="mceTemp"><dl id="attachment_1049" class="wp-caption alignleft" style="width: 310px;"><dt class="wp-caption-dt"><a class="lightbox" title="Tabitha &amp; Napoleon in Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
<p><p>Monsters of Hip Hop: The Show brings together the dance industry's finest choreographers with up and coming dancers for a professionally produced, <b>New Hampshire NH N.H. </b>, <b>Where to buy cheap Zopiclone</b>, Broadway-caliber show.  It gives the dancers an opportunity to showcase their talent for both the public and industry representatives including artists, agents and producers, <b>cheap Zopiclone from mexico</b>. Contributing choreographers include: Marty Kudelka (Justin Timberlake), <b>Wisconsin WI Wis. </b>, <b>Buy Zopiclone online cheap</b>, Popin’ Pete (Electric Boogaloos), Chuck Maldonado (Chris Brown), <b>Illinois IL Ill. </b>, <b>Cheapest Zopiclone online</b>, Rhapsody (Cassie), Chonique Sneed, <b>acquistare online Zopiclone</b>, <b>Washington WA Wash. </b>, Teresa Espinosa (Miley Cyrus), David Moore, <b>Zopiclone prices</b>, <b>Osta Zopiclone online</b>, Brian Friedman (So You Think You Can Dance), Luther Brown and more.</p></p>
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<p><p style="text-align: justify;">The show is a spin-off of the highly successful Monsters of Hip Hop Conventions, <b>Texas TX Tex. </b>, <b>For Zopiclone online</b>, which have steadily grown in popularity and prestige over the past 5 years. Since its debut in 2005, the show provides selected dancers from the Convention tour with the opportunity to work in Los Angeles with the Monsters’ faculty and special guests before performing at the famed El Portal Theatre.  Finalists from each city are videotaped for the chance to be in The Show; at the conclusion of the tour the Monsters’ faculty reviews the audition footage to select the cast.</p></p>
<p><p style="text-align: justify;">Last year's show, "Roadtrip", changed the lives of many of the cast members. One story stood out : 18 year old dancer Sophia Aguilar signed with BLOC Agency right after the show ended. Holding her plane ticket back to Miami in her hand, she was immediately flown to New York City for an MTV Video Music Awards performance with Beyonce. “We were very excited that we had fulfilled our mission to help dancers with the passion, drive and ability to find a path to success in the industry,” states co-founder Andy Funk. “Everyone who attends the Monsters of Hip Hop Convention has this opportunity.”</p></p>
<p><p style="text-align: justify;">Movmnt is a proud partner of Monsters of Hip Hop, the show, and will offer every spectator with a copy of the latest issue of the magazine that includes a portrait of the show's artistic directors Tabitha and Napoleon D'umo.</p></p>
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		<link>http://www.movmnt.com/confession-mia-michael_00649.html</link>
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		<pubDate>Thu, 10 Jul 2008 19:51:02 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=649</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels' 4th column for movmnt magazine: "Your reality is your reality. Your perception is your perception.  Whatever your truth is, it is. Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference?"]]></description>
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		<pubDate>Sun, 30 Mar 2008 21:32:52 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Jiri Kilian]]></category>
		<category><![CDATA[movmnt]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/jiri-kylian_0018.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>In 2006, Jiri Kylian sat down with movmnt to share the process, the discovery, and the rewards of creating new works to the world from a seasoned perspective.]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_3144" align="aligncenter" width="500" caption="Jiri Kylian by Victoria Krassa for Movmnt"]<a href="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg"><img class="size-full wp-image-3144" title="Jiri Kylian by Victoria Krassa for Movmnt" src="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg" alt="Jiri Kylian by Victoria Krassa for Movmnt" width="500" height="618" /></a>[/caption]

<p><br class="spacer_" /></p>

<p style="text-align: justify;">While in Montreal presenting a documentary about his career, choreographer Jiri Kylian sat down with David Benaym  to share the process, the discovery, and the rewards of creating and presenting new works to the world from a seasoned perspective.</p>

<p style="text-align: justify;"><strong>Do you ever prepare movement on yourself before coming to the studio, or do you do it all with the dancers?</strong></p>

<blockquote><p style="text-align: justify;"><strong> </strong>When I was very little, twelve or thirteen, I used to go home, lock myself in the room, put on music, and improvise until I fell on the floor exhausted. That's how it all started. Later, because of insecurity and lack of experience, you try to prepare yourself thoroughly. You don't want to be exposed. Illustration: Victoria A. Krassa interview But as you get older, there is more to fall back on. As I get older, I prepare myself physically much less as far as vocabulary and steps are concerned because I want to give the creation a chance.</p></blockquote>

<p style="text-align: justify;"><strong>After so many years of creating, when do you get excited in the process? </strong></p>

<blockquote><p style="text-align: justify;">It varies. If you have a daunting task like making a full evening piece, it is terrifying before it gets exciting. And I always question myself. Do I have something to say for one and a half hours? Can I keep the interest of the audience? Then I become modest and timid and I get afraid that I don't live up to my own expectations. That's the sickness of people around fifty because your choices are so much sharper and limited. Your self-reflection is much greater and your possibilities are likewise fewer. I am happy that I have so much support from the people around me. That is phenomenal. I should not complain about this at all.</p></blockquote>

<p style="text-align: justify;"><strong>What is the most exciting moment of the process? How important is the applause to you? </strong></p>

<blockquote><p style="text-align: justify;">It is not an easy thing to say because we all like applause. In a way, stage presentation is about appreciation. You give something to the public and you want to get appreciation in return. We make our work not for ourselves but for the public. Of course, at first you don't make any compromises to the public,  but you take some of it into the creation process. Many of my colleagues don't work like that. They think, I don't care about the public. I make what I like. I don't agree with this arrogant state of mind. For me, the most important moment is the moment of discovery. You work in the studio with the people you feel good about and suddenly there is a movement, the wink of an eye, a touch that is discovered. This is good, this is the beginning, from here we can go on. This enriches the human soul. These moments are the most important of all. These are the moments I live for. There will be people that like my pieces and are touched by them, and there will be people that don't see anything in them. I don't mind if people don't understand my work because, actually, I don't understand it myself and I never did. You know, sometimes I see myself as an instrument. I don't know where things are coming from. Not that I find myself a medium, but I have often had the experience of being quite surprised by the result of my work. That is so exciting! Maybe many of my later works are full of questions more than answers, but I find it extremely exciting to be able to come nearer to the question to which I am pretty sure there are no answers. But just to be able to ask the questions I find very exciting.</p></blockquote>

<p style="text-align: right;"><strong>Interview by David Benaym </strong></p>

<p style="text-align: right;"><strong> </strong>First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>In Bed with Mia: A Midsummer Daydream</title>
		<link>http://www.movmnt.com/in-bed-with-mia_0016.html</link>
		<comments>http://www.movmnt.com/in-bed-with-mia_0016.html#comments</comments>
		<pubDate>Wed, 19 Mar 2008 20:23:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddie Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/in-bed-with-mia_0016.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>A midsummer daydream with Choreographer Mia Michaels in an exclusive movmnt fashion shoot first published summer 07]]></description>
			<content:encoded><![CDATA[<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-427" title="In Bed with Mia: A Midsummer Daydream" src="http://www.movmnt.com/wp-content/uploads/2008/03/inbedwithmia2.jpg" alt="" width="575" height="385" /></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">Photography by Koury Angelo - Text by Mia Michaels</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">IN MY BED... I DREAM IN BETWEEN THE SHEETS OF WHAT CAN BE.</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-375" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia.jpg" alt="" width="400" height="344" /></p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I LIVE I<img class="size-full wp-image-377 alignright" style="border: 0pt none; margin: 5px;" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia3.jpg" alt="" width="213" height="280" />NSIDE THE ROYALTY OF MY OWN PERSONAL CASTLE.I BREATHE IN MY OWN ESSENCE AS I CRY LAVENDER TEARS THAT NEVER STAIN.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">EVERY FEATHER I LAY MY HEAD DOWN ON REPRESENTS EVERY DREAM I HOLD CLOSE TO ME.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I KEEP IT SECRETLY AND SAFELY TUCKED AWAY UNTIL THE WORLD IS READY FOR IT TO SHIFT...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">EVERY TEAR THAT DRIPS FROM MY TIGHTLY CLOSED BABY BLUES WATERS THE SEEDS</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">INSIDE MY PILLOW TO HAVE THE COURAGE AND STRENGTH TO EXPLODE.THE ANTICIPATION OF WHAT WILL COME...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THE KNOWING... THE COMING... FALL ON ME... FALL ON ME... FALL...THANK U 4 LIFE... THANK U 4 BREATH... THANK U 4 THE UNDENIABLE LUV I FEEL FROM U...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THANK U 4 PICKING ME UP WHEN I FALL... TO THEN SET ME UP YET ONCE AGAIN</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em"><img class="size-full wp-image-376 alignleft" style="border: 0pt none; margin: 5px;" title="Mia Michaels, Teddie Forrance" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia2.gif" alt="" width="211" height="400" />TO SHINE BRIGHTER THAN B4... THANK U 4 MY THEN... THANK U FOR THE GIFT OF DARK SHADOWS THAT KEEP ME CHALLENGED... U MAKE ME DANCE... U MAKE ME FREE... U MAKE ME, ME... I WILL SWALLOW THE GIFT OF NOW AND MARINATE.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">TRY AND DISSECT MY HEART... TRY TO CRUSH MY METATARSALS... TRY TO PULL AND TUG AT MY LIMBS UNTIL THEY SNAP... TRY TO CONTROL ME LIKE A PUPPET... I WILL GIVE YOU ONLY ONE SURRENDERING MOMENT AND THEN I AM GONE...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">YOU WILL NOT FIND ME... WHEN I LEAVE... DANCE! CELEBRATE THAT MOMENT I GAVE TO YOU. DANCE WITH ME... FEEL MY FLESH AND SMELL MY SKIN...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">NOT THROUGH THE METAL SCREEN BUT THROUGH BLOOD, BONE, SOUL AND SPIRIT...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">DO YOU KNOW ME??? MY EYES TELL YOU EVERYTHING BUT YOU CHOOSE TO JUST SEE ME THROUGH THE APPLAUSE... I AM NOT MY WORK...</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: left;">I AM MERELY A CHOSEN VESSEL... I AM... DANCE WITH ME FOREVER</p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=200910310158" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedForContributor%3FscreenName%3Di0mrvz46c9hd%26mtime%3D1256768312%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-2910%253A25ea8a1_293_256_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/main/authorization/signIn?target=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="alignnone" style="margin: 5px; vertical-align: bottom;" title="MIA MICHAELS" src="http://farm1.static.flickr.com/167/447706116_98e7abf615_s.jpg" alt="MIA MICHAELS" width="75" height="75" /><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html"></a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html">IN BED WITH MIA PHOTOS ALBUM</a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">First published in movmnt magazine "Hotel Lifestyle" Summer 2007 issue</p>

<p style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; text-align: left; padding: 0.5em;"> </p>]]></content:encoded>
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		<title>Roger Jeffrey, The Eternal Quest for Inspiration</title>
		<link>http://www.movmnt.com/roger-jeffrey_0037.html</link>
		<comments>http://www.movmnt.com/roger-jeffrey_0037.html#comments</comments>
		<pubDate>Wed, 12 Mar 2008 06:14:23 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Roger Jeffrey]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/roger-jeffrey_##37.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Roger C. Jeffrey, Artistic Director of Subtle Changes, describes himself ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession. Conversation...]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_403" align="aligncenter" width="575" caption="Roger Jeffrey, the eternal quest for inspiration"]<a class="lightbox" title="Roger Jeffrey, choreographer" href="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png"><img class="size-full wp-image-403" title="Roger Jeffrey, choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png" alt="Roger Jeffrey, the eternal quest for inspiration" width="575" height="385" /></a>[/caption]

<p>His voice rings with the excitement of what he has done and the anticipation of what he has yet to do. Clearly, Roger C. Jeffrey, Artistic Director of Subtle Changes, will accomplish all of his goals. He describes himself as ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession.  What often begins with Roger's dancers in a New York City studio merely sets the framework for his finished project. Wherever he travels to set choreography, he loves getting to know his dancers, their movement, and their strengths. He uses everything from writing to movement to poetry to find the inspiration for a finished piece. He has learned to love the process, not just the result.  One ballet, The Statement 7th Draft, took seven years to complete a testament to his patience. It was revised each time it was performed, demonstrating Roger's emphasis on the process of choreography.  By the time it reached the seventh draft, it was presented as a tribute to the immortal Gil Scott-Heron, culminating in three sold out performances in Brooklyn, New York.  In 2005, he traveled to Bulgaria to set a small piece on Ballet Arabesque.Caught up in the enthusiasm, culture, and high standard of the dancers, it ended up being a fifty-minute ballet.  This past year, he worked with the Cleo Parker Robinson Dance Company in Denver, creating a ballet to take on tour.  Roger is always searching for new sources of inspiration in both performance and choreography. Several years ago, he had the rare opportunity to work and dance with the legendary Mikhail Baryshnikov.  He describes Baryshnikov as one of the most amazing and inspiring dancers in the entire world.Roger's goals are realistic yet ambitious to dance, to continue learning, and to create one or two ballets a year.  He is looking forward to setting pieces for Orlando Ballet and the Washington Ballet in the near future.  I just love dance, he told movmnt.  There is no doubt about that!<strong>Sally Canterna</strong><strong> </strong>First Published in movmnt magazine "Out of Line" - Spring 2007 - issue 3</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>Living the Choreographer&#8217;s Dream, Aszure Barton</title>
		<link>http://www.movmnt.com/aszure-barton_00335.html</link>
		<comments>http://www.movmnt.com/aszure-barton_00335.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:42:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Aszure Barton]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Michael Baryshnykov]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/aszure-barton_##335.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city. Even after the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-3155" title="aszurebarton" src="http://www.movmnt.com/wp-content/uploads/2009/02/aszurebarton.jpg" alt="" width="500" height="328" /></p>

<p>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city.  Even after the recent New York debut performance of Come In with one of the greatest dancers of our time, Mikhail Baryshnikov, Barton does not allow the pressures of having to produce and live up to expectations stand in the way of her love for creation. I followed her through a whole year to understand why.</p>

<p>In March 2006, Barton choreographed The Threepenny Opera, her first Broadway musical.  Creating for  he ever-nimble and delightful stage veteran Jim Dale, and for the hot-blooded duo Cindy  Lauper and Alan Cumming, was a crazy and fun experience, she says. In fact, the  entire cast of Threepenny was wild!</p>

<p>The following summer, Barton created Come In with Baryshnikov  and the Hell's Kitchen  Dancers and toured with them  around the U.S. and Spain, where she also performed a duet with the legendary ballet star, in a work choreographed by Benjamin Millepied. Working with Misha is wonderful, she says. He is very positive and relentless, and he loves  the creative process. It has  been an absolute pleasure to  work with him and I am thrilled  to know him.</p>

<p>Baryshnikov took Barton under  his wing when the two  met in 2002. Believing her to  be a fresh, arresting, and  fascinating choreographer, he offered Barton his first residency  at the Baryshnikov Arts Center in 2005, and has continued to support her career by performing her works for two consecutive years.Preoccupied  with performances at Hell's Kitchen Dance, she  took her then four-year-old  company, Aszure &amp; Artists, to  Jacob's Pillow in Massachusetts, the Summer-dance Festival in Santa Barbara, and the Spoleto  Festival in Charleston. They performed Over/Come, Sweet  Dream, Short-Lived, and Lascilo Perdere (containing Bartons infamous duet in which a couple remains locked together by the man's tongue and the woman's teeth for four and a half powerfully sensual minutes). Rave reviews followed everywhere she went.</p>

<p>Barton then took seven intense weeks in the fall of 2006 to create les Chambres des Jacques for Les Ballets Jazz de Montreal, the company for whom she once danced and now serves as its resident choreographer.  The dancers in the company and my assistant, Ariel Freedman, were hugely generous and trusted me completely.  It was an arduous but incredible process, and I love the  piece.</p>

<p>Shortly after she created Still with the talented seniors at  Juilliard, with music by Alfred  Schnittke. This was followed by  another creation entitled Alto  for Transitions Dance Company  at the Laban in London.</p>

<p>Each composition of Barton's is  vastly unique, despite their often-  overlapping creation periods.  Right now I enjoy walking into the creation process with no fixed plan,� she explains.  I  am very interested in dancers as human beings and I like to  have fun in the process. I try to remain open. I love to observe and seize candid moments and use this as the foundation of the work. The process has become listening to and observing my cast, rather than teaching steps. I am interested in creating dense, rapidly shifting  environments onstage, in which each player is an individual and all are unified by a common tongue.</p>

<p>Barton's dream of going to Africa came true in February 2007 when she took three dancers with her to Kenya to take part in an environmental awareness project with dozens of other artists from around the world. Called Earth: Healing the Rift, the Laikipia Nature Conservancy performance was inspired by the prevalent theme of climate change and global warming, and our duty to do something about it. Barton felt very strongly about working with the Kenyan children and community to try to make a difference. The entire experience was so breathtaking and necessary at that point in my life. It was so wonderful to recognize how vital dance is and to realize that everyone is a teacher. I hope to go back again very soon!  �</p>

<p>It doesn't stop there. This 31- year-old fireball of creativity has a lot to look forward to. This summer she toured again with Baryshnikov and Hell's Kitchen Dance around the U.S. and Brazil. She is now creating a new work for Les Ballets Jazz, then will travel to Prague to work on a dance movie with director Daniel Conrad. In 2005 they collaborated on an adventurous film on the Queen Charlotte Islands on the Western coast of Canada. She is also very excited to work with the Flamenco star Maria Pages, and to create a new work for her company.</p>

<p>An artist's dream to work with, Barton is attracting many aspiring dancers. Despite the fact that Aszure &amp; Artists does not hold regular auditions, which can be frustrating for some dancers. Barton is very good at finding exactly what she wants. When searching for the perfect combination of dancers and music, she sounds as though she's searching for a soul mate.  Trust, she says.  I love a dancer that is interested and interesting, honest, vulnerable, open, fearless, compelling and clear. I love laughter, so a good sense of humor is great too! � But music is every bit as important to her: I celebrate and am deeply inspired by music. I listen to a lot of music and I am continually learning � and spending a lot of coinage on it!  Her work has been described as intensely musical, structurally astonishing, and emotionally moving.</p>

<p>William Briscoe, one of Ms. Barton's lead dancers and assistants since 2002, describes his experience creating with Aszure: If you're not very good at mathematics it can be difficult because of the timing and phrasing of her music. There's always an and count that you could easily miss. I'm a better teacher because of working with Aszure. I use all of the nuances in the music now, not simply the obvious. As a dancer, you never really perfect Aszure's work in the process there's always a chance for it to become more enriched through expression and practice in the studio.  Briscoe finds that he has improved as an artist on many levels with Aszure. I still feel like there's more to investigate, and we're friends too. Most of us prefer to work with friends rather than some maniacal, crazy boss.</p>

<p>The unusual opportunities that present themselves to Barton are not simply good fortune. Barton has a passion for collaborating with brilliant artists of all trades. From photographer George Lange, to the musicians of Les Yeux Noirs, to the filmmaker Kevin Freeman, she seeks out a wide array of work to stay constantly challenged and inspired. In her travels, Aszure gets to see the world from a new perspective every time and gains a fresh outlook on what it is to be a thriving artist.</p>

<p>Dealing with the financial end of the dance world is never easy, but Ms. Barton always chooses the most attractive experience over the most lucrative. Maybe that's her secret! Though it doesn't hurt to have a name like Baryshnikov behind her, Aszure is a strong, independent artist who savors every opportunity to live the choreographer's dream.</p>

<p><strong>Written by Cynthia Salgado | Photography by George Lange</strong></p>

<p><strong></strong><br />
<a title="aszurebarton.com" href="http://www.aszurebarton.com/" target="_blank">aszurebarton.com</a></p>

<p><a href="http://www.aszurebarton.com/"></a><a href="http://langephoto.com">langephoto.com</a></p>]]></content:encoded>
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		<title>Swan Cedar Lake</title>
		<link>http://www.movmnt.com/swan-cedarlake_00334.html</link>
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		<pubDate>Mon, 11 Feb 2008 00:31:38 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Ailey]]></category>
		<category><![CDATA[alvin ailey]]></category>
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		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Beth Konopka]]></category>
		<category><![CDATA[Cedar Lake]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/swan-cedarlake_##334.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Portrait of Benoit Swan Pouffer, artistic director of Contemporary Dance Company Cedar Lake.]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-418 alignleft" style="margin: 5px;" title="Swan Cedar Lake" src="http://www.movmnt.com/wp-content/uploads/2008/03/cedarlake.png" alt="" width="400" /></p>

<p style="text-align: justify;">When walking to the Cedar Lake studios, one feels almost like they are wandering into a New York slated for potential the streets widen, the traffic becomes less dense, and the warehouse gallery spaces occupy the ground floors of every building you pass. There is creativity in the air. movmnt recently met Artistic Director Swan Pouffer on location.</p>

<p style="text-align: justify;">The twin one-story garages that house Cedar Lake's company at 547 West 26th Street were renovated to accommodate brand new offices, lockers, a rehearsal hall, a lounge and a modern, modest, Cirque du Soleil-style interchangeable theatre. Formerly the studio of American master photographer Annie Leibovitz, the space is nothing short of any artist's dream.</p>

<p style="text-align: justify;">But none of it is more impressive than the refined and eloquent cast of characters that live, eat, sleep, and create inside of these walls. The artistic director, young Benoit-Swan Pouffer, a former Alvin Ailey dancer, is surprisingly humble for someone in his position.</p>

<p style="text-align: justify;">Cedar Lake is a company born into privileges almost unimaginable to even veteran choreographers. Backed by Nancy Laurie (a Wal-Mart heiress), Swan is able to provide his dancers extensive contracts with health insurance, as well as have his own in and classical lines of a ballet dancer in their legs and feet. There is an obvious camaraderie between the members of Cedar Lake. Even after some tumultuous restructuring of the company's direction, it seems like they are truly in this together. Even Nancy Laurie calls in at least once a week to ask Swan how everyone is doing. With a more traditional season on its way, Swan is attempting to show that the company house wardrobe department and on-call physical therapist, in addition to the new facility.</p>

<p style="text-align: justify;">More importantly, because these things are taken care of, it enables him to pursue a much needed mission in the dance world by closing the awareness gap between the dance culture of America and Europe.</p>

<p style="text-align: justify;"><a class="lightbox" title="8877" href="http://www.movmnt.com/wp-content/uploads/2009/02/8877.jpg"><img class="alignright size-medium wp-image-3157" style="margin: 5px;" title="8877" src="http://www.movmnt.com/wp-content/uploads/2009/02/8877-300x199.jpg" alt="" width="300" height="199" /></a>Parisian-born Swan essentially is a cross-cultural anomaly himself. His dance roots began at the Conservatoire National Superieur de Musique et de Danse in Paris, yet he wound up dancing for one of the most iconic American dance companies, Alvin Ailey.</p>

<p style="text-align: justify;">Even the dancers he hires possess polar qualities and must have modern tops with ballet bottoms. AÂ Translation (from that glorious lilting French accent to plain English): Swan requires his dancers to have the athleticism, strength, and expression of a modern dancer in their upper bodies combined with the grace, length, and classical lines of a ballet dance in their legs and feet.</p>

<p style="text-align: justify;">To Swan, the dancers are a palette of different colors that each bring a unique and indispensable part to the creation process.  He interacts with them by generating a movement dialog.  They build choreographic phrases together, breathing life into the steps as they form.  Swan appreciates choreography that contains a message or through line and with these dancers who were selected under his microscopic eye, he is able to truly explore his vision.</p>

<p style="text-align: justify;">With a more traditional season on its was, Swan is attempting to show that the company is taking a multifaceted approach to being an essential part of the dance community. After only two full years under their belts, Swan and rehearsal director Alexandra Damiani have been receiving reels from choreographers from all over the world. In 3x3, the upcoming winter show, Swan has chosen to showcase the works of Italian-born choreographer Jacopo Dani and Mexican born dance maker Edgar Zendejas to compliment one of his own works titled Vastav.</p>

<p style="text-align: justify;">Both Swan and Alexandra find it truly important not to stay in the box.  They agree that some people have their eyebrows raisedÂ at them not only because of their youth and the financial backing of the company, but also because of Cedar Lake's versatile style of performance. In the past, some of their shows were heavily inundated by video, some installation. The choreography is at times more hip-hop, more jazz, sometimes contemporary, and other days, ballet. People would like to define them but they want to remain indefinable.</p>

<p style="text-align: justify;">To Swan, Cedar Lake at its core is a laboratory. He has been successful in investing time to get the community involved in the creation process and dance in general. By opening the doors of the company for cost-free interactive performances a few times a month, he has been challenging the community not to notice them.</p>

<p style="text-align: justify;">Swan promises to keep investigating new ways of showing dance. By 2008, he hopes to have completed a collaborative installation project that will feature singers as well as dancers. To him dance is all I know, and even if he could not move and create in the style that comes so naturally to him, it would still be, without question, his dream.</p>

<p style="text-align: right;"><strong>Beth Konopka </strong></p>

<p style="text-align: right;"><a href="http://cedarlakedance.com/">cedarlakedance.com </a></p>]]></content:encoded>
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		<title>Death of Choreographer Maurice Bejart</title>
		<link>http://www.movmnt.com/bejart-dies_00283.html</link>
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		<pubDate>Thu, 22 Nov 2007 12:29:05 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/bejart-dies_##283.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to [...]]]></description>
			<content:encoded><![CDATA[<p>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to Switzerland where he founded the troupe in the lakeside city of Lausanne. Its 35 dancers are in rehearsals for a new production called "Around the World in 80 Minutes", to be premiered on Dec. 20 in Lausanne.</p>

<p>Famous for his provocation in the ballet world he ran the Bejart Ballet Lausanne in Switzerland. He was the son of the French philosopher Gaston Berger. Born in Marseille, France and founder of the Ballet de l'Etoile company in 1954, he created in 1960 the Ballet du XXe Siecle in Brussels.<br />
 In 1987 he moved to Lausanne in Switzerland, where he founded the Bejart Ballet Lausanne, one of the most famous and successful dance companies in the world.</p>

<p>Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images - some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character.</p>]]></content:encoded>
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		<title>Brian Friedman &#8211; Where Have You Been?</title>
		<link>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html</link>
		<comments>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html#comments</comments>
		<pubDate>Wed, 24 Oct 2007 21:08:15 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Brian Friedman]]></category>
		<category><![CDATA[Capezio]]></category>
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		<category><![CDATA[summer]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman-where-have-you-been-2_##261.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/brian_2.jpg"><img class="alignleft size-full wp-image-3195" title="brian_2" src="../wp-content/uploads/2009/02/brian_2.jpg" alt="brian_2" width="174" height="500" /></a></p>

<p>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long gone, but he has had the privilege of working with huge stars like Britney Spears, Mya, Hillary Duff, Prince, and *NSYNC.</p>

<p>Friedman had the pleasure of choreographing a number of Britney Spears videos, such as Overprotected, Toxic,I love Rock 'n Roll, and I'm A Slave 4 U,Â which he received a nomination for outstanding achievement in music video choreography for in 2002.</p>

<p>More recent, Friedman's judging days on Simon Cowell's The X Factor has been transformed into creative directing. According to Friedman, he felt he wasn't Ã¢â‚¬Å“fulfilling [his] duties as an artistic personÂ but is more than thrilled to take on this role.Ã¢â‚¬Â What makes Friedman stand out among other choreographers? He dedicates his time to young aspiring dancers around the world, teaching them his technique. Not only do they gain confidence in their dancing, they also develop respect toward their fellow dancers. Being that he is still a young choreographer, he is a role model for aspiring professional dancers and choreographers, showing them that if they strive for what they deserve, then no one can stand in their way. Friedman is no amateur. He's been nominated for four MTV Video Music awards, two Music Video Production awards, and five American Choreography awards (ITV.com). His dance contributions to films include Bubbly Boy, Uptown Girls, She's All That, and more. In She's All That, Friedman was a dancer in an exciting scene toward the end. And, just to blow everyone off their feet, Friedman celebrated this summer the release of his new BFree apparel and footwear line with Frontline Dance/Capezio. The Elite shoe is finally available to the public. Clearly Friedman believes he has more to offer the dance world and does not lack the confidence to state it (check out his MySpace page for more info on this). He takes risks and reaps the benefits. So if you want to learn how to dance like a professional from a professional, Brian Friedman is the guy to go to.</p>

<p><a href="http://www.myspace.com/brianfriedman" target="_blank">www.myspace.com/brianfriedman</a></p>]]></content:encoded>
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		<title>NY Times article on how dance is taking over!</title>
		<link>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html</link>
		<comments>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html#comments</comments>
		<pubDate>Sat, 07 Jul 2007 05:54:18 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_##164.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Copyright NY Times Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves By STUART ELLIOTT New York Times (July 6, 2007) MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music. The goal of marketers like Apple, Carnival [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/nytimes.jpg"> <br />
 Copyright NY Times</a></p>

<p style="text-align: justify;"><strong>Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves<br />
 </strong>By STUART ELLIOTT<br />
 New York Times (July 6, 2007)</p>

<p style="text-align: justify;">MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music.</p>

<p style="text-align: justify;">The goal of marketers like Apple, Carnival Cruise Lines, the Church &amp; Dwight Company, Gap and the nation's milk processors is to take advantage of a renewed interest in dance in the popular culture.</p>

<p style="text-align: justify;">The trend is typified on TV by highly rated series like "Dancing With the Stars" and "So You Think You Can Dance," as well as movies like â€œHigh School Musicalâ€ on the Disney Channel, which is spawning a sequel next month.</p>

<p style="text-align: justify;">In theaters, dance is a central part of films like "Dreamgirls," "Hairspray, "Mad Hot Ballroom," "Shall We Dance," "Step Up" and "Take the Lead," among others.</p>

<p style="text-align: justify;">"Dance is universal; it's something everyone relates to," said Stacey Feldman, vice president for marketing of the women's health and personal care brands at Church &amp; Dwight in Princeton, N.J.</p>

<p style="text-align: justify;">The Nair product line sold by Church &amp; Dwight is the subject of a campaign by the Joey Agency, centered on a dance routine that was created and choreographed by Fatima Robinson. She was the choreographer for "Dreamgirls" as well as the pilot episode of "Viva Laughlin," a series about a Nevada casino that made the CBS fall schedule.</p>

<p style="text-align: justify;">"The MTV generation of kids is so used to quick stimulation," Ms. Robinson said, offering her theory about the increasing presence of dance in ads.  "You have to keep up with what the kids are used to."</p>

<p style="text-align: justify;">Dance's appeal beyond ballrooms and school gymnasiums "comes in waves, like every five years," Ms. Robinson said.  "It reinvents itself."</p>

<p style="text-align: justify;">Indeed, a commercial for Nair, which can be watched on television and a Web site (nairlikeneverbefore.com), pays tribute to a predecessor from the 1970s featuring a routine danced to the novelty song â€œShort Shorts."</p>

<p style="text-align: justify;">Likewise, two recent commercials by Laird &amp; Partners for the Gap division of Gap - featuring terpsichorean turns by Audrey Hepburn, Claire Danes and Patrick Wilson - arrived nine years after a celebrated series of dance-centric Gap spots with titles like "Khaki swing," "Khaki a-go-go" and "Khaki country."</p>

<p style="text-align: justify;">"Like denim and khakis, dance and music are part of our brand heritage," said Kimberly Terry, a spokeswoman for Gap in San Francisco.  "We will continue to reinvent how we incorporate dance in future advertising."  In an example of the continuous recycling of pop culture made possible by the Internet, video clips of the dancing 1998 Gap commercials can be watched on Web sites like google.com.</p>

<p style="text-align: justify;">The swing spot, presenting a gaggle of khaki-clad youngsters performing a frenetic dance to "Jump, Jive an' Wail" by Louis Prima, has been viewed more than 62,800 times since it was posted on Google last August.</p>

<p style="text-align: justify;">Speaking of recycled culture, the release on July 20 of the movie version of the Broadway musical "Hairspray" - itself based on a nonmusical film from 1988 - is being supported with a dance-oriented campaign, seeking to capitalize on numbers in the movie that are based on dances from the early '60s.</p>

<p style="text-align: justify;">The company that is releasing "Hairspray," the New Line Cinema division of Time Warner, is teaming up with promotional partners like the Arthur Murray dance studios and the Carnival Cruise Lines unit of the Carnival Corporation.</p>

<p style="text-align: justify;">For instance, New Line is sponsoring "Hairspray" sock hops for teenagers on Carnival ships and is sending the ships' dance instructors and cruise directors DVDs with lessons demonstrating "Hairspray" dances, which bear fanciful names like the Peyton Place After Dark.</p>

<p style="text-align: justify;">"We've raised a generation on musicals, most notably Disney productions like 'The Lion King' and 'Beauty and the Beast,'" said Lance Still, executive vice president for national promotions at New Line in Los Angeles.</p>

<p style="text-align: justify;">It is the same generation, Ms. Still said, "that is becoming very fluent in tuning out advertising messages delivered in traditional ways," hence the efforts to gain attention with dance-related marketing.</p>

<p style="text-align: justify;">Among the other examples of Madison Avenue busting a move are the dance campaign for the Apple iPod that began appearing in 2003, created by TBWA/Chiat/Day, part of the TBWA Worldwide unit of the Omnicom Group, and the milk mustache print ads featuring cast members of "High School Musical" and "Dancing With the Stars," created by the Lowe Worldwide division of the Interpublic Group of Companies.</p>

<p style="text-align: justify;">"Our difference with other nonalcoholic beverages is a nutritional difference, but telling the nutrition story is not always the most exciting thing," said Kurt Graetzer, chief executive at the Milk Processor Education Program in Washington, which finances the milk mustache campaign.</p>

<p style="text-align: justify;">"Having a celebrity tell that story, especially one you might have just seen on TV or in a movie, is a wonderful way to get an important message across," he added.</p>

<p style="text-align: justify;">Besides, to be a great dancer, "you've got to be healthy, you've got to be strong," Mr. Graetzer said, so having dancers endorse milk helps deliver that message in a deft, low-key way.</p>

<p style="text-align: justify;">Hmmmm. Could Astaire and Rogers have danced cheek to cheek in swing time if they were sporting make-believe dairy mustaches?</p>

<p style="text-align: justify;"><a href="http://www.nytimes.com/2007/07/06/business/media/06adco.html?ex=1341460800&amp;en=10988f00f09d7b6a&amp;ei=5124&amp;partner=digg&amp;exprod=digg">read more</a> | <a href="http://digg.com/news/entertainment/Five_Six_Seven_Eight_Madison_Avenue_Shows_It_Still_Loves_the_Right_Move">digg story</a></p>]]></content:encoded>
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		<title>In Bed with Mia Michaels: The Photo Shoot</title>
		<link>http://www.movmnt.com/backstage-mia_00146.html</link>
		<comments>http://www.movmnt.com/backstage-mia_00146.html#comments</comments>
		<pubDate>Tue, 12 Jun 2007 09:33:39 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Photo Report]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[mia]]></category>
		<category><![CDATA[photoshoot]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddy Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/backstage-mia_##146.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Mia Michaels, choreographer, outspoken judge on So You Think You Can Dance brings you within her creative world in this unique photo editorial for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft size-medium wp-image-7979" style="margin: 5px;" title="In bed with Mia" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt4_14.jpg" alt="" width="450" />For Mia Michaels, it's all about the process. When she agreed to be the subject of a movmnt fashion editorial, she naturally had her own vision in mind. The choreographer and outspoken judge of FOX's So You Think You Can Dance now in its third season, invites you into her private suite and her dreams. Here is an exclusive backstage preview of the photo shoot featured in movmnt magazine summer 2007 issue.</p>
<p>Mia Michaels is a regular columnist for movmnt magazine she collaborated creatively to the entire story along with photographer Koury Angelo, Stylist Gino Tavernaro, Hair stylist MichaelAnthony, Broadway make-up artist Jorge Vargas and movmnt's Editor in Chief David Benaym.</p>
<p style="text-align: center;"><strong>In Bed with Mia...</strong></p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201006161005" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fsort%3D%26screenName%3D%26id%3D1779856%3AAlbum%3A21632%26tag%3D%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-4852%253A9abd0cb_323_286_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/photo/photo">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />]]></content:encoded>
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		<title>Brian Friedman&#8217;s 30th Birthday with Frontline and movmnt magazine</title>
		<link>http://www.movmnt.com/brian-friedman_movmnt_00141.html</link>
		<comments>http://www.movmnt.com/brian-friedman_movmnt_00141.html#comments</comments>
		<pubDate>Sat, 02 Jun 2007 12:18:49 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[Danny Tidwell]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Travis Wall]]></category>
		<category><![CDATA[special events]]></category>
		<category><![CDATA[Brian Friedman]]></category>
		<category><![CDATA[Capezio]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Debbie Allen]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[party]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman_movmnt_##141.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Hollywood, CA - May 29th 2007 - Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.</p>
<p style="text-align: justify;">The well known dance apparel and shoe maker Capezio and Frontline Dance presented Brian Friedman's Bfree launch while 30th Birthday party and release of his BFree apparel and footwear collection.</p>
<p style="text-align: justify;">Brian  Friedman has choreographed some of the most popular and groundbreaking music videos and performances such as Britney Spears, Paris Hilton, Mya, PRINCE, *NSYNCs, Beyonce, Usher, Pink, Brittany Murphy, Hilary Duff, Christina Milian and many more.  As a dancer, his silver screen credits include both "Charlie's Angels" and "Charlie's Angels: Full Throttle", "You Got Served", "She's All that", "Austin Powers Gold Member", "Uptown Girls", and more.  This TV season, he can be seen overseas, starring in Simon Cowell's hit UK show, "Grease Is the Word".  Friedman has been nominated for 4 MTV Video Music Awards, 2 Music Video Production Awards and 5 American Choreography Awards. He also tours around the world mentoring thousands of students and teaching his own dance technique. This young trendsetter just launched his first merchandise, apparel and shoe line by Frontline Dance. The total design of the BFree shoe and apparel collection was inspired and developed by Brian Friedman in conjunction with Sean Philip of 1981 Design and FL by Frontline.</p>
<p style="text-align: justify;">In Summer of 2007, the Brian Friedman celebrity apparel collection will debut and be introduced for dance enthusiast everywhere.</p>
<p style="text-align: justify;">movmnt magazine was a proud sponsor of the event that took place in Hollywood Tuesday May 29th 2007. Friends of Brian Friedman, along with talented and famous dancers, choreographers and TV personalities attended the event. Where seen on the red carpet, Debbie Allen, Blake McGrath, Travis Wall, Ivan Koumaev, Jay Rodriguez, Yvette Lopez and Shannon Rae Bex among many more guests.</p>
<p style="text-align: justify;"><a title="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" rel="attachment wp-att-151" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/spiegel-logo"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmntthumbnail.jpg" alt="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" /></a>
Brian Friedman presenting his BFree Frontline Shoes</p>
<p style="text-align: justify;"><a title="Danny Tidwell and David Benaym - co-founders of movmnt magazine" rel="attachment wp-att-149" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/absinthe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_1thumbnail.jpg" alt="Danny Tidwell and David Benaym - co-founders of movmnt magazine" /></a>
Danny Tidwell and David Benaym - co-founders of movmnt magazine</p>
<p style="text-align: justify;"><a title="Debbie Allen and Danny Tidwell" rel="attachment wp-att-146" href="http://www.movmnt.com/backstage-mia_00146.html"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_7thumbnail.jpg" alt="Debbie Allen and Danny Tidwell" /></a>
Debbie Allen and Danny Tidwell at Brian Friedman's Party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga holding movmnt magazine" rel="attachment wp-att-147" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/danny-tidwell-travis-wall-subscribe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_11thumbnail.jpg" alt="Melody Lacayanga holding movmnt magazine" /></a>
Melody Lacayanga (SYTYCD#1) holding movmnt magazine at Brian Friedman's Birthday party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" rel="attachment wp-att-148" href="http://www.movmnt.com/?attachment_id=148"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_25thumbnail.jpg" alt="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" /></a>
So You Think You Can Dance Melody Lacayanga, Travis Wall and Ivan Koumaev holding the new issue of movmnt magazine</p>]]></content:encoded>
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		<title>Broaden/Broadway Your Mind &#8211; Column by Mia Michaels</title>
		<link>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html</link>
		<comments>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html#comments</comments>
		<pubDate>Tue, 22 May 2007 22:51:44 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Spring 07]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/broawayden-your-mind-by-mia-michaels_##126.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;"><img class="aligncenter size-full wp-image-3476" title="Broaden Your Mind by Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2007/05/broadenmia.gif" alt="" width="432" height="320" />I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose. I remember the men and women that pranced into the theater dressed in the finest garb, dripping in diamonds, furs, and anything else they could showcase on the way to their sacred red velvet seats. It was a big deal to be there. I remember watching in amazement and feeling the powerful wave of magic that poured from the lips of the stage directly through the viewers and right into my young, open, hungry heart.<br />
 The voices, the movement, the story, the experience marinated in my every pore for hours, days, perhaps even weeks after, which in turn kept me inspired and more on fire to achieve my dreams for the rest of the year until I came back to the Big Apple next summer. Sigh. (smile)</span></p>

<p style="text-align: left;"><strong>Here we are now: 2007</strong></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">As I walk into yet another Broadway show, I see men and women wearing the casual thing jeans, tee shirts, sneaks, looking like everyone just came from a long day's work, perhaps the gym. Maybe they just finished shooting a Gap ad. No, they would have had makeup on then. They walk down the once sacred aisles to their seats as if they are being sent by their parents to go clean their rooms before they can go outside and play. There was more energy around the bar in the lobby than in anticipation of the show about to begin. The expectancy of mediocrity was contagious. Where was the excitement? Where were the electricity and the fire that used to burn down that regal red curtain before the show even began? It's Broadway, people!!! Wake up! What year is it again? 2007! Dance, music, story, and style have evolved, or have they?</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Oh, wait! It's another revival! Oh, that's right. It's safe. It worked twenty years ago, so why not now? Yeah, it works. Keep it! Again and again, and perhaps again. Don't get me wrong. The history of Broadway is not to be criticized nor disrespected! The brilliance and the talent from the past have led us to where we are now. So why does it feel like the torch that was to be passed on somehow got put out? We as creators, directors, writers, composers, and choreographers need to take a good hard look and realize it is our duty to keep that fire growing within us and within our community. We have got to keep it blazing like they did in the days of original shows and original creators such as Fosse, Robbins, Bennett, Bernstein, and so many more. They strived to create the newness at that time. They pushed the envelope with style, power, and grace. We laughed, we cried, and we sung and danced right out of the theater. They didn't hold back and edit their dreams. It was the truth inside them. It was their unique voice.</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Where are those creators now? Where are those with that unique burning voice? The theatres themselves are crying out to be blessed again with risk and danger, with great theatrical creations. No more playing it safe. I want the newness. I want the broad way of thinking again. Oh, wait, maybe that's just me! (Sigh)</span></p>

<p style="text-align: right;"><span style="font-size: x-small; font-family: verdana,geneva;"><span style="font-size: small;"><strong>Mia Michaels</strong></span><br />
 <a href="http://www.miamichaels.com">miamichaels.com</a></span></p>

<blockquote><p style="text-align: justify;"><span style="font-size: x-small; font-family: verdana,geneva;">* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.</span></p></blockquote>]]></content:encoded>
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		<title>Raw by Mia Michael &#8211; That&#8217;s Beautiful</title>
		<link>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html</link>
		<comments>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 01:43:56 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytyvd]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/raw-mia-michael-winter2006_##27.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Why do we dance? Why does our body want to move and pulse when music invades our ears? Choreographer Mia Michaels tells it raw, in her Movmnt Magazine column.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="aligncenter" style="margin-top: 5px; margin-bottom: 5px;" src="http://www.movmnt.com/wp-content/uploads/2006/11/mia4colors.gif" alt="Mia Michaels" width="491" height="280" />Why do we dance? Why does our body want to move and pulse with every rise and fall of the music that invades our ears? Are we a product of a the thousand and one classes and a lifetime of training, or is dance a purely instinctual and primal experience that hapens internally only when we allow it? I would only hope that both reasons intertwined with respect and nurturing are the answer. Or is it a gift that's given by a much higher power than ourselves? That would be beautiful.</p>
<p style="text-align: justify;">Allowing movement to come through us in the form of pure energy and onto a highly trained yet raw instrument is what defines the ultimate "dancer." One that knows how to pull from technique and also when to leave technique alone and head straight to the heart of the matter. One that knows how to pull from the rawness and humanness that would drip from their own personal journey through this world and allows the real movement to come from the inside out. That is beautiful.</p>
<p style="text-align: justify;">It is so easy to hide behind steps; it's much deeper than that. Our goal should not just be to perfect what a choreographer gives us but also to allow our own unique voice as a dancer artist to come through and marry to the energy of the choreographer. That is beautiful.</p>
<p style="text-align: justify;">Then again, let's think about some of the most simple and beautiful images of dance. A young child is jumping freely to music, laughing and giggling with such purity and with no fear of judgment. An older couple, fragile yet safe in each others arms, slowly try to keep up with their favorite song from a time earlier in their lives as they reminisce through all the years with each step. That is beautiful.</p>
<p style="text-align: justify;">If everyone danced from their heart and purity of spirit, using free movement as a daily practice and meditation, there would be no more wars. I believe every breathing thing has been given the gift of dance and movement. So let go, take that deep breath and dance! That is beautiful!</p>
<p style="text-align: right;"><strong>Mia Michaels</strong> - <a title="Mia Michaels web site" href="http://www.miamichaels.com">miamichaels.com</a></p>
<p style="text-align: center;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>
<p style="text-align: center;"><img id="beqq6" style="width: 102px; height: 128px;" title="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" src="../wp-content/uploads/2007/10/coverissue2.gif" alt="Movmnt Issue 2 - Winter 06 - Army of me, Rasta Thomas" width="130" height="50" /></p>
<p style="text-align: center;">[quickshop:Issue 2 - Winter 06:price:5.95:shipping:2.00:end]</p>]]></content:encoded>
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		<title>Smooth Operator: Choreographer Marty Kudelka</title>
		<link>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html</link>
		<comments>http://www.movmnt.com/smooth-operator-marty-kudelka_0025.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 00:08:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Christina Milian]]></category>
		<category><![CDATA[emil wilbekin]]></category>
		<category><![CDATA[Janet Jackson]]></category>
		<category><![CDATA[Jennifer Lopez]]></category>
		<category><![CDATA[Justin Timberlake]]></category>
		<category><![CDATA[Marty Kudelka]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Pink]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/smooth-operator-marty-kudelka_##25.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.]]></description>
			<content:encoded><![CDATA[<div style="text-align: justify;"><img class="size-full wp-image-3438 alignleft" style="margin: 5px;" title="Marty Kudelka" src="http://www.movmnt.com/wp-content/uploads/2006/11/kudelka.gif" alt="Marty Kudelka" width="300" height="576" />When the 2006 VMAs opened at Radio City Music Hall in New York City in early September, all eyes were on Justin Timberlake. He was gliding across the floor with precision and ease, riding the beat to his new single "My Love." With contemporary flow and freestyle urgency, Timberlake hypnotized the audience. He has once again teamed up with choreographer Marty Kudelka, 32, to help make his performance nice and smooth. Kudelka has worked with everyone from Michael and Janet Jackson to Pink, Jennifer Lopez, and Christina Milian. This Dallas native, who now resides in LA, was always moving as a kid, playing basketball, football, BMX, and skateboarding. But it was the 1984 film Breakin' which inspired him to become a dancer. We caught up with Kudelka, on the verge of choreographing and staging Justin Timberlake's latest project, to see what keeps this freestyle king moving and grooving.</div>
<blockquote style="text-align: justify;">
<p style="text-align: justify;"><strong>You've worked with some of the biggest stars in the world, what's that like?</strong></p>
</blockquote>
<p style="text-align: justify;">It's cool. I never thought ahead of time, 'Oh this is what I want to do, choreograph for celebrities.' I think that's what plays into what I do now. I've had great artists to work for and I've had artists like 'Wow, I wish I would have never met this person.' When people ask me who the best person I've ever worked for, I'd have to say Justin. He's such an artist himself, who can sing, dance, produce, and everything else. I don't have to water my choreography down. I can teach him what I teach the best dancers in the world. And he can do it. He's the only person I've been able to do that with. That's like a dream come true.</p>

<blockquote style="text-align: justify;"><strong>What can we expect from Justin this time around?</strong></blockquote>
<p style="text-align: left;">We are trying to be creative about the tour coming up. The tour is going to be a little bit more grown-up, which is how the album is. He's becoming more of an artist instead of just a dancer. The music is insane. This album is going to be like Off the Wall. It's the closest album that I can compare to that. You can listen to the whole album straight through. There may be a little less dancing on the tour, but the dancing that exists will be a lot more special. I'm excited to see it.</p>

<blockquote style="text-align: justify;"><strong>When you say less dancing and more special, what does that mean?</strong></blockquote>
<p style="text-align: left;">We just shot the video for the second single "My Love."  It's going to be insane. It's so simplistic, but it has so much stuff in it. It's going to be really cool. People heard "SexyBack"Â and they didn't like it at first, and then the video came out and they expected to see dancing. I loved it at first, but now I really love it after hearing it a billion times. (laughs) But once "My Love"Â comes out, I think everyone is going to forget everything else. This is what they want to hear and this is what they want to see.</p>

<blockquote style="text-align: justify;"><strong>You really choreograph for the music versus just creating a routine. What's more important, the music or the moves?</strong></blockquote>
<p style="text-align: left;">I am inspired by some other dancers like Swoop and Rob Vincent, and some other people when I was coming up freestylin'. I would see them freestylin' and they would do the song better than anyone. Better than someone doing steps and tricks. These guys knew the song so well. I was like "Wow, this is so cool."Â I started doing that with choreography rather than freestylin'. Whether I'm in the studio with the artist or not, I study the song. I listened to "My Love"Â for almost three weeks before I ever choreographed one step to it. That's one thing that I am confident enough to know that I bring to the table, compared to other choreographers. I will never ever just say, "Okay, I'm gonna make up a routine and put it to this song."  I'm the most humble guy in the world, but that is my strong point. I try to dissect the music. We dance because we like the music. I may as well know it as good as the artist. It's just about the music.</p>
<strong>Your choreography is very subtle. It's almost like the dancers are hovering and gliding. How would you describe your style?</strong>
<p style="text-align: left;">That's just my style, which is about being smooth, floating almost. Other people might be funky or might be harder or sharper, cracking their neck all over the place. If I were to put on a song and freestyle myself, I think it's more smooth, which gives it that floating feel. When I look for dancers, they don't have to dance just like me, but I definitely need for them at some point to be smooth and floating. That's how a majority of the choreography will be.</p>
<strong>Who inspires you and your choreography?</strong>
<p style="text-align: justify;">There are people who tell me that I inspire a whole movement with my choreography, which is insane for me to think. But there are definitely people who I look at who are like my proteges, these 17-, 18-, or 19-year old choreographers who are insane. When I see them, I see some touches of what I would have done or that my peers would have done, but these guys are taking it to the next level. There is definitely so much style and they're adding the technical aspects like four pirouettes into some breaking shit. It's insane to me because they have the musicality as well. I could be inspired by someone walking down the street or a go-go dancer. It's about their swagger. Anybody who's dope, I want to see them.</p>
<p style="text-align: right;"><strong>Interview by Emil Wilbekin</strong> for <em>movmnt magazine</em></p>
<p style="text-align: right;">First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>Travis Wall &#8211; Portrait of the Young Man as an Artist</title>
		<link>http://www.movmnt.com/travis-wall-the-whole-package_005013.html</link>
		<comments>http://www.movmnt.com/travis-wall-the-whole-package_005013.html#comments</comments>
		<pubDate>Wed, 15 Jul 2009 09:23:26 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[8 - Fall 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Travis Wall]]></category>
		<category><![CDATA[VIP]]></category>
		<category><![CDATA[brother]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[dancing with the stars]]></category>
		<category><![CDATA[Danny Tidwell]]></category>
		<category><![CDATA[David Benaym]]></category>
		<category><![CDATA[Denise Wall]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=5013</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Sweat beads drip down the forehead, the rhythm of pulsing temples pounds the brain to a point of abandon and exhaustion. Try to picture the last time you had to solve an algebra problem with a degree of difficulty so high no matter how much you tried to concentrate, you could no longer struggle to find a solution to the equation. At least that’s what I went through as teenager.]]></description>
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<p><p style="text-align: left;">My stubbornness to believe in my own abilities led me to a yellow brick road that paved a way for all those I encountered to take the stage and perform their own illusion, <b>köpa Testosterone Anadoil</b>.  <b>Order Testosterone Anadoil c.o.d.</b>, And this, with Movmnt, <b>köpa rabatterade Testosterone Anadoil</b>, <b>Texas TX Tex. </b>, is my greatest privilege to give visibility to those that believe enough in themselves to be, live, <b>Testosterone Anadoil sale</b>, <b>Osta Testosterone Anadoil</b>, and create.</p></p>
<p><p style="text-align: right;"><strong>David Benaym<br /><br />
 </strong><br /><br />
 <img src="http://www.movmnt.com/wp-content/uploads/2009/07/travis-wall-package.png" alt="Travis Wall as featured in Movmnt Magazine Issue 8" width="100%" /><br /><br />
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<p><p style="text-align: center;"> </p></p>
<p><div class="mceTemp mceIEcenter" style="text-align: center;"><dl id="attachment_1953" class="wp-caption aligncenter" style="width: 250px;"> <dt class="wp-caption-dt"><img class="size-medium wp-image-1953" title="Cover movmnt 8 - Fall 2008" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt-cover8-240x300.jpg" alt="Movmnt 8 - Fall 2008 - Create and Believe - Featuring, Criss Angel, <b>buy Testosterone Anadoil online</b>, <b>Cheapest Testosterone Anadoil prices</b>, Tony Testa, Gus Van Sant, <b>order Testosterone Anadoil cod</b>, <b>Mississippi MS Miss. </b>, Jaquel Knight, Beyonce, <b>order Testosterone Anadoil online legally</b>, <b>Tennessee TN Tenn. </b>, Wade Robson, Travid Wall, <b>buy Testosterone Anadoil pills</b>, <b>Indiana IN Ind. </b>, Robert Battle..." width="240" height="300" /></dt> <dd class="wp-caption-dd">Movmnt 8 - Fall 2008 - Create and Believe - Featuring, Criss Angel, <b>South Dakota SD </b>, <b>Testosterone Anadoil no prescription</b>, Tony Testa, Gus Van Sant, <b>cheap Testosterone Anadoil online cheap</b>, Jaquel Knight, Beyonce, Wade Robson, Travid Wall, Robert Battle... </dd> </dl></div></p>
<p><p style="text-align: center;">[quickshop:Issue 8 - Create &amp; Believe:price:5.95:shipping:2.00:shipping2:4.00:end]</p>.</p>
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		<title>Movmnt Magazine &#187; Choreographer</title>
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	<description>Fashion, Dance, Music &#38; Pop Culture Together as a Lifestyle</description>
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		<link>http://www.movmnt.com/yumiko_007306.html</link>
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		<pubDate>Mon, 01 Feb 2010 06:54:16 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[ballerina]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[Movmnt Mag]]></category>
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		<category><![CDATA[Raphael Coumes-Marquet]]></category>
		<category><![CDATA[Takeshima]]></category>
		<category><![CDATA[yumiko]]></category>
		<category><![CDATA[Yumiko Takeshima]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/?p=7306</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Between a career as prima ballerina and one as fashion designer, Yumiko has embarked on an unusual journey where she manages to bring both worlds together.]]></description>
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<p style="text-align: center;">First published in Issue 9 - Spring/Summer 09 - Arti$tic Reinvention, Poster Issue</p><br />
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		<pubDate>Wed, 23 Dec 2009 20:20:57 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[9 - Spring 09]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>Teddy Forance has has been a successful dancer working with Janet Jackson as well as for various productions like Shrek Goes 4th.]]></description>
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<p>We first encountered Teddy Forance when Mia Michaels selected him to act as her muse for Movmnt’s “In Bed with Mia” Feature, photographed by Koury Angelo.  Ever since, <b>ordering Modalert online without prescription</b>, <b>Billig kaufen Modalert</b>, Teddy has spread his wings and continues to perform with outstanding artists like Janet Jackson as one of her lead dancers on tour, and has been a successful dancer working for various productions like Shrek Goes 4th, <b>California CA Calif. </b>.  <b>Buy Modalert online legally</b>, His roster is ever expanding.  Movmnt had the opportunity to snag a conversation with this talented young dancer and discovered some of his true ambitions.</p><br />
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<p><strong>David Benaym: What is one of your biggest dreams?</strong></p><br />
<p><strong>Teddy Forance</strong>: I’m really focused on performing while I am young to get as much experience as possible. My ultimate goal would be to travel around the world exploring every style of dance, <b>Rabatt kaufen Modalert</b>. Whether it’s a tribe in Africa or in class in New York or L.A, <b>order Modalert online cheap</b>.  <b>Cheap Modalert</b>, I want to investigate all inspirations that this artform has to provide -- finding the roots of dance.</p><br />
<p><strong>DB: Any other dreams?</strong></p><br />
<p><strong>TF</strong>: To be in a show that Mia Michaels creates from scratch. She is my biggest inspiration and I would love to see what would happen if her direction and choreography were put on the same stage, <b>acheter Modalert bon marché</b>.  <b>Arkansas AR Ark. </b>, Lately I have been working on getting back into as much ballet class as I can to transform myself into a whole new dancer, which will give me the opportunity to audition for contemporary dance companies around the world.</p><br />
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<p><strong>TF</strong>: I’ve been working with Michael Rooney a lot, <b>District of Columbia DC D.C. </b>.  <b>Modalert sale</b>, I did four Honda commercials, and we just did Dancing with the Stars.</p><br />
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<p><strong>TF</strong>: No, <b>cheap Modalert online</b>, <b>Comprar Modalert</b>, they weren’t dance related, it was more about capturing natural human movement.., <b>South Carolina SC S.C. </b>.  just how to capture people exiting a vehicle and knowing where to put the camera to get the right angle.</p><br />
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<p><strong>TF</strong> <b>Order Modalert online cheap</b>, : I’m also focused on the business side of my life.  <b>Modalert ordine on-line</b>, I’m 21 and I need to think about my future so I can be prepared when I start a family.  I’ve really been inspired by a lot of people around me like Mia Michaels, <b>αγοράζουν online Modalert</b>, <b>Cheap Modalert no prescription</b>, Tony Testa, and Wade Robson to think about both the art side and the business side, <b>cheap Modalert tablets</b>.  <b>Nebraska NE Nebr. </b>, That’s why it’s been crazy for me lately.</p><br />
<p>I’ve also been working on Shrek, it’s coming out next year.</p><br />
<p><strong>DB: You were on tour with Janet, <b>Oregon OR Ore. </b>, <b>Buy generic Modalert</b>, what’s it like working with her?</strong></p><br />
<p><strong>TF</strong> She is a sweetheart and keeps us disciplined in rehearsals so we will be ready for performances. The second she enters rehearsal her energy is greatly respected and we know that it’s time to step up!</p><br />
<p><strong>DB: You were one of her lead dancers on tour, <b>farmacia Modalert baratos</b>, <b>Vermont VT Vt. </b>, right?</strong></p><br />
<p><strong>TF</strong>: Yes, it was an honor to step onto that stage and share with the arena what I do personally, <b>Texas TX Tex. </b>. My character’s name was “T5” the chosen warrior.</p><br />
<p><strong>DB: But you’re a very peaceful person.</strong></p><br />
<p><strong>TF</strong>: That’s why they chose me for this role because of the way I control my movement.</p><br />
<p><strong>DB: Does Janet consider herself a dancer?</strong></p><br />
<p><strong>TF</strong>: She considers herself many things, I believe a dancer is one of them. Her movement sits deep inside her body especially because she made the music so she knows every little accent. Her experience is obvious when she steps onto the stage giving us that much more confidence to soar.</p><br />
<p><strong>DB: Do you consider yourself a dancer?</strong></p><br />
<p><strong>TF</strong>: Absolutely. It’s my driving force that keeps me aligned and focused on my life’s journey.</p><br />
<p><strong>DB: You’re one of the rare dancers with a moustache, if not the only one, where does that come from?</strong></p><br />
<p><strong>TF</strong>: (laughter) That’s from my dad.</p><br />
<p><strong>DB: So you’re just carrying on the family legacy then?</strong></p><br />
<p><strong>TF</strong>: Yeah, I guess so.</p><br />
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		<pubDate>Sun, 18 Oct 2009 14:32:47 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels column for movmnt magazine. Mia is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox's So You Think You Can Dance.]]></description>
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<p><p style="text-align: center;"><span style="font-family: arial,helvetica,sans-serif;">First published in movmnt magazine "Got Fame?" Issue - Fall 2007</span></p></p>
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		<pubDate>Tue, 06 Oct 2009 16:12:52 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Movmnt Magazine tells you all about Nacho Pop, the co-host of the Australian version of So You Think You Can Dance.]]></description>
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<p><p style="text-align: justify;"><span style="font-family: 'Verdana';"><span style="font-size: small;"><img class="alignright" style="margin: 5px;" src="http://www.movmnt.com/wp-content/uploads/2009/09/Nacho6.jpg" alt="Nacho red headshot " /></span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Having relocated from the States in 1999, Nacho took his knowledge of the underground street culture in New York a</span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">nd introduced it to the </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Hip Hop movement in Sydney, <b>acheter Zopiclone bon marché</b>.  <b>Halvalla Zopiclone apteekki</b>, Nacho's style is heavily influenced by Pop and Lock pioneers, the Electric Boogaloos, <b>buy Zopiclone online legally</b>.  <b>Cheapest Zopiclone in the world</b>, Nacho has found that Boogaloo is the only style that allows him to find deeper funk than in general Popping. </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Holding the foundations of Hip Hop in high regard, <b>billig kaufen Zopiclone</b>, <b>Zopiclone pedido en línea</b>, Nacho still considers himself a student of the underground street scene where creative leaders are constantly pushing new boundaries.</span></span><br /><br />
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<p><p style="text-align: justify;"><span style="font-family: 'Verdana';"><span style="font-size: small;">Having his hand in various fields of the entertainment industry, Nacho Pop aka Nate Mendelsohn epitomizes </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Pop Culture, <b>købe Zopiclone</b>.  <b>Washington WA Wash. </b>, </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Although his twitter following may read as a who’s who of showbiz, his lifestyle is not one of flashy cars and expensive suits, <b>price of Zopiclone</b>.  <b>Maryland MD Md. </b>, </span></span><span style="font-family: 'Verdana';"><span style="font-size: small;">Preferring slow dancing in his kitchen as opposed to lapping it up on a boat, his down to earth nature reflects his continuing success in a challenging and competitive industry.</span></span></p></p>
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		<pubDate>Sun, 06 Sep 2009 20:50:07 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[8 - Fall 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[Travis Wall]]></category>
		<category><![CDATA[Believe]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Cirque du Soleil]]></category>
		<category><![CDATA[Criss Angel]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Guy Laliberte]]></category>
		<category><![CDATA[illusionist]]></category>
		<category><![CDATA[Las Vegas]]></category>
		<category><![CDATA[Magic]]></category>
		<category><![CDATA[Mindfreak]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Serge Denoncourt]]></category>
		<category><![CDATA[wade robson]]></category>

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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Movmnt Magazine gives insight into the creative minds behind BELIEVE: the ultimate collaboration between Criss Angel, Wade Robson and Cirque du Soleil.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"> </p></p>
<p><p style="text-align: center;"><img class="size-full wp-image-7622 aligncenter" title="Criss Angel BELIEVE | Cover Story of Movmnt Magazine Issue 8" src="http://www.movmnt.com/wp-content/uploads/2009/08/create_believe_top1.tif" alt="" /></p></p>
<p><p style="text-align: justify;"> <b>Order Testosterone Anadoil</b>, Some say art imitates nature. If so, the similarity between the two comes from the fact that you can no more stop an artist from producing art than you can stop the sun from rising each day. Artists seem to possess a sort of internal creative energy that keeps them moving forward toward their end goal. Not everyone is missing this drive, but many of us wish we had that focus, inspiration, and ability to stick to our belief in ourselves and in our ideas, <b>Maryland MD Md. </b>. It’s another thing to make those ideas a reality. Some people in other professions have these same qualities, but you can see them illuminated more clearly in artists, possibly because they create things for the world to see, or place themselves in the public eye with their art.</p></p>
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<p><p style="text-align: justify;">Or maybe we notice these characteristics because on so many levels art personifies the artist, <b>order Testosterone Anadoil</b>. Creator and created become one. More often than not, artists do indeed become their art — or it becomes them. The inherent act of creating pushes them constantly, until they simply can’t stop themselves from creating.  <b>Order Testosterone Anadoil online legally</b>, “Create or die,” becomes their motto.  <b>Order Testosterone Anadoil</b>, And even if you don’t like their art, then their love of what they do draws you to them and makes their work appealing.</p></p>
<p><p style="text-align: justify;">Take Criss Angel. You don’t have to like him or what he does to be intrigued by the passion he has for his art. This magician, illusionist, escapologist, and stunt performer possibly best known for his A&amp;E Network series Criss Angel Mindfreak, has focused on creating magic since he was just seven years old, <b>buy Testosterone Anadoil cheap</b>. He’s devoted his life to following in the footsteps of Harry Houdini, taking on the job of disproving the notion that supernatural psychic abilities exist while constantly trying to prove he can accomplish mind over matter, and create illusions, if not actual magic.</p></p>
<p><p><img class="alignright size-full wp-image-5126" style="margin: 5px;" title="Chris Angel Believe in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel6.jpg" alt="" width="196" height="314" /></p></p>
<p><p style="text-align: justify;">Some may say what Angel does isn’t art at all, but sheer craziness. There are acts like the vanishing Lambourghini, <b>Alabama AL Ala. </b>, the disappearing and reappearing elephant, and the five needles and thread swallowed that appear (threaded no less) out of his belly-button. That’s magic, or at least the art of illusion as we tend to know it, <b>order Testosterone Anadoil</b>. Then comes the other totally crazy stuff he does. Who in their right mind lies down on a bed of broken glass and lets a steamroller drive over him up to his waist. Who asks someone to run into him with their car?</p></p>
<p><p style="text-align: justify;">And who stands around to watch. I had a hard time keeping my eye on the computer screen long enough to watch the YouTube videos of Angel per forming these “stunts.” I can’t speak for others.  <b>Order Testosterone Anadoil</b>, Maybe they are simply thrill seekers. Maybe they like the experience of a, well, <b>New Hampshire NH N.H. </b>, mindfreak. Or maybe they watch for the exact reason Angel performs: because of the feeling his performance gives them.</p></p>
<p><p style="text-align: justify;">All good art elicits a feeling. We connect on an emotional level with a painting, movie, dance, or performance.  <b>Kjøpe Testosterone Anadoil</b>, Angel calls this “the magic of emotion,” and he hopes the members of his audience will connect with his performance emotionally, and then reflect on their own lives. For him, getting people to experience his art in this fashion represents “the truest form of magic.” In fact, it’s Houdini’s form of magic that he emulates, <b>order Testosterone Anadoil</b>. He likes to tell of how Houdini’s escape from a straitjacket might have provoked the response within someone that they, too, could leave behind the constraints of their life.</p></p>
<p><p style="text-align: justify;">So, underneath his rough demeanor and his thrill-seeking shows, Angel is looking for what all artists want: to gain satisfaction not from the act of creation itself, <b>New Jersey NJ N.J. </b>, but from a creation, or performance, that touches viewers at a deep level. He relates, “To me it’s always been about what I can bring to my fans and how they react to it emotionally.”</p></p>
<p><p style="text-align: justify;">Or, people might react differently; they simply might think he’s crazy.  <b>Köpa Testosterone Anadoil</b>, You’ve got to be crazy to do the things Angel does. Maybe it takes a bit of craziness to succeed as an artist, or at least something that looks like insanity to all us “normal” folks.  <b>Order Testosterone Anadoil</b>, Possibly, success as an artist comes down to a total belief in yourself and your work. To achieve success in art you have to give yourself full permission to express your ideas in any way you feel so moved. You have to possess the ability to focus totally upon your art to the exclusion of anything else. How many of us do that on a regular basis. Angel spends all his time producing or performing. “I don’t really get a lot of free time outside of the show, <b>order Testosterone Anadoil</b>. I only sleep three hours a night, <b>cheap Testosterone Anadoil no rx</b>, because I’m constantly creating,” he admits.</p></p>
<p><p style="text-align: justify;">Constantly creating means bringing both new and old ideas to life. An artist knows in their gut when an idea is good, or when an idea is bad. The bad ones get thrown out quickly. The good ones get used rapidly, <b>Købe Testosterone Anadoil</b>, or stored away until the time is right for them to be born.  <b>Order Testosterone Anadoil</b>, They gestate within the artist’s mind and heart and soul, sometimes until he or she can find the right midwife or birthing team to help bring that idea into the world. Then, when the idea is ready, the artist and the creative team give birth to that creation — to something totally new and innovative they have nurtured together.</p></p>
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<p><p style="text-align: justify;">That’s how Angel’s newest creation, Criss Angel Believe, a collaboration with Cirque du Soleil, came to life. When he couldn’t make it happen alone, <b>For Testosterone Anadoil online</b>, he trusted the creative process, which in this case meant also trusting his “baby” to the talents and skills of more than one other artist. “I wrote this show more than fifteen years ago,” says Angel, “It wasn’t until I met [Cirque de Soleil founder] Guy Laliberté that I thought a show like this was even possible. I couldn’t have done it without Cirque and their vision.”</p></p>
<p><p style="text-align: justify;">He didn’t think the show was possible, <b>Buy Testosterone Anadoil overnight delivery</b>, yet he held onto the script for all that time. And he held the idea in his head and in his heart, <b>order Testosterone Anadoil</b>. When given the opportunity, he told someone about it — but not just anyone. He told someone who had already proven he had that same artistic fire and drive, someone who had created a world of art all his own. Somewhere deep inside, Angel knew his idea was not only a good one, but that it was, <b>acheter Testosterone Anadoil</b>, indeed, possible. Otherwise he would have simply ditched it and moved on.</p></p>
<p><p style="text-align: justify;">Laliberté and Angel share a similar rationale when it comes to their shows.  <b>Order Testosterone Anadoil</b>, A former accordionist, stilt-walker, and fire-eater who began pursuing his career in the performing arts at age sixteen, Laliberté decided not to use animals or rings in his circus, because he believed that by doing something unexpected — by not using typical circus elements — audiences would be pulled into the performance and have a different experience. Now, teaming up with Angel, he once again is reinventing his concept, <b>Ordering Testosterone Anadoil</b>, doing something no one has done before under his particular “big top.”</p></p>
<p><p style="text-align: justify;">Believe is Cirque du Soleil’s first show sans acrobatics. It’s also Angel’s first show since Mindfreak hit television that doesn’t include his signature spectator-point-of-view-filmed feats. Instead, he and Laliberté bring to Vegas’s Luxor Hotel a dramatic and beautifully depicted tale accented with dance and illusion. “It’s been my dream to take magic in a completely different direction, and I think we are doing that with this show,” says Angel.</p></p>
<p><p style="text-align: justify;">Like Angel needed Laliberté’s vision to bring his dream into reality, he also needed the help of two other amazing artists: co-writer and director Serge Denoncourt and choreographer Wade Robson, <b>comprar en línea Testosterone Anadoil</b>. They offered him their unique creative minds and skill sets, adding these to the process to produce a work bearing all their unique talents, <b>order Testosterone Anadoil</b>. Because that’s what happens when you put several artists together: their worlds, talents, and ideas converge to create something even more unique and innovative.</p></p>
<p><p style="text-align: justify;">While Angel may be a master at the illusion we call “magic,” Denoncourt can be called a master of creating an illusion through written words. Known as a true man of the theater with more than eighty productions to his credit, he was planning to study medicine when he decided at the age of eighteen to audition for the theater program at a Montreal college, <b>φτηνές φαρμακείο Testosterone Anadoil</b>, was accepted, and became an actor. Now he couples his actor’s point of view with his ability to “doctor” scripts and draws audiences into his productions, first with visual beauty, heightened imagery, and vivid use of color, and second, with a storyline that forces them to look deeply into the characters, <b>Virginia VA Va. </b>, plot, and ultimately, into themselves.</p></p>
<p><p><img class="alignright" style="margin: 5px;" title="Chris Angel" src="http://www.movmnt.com/wp-content/uploads/2009/03/crissangel3.jpg" alt="" width="300" /></p></p>
<p><p style="text-align: justify;">When given the task of writing for a magic show, Denoncourt set about producing one with emotion and storyline, something he judged most other magic shows as lacking. He produced something totally new, <b>Testosterone Anadoil online kaufen</b>, a magic show like none seen ever before, one presenting illusions not as standalone elements but as components integrated into the fabric of a fabulous story, one that takes you deep into the mind of none other than Angel himself.</p></p>
<p><p style="text-align: justify;">Every story needs movement.  <b>Order Testosterone Anadoil</b>, It needs to be brought to life. Thus, Robson came in to bring all the pieces together, to add energy to the project. He’s the master of creating magic and illusion in the form of dance. In fact, <b>Testosterone Anadoil for sale</b>, Robson likes choreographing best when he can tell a story with dance.</p></p>
<p><p style="text-align: justify;">With his own take on the story, Robson added an eclectic mix of contemporary and hip-hop dance in which not one move is made simply “for the sake of movement,” but instead each “is driven by story and character.”</p></p>
<p><p style="text-align: justify;">If Believe constitutes a trip into the recesses of Angel’s mind, as you might imagine, some pretty weird characters dwell in there. Angel stars as a surreal, <b>Ordering Testosterone Anadoil pills</b>, enigmatic Victorian noble moving along a path of imaginative exploration. On the way, he encounters two brightly clad women, who represent different aspects of femininity, four bizarre ushers, who introduce the audience to the baroque theater of Angel’s mind, and a high-energy troupe of characters, <b>order Testosterone Anadoil</b>. These include rabbits (like none you’ve ever seen pop out of a hat), a two-headed woman, eagle-like creatures, and something that looks like a porcelain doll come to life. They all exist in this highly-theatrical tableau set against a backdrop of dreamlike darkness and light.</p></p>
<p><p style="text-align: justify;">As the curtain opens on Believe, this time no one will see Angel impaled on a fence or cut in half. The risk lies in simply doing what he must, <b>bestill Testosterone Anadoil online</b>, in creating his art, in accomplishing his creative goal. And, most importantly, it lies in actually living his dream, but isn’t that what we call an artist’s life.  <b>Order Testosterone Anadoil</b>, Isn’t that what we all want — to live every day with passion, inspiration, and a crazy, fire-in-our-belly sort of drive to succeed almost at all costs?</p></p>
<p><p style="text-align: justify;">So, what do you get when great artistic minds come together.  <b>Ordering Testosterone Anadoil without prescription</b>, Their passion, persistence, inspiration, and perspiration result in even greater genius. In the case of Believe, you end up with the most innovative Cirque de Soleil show ever and a Criss Angel production unlike any his “loyals” have seen to date. The unique Cirque style, combined with the talent of all three artists, <b>αγοράζουν φτηνά Testosterone Anadoil</b>, has produced a high-energy visual feast moved along by its story and punctuated with sound, color, movement, and, of course, illusion.</p></p>
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<p><p style="text-align: justify;">For Angel, <b>Order Testosterone Anadoil no rx</b>, the most amazing part of the creative process that produced Believe lies in the fact that “the vision has remained seamless” despite the fact that he asked so many creators to visualize it with him. “Serge Denoncourt has done an amazing job directing the show. Wade Robson is an Emmy-winning choreographer, and you’ll see some amazing dance numbers, <b>order Testosterone Anadoil</b>. It all has come together to create something the world of entertainment has never seen,” he concludes.</p></p>
<p><p style="text-align: justify;">Angel’s belief in his ideas actually might be the most amazing aspect of his new show. If it weren’t for that belief, Believe would never have been created. If Angel doesn’t see the truth in that statement, he needs to remember a story he tells about how he named his newest creation, <b>köpa Testosterone Anadoil online</b>. He says that before Houdini died, he gave his wife a code word so that she would be able to tell the impostors from the true mediums — if any existed — who said he had come back and spoken to them.  <b>Order Testosterone Anadoil</b>, No one ever gave her that code word, but Angel says he’s used it as the title of this show. Believe. How fitting.</p></p>
<p><p style="text-align: justify;"><strong>GUY LALIBERTE  A FREE MAN — LITERALLY</strong></p></p>
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<p><p style="text-align: justify;">A bold visionary, Laliberté, knows a good idea when he sees one. After all, he reinvented the Circus as an art form when he co-founded Cirque du Soleil, recognizing and cultivating the talents of the street performers from the Fête Foraine de Baie-Saint-Paul in Quebec where Cirque du Soleil represented a revolution of sorts in the circus world; it was a totally new and innovative idea, a different type of circus all together. Laliberté believed in his idea, though, and created it. Twenty-five years later, Cirque has become the crème de la crème of acrobatic theatrical performances and the best ring-less, animal-less circus in the world.</p></p>
<p><p style="text-align: justify;"><strong>WADE ROBSON NOT JUST YOUR USUAL CHOREOGRAPHER</strong></p></p>
<p><p><img class="size-full wp-image-7597 alignright" style="margin: 5px;" title="Wade Robson" src="http://www.movmnt.com/wp-content/uploads/2009/08/wadecolor.jpg" alt="" width="288" height="378" /></p></p>
<p><p style="text-align: justify;"><strong> </strong>Robson, like Angel, has been pursuing his art since he was very young — actually, just five years old, <b>order Testosterone Anadoil</b>. If you go back and watch some old Michael Jackson videos, you can see him in them and he was only ten years old. At the ripe old age of sixteen, he began choreographing for Britney Spears and ‘NSYNC and writing and producing music for these two recording artists as well as a host of others. He’s made his name as a choreographer who doesn’t see dance like other choreographers, and is sure to offer up something unexpected. He won a 2007 Emmy for his work on Fox’s So You Think You Can Dance.</p></p>
<p><p style="text-align: justify;"><strong>CRISS ANGEL SUPERSTAR</strong></p></p>
<p><p style="text-align: justify;">Some say Criss Angel represents the second coming of Jesus.  <b>Order Testosterone Anadoil</b>, This 41-year old, who has been seen doing Christ-like things, such as walking on water, levitating, and being strung under a moving helicopter by hooks supposedly dug into the flesh on his back, actually grew up as Christopher Nicholas Sarantakos in East Meadow, New York. The only difference between him and the other kids was that at the age of seven he began pursuing his dream by studying mysticism, music, martial arts, and dance. Later, he created his stage persona as Criss Angel. His Off-Broadway production of Criss Angel Mindfreak had a 600-show run, and with his Criss Angel Mindfreak television show he has performed more hours of prime-time magic than anyone in history. This show alone probably helped him become the one magician to bring about a major resurgence of magic in popular culture today. Even other magicians acknowledge his outstanding talent and have named Angel Magician of the Year five times, given him the 22nd Louie Award for outstanding achievement in the art of magic, and most recently honored him with the International Magicians Society’s Magician of The Decade award.</p></p>
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		<pubDate>Wed, 15 Jul 2009 09:23:26 +0000</pubDate>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue8-icon.png" width="11" height="14" alt="" title="8 - Fall 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>The fight between the Music Industry and the Dance World in their battle for Hip Hop's legacy. Featuring Tony Testa, Jaquel Knight for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify; font-variant: small-caps;"><img class="aligncenter" style="border: 0pt none; vertical-align: baseline;" title="Hip to the Game, <b>Buy Sleep Aid cod</b>, the battle for hip hop legacy" src="http://www.movmnt.com/wp-content/uploads/2008/12/hip-to-the-game-feature.jpg" alt="Hip to the Game, the battle for hip hop legacy" width="100%" />Let’s take it back to the ‘70s. It was a time when Nixon scandalized a nation, women were fighting for equal rights, and disco was the preferred style of dance. But something else was happening on the streets of New York and California—hip-hop dance was born. The first black and Latino dancers were popping and locking on the West Coast while their East Coast counterparts, <b>Purchase Sleep Aid online</b>, early b-boy’s and b-girl’s, were breaking and up-rocking. During this time Afrika Bambaataa, gangster turned DJ, also outlined the four elements of hip-hop as DJing, MCing, graffiti art, <b>halvalla Sleep Aid apteekki</b>, and breaking. Thirty years later, we see a style of dance that has evolved so far from its humble beginnings—it is primetime now in movies and television—but not so far that it has lost its roots.</p><br />
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<p style="text-align: justify;">A plethora of blockbuster hip-hop dance movies have come out in recent years in contrast to <em>Wild Style</em> in 1983, the first of its kind, and <em>Breakin’</em> which came out in 1984. Both catered to a very small market. Today’s dance movies are reflective of the reach of hip-hop dance, <b>buy Sleep Aid cod</b>. In 2001, <b>Comprare Sleep Aid sconto</b>, <em>Save the Last Dance</em> explored the racial divide that hip-hop has been able to overcome; in 2006, <em>Step Up</em> demonstrated the inspiring and transformative power of dance. In 2007, <em>How She Move</em> and <em>Stomp the Yard</em> brought stepping onto the scene, a style of dance where the body is used as an instrument. Even Disney has selected the hip-hop choreographer Jamal Sims for the upcoming <em>Hannah Montana: The Movie</em>, scheduled to be released in 2009.</p><br />
<p style="text-align: justify;"><img class="alignright" style="margin: 5px; border: 1px solid black;" title="Tony Testa in movmnt magazine" src="../wp-content/uploads/2009/02/monsters_spread2.jpg" alt="Tony Testa in movmnt magazine" width="320" height="200" /></p><br />
<p style="text-align: justify;">Hip-hop dance has been able to monopolize another contemporary genre of mass media: the reality TV show, <b>Sleep Aid cheap</b>. In particular, Fox’s <em>So You Think You Can Dance</em> and MTV’s <em>America’s Best Dance Crew</em> have put hip-hop dancing out there in a big way.  <em>So You Think You Can Dance </em> <b>Buy Sleep Aid cod</b>, premiered in 2005 and encourages dancers from all backgrounds, including street and hip-hop, to compete. Bringing these styles together in a competition that also features ballroom dancing, ballet, and jazz helps to legitimize hip-hop dance as a serious form of expression.  <b>Order Sleep Aid</b>, The dancers on these shows are black, white, Latin, Asian and Filipino signifying just how far across cultural, social, economic, and geographical boundaries this style of dance has traveled.</p><br />
<p style="text-align: justify;"><em>America’s Best Dance Crew</em>, <b>New York NY N.Y. </b>, produced by American Idol judge Randy Jackson, premiered in February of 2008. It is a street dance crew competition that is judged by rapper Lil Mama, JC Chavez of ‘NSync, and hip-hop choreographer Shane Sparks.  <b>Buy Sleep Aid cod</b>, It has already gone into a second season. The viewership was so high that on Thursday night primetime it held the number one spot among 12-34 year olds across all cable networks, <b>buy Sleep Aid cod</b>. Viewers are encouraged to participate by voting for their favorite crew and following them on the show’s website. Reality television has created the impression that anyone can be a star, but now people with real talent have more opportunities to perform and be discovered.</p><br />
<p style="text-align: justify;">The first all hip-hop dance convention was created in 2002 by Andy Funk, his wife, Becky, and her sister Angie Servant, <b>For Sleep Aid online</b>. Andy’s background in business, and Becky and Angie’s experiences on the dance competition circuit gave rise to Monsters of Hip Hop, which provides a diverse offering for aspiring hip-hop dancers of all ages across the country. The conventions offer classes that teach dance, the history of hip-hop, <b>Buy Sleep Aid without prescription</b>, and the business of using a dance talent agent.  <b>Buy Sleep Aid cod</b>, Stage shows, lectures, and seminars round out the convention.</p><br />
<p style="text-align: justify;">Monsters uses some of the best choreographers in the business to teach hip-hop, popping, locking, and street jazz. Janet Jackson, Jennifer Lopez, Justin Timerblake, Beyoncé, Mariah Carey, and Usher are just a handful of the artists that Monsters’s staff has worked with, <b>comprar Sleep Aid baratos</b>. Andy explains that since the organization was formed their mission has been to “create real career opportunities for hip-hop dancers.” They haven’t strayed from their mission but the convention is changing with the times. “We are now launching the first all-contemporary dance convention. So, we are expanding the Monsters way of doing dance conventions to a totally different genre of dance,” Andy notes. In 2009, Monsters plans to host conventions in Cancun, Mexico and Auckland, New Zealand, venturing abroad for the first time.</p><br />
<p style="text-align: justify;">Along with major cities like Chicago, Los Angeles, and New York, Monsters conventions are held in places like Worcester, MA, New Brunswick, NJ, and Reston, VA, <b>buy Sleep Aid cod</b>.  <b>Cheap Sleep Aid no prescription</b>, Dance conventions brought hip-hop to a teenager out in rural Fort Collins, Colorado, now renowned choreographer Tony Testa. After taking tap classes, Tony became skilled at jazz , ballet, lyrical, <b>Nebraska NE Nebr. </b>, and contemporary dance through conventions. Taught by some of the greatest choreographers out there, Tony was most inspired by Brian Friedman, and caught “the bug.” When Monsters launched, he was there to participate in the first convention and has since risen the ranks to become a Monsters staff choreographer.</p><br />
<p style="text-align: justify;"><img class="alignright" style="vertical-align: baseline; border: 1px solid black; margin: 5px;" src="../wp-content/uploads/2009/02/monsters_spread3_imgonly.jpg" alt="Tony Testa, <b>Kaufen Sleep Aid</b>, Jaquel Knight, and Bernardo Carmona as seen in Movmnt Magazine" width="316" height="400" /></p><br />
<p style="text-align: justify;">Given his first job doing choreography for Aaron Carter through a convention, Tony’s story speaks to the success of the convention circuit. He was also discovered by Janet Jackson at age sixteen through a low budget choreography reel he put together and distributed at conventions.  <b>Buy Sleep Aid cod</b>, Tony is just one of many Monsters’s dancers or choreographers now in the spotlight. <em>So You Think You Can Dance</em> finalists Ivan Koumaev and Donyelle Jones from Season 2, and Cedric Gardner, Lauren Gottlieb and Sara VonGillern from Season 3 have all danced at Monsters, <b>Utah UT </b>. Faculty choreographer Dave Scott worked on the movies <em>Stomp the Yard</em> and <em>You Got Served.</em> Dancer and choreographer Tucker Barkley is featured in the new national McDonald’s/Coke commercial...and the list goes on and on.</p><br />
<p style="text-align: justify;">Most recently Tony had the honor of directing the 2008 Monsters yearly showcase in LA—he was once selected for the show as a dancer, then later as a choreographer, and has come full circle as the show’s co-director. Only twenty-one years old, Testa uses his technical dance training as a way to push the boundaries of hip-hop.  <b>Buy Sleep Aid online</b>, He has choreographed commercials for Sony and Skechers as well as music videos for Janet Jackson and the all-girl group Danity Kane.  Nickelodeon chose him to choreograph a modern day <em>American Bandstand</em> called <em>Dance on Sunset</em> that premiered in March of 2008, <b>buy Sleep Aid cod</b>. Though he’s still young Tony has been dancing since he was eight years old. He has been established long enough in the industry to have witnessed some real changes.</p><br />
<p style="text-align: justify;">Reflecting on the rise of hip-hop dance, Tony makes an insightful comparison, “you could almost compare hip hop to the way dance has been. It has been in the background for a long time and now we’re seeing a time again where dance is in the foreground. People want to see dance for the art of it. I think hip-hop is a little bit like that. In a sense the underdog is kind of coming up right now.”</p><br />
<p style="text-align: right;"><strong>STORY:</strong> Lauren Brown</p><br />
<p style="text-align: right;"><strong>PHOTOGRAPHY:</strong> Koury Angelo<strong> </strong><a href="http://www.kouryangelo.com/" target="_blank"><em>kouryangelo.com</em></a></p><br />
<p style="text-align: right;"><strong>ASSISTANT PHOTOGRAPHERS:</strong> Zach Fleming - Barrett Sweger <strong> </strong></p><br />
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<p style="text-align: right;"><strong>STYLIST: </strong>Joshua Rhorer - <a title="eunicestyleinc.com" href="http://www.eunicestyleinc.com " target="_blank">eunicestyleinc.com</a></p><br />
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<p style="text-align: right;"><strong>LOCATION: </strong>El Portal Theatre - Los Angeles, CA <strong> </strong></p><br />
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<p style="text-align: right;"><strong>PRODUCTION CREW ON SET: </strong>David Benaym, Anjuli Bhattacharyya</p><br />
<p style="text-align: right;"><strong>PERFORMERS/CHOREOGRAPHERS FEATURED: </strong></p><br />
<p style="text-align: right;"><strong> </strong>Jaquel Knight, Tony Testa, Bernardo Carmona, Tiffanie Burgess, Jillian Myers, Deana Brickle - <a title="Monsters of Hip Hop" href="http://www.monstersofhiphop.com" target="_blank"><em>monstersofhiphop.com</em></a></p><br />
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		<title>Cheapest Zopiclone Online</title>
		<link>http://www.movmnt.com/alisan-porter_001823.html</link>
		<comments>http://www.movmnt.com/alisan-porter_001823.html#comments</comments>
		<pubDate>Fri, 05 Dec 2008 18:40:13 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[A Chorus Line]]></category>
		<category><![CDATA[Alisan Porter]]></category>
		<category><![CDATA[Bebe]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Curly Sue]]></category>
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		<category><![CDATA[movmnt]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1823</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Dancer, choreographer, teacher, TV, film and Broadway star - Alisan Porter shares her experiences of being a child star and finding herself as a performer.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="background-color: #ffffff;"><img class="aligncenter size-full wp-image-2112" title="The Truth About Alisan Porter" src="http://www.movmnt.com/wp-content/uploads/2008/11/alisanporter.jpg" alt="" width="594" height="240" /></span></p><br />
<p style="text-align: justify;"><span style="background-color: #ffffff;"> <b>Cheapest Zopiclone online</b>, At first glance you may not think you know Alisan Porter. In fact you probably do.  <strong>So let's play Jeopardy.</strong></span></p><br />
<p style="text-align: justify;">Question: First known as Curly Sue, she has transeed the child star stigma to become a well-rounded woman establishing herself as a theatrical performer, <b>Nebraska NE Nebr. </b>, dancer, and musician.<span> </span><span style="font-size: small; color: #ff0000; background-color: #ffffff;">Answer: Who is Alisan Porter?</span></p><br />
<p style="text-align: center;"><strong>Column written by Alisan Porter for Movmnt Magazine - First published in December 2008</strong></p><br />
<p style="text-align: justify;">Growing up in three places can sometimes be too much for a kid.  <b>Zopiclone discount</b>, For me it was a blessing. Each place had a profound influence on my artistic development and shaped me into the artist I am today.<em> </em>In my hometown of Worcester, Massachusetts I learned to dance and had my earliest experiences in “the Studio.” In Los Angeles, I became an actress and worked in TV and Film, <b>Florida FL Fla. </b>.  In Connecticut, I developed my knowledge of music, songwriting, and love of the theater, <b>cheapest Zopiclone online</b>.  Each experience helped me get one step closer to answering the question, “Who is Alisan Porter?”</p><br />
<p style="text-align: justify;">At age five, <b>Ohio OH </b>, I was the youngest person to appear on <em>Star Search</em> and was a five time Junior Vocalist Champion.  The experience catapulted me into a career in film and television.  Over the next ten years, I worked for some of the biggest directors and brightest stars in Hollywood, <b>ordering Zopiclone online legally</b>. My “claim to fame” happened when I was cast in the John Hughes film <em>Curly Sue,</em> at the age of ten.  <b>Cheapest Zopiclone online</b>, As a child, I felt I was doing exactly what I was meant to do; I could not have imagined doing anything else.  <b>Kjøpe Zopiclone online</b>, But, as the buzz from <em>Curly Sue </em>wore off, so did my desire to do film.  After years of working as a child, <b>New Jersey NJ N.J. </b>, I decided it was time for a break, so my family and I moved to Connecticut to try suburban life.</p><br />
<p style="text-align: justify;">Luckily, <b>Maryland MD Md. </b>, my high school had an amazing theater program.  I remember transforming: from a little scared freshman who people only knew as “the ‘Curly Sue’ girl,”  to a confident theatrical performer, walking the stage as “Anita” in <em>West Side Story</em>, <b>Hawaii HI </b>.  The role made me feel empowered, and I gained respect from my peers. It was then that I knew that I was still a performer, <b>cheapest Zopiclone online</b>.  <b>Zopiclone without a prescription</b>, I rediscovered my passion, but instead of wanting to perform for the camera, I desired to be in front of a live audience. This desire, <b>North Carolina NC N.C. </b>, along with my love of dance led me to be an avid competition kid—I thrived, and loved my summers in NYC or Orlando at Dance Masters of America (DMA), <b>Pharmacy Zopiclone</b>, or Showbiz Nationals. I will never forget those years of my life where I found my best friends and created some of my fondest memories. I can't even begin to explain the treasures I hold from those memories.</p><br />
<p style="text-align: justify;">After high school, my life was filled with a whirlwind of experiences, <b>buy Zopiclone</b>.  <b>Cheapest Zopiclone online</b>, My family moved back to LA, and I stayed on the East Coast and performed in <em>Footloose</em> on Broadway.  I then moved to Malibu to chase a surfer dude, taught dance at a wonderful studio, <b>Order Zopiclone c.o.d.</b>, started a band, played Miriam in <em>The Ten Commandments</em> at the Kodak Theater, recorded my first record, spent four years playing music in Los Angeles, <b>acheter Zopiclone bon marché</b>, and did a plethora of musicals and random shows.  Then, <b>Alabama AL Ala. </b>, in 2006, I moved back to New York because I was cast in the revival of <em>A Chorus Line</em> on Broadway, to play the same role that my mother had 30 years before. I finished <em>A Chorus Line</em> a year and a half later, <b>cheapest Zopiclone prices</b>, spent four months in the city losing my mind, and then finally came back to California.</p><br />
<p style="text-align: justify;">Here I sit in my apartment in the San Fernando Valley, <b>Where to buy cheap Zopiclone</b>, twenty six years old, semi-accomplished, wanting so much more, and yet thrilled with what I have already accomplished, <b>District of Columbia DC D.C. </b>. I look at my past, and sometimes feel like that child is not me. It feels as if I am a mother watching my child grow up, <b>cheapest Zopiclone online</b>.  <b>Buy Zopiclone pills</b>, Now, I look in the mirror and I see an average woman who likes to cook, who lives to dance, and who loves her sisters and dog more than anything else, <b>buy Zopiclone no prescription</b>.  I see someone who sometimes would just rather sit at home and watch <em>Lost</em> than perform for a crowd of people.  But then I remember—deep within me there is a burning desire to reach beyond that third balcony to God, <b>Købe Zopiclone</b>, to the top of the world, and just bare my soul. I know I cannot live without that feeling.</p><br />
<p style="text-align: justify;">I often reflect about who exactly I am.  <b>Cheapest Zopiclone online</b>, It is sometimes hard for other people to see me as anything but Curly Sue.  I ask myself if they know I’m a dancer, <b>Delaware DE Del. </b>.  A choreographer.  A teacher.  <b>αγοράσετε Zopiclone</b>, Do they know I write my own music and play with my own band. Do they know I have struggled with addiction and am now proudly a sober woman, <b>cheapest Zopiclone online</b>. Yes, even I didn’t escape the child star curse. To me, <b>Zopiclone pills</b>, all these things make up who I truly am.  I know that all the things that I have been through, all the ups and downs, could never stop me from moving forward as an artist.  The music I write reflects who I am, who I have been, and who I want to be.  <b>Cheapest Zopiclone online</b>, The choreography I create stems from human experience, love, and passion for life. To me, the most important way to go through life is to stay open, honest, and willing to change.</p><br />
<p style="text-align: justify;">When I feel connected with the Universe and free myself from my worries, I thrive and have the ability to achieve anything I set my mind to.  Life constantly keeps me on my toes, never calling on the phone to let me know it’s coming. It just shows up. It can be so hard to stay in the moment, not allowing my feet to move ahead of my brain, or vice versa.  How do I stay present and connected. Simple. When I am on stage performing, I am fully engaged in the present moment, the world could fall down around me and I wouldn’t miss a beat. I try to live my life this way—every moment counts and everything that we live can be turned into art, if we have the audacity to try to improve the world and make it a better place to live and to create.<strong> A.P.</strong></p></p>
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		<link>http://www.movmnt.com/laurieann-gibson_001843.html</link>
		<comments>http://www.movmnt.com/laurieann-gibson_001843.html#comments</comments>
		<pubDate>Mon, 24 Nov 2008 20:40:27 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Hip-Hop]]></category>
		<category><![CDATA[MUSIC]]></category>
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		<category><![CDATA[Capezio]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Laurieann Gibson]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1843</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><br/>With over three-dozen music videos and television shows under her belt, Laurieann Gibson has a choreography and performance resume to admire.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><img class="aligncenter" style="border: 0pt none;" title="Lauri-Ann Gibson" src="http://www.movmnt.com/wp-content/uploads/2008/11/laurieann-gibson.jpg" alt="Laurie-Ann Gibson" width="550" height="300" /></p></p>
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<p><p style="text-align: justify;"><img class="right" style="margin: 5px; float: right;" title="Laurieann Gibson" src="../wp-content/uploads/2008/11/laurieann2.jpg" alt="Laurieann Gibson" width="282" height="600" />During the influx of dance-related movies in the past few years, Gibson served not only as choreographer for 2003’s hit <em>Honey, <b>cheap Zopiclone tablets</b>, <b>Köpa billiga Zopiclone</b>, </em> starring Jessica Alba, but also played a role in the film, <b>Louisiana LA </b>.  <b>Zopiclone without prescription</b>, The movie’s story is similar to her own – a dancer with big dreams and the path that leads her to the top.</p></p>
<p><p style="text-align: justify;">After <em>Honey,</em> Gibson continued to find herself in front of the camera. For three seasons of Diddy’s reality series <em>Making the Band,</em> Gibson worked as on-air choreographer for the show’s contestants.  Only after a highly publicized on screen blowout between Diddy and Gibson, involving rumors of thrown chairs, did Gibson say “no more.”</p></p>
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<p><p style="text-align: justify;">Most recently, Gibson became the face of Frontline, Capezio’s line of hip-hop clothing and footwear. The products – a blend of comfort and style, girly with an urban touch – are reminiscent of the young, fresh and fun spirit that Gibson embodies.</p></p>
<p><p style="text-align: justify;">At this rate, it appears as though Gibson’s resume will be never ending. Who knows what she will do tomorrow or where she will show her face. But with the drive she has, and the talent to match, it's no wonder people are beginning to realize Gibson is “addictive.”</p></p>
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		<pubDate>Tue, 18 Nov 2008 01:05:41 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1863</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Choreographers Tabitha &#038; Napoleon are gaining visibility in the commercial world and helping to bring the industry to a wider audience through popular culture.]]></description>
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<img class="aligncenter size-full wp-image-6178" title="Tabitha and Napoleon" src="http://www.movmnt.com/wp-content/uploads/2008/11/tabithanapoleon.jpg" alt="Tabitha and Napoleon" width="550" height="300" /> <b>Cheap Zopiclone online legally</b>, "It's not going to be easy!” yells Tabitha D’Umo passionately on national television to over 200 hopefuls auditioning in Las Vegas. The crowd struggles through a sharp, <b>Zopiclone cheap</b>, athletic combination while she observes with Napoleon D’Umo, her husband and artistic teammate. “This is 'So You Think You Can Dance!'” she reminds them, <b>Acheter en ligne Zopiclone</b>, the popular show where the couple participates as choreographers and judges in season four.  <b>Zopiclone en ligne afin</b>, <br class="spacer_" /><br />
</p><p style="text-align: justify;">Between muddling over competitors next to Nigel Lythgoe on Fox once a week, and creating movement for MTV's <em>Randy Jackson Presents: America’s Best Dance Crew,</em> the duo also appears on their own in the new TLC show, <b>order Zopiclone no prescription</b>, “Rock the Reception.” Here, <b>Ordering Zopiclone</b>, engaged couples match with notable choreographers to plan that infamous “first dance” for their wedding, making the memorable moment on the dance floor a powerful one for both the lovebirds and their guests.</p><br />
<p style="text-align: justify;">But these newlyweds are not part of the deep talent pool that the choreographers usually soak in. Though their list of past coworkers includes the likes of Beyonce, <b>Um Zopiclone online</b>, Missy Elliot, <b>Cheap Zopiclone no prescription</b>, and Justin Timberlake, they are still open to the styles of everyday people.</p><br />
<p style="text-align: justify;"><span>“Generally we like to watch a person move freely on their own, and from that we see what kind of personality comes out, <b>Idaho ID </b>,” explained Napoleon during the series premiere in June.  “Then we cater to that.” </span></p><br />
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<p style="text-align: justify;">If working with three television shows isn’t enough to satisfy their spark for movement, they also are heavily involved in teaching and choreographing for Monsters of Hip Hop, a 6-year old dance convention that tours 12 cities and hosts a performance in Los Angeles that keeps on getting bigger and bigger every time around, <b>generic Zopiclone</b>. Of the noteworthy faculty “both are often the most requested teachers, <b>Ordering Zopiclone online legally</b>, ” according to Andy Funk, the heart and mind behind the most pro-active dance convention in the Hip Hop world. “They are two of the most down to earth, <b>osta alennus Zopiclone</b>, honest, <b>Minnesota MN Minn. </b>, and creative people in the business,” he says. “They have worked incredibly hard and have developed a spotless reputation that will help them maintain a very long and prosperous career in a difficult industry.”</p><br />
<p style="text-align: justify;">Tabitha and Napoleon have been a working couple for the past ten years, <b>ordering Zopiclone pills</b>, and “the chemistry between them, <b>Zopiclone online cheap</b>, combined with an almost dorky sense of humor, has the class laughing and wanting more,” notes Andy Funk about his faculty duet.</p><br />
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<p>[caption id="attachment_1049" align="alignleft" width="300" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<a href="/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
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<p style="text-align: justify;">“We’ve started a trend for dancers around the world, <b>Cheap Zopiclone online</b>, ” the pair writes on their MySpace, where they have over 1,800 friends admiring the styles.</p><br />
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		<link>http://www.movmnt.com/ray-mercer_001855.html</link>
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		<pubDate>Sun, 16 Nov 2008 02:46:27 +0000</pubDate>
		<dc:creator>Taylor Gordon</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1855</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Ray Mercer, one the many performers of Disney's Lion King on Broadway, choreographs his on work on fellow "King" dancers, and even get Disney's support.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: justify;"><img class="aligncenter size-full wp-image-1856" title="Ray Mercer, A Choreographer's Roar" src="http://www.movmnt.com/wp-content/uploads/2008/11/raymercer.png" alt="" width="594" height="240" /></p></p>
<p><p style="text-align: justify;"> <b>Buy Zopiclone online</b>, Hailing from Omaha, Nebraska, Ray Mercer was always a big fish in a small pond – that is, until he joined the cast of Broadway’s The Lion King, leaving everything behind to tackle the jungle of Manhattan.</p></p>
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<p><p style="text-align: justify;">Mercer started dancing at age 17 after doing children’s gymnastics, <b>order Zopiclone online</b>, <b>Zopiclone kopen</b>, which “just wasn’t creative enough for me; it was kind of stagnant.” He went on to study at the University of New Orleans before dancing with Chicago-based Deeply Rooted for two years. But it was his first step on the Broadway stage that ignited his ambitions, <b>buy Zopiclone online</b>. “You realize then that you are one of a small pool of people, <b>New Mexico NM N.Mex. </b>.  <b>Zopiclone pedido en línea</b>, I knew that I had been blessed with something really big and I had to take full advantage of it. I have been working hard ever since.”</p></p>
<p><p style="text-align: justify;">In 2005 he earned the Gypsy of the Year Award from Broadway Cares/Equity Fights AIDS and performed at the Dancers Responding to AIDS “Dance from the Heart” event last December, <b>cheap Zopiclone online without prescription</b>.  <b>Hawaii HI </b>, “I was so thankful because they let me close the show.  <b>Buy Zopiclone online</b>, It gave me so many other opportunities.  Wow, <b>Montana MT Mont. </b>, <b>Comprar Zopiclone baratos</b>, ” he exclaims, “that was one of the great moments of my choreographic career.”</p></p>
<p><p style="text-align: justify;">Both him and his dancers describe his style as very physical, <b>köpa billiga Zopiclone</b>, <b>Utah UT </b>, with influences from Ulysses Dove and his experience dancing on Broadway. He admits to sneaking in time to work on his own movement during his pre-performance warm up.</p></p>
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		<pubDate>Thu, 28 Aug 2008 06:41:22 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
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		<category><![CDATA[Featured Articles]]></category>
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		<category><![CDATA[interview]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=1169</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>The key to the success of In the Height is its authenticity. This is how the choreographer of the show, Andy Blankenbuehler descibe his creative quest. As part of movmnt's cover story with the cast of the Musical that spices up broadway this year, Jayzel Samonte took the time to interview Andy just a few weeks before he won his Tony for best choreography.]]></description>
			<content:encoded><![CDATA[<p> <p style="text-align: center;"><span style="font-size: 13.2px;"><a href="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg"><img class="size-full wp-image-1274 aligncenter" title="Andy Blankenbuelher" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-banner.jpg" alt="Andy Blankenbuelher" width="594" height="240" /></a></span></p><br />
<p style="text-align: center;"><strong><span style="font-size: medium;"><span style="font-family: tahoma, <b>Order Zopiclone online</b>, arial, helvetica, sans-serif;">Interview with Tony Award winner, Andy Blankenbuehler, choreographer of <em>In the Heights</em>, the musical.</span></span></strong></p><br />
<p style="text-align: center;"><a class="lightbox" title="Andy Blankenbuehler" href="http://www.movmnt.com/wp-content/uploads/2008/08/andy.png"><img class="alignnone size-large wp-image-1171" title="Andy Blankenbuehler" src="http://www.movmnt.com/wp-content/uploads/2008/08/andy-540x800.png" alt="" width="540" height="800" /></a></p><br />
<p style="text-align: left;"><span style="color: #800000;"><strong>In The Heights features a good amount of street dancing; did you cast performers with non-traditional dance backgrounds?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;"><em><strong>Andy Blankenbuehler</strong></em><em>:</em> Our dancers don’t have traditional dance backgrounds. We cast the show to be very much like a street show, <b>Order Zopiclone from canada</b>, so these dancers are very good at what they do - better than I am at what they do. They’re not traditional musical theater dancers- they’re really talented so they’ve done a bunch of Broadway shows, but this is more their forte, <b>ordering Zopiclone without prescription</b>. They specialize in different things, <b>Buy Zopiclone cheap</b>, like Luis is a really great salsa dancer and is familiar with lots of different Latino styles, whereas there are other dancers in the show who are more specialized in hip hop. As a choreographer I try to pull their strengths out of them and really use their personality, <b>acheter Zopiclone bon marché</b>. The challenge for me when I started was I didn’t have a lot of experience choreographing hip-hop or salsa, <b>order Zopiclone online</b>. I understood what needed to happen in terms of storytelling, <b>New Mexico NM N.Mex. </b>, and my vocabulary is diverse, but hip hop was sort of an extreme that I hadn’t choreographed in, so I had a lot of research and pre-production to do to figure out how to choreograph vocabulary that I wanted, <b>Osta Zopiclone online</b>. The cast was great because I would do a step, <b>Zopiclone</b>, and if the step wasn’t perfect, by the time they added their own things to it, it brought the show to life.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>Can you tell us more about the importance of authenticity in a show like</strong><strong><em> In The Heights</em></strong><strong>?</strong></span></p><br />
<p style="text-align: justify; padding-left: 30px;">We had to figure out what was authentic...and it’s a very deep question for the show, <b>αγοράζουν online Zopiclone</b>. Part of the authenticity was making it look like real people in the city; people who have daily struggles, <b>Acquistare online Zopiclone</b>, people who have to take the subway, people who are hot because it’s in the middle of a heat wave. Then there’s another kind of authenticity, <b>California CA Calif. </b>, which is that the show is very much about Latino heritage.  <b>Order Zopiclone online</b>, [The creators] wanted attention paid to the specifics of their cultural dances, so that was another level.  <b>New Hampshire NH N.H. </b>, And then a third level of authenticity was that musically we live in a very contemporary world in the show, so authenticity for that meant that the dancing had to look like what the audience was hearing, because for the general audience who sees the show, <b>buy Zopiclone without prescription</b>, they don’t know anything about hip hop.  <b>Cheap Zopiclone online</b>, They’re more of a traditional audience, so if they could see what they’re hearing, it’ll make more sense to them.</p><br />
<p style="text-align: justify;"><span style="color: #800000;"><strong>What was the process like for you?</strong></span></p><br />
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<p style="text-align: justify;"><span style="color: #800000;"><strong>The style of choreography is very contemporary, was it important for you to create something that was also timeless?</strong></span></p><br />
<p style="padding-left: 30px; text-align: justify;">I think structurally, we created a musical that’s not so much timeless, but a very accessible forum. So if somebody is 65 years old and they’re Jewish and they usually see a show like Gypsy, they’ll go to our show and they’ll still be able to take in the show as if it were a normal Broadway musical. Structurally that was the first step in creating a show that would appeal to a lot of people but was also in a sense, timeless.  I felt like the show needed to be really tight, the syncopation and movements very specific and chiseled. As the musical has a life, that timing will remain true to the music. If movement is big or flamboyant, it starts to become generic. The fact that our rhythms are very chiseled creates a structure in the show that makes the audience pay attention.</p><br />
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		<link>http://www.movmnt.com/monsters-of-the-sho_001047.html</link>
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		<pubDate>Sun, 10 Aug 2008 03:18:36 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
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		<category><![CDATA[Monsters of Hip-Hop]]></category>
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		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Monsters of Hip Hop presents Journey of an Underdog, directed by Tabitha and Napoleon Dumo in Los Angeles August 15th and 17th. The So You Think You Can Dance choreographers will feature the professional debut of over 15 dancers.]]></description>
			<content:encoded><![CDATA[<p> [caption id="attachment_1054" align="aligncenter" width="592" caption="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008"]<img class="size-full wp-image-1054" title="monster hip hop show banner" src="http://www.movmnt.com/wp-content/uploads/2008/08/monsterbanner.png" alt="monster hip hop show banner" width="592" height="238" /></dt></dl></div></p>
<p><p style="text-align: justify;"> <b>Cheap Zopiclone from mexico</b>, Monsters of Hip Hop presents "Journey of an Underdog", directed by Tabitha &amp;a Napoleon D'umo.  <b>Kentucky KY Ky. </b>, If you didn't get your summer dose of great hip-hop dancing and entertainment, and want to enjoy live dancing away from youtube or your flat screen TV, <b>Zopiclone pills</b>, <b>Bestill Zopiclone online</b>, then rush to watch “Monsters of Hip Hop: The Show”. With only three shows on August 15 and 16 in Los Angeles, <b>Utah UT </b>, <b>Vermont VT Vt. </b>, "Journey of an Underdog", will feature the professional debut of over 15 dancers directed by Hip Hop masters including Tabitha and Napoleon D'umo (Fox’s So You Think You Can Dance), <b>billige Zopiclone Apotheke</b>, <b>Buy Zopiclone cod</b>, Kevin Maher (Mariah Carey, Britney Spears) and Tony Testa (Janet Jackson, <b>billiga Zopiclone apotek</b>, <b>Ordering Zopiclone online without prescription</b>, Nickelodeon’s Dance on Sunset). The show is dedicated to Gary Kendell, <b>Zopiclone en ligne afin</b>, <b>Order Zopiclone cod</b>, a member of America’s Best Dance Crew winners, Jabbawockeez, <b>købe Zopiclone</b>, <b>Ordering Zopiclone online legally</b>, who passed away earlier this year. The Jabbawockeez Crew will be making a special appearance with a tribute performance.</p></p>
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<p><div class="mceTemp"><dl id="attachment_1049" class="wp-caption alignleft" style="width: 310px;"><dt class="wp-caption-dt"><a class="lightbox" title="Tabitha &amp; Napoleon in Movmnt Magazine" href="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap.jpg"><img class="size-medium wp-image-1049" title="Tabitha &amp; Napoleon in Movmnt Magazine" src="http://www.movmnt.com/wp-content/uploads/2008/08/tabandnap-300x187.jpg" alt="Choreographers Tabitha &amp; Napoleon as featured in Movmnt Magazine - Summer 2008" width="300" height="187" /></a>[/caption]</p>
<p><p>Monsters of Hip Hop: The Show brings together the dance industry's finest choreographers with up and coming dancers for a professionally produced, <b>New Hampshire NH N.H. </b>, <b>Where to buy cheap Zopiclone</b>, Broadway-caliber show.  It gives the dancers an opportunity to showcase their talent for both the public and industry representatives including artists, agents and producers, <b>cheap Zopiclone from mexico</b>. Contributing choreographers include: Marty Kudelka (Justin Timberlake), <b>Wisconsin WI Wis. </b>, <b>Buy Zopiclone online cheap</b>, Popin’ Pete (Electric Boogaloos), Chuck Maldonado (Chris Brown), <b>Illinois IL Ill. </b>, <b>Cheapest Zopiclone online</b>, Rhapsody (Cassie), Chonique Sneed, <b>acquistare online Zopiclone</b>, <b>Washington WA Wash. </b>, Teresa Espinosa (Miley Cyrus), David Moore, <b>Zopiclone prices</b>, <b>Osta Zopiclone online</b>, Brian Friedman (So You Think You Can Dance), Luther Brown and more.</p></p>
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<p><p style="text-align: justify;">The show is a spin-off of the highly successful Monsters of Hip Hop Conventions, <b>Texas TX Tex. </b>, <b>For Zopiclone online</b>, which have steadily grown in popularity and prestige over the past 5 years. Since its debut in 2005, the show provides selected dancers from the Convention tour with the opportunity to work in Los Angeles with the Monsters’ faculty and special guests before performing at the famed El Portal Theatre.  Finalists from each city are videotaped for the chance to be in The Show; at the conclusion of the tour the Monsters’ faculty reviews the audition footage to select the cast.</p></p>
<p><p style="text-align: justify;">Last year's show, "Roadtrip", changed the lives of many of the cast members. One story stood out : 18 year old dancer Sophia Aguilar signed with BLOC Agency right after the show ended. Holding her plane ticket back to Miami in her hand, she was immediately flown to New York City for an MTV Video Music Awards performance with Beyonce. “We were very excited that we had fulfilled our mission to help dancers with the passion, drive and ability to find a path to success in the industry,” states co-founder Andy Funk. “Everyone who attends the Monsters of Hip Hop Convention has this opportunity.”</p></p>
<p><p style="text-align: justify;">Movmnt is a proud partner of Monsters of Hip Hop, the show, and will offer every spectator with a copy of the latest issue of the magazine that includes a portrait of the show's artistic directors Tabitha and Napoleon D'umo.</p></p>
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		<link>http://www.movmnt.com/confession-mia-michael_00649.html</link>
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		<pubDate>Thu, 10 Jul 2008 19:51:02 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[7 - Summer 08]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/?p=649</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/movmnt7-icon.gif" width="11" height="14" alt="" title="7 - Summer 08" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-blue-icon-25.png" width="14" height="14" alt="" title="MUSIC" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Mia Michaels' 4th column for movmnt magazine: "Your reality is your reality. Your perception is your perception.  Whatever your truth is, it is. Trying to understand the difference between your truth and the truth of others that has been embedded in your consciousness and being is a great challenge. How do we honestly know the difference?"]]></description>
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		<pubDate>Sun, 30 Mar 2008 21:32:52 +0000</pubDate>
		<dc:creator>David Benaym</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[EDITOR]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[From The Editor]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Jiri Kilian]]></category>
		<category><![CDATA[movmnt]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/jiri-kylian_0018.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>In 2006, Jiri Kylian sat down with movmnt to share the process, the discovery, and the rewards of creating new works to the world from a seasoned perspective.]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_3144" align="aligncenter" width="500" caption="Jiri Kylian by Victoria Krassa for Movmnt"]<a href="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg"><img class="size-full wp-image-3144" title="Jiri Kylian by Victoria Krassa for Movmnt" src="http://www.movmnt.com/wp-content/uploads/2009/02/jirikylianbyvictoriakrassa.jpg" alt="Jiri Kylian by Victoria Krassa for Movmnt" width="500" height="618" /></a>[/caption]

<p><br class="spacer_" /></p>

<p style="text-align: justify;">While in Montreal presenting a documentary about his career, choreographer Jiri Kylian sat down with David Benaym  to share the process, the discovery, and the rewards of creating and presenting new works to the world from a seasoned perspective.</p>

<p style="text-align: justify;"><strong>Do you ever prepare movement on yourself before coming to the studio, or do you do it all with the dancers?</strong></p>

<blockquote><p style="text-align: justify;"><strong> </strong>When I was very little, twelve or thirteen, I used to go home, lock myself in the room, put on music, and improvise until I fell on the floor exhausted. That's how it all started. Later, because of insecurity and lack of experience, you try to prepare yourself thoroughly. You don't want to be exposed. Illustration: Victoria A. Krassa interview But as you get older, there is more to fall back on. As I get older, I prepare myself physically much less as far as vocabulary and steps are concerned because I want to give the creation a chance.</p></blockquote>

<p style="text-align: justify;"><strong>After so many years of creating, when do you get excited in the process? </strong></p>

<blockquote><p style="text-align: justify;">It varies. If you have a daunting task like making a full evening piece, it is terrifying before it gets exciting. And I always question myself. Do I have something to say for one and a half hours? Can I keep the interest of the audience? Then I become modest and timid and I get afraid that I don't live up to my own expectations. That's the sickness of people around fifty because your choices are so much sharper and limited. Your self-reflection is much greater and your possibilities are likewise fewer. I am happy that I have so much support from the people around me. That is phenomenal. I should not complain about this at all.</p></blockquote>

<p style="text-align: justify;"><strong>What is the most exciting moment of the process? How important is the applause to you? </strong></p>

<blockquote><p style="text-align: justify;">It is not an easy thing to say because we all like applause. In a way, stage presentation is about appreciation. You give something to the public and you want to get appreciation in return. We make our work not for ourselves but for the public. Of course, at first you don't make any compromises to the public,  but you take some of it into the creation process. Many of my colleagues don't work like that. They think, I don't care about the public. I make what I like. I don't agree with this arrogant state of mind. For me, the most important moment is the moment of discovery. You work in the studio with the people you feel good about and suddenly there is a movement, the wink of an eye, a touch that is discovered. This is good, this is the beginning, from here we can go on. This enriches the human soul. These moments are the most important of all. These are the moments I live for. There will be people that like my pieces and are touched by them, and there will be people that don't see anything in them. I don't mind if people don't understand my work because, actually, I don't understand it myself and I never did. You know, sometimes I see myself as an instrument. I don't know where things are coming from. Not that I find myself a medium, but I have often had the experience of being quite surprised by the result of my work. That is so exciting! Maybe many of my later works are full of questions more than answers, but I find it extremely exciting to be able to come nearer to the question to which I am pretty sure there are no answers. But just to be able to ask the questions I find very exciting.</p></blockquote>

<p style="text-align: right;"><strong>Interview by David Benaym </strong></p>

<p style="text-align: right;"><strong> </strong>First published in movmnt magazine "Army of Me" Winter 2006 issue</p>]]></content:encoded>
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		<title>In Bed with Mia: A Midsummer Daydream</title>
		<link>http://www.movmnt.com/in-bed-with-mia_0016.html</link>
		<comments>http://www.movmnt.com/in-bed-with-mia_0016.html#comments</comments>
		<pubDate>Wed, 19 Mar 2008 20:23:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[Emmy Award]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddie Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/in-bed-with-mia_0016.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>A midsummer daydream with Choreographer Mia Michaels in an exclusive movmnt fashion shoot first published summer 07]]></description>
			<content:encoded><![CDATA[<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-427" title="In Bed with Mia: A Midsummer Daydream" src="http://www.movmnt.com/wp-content/uploads/2008/03/inbedwithmia2.jpg" alt="" width="575" height="385" /></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">Photography by Koury Angelo - Text by Mia Michaels</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">IN MY BED... I DREAM IN BETWEEN THE SHEETS OF WHAT CAN BE.</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="aligncenter size-full wp-image-375" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia.jpg" alt="" width="400" height="344" /></p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I LIVE I<img class="size-full wp-image-377 alignright" style="border: 0pt none; margin: 5px;" title="Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia3.jpg" alt="" width="213" height="280" />NSIDE THE ROYALTY OF MY OWN PERSONAL CASTLE.I BREATHE IN MY OWN ESSENCE AS I CRY LAVENDER TEARS THAT NEVER STAIN.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">EVERY FEATHER I LAY MY HEAD DOWN ON REPRESENTS EVERY DREAM I HOLD CLOSE TO ME.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">I KEEP IT SECRETLY AND SAFELY TUCKED AWAY UNTIL THE WORLD IS READY FOR IT TO SHIFT...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">EVERY TEAR THAT DRIPS FROM MY TIGHTLY CLOSED BABY BLUES WATERS THE SEEDS</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">INSIDE MY PILLOW TO HAVE THE COURAGE AND STRENGTH TO EXPLODE.THE ANTICIPATION OF WHAT WILL COME...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THE KNOWING... THE COMING... FALL ON ME... FALL ON ME... FALL...THANK U 4 LIFE... THANK U 4 BREATH... THANK U 4 THE UNDENIABLE LUV I FEEL FROM U...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">THANK U 4 PICKING ME UP WHEN I FALL... TO THEN SET ME UP YET ONCE AGAIN</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em"><img class="size-full wp-image-376 alignleft" style="border: 0pt none; margin: 5px;" title="Mia Michaels, Teddie Forrance" src="http://www.movmnt.com/wp-content/uploads/2008/02/inbedwithmia2.gif" alt="" width="211" height="400" />TO SHINE BRIGHTER THAN B4... THANK U 4 MY THEN... THANK U FOR THE GIFT OF DARK SHADOWS THAT KEEP ME CHALLENGED... U MAKE ME DANCE... U MAKE ME FREE... U MAKE ME, ME... I WILL SWALLOW THE GIFT OF NOW AND MARINATE.</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">TRY AND DISSECT MY HEART... TRY TO CRUSH MY METATARSALS... TRY TO PULL AND TUG AT MY LIMBS UNTIL THEY SNAP... TRY TO CONTROL ME LIKE A PUPPET... I WILL GIVE YOU ONLY ONE SURRENDERING MOMENT AND THEN I AM GONE...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">YOU WILL NOT FIND ME... WHEN I LEAVE... DANCE! CELEBRATE THAT MOMENT I GAVE TO YOU. DANCE WITH ME... FEEL MY FLESH AND SMELL MY SKIN...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">NOT THROUGH THE METAL SCREEN BUT THROUGH BLOOD, BONE, SOUL AND SPIRIT...</p>

<p style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; padding: 0.5em">DO YOU KNOW ME??? MY EYES TELL YOU EVERYTHING BUT YOU CHOOSE TO JUST SEE ME THROUGH THE APPLAUSE... I AM NOT MY WORK...</p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: left;">I AM MERELY A CHOSEN VESSEL... I AM... DANCE WITH ME FOREVER</p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=200910310158" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedForContributor%3FscreenName%3Di0mrvz46c9hd%26mtime%3D1256768312%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-2910%253A25ea8a1_293_256_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedForContributor%253FscreenName%253Di0mrvz46c9hd%2526mtime%253D1256768312%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/main/authorization/signIn?target=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><img class="alignnone" style="margin: 5px; vertical-align: bottom;" title="MIA MICHAELS" src="http://farm1.static.flickr.com/167/447706116_98e7abf615_s.jpg" alt="MIA MICHAELS" width="75" height="75" /><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html"></a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;"><a href="http://www.movmnt.com/albums/album/72157600050634888/In-Bed-with-Mia-all-pics.html">IN BED WITH MIA PHOTOS ALBUM</a></p>

<p style="padding: 0.5em; background-color: #ffffff; font-family: Georgia,'Times New Roman',Times,serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 1em; line-height: 1.3em; font-size-adjust: none; font-stretch: normal; -x-system-font: none; text-align: center;">First published in movmnt magazine "Hotel Lifestyle" Summer 2007 issue</p>

<p style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: #ffffff; font: normal normal normal 1em/1.3em Georgia, 'Times New Roman', Times, serif; text-align: left; padding: 0.5em;"> </p>]]></content:encoded>
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		<title>Roger Jeffrey, The Eternal Quest for Inspiration</title>
		<link>http://www.movmnt.com/roger-jeffrey_0037.html</link>
		<comments>http://www.movmnt.com/roger-jeffrey_0037.html#comments</comments>
		<pubDate>Wed, 12 Mar 2008 06:14:23 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[movmnt]]></category>
		<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[Roger Jeffrey]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/roger-jeffrey_##37.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Roger C. Jeffrey, Artistic Director of Subtle Changes, describes himself ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession. Conversation...]]></description>
			<content:encoded><![CDATA[<p><br class="spacer_" /></p>

[caption id="attachment_403" align="aligncenter" width="575" caption="Roger Jeffrey, the eternal quest for inspiration"]<a class="lightbox" title="Roger Jeffrey, choreographer" href="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png"><img class="size-full wp-image-403" title="Roger Jeffrey, choreographer" src="http://www.movmnt.com/wp-content/uploads/2008/03/rogerjeffrey.png" alt="Roger Jeffrey, the eternal quest for inspiration" width="575" height="385" /></a>[/caption]

<p>His voice rings with the excitement of what he has done and the anticipation of what he has yet to do. Clearly, Roger C. Jeffrey, Artistic Director of Subtle Changes, will accomplish all of his goals. He describes himself as ambitious, yet patient. His mentor, Kevin Iega Jeff, instilled in him a deep love for his chosen profession.  What often begins with Roger's dancers in a New York City studio merely sets the framework for his finished project. Wherever he travels to set choreography, he loves getting to know his dancers, their movement, and their strengths. He uses everything from writing to movement to poetry to find the inspiration for a finished piece. He has learned to love the process, not just the result.  One ballet, The Statement 7th Draft, took seven years to complete a testament to his patience. It was revised each time it was performed, demonstrating Roger's emphasis on the process of choreography.  By the time it reached the seventh draft, it was presented as a tribute to the immortal Gil Scott-Heron, culminating in three sold out performances in Brooklyn, New York.  In 2005, he traveled to Bulgaria to set a small piece on Ballet Arabesque.Caught up in the enthusiasm, culture, and high standard of the dancers, it ended up being a fifty-minute ballet.  This past year, he worked with the Cleo Parker Robinson Dance Company in Denver, creating a ballet to take on tour.  Roger is always searching for new sources of inspiration in both performance and choreography. Several years ago, he had the rare opportunity to work and dance with the legendary Mikhail Baryshnikov.  He describes Baryshnikov as one of the most amazing and inspiring dancers in the entire world.Roger's goals are realistic yet ambitious to dance, to continue learning, and to create one or two ballets a year.  He is looking forward to setting pieces for Orlando Ballet and the Washington Ballet in the near future.  I just love dance, he told movmnt.  There is no doubt about that!<strong>Sally Canterna</strong><strong> </strong>First Published in movmnt magazine "Out of Line" - Spring 2007 - issue 3</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>Living the Choreographer&#8217;s Dream, Aszure Barton</title>
		<link>http://www.movmnt.com/aszure-barton_00335.html</link>
		<comments>http://www.movmnt.com/aszure-barton_00335.html#comments</comments>
		<pubDate>Mon, 11 Feb 2008 00:42:24 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Aszure Barton]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Michael Baryshnykov]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/aszure-barton_##335.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city. Even after the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-3155" title="aszurebarton" src="http://www.movmnt.com/wp-content/uploads/2009/02/aszurebarton.jpg" alt="" width="500" height="328" /></p>

<p>Few choreographers have been successful and willing to allow themselves the freedom to enjoy their gifts. Aszure Barton, who was born in Alberta and trained at the National Ballet School in Toronto, continues to gain momentum and attention throughout the New York arts community as her work reaches far beyond the city.  Even after the recent New York debut performance of Come In with one of the greatest dancers of our time, Mikhail Baryshnikov, Barton does not allow the pressures of having to produce and live up to expectations stand in the way of her love for creation. I followed her through a whole year to understand why.</p>

<p>In March 2006, Barton choreographed The Threepenny Opera, her first Broadway musical.  Creating for  he ever-nimble and delightful stage veteran Jim Dale, and for the hot-blooded duo Cindy  Lauper and Alan Cumming, was a crazy and fun experience, she says. In fact, the  entire cast of Threepenny was wild!</p>

<p>The following summer, Barton created Come In with Baryshnikov  and the Hell's Kitchen  Dancers and toured with them  around the U.S. and Spain, where she also performed a duet with the legendary ballet star, in a work choreographed by Benjamin Millepied. Working with Misha is wonderful, she says. He is very positive and relentless, and he loves  the creative process. It has  been an absolute pleasure to  work with him and I am thrilled  to know him.</p>

<p>Baryshnikov took Barton under  his wing when the two  met in 2002. Believing her to  be a fresh, arresting, and  fascinating choreographer, he offered Barton his first residency  at the Baryshnikov Arts Center in 2005, and has continued to support her career by performing her works for two consecutive years.Preoccupied  with performances at Hell's Kitchen Dance, she  took her then four-year-old  company, Aszure &amp; Artists, to  Jacob's Pillow in Massachusetts, the Summer-dance Festival in Santa Barbara, and the Spoleto  Festival in Charleston. They performed Over/Come, Sweet  Dream, Short-Lived, and Lascilo Perdere (containing Bartons infamous duet in which a couple remains locked together by the man's tongue and the woman's teeth for four and a half powerfully sensual minutes). Rave reviews followed everywhere she went.</p>

<p>Barton then took seven intense weeks in the fall of 2006 to create les Chambres des Jacques for Les Ballets Jazz de Montreal, the company for whom she once danced and now serves as its resident choreographer.  The dancers in the company and my assistant, Ariel Freedman, were hugely generous and trusted me completely.  It was an arduous but incredible process, and I love the  piece.</p>

<p>Shortly after she created Still with the talented seniors at  Juilliard, with music by Alfred  Schnittke. This was followed by  another creation entitled Alto  for Transitions Dance Company  at the Laban in London.</p>

<p>Each composition of Barton's is  vastly unique, despite their often-  overlapping creation periods.  Right now I enjoy walking into the creation process with no fixed plan,� she explains.  I  am very interested in dancers as human beings and I like to  have fun in the process. I try to remain open. I love to observe and seize candid moments and use this as the foundation of the work. The process has become listening to and observing my cast, rather than teaching steps. I am interested in creating dense, rapidly shifting  environments onstage, in which each player is an individual and all are unified by a common tongue.</p>

<p>Barton's dream of going to Africa came true in February 2007 when she took three dancers with her to Kenya to take part in an environmental awareness project with dozens of other artists from around the world. Called Earth: Healing the Rift, the Laikipia Nature Conservancy performance was inspired by the prevalent theme of climate change and global warming, and our duty to do something about it. Barton felt very strongly about working with the Kenyan children and community to try to make a difference. The entire experience was so breathtaking and necessary at that point in my life. It was so wonderful to recognize how vital dance is and to realize that everyone is a teacher. I hope to go back again very soon!  �</p>

<p>It doesn't stop there. This 31- year-old fireball of creativity has a lot to look forward to. This summer she toured again with Baryshnikov and Hell's Kitchen Dance around the U.S. and Brazil. She is now creating a new work for Les Ballets Jazz, then will travel to Prague to work on a dance movie with director Daniel Conrad. In 2005 they collaborated on an adventurous film on the Queen Charlotte Islands on the Western coast of Canada. She is also very excited to work with the Flamenco star Maria Pages, and to create a new work for her company.</p>

<p>An artist's dream to work with, Barton is attracting many aspiring dancers. Despite the fact that Aszure &amp; Artists does not hold regular auditions, which can be frustrating for some dancers. Barton is very good at finding exactly what she wants. When searching for the perfect combination of dancers and music, she sounds as though she's searching for a soul mate.  Trust, she says.  I love a dancer that is interested and interesting, honest, vulnerable, open, fearless, compelling and clear. I love laughter, so a good sense of humor is great too! � But music is every bit as important to her: I celebrate and am deeply inspired by music. I listen to a lot of music and I am continually learning � and spending a lot of coinage on it!  Her work has been described as intensely musical, structurally astonishing, and emotionally moving.</p>

<p>William Briscoe, one of Ms. Barton's lead dancers and assistants since 2002, describes his experience creating with Aszure: If you're not very good at mathematics it can be difficult because of the timing and phrasing of her music. There's always an and count that you could easily miss. I'm a better teacher because of working with Aszure. I use all of the nuances in the music now, not simply the obvious. As a dancer, you never really perfect Aszure's work in the process there's always a chance for it to become more enriched through expression and practice in the studio.  Briscoe finds that he has improved as an artist on many levels with Aszure. I still feel like there's more to investigate, and we're friends too. Most of us prefer to work with friends rather than some maniacal, crazy boss.</p>

<p>The unusual opportunities that present themselves to Barton are not simply good fortune. Barton has a passion for collaborating with brilliant artists of all trades. From photographer George Lange, to the musicians of Les Yeux Noirs, to the filmmaker Kevin Freeman, she seeks out a wide array of work to stay constantly challenged and inspired. In her travels, Aszure gets to see the world from a new perspective every time and gains a fresh outlook on what it is to be a thriving artist.</p>

<p>Dealing with the financial end of the dance world is never easy, but Ms. Barton always chooses the most attractive experience over the most lucrative. Maybe that's her secret! Though it doesn't hurt to have a name like Baryshnikov behind her, Aszure is a strong, independent artist who savors every opportunity to live the choreographer's dream.</p>

<p><strong>Written by Cynthia Salgado | Photography by George Lange</strong></p>

<p><strong></strong><br />
<a title="aszurebarton.com" href="http://www.aszurebarton.com/" target="_blank">aszurebarton.com</a></p>

<p><a href="http://www.aszurebarton.com/"></a><a href="http://langephoto.com">langephoto.com</a></p>]]></content:encoded>
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		<title>Swan Cedar Lake</title>
		<link>http://www.movmnt.com/swan-cedarlake_00334.html</link>
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		<pubDate>Mon, 11 Feb 2008 00:31:38 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Ailey]]></category>
		<category><![CDATA[alvin ailey]]></category>
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		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[Beth Konopka]]></category>
		<category><![CDATA[Cedar Lake]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/swan-cedarlake_##334.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Portrait of Benoit Swan Pouffer, artistic director of Contemporary Dance Company Cedar Lake.]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-418 alignleft" style="margin: 5px;" title="Swan Cedar Lake" src="http://www.movmnt.com/wp-content/uploads/2008/03/cedarlake.png" alt="" width="400" /></p>

<p style="text-align: justify;">When walking to the Cedar Lake studios, one feels almost like they are wandering into a New York slated for potential the streets widen, the traffic becomes less dense, and the warehouse gallery spaces occupy the ground floors of every building you pass. There is creativity in the air. movmnt recently met Artistic Director Swan Pouffer on location.</p>

<p style="text-align: justify;">The twin one-story garages that house Cedar Lake's company at 547 West 26th Street were renovated to accommodate brand new offices, lockers, a rehearsal hall, a lounge and a modern, modest, Cirque du Soleil-style interchangeable theatre. Formerly the studio of American master photographer Annie Leibovitz, the space is nothing short of any artist's dream.</p>

<p style="text-align: justify;">But none of it is more impressive than the refined and eloquent cast of characters that live, eat, sleep, and create inside of these walls. The artistic director, young Benoit-Swan Pouffer, a former Alvin Ailey dancer, is surprisingly humble for someone in his position.</p>

<p style="text-align: justify;">Cedar Lake is a company born into privileges almost unimaginable to even veteran choreographers. Backed by Nancy Laurie (a Wal-Mart heiress), Swan is able to provide his dancers extensive contracts with health insurance, as well as have his own in and classical lines of a ballet dancer in their legs and feet. There is an obvious camaraderie between the members of Cedar Lake. Even after some tumultuous restructuring of the company's direction, it seems like they are truly in this together. Even Nancy Laurie calls in at least once a week to ask Swan how everyone is doing. With a more traditional season on its way, Swan is attempting to show that the company house wardrobe department and on-call physical therapist, in addition to the new facility.</p>

<p style="text-align: justify;">More importantly, because these things are taken care of, it enables him to pursue a much needed mission in the dance world by closing the awareness gap between the dance culture of America and Europe.</p>

<p style="text-align: justify;"><a class="lightbox" title="8877" href="http://www.movmnt.com/wp-content/uploads/2009/02/8877.jpg"><img class="alignright size-medium wp-image-3157" style="margin: 5px;" title="8877" src="http://www.movmnt.com/wp-content/uploads/2009/02/8877-300x199.jpg" alt="" width="300" height="199" /></a>Parisian-born Swan essentially is a cross-cultural anomaly himself. His dance roots began at the Conservatoire National Superieur de Musique et de Danse in Paris, yet he wound up dancing for one of the most iconic American dance companies, Alvin Ailey.</p>

<p style="text-align: justify;">Even the dancers he hires possess polar qualities and must have modern tops with ballet bottoms. AÂ Translation (from that glorious lilting French accent to plain English): Swan requires his dancers to have the athleticism, strength, and expression of a modern dancer in their upper bodies combined with the grace, length, and classical lines of a ballet dance in their legs and feet.</p>

<p style="text-align: justify;">To Swan, the dancers are a palette of different colors that each bring a unique and indispensable part to the creation process.  He interacts with them by generating a movement dialog.  They build choreographic phrases together, breathing life into the steps as they form.  Swan appreciates choreography that contains a message or through line and with these dancers who were selected under his microscopic eye, he is able to truly explore his vision.</p>

<p style="text-align: justify;">With a more traditional season on its was, Swan is attempting to show that the company is taking a multifaceted approach to being an essential part of the dance community. After only two full years under their belts, Swan and rehearsal director Alexandra Damiani have been receiving reels from choreographers from all over the world. In 3x3, the upcoming winter show, Swan has chosen to showcase the works of Italian-born choreographer Jacopo Dani and Mexican born dance maker Edgar Zendejas to compliment one of his own works titled Vastav.</p>

<p style="text-align: justify;">Both Swan and Alexandra find it truly important not to stay in the box.  They agree that some people have their eyebrows raisedÂ at them not only because of their youth and the financial backing of the company, but also because of Cedar Lake's versatile style of performance. In the past, some of their shows were heavily inundated by video, some installation. The choreography is at times more hip-hop, more jazz, sometimes contemporary, and other days, ballet. People would like to define them but they want to remain indefinable.</p>

<p style="text-align: justify;">To Swan, Cedar Lake at its core is a laboratory. He has been successful in investing time to get the community involved in the creation process and dance in general. By opening the doors of the company for cost-free interactive performances a few times a month, he has been challenging the community not to notice them.</p>

<p style="text-align: justify;">Swan promises to keep investigating new ways of showing dance. By 2008, he hopes to have completed a collaborative installation project that will feature singers as well as dancers. To him dance is all I know, and even if he could not move and create in the style that comes so naturally to him, it would still be, without question, his dream.</p>

<p style="text-align: right;"><strong>Beth Konopka </strong></p>

<p style="text-align: right;"><a href="http://cedarlakedance.com/">cedarlakedance.com </a></p>]]></content:encoded>
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		<title>Death of Choreographer Maurice Bejart</title>
		<link>http://www.movmnt.com/bejart-dies_00283.html</link>
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		<pubDate>Thu, 22 Nov 2007 12:29:05 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/bejart-dies_##283.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to [...]]]></description>
			<content:encoded><![CDATA[<p>French choreographer Maurice Beart died Thursday November 22nd in Switzerland were he was living since the late 80s. Bejart, a former dancer who turned 80 on Jan. 1, had been in and out of hospital in recent months, suffering from exhaustion as well as kidney and heart problems. He moved in 1987 from Brussels to Switzerland where he founded the troupe in the lakeside city of Lausanne. Its 35 dancers are in rehearsals for a new production called "Around the World in 80 Minutes", to be premiered on Dec. 20 in Lausanne.</p>

<p>Famous for his provocation in the ballet world he ran the Bejart Ballet Lausanne in Switzerland. He was the son of the French philosopher Gaston Berger. Born in Marseille, France and founder of the Ballet de l'Etoile company in 1954, he created in 1960 the Ballet du XXe Siecle in Brussels.<br />
 In 1987 he moved to Lausanne in Switzerland, where he founded the Bejart Ballet Lausanne, one of the most famous and successful dance companies in the world.</p>

<p>Among his works is a thoroughly revised version of The Nutcracker, presumably inspired by his own life story, which he staged in 2000. It still uses Tchaikovsky's original score, but completely scraps the original plot and characters, instead supplying a new story about a boy's efforts to re-connect with his mother. We also are given a look into the boy's strange sexual fantasies. The production design is full of erotic images - some of which are most likely shocking to many, such as wombs and vaginal openings. One of the characters is Marius Petipa, who becomes Mephisto. Another character is called Felix the Cat, presumably after the famous cartoon character.</p>]]></content:encoded>
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		<title>Brian Friedman &#8211; Where Have You Been?</title>
		<link>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html</link>
		<comments>http://www.movmnt.com/brian-friedman-where-have-you-been-2_00261.html#comments</comments>
		<pubDate>Wed, 24 Oct 2007 21:08:15 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[5 - Fall 07]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Brian Friedman]]></category>
		<category><![CDATA[Capezio]]></category>
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		<category><![CDATA[summer]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman-where-have-you-been-2_##261.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue5-icon.png" width="11" height="14" alt="" title="5 - Fall 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><br/>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/brian_2.jpg"><img class="alignleft size-full wp-image-3195" title="brian_2" src="../wp-content/uploads/2009/02/brian_2.jpg" alt="brian_2" width="174" height="500" /></a></p>

<p>Everyone around the globe dances to their own beat, but it's different when it comes to choreographing. That's where Brian Friedman, a well known and respected choreographer and dancer in the competitive entertainment world steps in. Friedman's passion for music and dance has grown strong since childhood. His days of being in Newsies are long gone, but he has had the privilege of working with huge stars like Britney Spears, Mya, Hillary Duff, Prince, and *NSYNC.</p>

<p>Friedman had the pleasure of choreographing a number of Britney Spears videos, such as Overprotected, Toxic,I love Rock 'n Roll, and I'm A Slave 4 U,Â which he received a nomination for outstanding achievement in music video choreography for in 2002.</p>

<p>More recent, Friedman's judging days on Simon Cowell's The X Factor has been transformed into creative directing. According to Friedman, he felt he wasn't Ã¢â‚¬Å“fulfilling [his] duties as an artistic personÂ but is more than thrilled to take on this role.Ã¢â‚¬Â What makes Friedman stand out among other choreographers? He dedicates his time to young aspiring dancers around the world, teaching them his technique. Not only do they gain confidence in their dancing, they also develop respect toward their fellow dancers. Being that he is still a young choreographer, he is a role model for aspiring professional dancers and choreographers, showing them that if they strive for what they deserve, then no one can stand in their way. Friedman is no amateur. He's been nominated for four MTV Video Music awards, two Music Video Production awards, and five American Choreography awards (ITV.com). His dance contributions to films include Bubbly Boy, Uptown Girls, She's All That, and more. In She's All That, Friedman was a dancer in an exciting scene toward the end. And, just to blow everyone off their feet, Friedman celebrated this summer the release of his new BFree apparel and footwear line with Frontline Dance/Capezio. The Elite shoe is finally available to the public. Clearly Friedman believes he has more to offer the dance world and does not lack the confidence to state it (check out his MySpace page for more info on this). He takes risks and reaps the benefits. So if you want to learn how to dance like a professional from a professional, Brian Friedman is the guy to go to.</p>

<p><a href="http://www.myspace.com/brianfriedman" target="_blank">www.myspace.com/brianfriedman</a></p>]]></content:encoded>
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		<title>NY Times article on how dance is taking over!</title>
		<link>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html</link>
		<comments>http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_00164.html#comments</comments>
		<pubDate>Sat, 07 Jul 2007 05:54:18 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
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		<guid isPermaLink="false">http://www.movmnt.com/ny-times-article-on-how-dance-is-taking-over_##164.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Copyright NY Times Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves By STUART ELLIOTT New York Times (July 6, 2007) MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music. The goal of marketers like Apple, Carnival [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/2009/02/nytimes.jpg"> <br />
 Copyright NY Times</a></p>

<p style="text-align: justify;"><strong>Five, Six, Seven, Eight: Madison Avenue Shows It Still Loves the Right Moves<br />
 </strong>By STUART ELLIOTT<br />
 New York Times (July 6, 2007)</p>

<p style="text-align: justify;">MADISON AVENUE is going all Fred-and-Ginger on consumers, filling commercials, Web sites and other forms of advertising with energetic dance steps and music.</p>

<p style="text-align: justify;">The goal of marketers like Apple, Carnival Cruise Lines, the Church &amp; Dwight Company, Gap and the nation's milk processors is to take advantage of a renewed interest in dance in the popular culture.</p>

<p style="text-align: justify;">The trend is typified on TV by highly rated series like "Dancing With the Stars" and "So You Think You Can Dance," as well as movies like â€œHigh School Musicalâ€ on the Disney Channel, which is spawning a sequel next month.</p>

<p style="text-align: justify;">In theaters, dance is a central part of films like "Dreamgirls," "Hairspray, "Mad Hot Ballroom," "Shall We Dance," "Step Up" and "Take the Lead," among others.</p>

<p style="text-align: justify;">"Dance is universal; it's something everyone relates to," said Stacey Feldman, vice president for marketing of the women's health and personal care brands at Church &amp; Dwight in Princeton, N.J.</p>

<p style="text-align: justify;">The Nair product line sold by Church &amp; Dwight is the subject of a campaign by the Joey Agency, centered on a dance routine that was created and choreographed by Fatima Robinson. She was the choreographer for "Dreamgirls" as well as the pilot episode of "Viva Laughlin," a series about a Nevada casino that made the CBS fall schedule.</p>

<p style="text-align: justify;">"The MTV generation of kids is so used to quick stimulation," Ms. Robinson said, offering her theory about the increasing presence of dance in ads.  "You have to keep up with what the kids are used to."</p>

<p style="text-align: justify;">Dance's appeal beyond ballrooms and school gymnasiums "comes in waves, like every five years," Ms. Robinson said.  "It reinvents itself."</p>

<p style="text-align: justify;">Indeed, a commercial for Nair, which can be watched on television and a Web site (nairlikeneverbefore.com), pays tribute to a predecessor from the 1970s featuring a routine danced to the novelty song â€œShort Shorts."</p>

<p style="text-align: justify;">Likewise, two recent commercials by Laird &amp; Partners for the Gap division of Gap - featuring terpsichorean turns by Audrey Hepburn, Claire Danes and Patrick Wilson - arrived nine years after a celebrated series of dance-centric Gap spots with titles like "Khaki swing," "Khaki a-go-go" and "Khaki country."</p>

<p style="text-align: justify;">"Like denim and khakis, dance and music are part of our brand heritage," said Kimberly Terry, a spokeswoman for Gap in San Francisco.  "We will continue to reinvent how we incorporate dance in future advertising."  In an example of the continuous recycling of pop culture made possible by the Internet, video clips of the dancing 1998 Gap commercials can be watched on Web sites like google.com.</p>

<p style="text-align: justify;">The swing spot, presenting a gaggle of khaki-clad youngsters performing a frenetic dance to "Jump, Jive an' Wail" by Louis Prima, has been viewed more than 62,800 times since it was posted on Google last August.</p>

<p style="text-align: justify;">Speaking of recycled culture, the release on July 20 of the movie version of the Broadway musical "Hairspray" - itself based on a nonmusical film from 1988 - is being supported with a dance-oriented campaign, seeking to capitalize on numbers in the movie that are based on dances from the early '60s.</p>

<p style="text-align: justify;">The company that is releasing "Hairspray," the New Line Cinema division of Time Warner, is teaming up with promotional partners like the Arthur Murray dance studios and the Carnival Cruise Lines unit of the Carnival Corporation.</p>

<p style="text-align: justify;">For instance, New Line is sponsoring "Hairspray" sock hops for teenagers on Carnival ships and is sending the ships' dance instructors and cruise directors DVDs with lessons demonstrating "Hairspray" dances, which bear fanciful names like the Peyton Place After Dark.</p>

<p style="text-align: justify;">"We've raised a generation on musicals, most notably Disney productions like 'The Lion King' and 'Beauty and the Beast,'" said Lance Still, executive vice president for national promotions at New Line in Los Angeles.</p>

<p style="text-align: justify;">It is the same generation, Ms. Still said, "that is becoming very fluent in tuning out advertising messages delivered in traditional ways," hence the efforts to gain attention with dance-related marketing.</p>

<p style="text-align: justify;">Among the other examples of Madison Avenue busting a move are the dance campaign for the Apple iPod that began appearing in 2003, created by TBWA/Chiat/Day, part of the TBWA Worldwide unit of the Omnicom Group, and the milk mustache print ads featuring cast members of "High School Musical" and "Dancing With the Stars," created by the Lowe Worldwide division of the Interpublic Group of Companies.</p>

<p style="text-align: justify;">"Our difference with other nonalcoholic beverages is a nutritional difference, but telling the nutrition story is not always the most exciting thing," said Kurt Graetzer, chief executive at the Milk Processor Education Program in Washington, which finances the milk mustache campaign.</p>

<p style="text-align: justify;">"Having a celebrity tell that story, especially one you might have just seen on TV or in a movie, is a wonderful way to get an important message across," he added.</p>

<p style="text-align: justify;">Besides, to be a great dancer, "you've got to be healthy, you've got to be strong," Mr. Graetzer said, so having dancers endorse milk helps deliver that message in a deft, low-key way.</p>

<p style="text-align: justify;">Hmmmm. Could Astaire and Rogers have danced cheek to cheek in swing time if they were sporting make-believe dairy mustaches?</p>

<p style="text-align: justify;"><a href="http://www.nytimes.com/2007/07/06/business/media/06adco.html?ex=1341460800&amp;en=10988f00f09d7b6a&amp;ei=5124&amp;partner=digg&amp;exprod=digg">read more</a> | <a href="http://digg.com/news/entertainment/Five_Six_Seven_Eight_Madison_Avenue_Shows_It_Still_Loves_the_Right_Move">digg story</a></p>]]></content:encoded>
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		<title>In Bed with Mia Michaels: The Photo Shoot</title>
		<link>http://www.movmnt.com/backstage-mia_00146.html</link>
		<comments>http://www.movmnt.com/backstage-mia_00146.html#comments</comments>
		<pubDate>Tue, 12 Jun 2007 09:33:39 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[4 - Summer 07]]></category>
		<category><![CDATA[Contemporary]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Photo Report]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Koury Angelo]]></category>
		<category><![CDATA[mia]]></category>
		<category><![CDATA[photoshoot]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[Teddy Forrance]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/backstage-mia_##146.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue4-icon.png" width="11" height="14" alt="" title="4 - Summer 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Mia Michaels, choreographer, outspoken judge on So You Think You Can Dance brings you within her creative world in this unique photo editorial for Movmnt Magazine.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="alignleft size-medium wp-image-7979" style="margin: 5px;" title="In bed with Mia" src="http://www.movmnt.com/wp-content/uploads/2008/11/movmnt4_14.jpg" alt="" width="450" />For Mia Michaels, it's all about the process. When she agreed to be the subject of a movmnt fashion editorial, she naturally had her own vision in mind. The choreographer and outspoken judge of FOX's So You Think You Can Dance now in its third season, invites you into her private suite and her dreams. Here is an exclusive backstage preview of the photo shoot featured in movmnt magazine summer 2007 issue.</p>
<p>Mia Michaels is a regular columnist for movmnt magazine she collaborated creatively to the entire story along with photographer Koury Angelo, Stylist Gino Tavernaro, Hair stylist MichaelAnthony, Broadway make-up artist Jorge Vargas and movmnt's Editor in Chief David Benaym.</p>
<p style="text-align: center;"><strong>In Bed with Mia...</strong></p>

<embed class="xg_slideshow" src="http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?v=201006161005" quality="high" bgcolor="#" width="500" height="394" allowFullScreen="true" allowScriptAccess="always" scale="noscale" wmode="opaque" FlashVars="feed_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FslideshowFeedAlbum%3Fsort%3D%26screenName%3D%26id%3D1779856%3AAlbum%3A21632%26tag%3D%26useTags%3D0%26fullscreen%3Dtrue%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26x%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N&autoplay=1&hideShareLink=1&config_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2FshowPlayerConfig%3Fx%3DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26xn_auth%3Dno%26feed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N%26version%3DDEP-4852%253A9abd0cb_323_286_29&slideshow_title=&fullsize_url=http%3A%2F%2Fwww.movmnt.net%2Fphoto%2Fphoto%2Fslideshow%3Ffeed_url%3Dhttp%253A%252F%252Fwww.movmnt.net%252Fphoto%252Fphoto%252FslideshowFeedAlbum%253Fsort%253D%2526screenName%253D%2526id%253D1779856%253AAlbum%253A21632%2526tag%253D%2526useTags%253D0%2526fullscreen%253Dtrue%2526x%253DCEO1dDMga9dzzk0To5GVMx5MsvXVmX2N" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"> </embed> <br /><small><a href="http://www.movmnt.net/photo/photo">Find more photos like this on <em>Movmnt Magazine Network</em></a></small><br />]]></content:encoded>
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		<title>Brian Friedman&#8217;s 30th Birthday with Frontline and movmnt magazine</title>
		<link>http://www.movmnt.com/brian-friedman_movmnt_00141.html</link>
		<comments>http://www.movmnt.com/brian-friedman_movmnt_00141.html#comments</comments>
		<pubDate>Sat, 02 Jun 2007 12:18:49 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Dance on TV]]></category>
		<category><![CDATA[Danny Tidwell]]></category>
		<category><![CDATA[FASHION]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Travis Wall]]></category>
		<category><![CDATA[special events]]></category>
		<category><![CDATA[Brian Friedman]]></category>
		<category><![CDATA[Capezio]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[Debbie Allen]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[movmnt magazine]]></category>
		<category><![CDATA[party]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/brian-friedman_movmnt_##141.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-green-icon-25.png" width="14" height="11" alt="" title="FASHION" /><br/>Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">Hollywood, CA - May 29th 2007 - Choreographer Brian Friedman celebrates his 30th Birthday in Los Angeles at "Les Deux" along with the release of his new shoe line with Frontline/Capezio.</p>
<p style="text-align: justify;">The well known dance apparel and shoe maker Capezio and Frontline Dance presented Brian Friedman's Bfree launch while 30th Birthday party and release of his BFree apparel and footwear collection.</p>
<p style="text-align: justify;">Brian  Friedman has choreographed some of the most popular and groundbreaking music videos and performances such as Britney Spears, Paris Hilton, Mya, PRINCE, *NSYNCs, Beyonce, Usher, Pink, Brittany Murphy, Hilary Duff, Christina Milian and many more.  As a dancer, his silver screen credits include both "Charlie's Angels" and "Charlie's Angels: Full Throttle", "You Got Served", "She's All that", "Austin Powers Gold Member", "Uptown Girls", and more.  This TV season, he can be seen overseas, starring in Simon Cowell's hit UK show, "Grease Is the Word".  Friedman has been nominated for 4 MTV Video Music Awards, 2 Music Video Production Awards and 5 American Choreography Awards. He also tours around the world mentoring thousands of students and teaching his own dance technique. This young trendsetter just launched his first merchandise, apparel and shoe line by Frontline Dance. The total design of the BFree shoe and apparel collection was inspired and developed by Brian Friedman in conjunction with Sean Philip of 1981 Design and FL by Frontline.</p>
<p style="text-align: justify;">In Summer of 2007, the Brian Friedman celebrity apparel collection will debut and be introduced for dance enthusiast everywhere.</p>
<p style="text-align: justify;">movmnt magazine was a proud sponsor of the event that took place in Hollywood Tuesday May 29th 2007. Friends of Brian Friedman, along with talented and famous dancers, choreographers and TV personalities attended the event. Where seen on the red carpet, Debbie Allen, Blake McGrath, Travis Wall, Ivan Koumaev, Jay Rodriguez, Yvette Lopez and Shannon Rae Bex among many more guests.</p>
<p style="text-align: justify;"><a title="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" rel="attachment wp-att-151" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/spiegel-logo"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmntthumbnail.jpg" alt="Brian Friedman presenting his BFree Frontline Shoes at his 30th Birthday Party with movmnt magazine" /></a>
Brian Friedman presenting his BFree Frontline Shoes</p>
<p style="text-align: justify;"><a title="Danny Tidwell and David Benaym - co-founders of movmnt magazine" rel="attachment wp-att-149" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/absinthe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_1thumbnail.jpg" alt="Danny Tidwell and David Benaym - co-founders of movmnt magazine" /></a>
Danny Tidwell and David Benaym - co-founders of movmnt magazine</p>
<p style="text-align: justify;"><a title="Debbie Allen and Danny Tidwell" rel="attachment wp-att-146" href="http://www.movmnt.com/backstage-mia_00146.html"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_7thumbnail.jpg" alt="Debbie Allen and Danny Tidwell" /></a>
Debbie Allen and Danny Tidwell at Brian Friedman's Party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga holding movmnt magazine" rel="attachment wp-att-147" href="http://www.movmnt.com/brian-friedman_movmnt_00141.html/danny-tidwell-travis-wall-subscribe"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_11thumbnail.jpg" alt="Melody Lacayanga holding movmnt magazine" /></a>
Melody Lacayanga (SYTYCD#1) holding movmnt magazine at Brian Friedman's Birthday party</p>
<p style="text-align: justify;"><a title="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" rel="attachment wp-att-148" href="http://www.movmnt.com/?attachment_id=148"><img style="margin: 5px; border: 1px solid black;" src="../wp-content/uploads/2007/06/brian_friedman_movmnt_25thumbnail.jpg" alt="Melody Lacayanga, Travis Wall and Ivan Koumaev holding movmnt magazine" /></a>
So You Think You Can Dance Melody Lacayanga, Travis Wall and Ivan Koumaev holding the new issue of movmnt magazine</p>]]></content:encoded>
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		<title>Broaden/Broadway Your Mind &#8211; Column by Mia Michaels</title>
		<link>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html</link>
		<comments>http://www.movmnt.com/broaden-broadway-mia-michaels_00126.html#comments</comments>
		<pubDate>Tue, 22 May 2007 22:51:44 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[3 - Spring 07]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[features]]></category>
		<category><![CDATA[Spring 07]]></category>
		<category><![CDATA[SYTYCD]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/broawayden-your-mind-by-mia-michaels_##126.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue3-icon.png" width="11" height="14" alt="" title="3 - Spring 07" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;"><img class="aligncenter size-full wp-image-3476" title="Broaden Your Mind by Mia Michaels" src="http://www.movmnt.com/wp-content/uploads/2007/05/broadenmia.gif" alt="" width="432" height="320" />I remember as a little girl going to see a Broadway show with my dad every summer. I remember the electricity in the audience before the curtain rose. I remember the men and women that pranced into the theater dressed in the finest garb, dripping in diamonds, furs, and anything else they could showcase on the way to their sacred red velvet seats. It was a big deal to be there. I remember watching in amazement and feeling the powerful wave of magic that poured from the lips of the stage directly through the viewers and right into my young, open, hungry heart.<br />
 The voices, the movement, the story, the experience marinated in my every pore for hours, days, perhaps even weeks after, which in turn kept me inspired and more on fire to achieve my dreams for the rest of the year until I came back to the Big Apple next summer. Sigh. (smile)</span></p>

<p style="text-align: left;"><strong>Here we are now: 2007</strong></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">As I walk into yet another Broadway show, I see men and women wearing the casual thing jeans, tee shirts, sneaks, looking like everyone just came from a long day's work, perhaps the gym. Maybe they just finished shooting a Gap ad. No, they would have had makeup on then. They walk down the once sacred aisles to their seats as if they are being sent by their parents to go clean their rooms before they can go outside and play. There was more energy around the bar in the lobby than in anticipation of the show about to begin. The expectancy of mediocrity was contagious. Where was the excitement? Where were the electricity and the fire that used to burn down that regal red curtain before the show even began? It's Broadway, people!!! Wake up! What year is it again? 2007! Dance, music, story, and style have evolved, or have they?</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Oh, wait! It's another revival! Oh, that's right. It's safe. It worked twenty years ago, so why not now? Yeah, it works. Keep it! Again and again, and perhaps again. Don't get me wrong. The history of Broadway is not to be criticized nor disrespected! The brilliance and the talent from the past have led us to where we are now. So why does it feel like the torch that was to be passed on somehow got put out? We as creators, directors, writers, composers, and choreographers need to take a good hard look and realize it is our duty to keep that fire growing within us and within our community. We have got to keep it blazing like they did in the days of original shows and original creators such as Fosse, Robbins, Bennett, Bernstein, and so many more. They strived to create the newness at that time. They pushed the envelope with style, power, and grace. We laughed, we cried, and we sung and danced right out of the theater. They didn't hold back and edit their dreams. It was the truth inside them. It was their unique voice.</span></p>

<p style="text-align: justify;"><span style="font-size: small; font-family: verdana,geneva;">Where are those creators now? Where are those with that unique burning voice? The theatres themselves are crying out to be blessed again with risk and danger, with great theatrical creations. No more playing it safe. I want the newness. I want the broad way of thinking again. Oh, wait, maybe that's just me! (Sigh)</span></p>

<p style="text-align: right;"><span style="font-size: x-small; font-family: verdana,geneva;"><span style="font-size: small;"><strong>Mia Michaels</strong></span><br />
 <a href="http://www.miamichaels.com">miamichaels.com</a></span></p>

<blockquote><p style="text-align: justify;"><span style="font-size: x-small; font-family: verdana,geneva;">* Mia Michaels is a world-renowned choreographer. She was recently awarded her first Emmy Award for Outstanding Choreography for Calling You, created in 2006 for Fox’s So You Think You Can Dance. Mia has been collaborating creatively and as a regular columnist for movmnt since its inception.</span></p></blockquote>]]></content:encoded>
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		<title>Raw by Mia Michael &#8211; That&#8217;s Beautiful</title>
		<link>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html</link>
		<comments>http://www.movmnt.com/raw-mia-michael-winter2006_0027.html#comments</comments>
		<pubDate>Mon, 20 Nov 2006 01:43:56 +0000</pubDate>
		<dc:creator>Movmnt Magazine</dc:creator>
				<category><![CDATA[2 - Winter 06]]></category>
		<category><![CDATA[Column]]></category>
		<category><![CDATA[DANCE]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Featured Articles]]></category>
		<category><![CDATA[Mia Michaels]]></category>
		<category><![CDATA[POP CULTURE]]></category>
		<category><![CDATA[So You Think You Can Dance]]></category>
		<category><![CDATA[Choreographer]]></category>
		<category><![CDATA[SYTYCD]]></category>
		<category><![CDATA[sytyvd]]></category>

		<guid isPermaLink="false">http://www.movmnt.com/raw-mia-michael-winter2006_##27.html</guid>
		<description><![CDATA[<img src="http://www.movmnt.com/wp-content/uploads/issue2-icon.gif" width="11" height="14" alt="" title="2 - Winter 06" /><img src="http://www.movmnt.com/wp-content/uploads/m-red-icon-25.png" width="14" height="14" alt="" title="DANCE" /><img src="http://www.movmnt.com/wp-content/uploads/m-orange-icon-25.png" width="14" height="14" alt="" title="POP CULTURE" /><br/>Why do we dance? Why does our body want to move and pulse when music invades our ears? Choreographer Mia Michaels tells it raw, in her Movmnt Magazine column.]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><img class="aligncenter" style="margin-top: 5px; margin-bottom: 5px;" src="http://www.movmnt.com/wp-content/uploads/2006/11/mia4colors.gif" alt="Mia Michaels" width="491" height="280" />Why do we dance? Why does our body want to move and pulse with every rise and fall of the music that invades our ears? Are we a product of a the thousand and one classes and a lifetime of training, or is dance a purely instinctual and primal experience that hapens internally only when we allow it? I would only hope that both reasons intertwined with respect and nurturing are the answer. Or is it a gift that's given by a much higher power than ourselves? That would be beautiful.</p>
<p style="text-align: justify;">Allowing movement 